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Fractured Poster

Fractured

Finding his family means facing the truth.
2019 | 101m | English

(107011 votes)

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Popularity: 4 (history)

Director: Brad Anderson
Writer: Alan B. McElroy
Staring:
Details

Driving cross-country, Ray and his wife and daughter stop at a highway rest area where his daughter falls and breaks her arm. After a frantic rush to the hospital and a clash with the check-in nurse, Ray is finally able to get her to a doctor. While the wife and daughter go downstairs for an MRI, Ray, exhausted, passes out in a chair in the lobby. Upon waking up, they have no record or knowledge of Ray's family ever being checked in.
Release Date: Sep 22, 2019
Director: Brad Anderson
Writer: Alan B. McElroy
Genres: Drama, Thriller
Keywords gas station, hospital, doctor, police officer, alcoholic, accident
Production Companies Paul Schiff Productions, Macari/Edelstein, Koji Productions, Crow Island Films
Box Office Revenue: $0
Budget: $0
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Sam Worthington Ray Monroe
Lily Rabe Joanne Monroe
Lucy Capri Peri Monroe
Stephen Tobolowsky Dr. Berthram
Lauren Cochrane Officer Childes
Shane Dean Officer Griggs
Adjoa Andoh Dr. Isaacs
Stephanie Sy Nurse Anne
Chad Bruce Security Guard Jeff
Chris Sigurdson Dr. Lucado
Erik Athavale Dr. Bruce Volk
Ernesto Griffith Ward Intern / Janitor
Derek James Trapp Organ Orderly #2
Dennis Scullard Young Father
Will Woytowich State Trooper
Dorothy Carroll Admissions Clerk / Scrub Nurse
Muriel Hogue Gas Station Attendant
Mark Dann Flashback Paramedic
Gabriel Daniels Orderly Drew
Marina Stephenson Kerr Receptionist #1
Natalie Malaika Receptionist #2
Muriel Hogue Store Cashier
Jeff Strome Paramedic / Anesthesiologist
Adrian McLean Sick Man
Will Woytowich State Cop #1
Alan Castanga Friendly Orderly
Ernie Pitts Code Blue Doctor
Jessica Burleson Desk Nurse Restricted Area
Frederick Allen Man in Line
Derek James Trapp Morgue Orderly #2
Cheryl Soluk Knitting Woman
Name Job
Alan B. McElroy Writer
Lisa Cichelly Production Manager
Peter Mabrucco Second Assistant Director
Robert Mead Editor
Sheila Jaffe Casting
Lauren Crasco Production Design
Steven K. Johnson Second Assistant Camera
Tiffany Murray Camera Operator
Réjean Labrie Art Direction
Sandra Soke Costume Design
Nina Kvaternik Makeup Artist
Brenda Magalas Makeup Department Head
Travis Marszalek Hair Designer
Stacey Mendoza Hair Department Head
Doug Morrow Special Effects Makeup Artist
Steve Newburn Prosthetics
David Franceschetti Assistant Director
Bryan R. Burns Second Assistant Director
Puneet Chawla Second Assistant Director
Andrew Budyk Set Designer
Lloyd Brandson Key Scenic Artist
Davin MacRae Special Effects
Casey Markus Special Effects Coordinator
Martin Boksar Matte Painter
Blake Goedde Visual Effects Supervisor
Tonya Smay Digital Compositor
Ian Yunis Visual Effects
Brandon Kachel Matte Painter
Cindy Rago Visual Effects Producer
Saeed Faridzadeh Digital Compositor
Liz Gallacher Music Supervisor
Billy Higgins Line Producer, Unit Production Manager
Jim Heber Casting
Adam Druxman First Assistant Director
Edgar Ozolins Production Sound Mixer
Dallas Pomedli Boom Operator
Eric Neufeld Boom Operator
Catherine Farrell Post Production Supervisor
Donna Jenkyns Art Department Coordinator
Mark Stratton Property Master
Aaron W.R. Johnston Assistant Property Master
Jennifer Omoth Production Accountant
Trevanna Post Post Production Accountant
Bernard Narvey Location Manager
Laurence Mardon Gaffer
Eric Zachanowich Still Photographer
Kari Rieger Extras Casting
Eleanor Erum Extras Casting
Olaf Dux Construction Coordinator
Sara Stern Dialogue Editor
Mick Gormaley Music Editor
Ruth Hernandez ADR Editor
Sarah Streit Assistant Sound Editor
Steven Visscher Foley Editor
Marko Costanzo Foley Artist
Margaret Lewis Digital Intermediate Producer
Björn Charpentier Director of Photography
Anton Sanko Original Music Composer
Alyssa Koncelik-Diemer VFX Artist
Allan Wallace Dunkeld Stunts
Anders Strome Stunts
Kye Walstrom Stunt Driver
Tristan Carlucci Stunts
Brad Anderson Director
Chris LeDoux Visual Effects Producer
Robert Borges Stunts
Jake Kennerd Stunt Double
Kristen Sawatzky Stunt Double
Sean Skene Stunt Coordinator
BJ Verot Stunt Double
Kara Wooten Stunt Double
Ron Bochar Sound Re-Recording Mixer, Sound Designer
Rick Skene Stunt Driver, Stunts
Dan Skene Stunt Driver
Krystle Snow Stunt Driver
Rawleigh Clements-Willis Stunt Driver
Lucy Capri Stunts
Alan Castanga Stunts
Jeff Sanca Stunt Driver
Name Title
Neal Edelstein Producer
Ian Dimerman Executive Producer
Billy Higgins Executive Producer
Jessica Jacobs Associate Producer
Mike Macari Producer
Paul Schiff Producer
Catherine Farrell Associate Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 35 49 23
2024 5 35 60 25
2024 6 29 42 23
2024 7 34 46 26
2024 8 31 50 20
2024 9 24 31 20
2024 10 32 57 23
2024 11 28 50 18
2024 12 30 75 17
2025 1 34 52 23
2025 2 23 37 3
2025 3 9 34 2
2025 4 7 10 3
2025 5 6 10 4
2025 6 7 9 5
2025 7 6 7 4
2025 8 4 5 3
2025 9 4 4 3

Trending Position


Year Month High Avg
2025 6 487 818
Year Month High Avg
2025 5 973 973
Year Month High Avg
2025 4 453 660
Year Month High Avg
2025 3 806 831
Year Month High Avg
2025 1 529 746

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Reviews

dalboz
4.0

After an accident, Ray, played by Sam Worthington, has to take his daughter to the hospital. But something funny is going on at the hospital, which comes to a head with they take his wife and daughter for tests and she doesn’t return. Not only does she not return, but the hospital has no record of h ... is wife or daughter ever having been there. He must now rescue his family from an organ harvesting operation being run out of the hospital. OR DOES HE??? *dramatic music plays* There are questions about whether he’s really perceiving things as they are while the hospital staff attempts to gaslight him and make him believe that he’s for all intents and purposes crazy. OR IS HE??? *dramatic music plays* Okay, I have to add these dramatic bits to this review because they’re more dramatic than the actual movie. It’s pretty obvious rather quickly what’s going on. Part of the problem may be the short runtime combined with a kind of lengthy setup. The setup seems to be designed to convey the sense of waiting long times in the hospital ER waiting room (...ah hah hah social commentary…) But this lengthy first act cuts into the time that could be used to build mystery and tension. As it is, it almost seems like a long “Twilight Zone” episode. If you want an “Are they crazy or not?” film that’s much better, check out “Flightplan” with Jodie Foster. But “Fractured” is a generally poor take on the genre and I can only recommend it if you really have nothing else to watch or do.

Jun 23, 2021
Ruuz
3.0

When a movie holds a mystery, that's great, but when a movie just straight-up lies to you, that's crap. _Fractured_ is the latter. _Final rating:★½: - Boring/disappointing. Avoid where possible._ ...

Jun 23, 2021
RalphRahal
6.0

Fractured is a tense psychological thriller that thrives on its cold, unsettling atmosphere. The cinematography does a great job of pulling you into the story, using muted tones and stark settings to keep you on edge. It’s visually striking and sets a somber mood that makes the experience feel heavi ... er, but in a good way. The cold theme adds to the discomfort, making the story even more jarring to watch. Sam Worthington carries the movie with a solid performance, convincingly portraying a man unraveling under pressure. His intensity keeps you invested in his journey, even when the story starts to lose momentum. On the other hand, Lily Rabe feels miscast in her role. While her screen time is limited, it’s enough to notice that she doesn’t quite fit, and the lack of chemistry between the characters weakens some emotional beats. The plot, while intriguing, feels a bit predictable and struggles to maintain its energy throughout. It lacks the driving force that would keep it gripping from start to finish. Structurally, the movie feels loose, as if it’s not quite sure how to pace itself. You can piece it together if you look at it through the lens of a traditional three-act structure, but it’s not immediately clear while watching. Still, the movie’s atmosphere and Worthington’s performance make it a decent watch, especially if you enjoy psychological thrillers that play with perception.

Jan 20, 2025