 
  Popularity: 3 (history)
| Director: | Shola Amoo | 
|---|---|
| Writer: | Shola Amoo | 
| Staring: | 
| Femi is a British boy of Nigerian heritage who, after being fostered in rural Lincolnshire, moves to inner-city London to live with his birth mother. Struggling with the unfamiliar culture and values of his new environment, teenage Femi has to figure out which path to adulthood he wants to take. | |
| Release Date: | Sep 27, 2019 | 
|---|---|
| Director: | Shola Amoo | 
| Writer: | Shola Amoo | 
| Genres: | Drama | 
| Keywords | growing up | 
| Production Companies | BFI, Privateer Pictures, Prodigal Film & TV | 
| Box Office | Revenue: $228,676 Budget: $0 | 
| Updates | Updated: Feb 03, 2025 Entered: Apr 20, 2024 | 
| Name | Character | 
|---|---|
| Samuel Adewunmi | Femi | 
| Gbemisola Ikumelo | Yinka | 
| Layo-Christina Akinlude | Bimpe | 
| Rasaq Kukoyi | Dean | 
| Tai Golding | Younger Femi | 
| Tuwaine Barrett | Dwayne | 
| Nicholas Pinnock | Mr. Williams | 
| Ruthxjiah Bellenea | Tope | 
| Demmy Ladipo | Mace | 
| Ibrahim Jammal | Ade | 
| Jayden Jean-Paul-Denis | Tayo | 
| Yazzmin Newell | Dionne | 
| John Akanmu | Kash | 
| Ameen Mustapha | Ola | 
| Yvan Zahui | Block boy | 
| Shaqai White | Young Dean | 
| Jack Chadwick | Young Steven | 
| Sofia Chilvers | Shauna | 
| Denise Black | Mary | 
| Jayden Elijah | Tayo | 
| Name | Job | 
|---|---|
| Maxine Crew | Makeup Artist | 
| Tom Allan | First Assistant Director | 
| Jeremy Campbell | Line Producer | 
| Stil Williams | Director of Photography | 
| Antonia Lowe | Production Design | 
| Holly Smart | Costume Design | 
| Chloe Edwards | Makeup Designer, Hair Designer | 
| Zainah Loulou | Third Assistant Director | 
| Alex Ashcroft | Production Sound Mixer, Sound Recordist | 
| Alex Outhwaite | Sound Designer | 
| Rory Smith | Boom Operator | 
| Lissa Lamona | Art Direction | 
| Sataish O'Shea-Ramdeholl | Second Assistant Director | 
| Alex Joseph | Sound Effects Editor | 
| Jamie Roden | Sound Re-Recording Mixer | 
| Keith Tinman | Sound Effects Editor | 
| Shaheen Baig | Casting Director | 
| Eddie Kane | Production Accountant | 
| Rachel Nolan | Assistant Production Coordinator | 
| Abbi Collins | Stunt Coordinator | 
| Jerry Pradon | First Assistant Camera | 
| Paddy Driscoll | Camera Trainee | 
| Jon Muschamp | "B" Camera Operator | 
| Andrew Bainbridge | Steadicam Operator | 
| Callum Crisell | Best Boy Electric | 
| Tom Janaway | Standby Art Director | 
| Isabelle Fraser | Assistant Costume Designer | 
| Mandy Edwards | Location Manager | 
| James Harding | Online Editor | 
| Carl Troedsson | Online Editor | 
| Adrian Sandu-Yota | ADR Mixer, Dialogue Editor | 
| Matt Crawford | Assistant Sound Editor | 
| Jonny Tully | Colorist | 
| Richard Kondal | Sound Designer | 
| Emma Clarke | Production Coordinator | 
| Conor Kane | Assistant Accountant | 
| Jodie Woodall | Script Supervisor | 
| Cameron Axsel | Second Assistant Camera | 
| Jeremy Balderstone | Digital Imaging Technician | 
| Abramo De Licio | Steadicam Operator | 
| Bryan Gavigan | Gaffer | 
| Damien Gray | Best Boy Electric | 
| Alan Crozier | Property Master | 
| Katie Beveridge | Makeup Artist | 
| Sabrina Salome | Post Production Coordinator | 
| Colin J. Hughes | Online Editor | 
| Alex Beyz | Foley Editor | 
| Viktor Shchyogolev | Foley Artist | 
| Thomas Gould | Orchestrator | 
| Shola Amoo | Writer, Director | 
| Segun Akinola | Original Music Composer | 
| Mdhamiri á Nkemi | Editor | 
| Aisha Bywaters | Casting Director | 
| Jennifer Eriksson | Post Production Supervisor | 
| Name | Title | 
|---|---|
| Lee Thomas | Producer | 
| Myf Hopkins | Producer | 
| Lizzie Francke | Executive Producer | 
| Robert Halmi Jr. | Executive Producer | 
| Jim Reeve | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 4 | 8 | 2 | 
| 2024 | 5 | 4 | 7 | 2 | 
| 2024 | 6 | 5 | 7 | 2 | 
| 2024 | 7 | 7 | 16 | 3 | 
| 2024 | 8 | 4 | 9 | 2 | 
| 2024 | 9 | 2 | 4 | 1 | 
| 2024 | 10 | 3 | 6 | 1 | 
| 2024 | 11 | 3 | 7 | 1 | 
| 2024 | 12 | 3 | 7 | 1 | 
| 2025 | 1 | 2 | 4 | 1 | 
| 2025 | 2 | 2 | 3 | 1 | 
| 2025 | 3 | 1 | 2 | 1 | 
| 2025 | 4 | 1 | 1 | 1 | 
| 2025 | 5 | 1 | 1 | 1 | 
| 2025 | 6 | 1 | 1 | 1 | 
| 2025 | 7 | 0 | 0 | 0 | 
| 2025 | 8 | 1 | 4 | 0 | 
| 2025 | 9 | 3 | 3 | 1 | 
| 2025 | 10 | 3 | 4 | 2 | 
Trending Position
Not the worst film of 2019 by any means, but not really anything too special either. There are even some shadows of "Moonlight" (2017) in this, but overall it is a fairly pedestrian tale of a dislocated lad's adjustment - not very straightforwardly - from his peaceful, fostered, life in rural Lincol ... nshire to the new, busy, and more aggressive urban surroundings of a London where he struggles to integrate readily. He must adapt to the pressures and temptations that brings, some of which compromise his decent and responsible upbringing. Visually, it is quite impressive and Sam Adewunmi certainly shows promise as "Femi", but otherwise it is a little too predictable and maybe could have done with some more potency in a dialogue that does rather follow the trammels.