Popularity: 4 (history)
Director: | Brad Anderson |
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Writer: | Alan B. McElroy |
Staring: |
Driving cross-country, Ray and his wife and daughter stop at a highway rest area where his daughter falls and breaks her arm. After a frantic rush to the hospital and a clash with the check-in nurse, Ray is finally able to get her to a doctor. While the wife and daughter go downstairs for an MRI, Ray, exhausted, passes out in a chair in the lobby. Upon waking up, they have no record or knowledge of Ray's family ever being checked in. | |
Release Date: | Sep 22, 2019 |
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Director: | Brad Anderson |
Writer: | Alan B. McElroy |
Genres: | Drama, Thriller |
Keywords | gas station, hospital, doctor, police officer, alcoholic, accident |
Production Companies | Paul Schiff Productions, Macari/Edelstein, Koji Productions, Crow Island Films |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Sam Worthington | Ray Monroe |
Lily Rabe | Joanne Monroe |
Lucy Capri | Peri Monroe |
Stephen Tobolowsky | Dr. Berthram |
Lauren Cochrane | Officer Childes |
Shane Dean | Officer Griggs |
Adjoa Andoh | Dr. Isaacs |
Stephanie Sy | Nurse Anne |
Chad Bruce | Security Guard Jeff |
Chris Sigurdson | Dr. Lucado |
Erik Athavale | Dr. Bruce Volk |
Ernesto Griffith | Ward Intern / Janitor |
Derek James Trapp | Organ Orderly #2 |
Dennis Scullard | Young Father |
Will Woytowich | State Trooper |
Dorothy Carroll | Admissions Clerk / Scrub Nurse |
Muriel Hogue | Gas Station Attendant |
Mark Dann | Flashback Paramedic |
Gabriel Daniels | Orderly Drew |
Marina Stephenson Kerr | Receptionist #1 |
Natalie Malaika | Receptionist #2 |
Muriel Hogue | Store Cashier |
Jeff Strome | Paramedic / Anesthesiologist |
Adrian McLean | Sick Man |
Will Woytowich | State Cop #1 |
Alan Castanga | Friendly Orderly |
Ernie Pitts | Code Blue Doctor |
Jessica Burleson | Desk Nurse Restricted Area |
Frederick Allen | Man in Line |
Derek James Trapp | Morgue Orderly #2 |
Cheryl Soluk | Knitting Woman |
Name | Job |
---|---|
Alan B. McElroy | Writer |
Lisa Cichelly | Production Manager |
Peter Mabrucco | Second Assistant Director |
Robert Mead | Editor |
Sheila Jaffe | Casting |
Lauren Crasco | Production Design |
Steven K. Johnson | Second Assistant Camera |
Tiffany Murray | Camera Operator |
Réjean Labrie | Art Direction |
Sandra Soke | Costume Design |
Nina Kvaternik | Makeup Artist |
Brenda Magalas | Makeup Department Head |
Travis Marszalek | Hair Designer |
Stacey Mendoza | Hair Department Head |
Doug Morrow | Special Effects Makeup Artist |
Steve Newburn | Prosthetics |
David Franceschetti | Assistant Director |
Bryan R. Burns | Second Assistant Director |
Puneet Chawla | Second Assistant Director |
Andrew Budyk | Set Designer |
Lloyd Brandson | Key Scenic Artist |
Davin MacRae | Special Effects |
Casey Markus | Special Effects Coordinator |
Martin Boksar | Matte Painter |
Blake Goedde | Visual Effects Supervisor |
Tonya Smay | Digital Compositor |
Ian Yunis | Visual Effects |
Brandon Kachel | Matte Painter |
Cindy Rago | Visual Effects Producer |
Saeed Faridzadeh | Digital Compositor |
Liz Gallacher | Music Supervisor |
Billy Higgins | Line Producer, Unit Production Manager |
Jim Heber | Casting |
Adam Druxman | First Assistant Director |
Edgar Ozolins | Production Sound Mixer |
Dallas Pomedli | Boom Operator |
Eric Neufeld | Boom Operator |
Catherine Farrell | Post Production Supervisor |
Donna Jenkyns | Art Department Coordinator |
Mark Stratton | Property Master |
Aaron W.R. Johnston | Assistant Property Master |
Jennifer Omoth | Production Accountant |
Trevanna Post | Post Production Accountant |
Bernard Narvey | Location Manager |
Laurence Mardon | Gaffer |
Eric Zachanowich | Still Photographer |
Kari Rieger | Extras Casting |
Eleanor Erum | Extras Casting |
Olaf Dux | Construction Coordinator |
Sara Stern | Dialogue Editor |
Mick Gormaley | Music Editor |
Ruth Hernandez | ADR Editor |
Sarah Streit | Assistant Sound Editor |
Steven Visscher | Foley Editor |
Marko Costanzo | Foley Artist |
Margaret Lewis | Digital Intermediate Producer |
Björn Charpentier | Director of Photography |
Anton Sanko | Original Music Composer |
Alyssa Koncelik-Diemer | VFX Artist |
Allan Wallace Dunkeld | Stunts |
Anders Strome | Stunts |
Kye Walstrom | Stunt Driver |
Tristan Carlucci | Stunts |
Brad Anderson | Director |
Chris LeDoux | Visual Effects Producer |
Robert Borges | Stunts |
Jake Kennerd | Stunt Double |
Kristen Sawatzky | Stunt Double |
Sean Skene | Stunt Coordinator |
BJ Verot | Stunt Double |
Kara Wooten | Stunt Double |
Ron Bochar | Sound Re-Recording Mixer, Sound Designer |
Rick Skene | Stunt Driver, Stunts |
Dan Skene | Stunt Driver |
Krystle Snow | Stunt Driver |
Rawleigh Clements-Willis | Stunt Driver |
Lucy Capri | Stunts |
Alan Castanga | Stunts |
Jeff Sanca | Stunt Driver |
Name | Title |
---|---|
Neal Edelstein | Producer |
Ian Dimerman | Executive Producer |
Billy Higgins | Executive Producer |
Jessica Jacobs | Associate Producer |
Mike Macari | Producer |
Paul Schiff | Producer |
Catherine Farrell | Associate Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 35 | 49 | 23 |
2024 | 5 | 35 | 60 | 25 |
2024 | 6 | 29 | 42 | 23 |
2024 | 7 | 34 | 46 | 26 |
2024 | 8 | 31 | 50 | 20 |
2024 | 9 | 24 | 31 | 20 |
2024 | 10 | 32 | 57 | 23 |
2024 | 11 | 28 | 50 | 18 |
2024 | 12 | 30 | 75 | 17 |
2025 | 1 | 34 | 52 | 23 |
2025 | 2 | 23 | 37 | 3 |
2025 | 3 | 9 | 34 | 2 |
2025 | 4 | 7 | 10 | 3 |
2025 | 5 | 6 | 10 | 4 |
2025 | 6 | 7 | 9 | 5 |
2025 | 7 | 6 | 7 | 4 |
2025 | 8 | 4 | 5 | 3 |
2025 | 9 | 4 | 4 | 3 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 487 | 818 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 973 | 973 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 453 | 660 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 806 | 831 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 529 | 746 |
After an accident, Ray, played by Sam Worthington, has to take his daughter to the hospital. But something funny is going on at the hospital, which comes to a head with they take his wife and daughter for tests and she doesn’t return. Not only does she not return, but the hospital has no record of h ... is wife or daughter ever having been there. He must now rescue his family from an organ harvesting operation being run out of the hospital. OR DOES HE??? *dramatic music plays* There are questions about whether he’s really perceiving things as they are while the hospital staff attempts to gaslight him and make him believe that he’s for all intents and purposes crazy. OR IS HE??? *dramatic music plays* Okay, I have to add these dramatic bits to this review because they’re more dramatic than the actual movie. It’s pretty obvious rather quickly what’s going on. Part of the problem may be the short runtime combined with a kind of lengthy setup. The setup seems to be designed to convey the sense of waiting long times in the hospital ER waiting room (...ah hah hah social commentary…) But this lengthy first act cuts into the time that could be used to build mystery and tension. As it is, it almost seems like a long “Twilight Zone” episode. If you want an “Are they crazy or not?” film that’s much better, check out “Flightplan” with Jodie Foster. But “Fractured” is a generally poor take on the genre and I can only recommend it if you really have nothing else to watch or do.
When a movie holds a mystery, that's great, but when a movie just straight-up lies to you, that's crap. _Fractured_ is the latter. _Final rating:★½: - Boring/disappointing. Avoid where possible._ ...
Fractured is a tense psychological thriller that thrives on its cold, unsettling atmosphere. The cinematography does a great job of pulling you into the story, using muted tones and stark settings to keep you on edge. It’s visually striking and sets a somber mood that makes the experience feel heavi ... er, but in a good way. The cold theme adds to the discomfort, making the story even more jarring to watch. Sam Worthington carries the movie with a solid performance, convincingly portraying a man unraveling under pressure. His intensity keeps you invested in his journey, even when the story starts to lose momentum. On the other hand, Lily Rabe feels miscast in her role. While her screen time is limited, it’s enough to notice that she doesn’t quite fit, and the lack of chemistry between the characters weakens some emotional beats. The plot, while intriguing, feels a bit predictable and struggles to maintain its energy throughout. It lacks the driving force that would keep it gripping from start to finish. Structurally, the movie feels loose, as if it’s not quite sure how to pace itself. You can piece it together if you look at it through the lens of a traditional three-act structure, but it’s not immediately clear while watching. Still, the movie’s atmosphere and Worthington’s performance make it a decent watch, especially if you enjoy psychological thrillers that play with perception.