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Snake Eyes: G.I. Joe Origins Poster

Snake Eyes: G.I. Joe Origins

Every warrior has a beginning.
2021 | 121m | English

(47414 votes)

TMDb IMDb

Popularity: 6 (history)

Details

After saving the life of their heir apparent, tenacious loner Snake Eyes is welcomed into an ancient Japanese clan called the Arashikage where he is taught the ways of the ninja warrior. But, when secrets from his past are revealed, Snake Eyes' honor and allegiance will be tested – even if that means losing the trust of those closest to him.
Release Date: Jul 22, 2021
Director: Robert Schwentke
Writer: Evan Spiliotopoulos, Anna Waterhouse, Joe Shrapnel
Genres: Adventure, Action
Keywords prequel, based on cartoon, ninja, based on toy, spin off, origin of hero, gi joe, female fighter, action hero, female warrior, based on tv series
Production Companies Paramount Pictures, Metro-Goldwyn-Mayer, di Bonaventura Pictures, Hasbro, Entertainment One, Skydance Media
Box Office Revenue: $36,964,325
Budget: $88,000,000
Updates Updated: Aug 04, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Henry Golding Snake Eyes
Andrew Koji Tommy / Storm Shadow
Haruka Abe Akiko
Úrsula Corberó The Baroness
Samara Weaving Scarlett
Takehiro Hira Kenta
Eri Ishida Sen
Iko Uwais Hard Master
Peter Mensah Blind Master
Steven Allerick Father
Simon Chin Hama
Samuel Finzi Mr. Augustine
Shota Kakibata Yakuza
Nicholas Dohy Security Thug
Dean Muhtadi Bruiser Streetfighter
James Hiroyuki Liao Yasuzo
Kenji Tanigaki Yakuza with Eye Patch
Kento Matsunami Arashikage Ninja Guard
Sean Owen Roberts Augustine's Hired Thug
Jason William Day Augustine's Hired Thug
Kojun Notsu Arashikage Mechanic
Max Archibald Young Snake Eyes
Gui DaSilva-Greene Cobra Agent
Derrick DeVilliers Promoter
Neal Honda Yakuza
Ryan Klarenbach Cobra Commando
Owen Szabo Cobra Commando
Brandon Melendy Cobra Agent
Solomon Brende Cobra Agent
Hugh Aodh O'Brien Ambulance Driver
Name Job
Mariel Lohninger Sound Mixer
Angela Uyeda Stunt Driver
Leo Chiang Stunts
Vincent Khai Stunts
Robert Schwentke Director
Kimani Ray Smith Stunt Coordinator
Bojan Bazelli Director of Photography
Evan Spiliotopoulos Screenplay, Story
Martin Todsharow Original Music Composer
Anna Behlmer Sound Re-Recording Mixer
Saori Izawa Stunts
Megan Hui Stunt Double
Jacqueline Lee Geurts Stunt Double
Krista Bell Stunt Driver
Gui DaSilva-Greene Stunts
Margery Simkin Casting
Jeff G. Waxman Unit Production Manager
Dan Mansfield Second Assistant Director
Jeff Sanca Stunt Driver
Anis Cheurfa Stunt Double
Christopher Ang Stunts
Felix Famelart Stunt Driver
Lars Grant Stunt Driver
Mike Ching Stunts
Brian Ho Stunts
Ryan Klarenbach Stunts
Robert Zen Humpage Stunts
Chuck Johnson Stunts
Colby Lemmo Stunt Double
Jaeson Lee Stunt Double
Don Lew Stunts
Darryl Quon Stunts
Tom McComas Stunt Driver
Jesse James Pierce Stunts
Dan Redford Stunt Driver
Taylor Tai Stunts
Owen Szabo Stunts
Shota Tsuji Utility Stunts
Dimitry Tsoy Stunts
Mathew Yanagiya Stunts
Zachary W. Sowinski Grip
Stuart Levy Editor
Andrew Li Art Direction
Anna Waterhouse Screenplay
Joe Shrapnel Screenplay
Louise Mingenbach Costume Design
Alec Hammond Production Design
Michael Diner Supervising Art Director
Sandy Walker Set Decoration
Chris Sposa Boom Operator
Daemon Cadman Special Effects Makeup Artist
Dorothee Deichmann Key Makeup Artist, Assistant Makeup Artist
Megan Harkness Key Makeup Artist, Assistant Makeup Artist
Sarah Keen Makeup Artist
Sofia Phillips Key Makeup Artist
Sean Byrnes Production Sound Mixer
Eliot Connors Sound Designer
Jack Cucci Foley Mixer
Robert Eber Production Sound Mixer
Toshiyuki Furutani Boom Operator
Bob Lacivita ADR Mixer
Michael Miller ADR Mixer
Michael Minkler Sound Re-Recording Mixer
Mark Noda Sound Mixer, Production Sound Mixer
Dan O'Connell Foley Artist
Stephen P. Robinson Sound Designer
Christian Storms Sound Mixer
Rachelle Bartamian Visual Effects Coordinator
Grettel Batoon Visual Effects Coordinator
Pratik Chaudhari Visual Effects
Josh Clark Visual Effects
Pratik Redkar Visual Effects
Chantal Feghali Visual Effects Producer
Sierra Hoyle Stunts
Crystal Hooks Stunt Double
John R. Saunders First Assistant Director
Justin Muller First Assistant Director
Woodrow Travers Second Assistant Director
Adrienne Sol Production Manager
Benoit Waller Assistant Art Director
Alex Juzkiw Assistant Art Director
Joe Wolkosky Assistant Art Director
Jamie Jonasson Assistant Set Decoration
Linda Ganderton Set Decorating Coordinator
Chad W. Chilibeck Lead Set Dresser
Scott Holburn Lead Set Dresser
Kester Svendsen Lead Set Dresser
Nick Mather Set Dresser
Ryan Drake Set Dresser
Grayson Hosie Set Dresser
Ben Toews Set Dresser
Agnieszka Kaczorowska Set Dresser
Alexa Giddens Art Department Coordinator
Austin Chuqiao Wang Set Designer
Kyle White Set Designer
Arin Ringwald Graphic Designer
Nemo Balkanski Graphic Designer
Wenke Li Art Department Assistant
Chris Gibbins First Assistant "A" Camera
Ashton Harmon Second Assistant "A" Camera
Dean Heselden "B" Camera Operator
Tyler Woeste First Assistant "B" Camera
Rodrigo Carcamo Parga Second Assistant "B" Camera
Lukas Fournier Second Assistant "B" Camera
Simon Jori Digital Imaging Technician
Emily Raglin Camera Loader
Susan Lambie Script Supervisor
Taylor Black Production Supervisor
David Scott Thomson Third Assistant Director
Meaghan Irene Johnson Third Assistant Director
Tony Wyman Boom Operator
Candice Todesco Galamini Sound Assistant
Stuart Haggerty Chief Lighting Technician
Niall Fraser Assistant Chief Lighting Technician
Sean Oxenbury Rigging Gaffer
Armand Santos Best Boy Electric
Mike Stroman Generator Operator
Spencer Village Key Rigging Grip
Geoff Kennedy Key Rigging Grip
Kim Olsen First Company Grip
Mike Kirilenko First Company Grip
Dubin Kim Grip
Drew David Grip
David McIntosh Rigging Grip
Robin Say Rigging Grip
Peter Pacula Rigging Grip
Pat Waller Rigging Grip
Jack Cruikshank Dolly Grip
Mike Dodd Dolly Grip
Matt Bonin Grip
Sam McManus Grip
Joshua Cullen Grip
Stephen Arnott Rigging Grip
Shaun Kinney Rigging Grip
Tony Hyland Rigging Grip
Jesse Joslin Construction Coordinator
Thomas J. Gaudet Construction Foreman
Larry Szaroz Construction Foreman
Aaron Jordan Sculptor
Joel Whist Special Effects Supervisor
Ann Goobie Location Manager
Paul Giordano Assistant Location Manager
Michael Hauka Assistant Location Manager
Travis Belyea Props
Ken Friss Props
Rob Fournier Armorer
Janice MacIsaac Costume Supervisor
Koreen Heaver Assistant Costume Designer
Lana S. Krause Costume Coordinator
Corinne Mameli Costume Coordinator
Taryn Thumath Costume Set Supervisor
Isabel Bloor Costume Set Supervisor
Meghann Rogers Costume Set Supervisor
Debbie Humpreys Costumer
Vanessa Palmer Costumer
Jaclyn Hart Costumer
Jalisa Ocean-Hunt Costumer
Andre Brouwer Costumer
Amie Payne Costumer
Nicola Ryall Costumer
Tannis Hegan Costumer
Emalyn Mckenna Costumer
Lucas Comstock Costumer
Luisa Dal Magro Costumer
Ayla McIninch Costumer
Corrine Larson Costumer
Susie Milka Costumer
Priscilla Maturing Costume Assistant
Christopher Mark Pinhey Makeup Department Head
Tanya Hudson Assistant Makeup Artist
Jessica Rain Hair Department Head
Sharon Markell Assistant Hairstylist
Madison Gillespie Assistant Hairstylist
Marie Clancy Assistant Hairstylist
Tony Bacigalupi Visual Effects Editor
Peter Brown Sound Supervisor, Sound Designer
Gail Laskowski Post Production Supervisor
Aaron Brock First Assistant Editor
Dylan Quirt First Assistant Editor
Mark Adams Assistant Editor
Laura Livingstone Production Coordinator
Cassidy Kennedy Assistant Production Coordinator
Eudora Chu Assistant Production Coordinator
Kyle O'Brien Production Controller
Tina Dawson Production Accountant
Sydney Leclaire First Assistant Accountant
Sylvia Jang Assistant Accountant
Christopher J. Green Assistant Accountant
Simone Lindo Payroll Accountant
Paul Aulicino Assistant Sound Editor
Shane Hayes Dialogue Editor
Joe Dzuban Sound Editor
John T. Cucci Foley Artist
Tavish Grade Foley Mixer
Darrell Hall Supervising Music Editor
Nicholas Fitzgerald Music Editor
Susie Bench Conductor
Jeremy Levy Orchestrator
Lorenzo Carrano Orchestrator
Jeff Gartenbaum Music Consultant
Eva Reistad Music Consultant
David Holm Transportation Coordinator
Cody Blake Transportation Captain
Carrie O'Bray Transportation Captain
Brigitte Prochaska Unit Publicist
Ed Araquel Still Photographer
Bruce McCleery Second Unit Director of Photography
Azuna Saito Seamstress
Robert Jackson ADR Editor
Koji Kawamoto Stunts
Keanu Lam Utility Stunts
Darren E. Scott Stunt Double
Derick Vizcarra Stunt Double
Brennan Walstrom Stunt Driver
Kye Walstrom Stunt Driver
Roberto De Angelis Second Unit Director of Photography, "A" Camera Operator
Kenji Tanigaki Second Unit Director, Fight Choreographer
Sandra Baier Property Master
James Madigan Second Unit Director
Kenji Sato Stunts
Name Title
Lorenzo di Bonaventura Producer
David Ellison Executive Producer
Dana Goldberg Executive Producer
Jeff G. Waxman Executive Producer
Brian Goldner Producer
Erik Howsam Producer
Greg Mooradian Executive Producer
Jennifer Madeloff Associate Producer
Don Granger Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 48 58 37
2024 5 54 80 35
2024 6 50 78 38
2024 7 74 121 40
2024 8 54 92 35
2024 9 41 51 31
2024 10 48 78 32
2024 11 44 90 32
2024 12 42 75 33
2025 1 45 65 34
2025 2 35 46 8
2025 3 15 51 3
2025 4 8 13 5
2025 5 7 13 5
2025 6 6 9 4
2025 7 5 6 4
2025 8 5 7 3
2025 9 9 11 7
2025 10 9 12 6

Trending Position


Year Month High Avg
2025 10 772 889
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2025 8 267 653
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2025 4 270 567
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2025 3 362 750
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2025 2 719 719
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2025 1 644 855
Year Month High Avg
2024 12 738 851
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2024 11 409 770
Year Month High Avg
2024 8 664 795

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Reviews

garethmb
N/A

The latest film in the G.I. Joe cinematic universe has arrived with “Snake Eyes: GI Joe Origins”. The film was originally planned to arrive in March of 2020 but faced delays due to cinematic closures during the Pandemic. The film opens with a young boy being orphaned after a group of thugs kills ... his father. Years later the man is still obsessed with finding out who killed his father and earns a living in underground fighting known as Snake Eyes (Henry Golding) His exploits get the attention of Kenta (Takehiro Hira); who hires him into his organization with a promise to help him find the man who killed his father. Snake Eyes soon finds himself working on the docks where he smuggles guns into fish bound for Japan. Despite his misgivings working for criminals, he befriends a man named Tommy (Andrew Koji); who teases him about his demeaning work by calling him “Fish Boy”. When Kenta forces Snake Eyes to kill Tommy for being a spy; Snake Eyes refuses and the two make a daring escape to Japan. It is learned that Tommy is next in line to run his clan and that Kenta was banished years prior and plans revenge. Despite mistrust from a trusted associate named Akiko (Hakura Abe); Snake Eyes begins his training in the Ninja Arts which should he survive will make him a valued part of the Clan which Tommy believes is correct thanks to his Blood Debt to Snake Eyes. The film focuses on various aspects of training before branching into the larger story of divided loyalties and honors which results in a few battles and chases along the way. While the film does space the action out; it does provide some great cinematography and the action is entertaining even if it lacks much tension. The biggest issue is that the G.I. Joe/COBRA connection seems a bit forced as The Baroness (Ursula Corbero) arrives to move things along but it is mainly for the purpose of getting characters to do this and get that so the film can move towards the climactic action. Samara Weaving does show up as Scarlett but she does not have a very large part in the story and aside from a few limited action moments; she seems to be more of the token G.I.Joe representation. Golding and Hira are very good and their intertwined and complicated relationship is giving plenty of time to develop as their past is a large part of their futures and the film does a good job in explaining their past and future motivations. The film blends Asian and Western film styles and in doing so creates an enjoyable film that for me was more enjoyable than the prior films in the series. To me those films focused mainly on action and this one was focused on developing characters. While it remains to be seen what direction future films in the franchise will take; it would be interesting to see more of Snake Eyes story down the line. 3 stars out of 5

Jul 22, 2021
fourfridays
3.0

If you are looking for the G.I. Joe style storytelling and action this may disappoint. It's a very different style and kind of predictable in many ways. ...

Sep 09, 2021
JPV852
5.0

Bland and forgettable martial-arts thriller that delves deeper into the character but outside of Henry Goulding who was good in the role, there's not much else to the film. The rest of the cast wasn't terribly charismatic and Samara Weaving talents is completely wasted in a small supporting role (sh ... ows up basically for the third act). I don't know, while the first two GI Joe films weren't very good, there were a few entertaining moments, this one I found pretty boring for the most part, worse yet, the fight scenes suffered from bad editing and poor lighting. **2.5/5**

Oct 25, 2021
Dark Jedi
4.0

I actually liked the two first G.I. Joe movies, G.I. Joe: The Rise of Cobra and G.I. Joe: Retaliation. This one… not so much. It could have been a really good movie but it ended up as a huge disappointment. The story should have been a cool revenge story but it ended up being a convoluted mess ma ... king Snake Eyes one of the bad guys for most of the movie. It is also hugely predictable after the first 20 minutes of the movie. Did the writers really think that the “twists” would come as a surprise for anyone? They probably did since Hollywod writers usually reside on the low end of the intelligence scale nowadays. Putting three of those hacks together to write a movie doesn’t help of course. I could have accepted all of that if the rest would have been cool with lots of fights and special effects. Sadly the movie is mediocre, at best, in these areas as well. Snake Eyes is not only a bad guy but he is rather stupid as well as devoid of any charisma. His acting is quite poor which can be said for most of the actors actually. Apart from the mediocre acting there’s really no one in the movie that you feel like rooting for. No one stands out, everyone just excels in mediocrity. The only person in the entire movie that has any coolness factor worth talking about is Scarlett but she is not in the movie for more than a few scenes. There are a few scenes with some special effects, cars flipping over, huge snakes etc. but not really that much for this kind of movie. That could have been fine since this movie should be a lot about martial arts. Amazingly enough, not even here does it deliver. Most of the martial arts scenes involve a lot of flipping around with arms and swords but they mostly look like they have been written for a PG rated TV show for teens and pre-teens. They are simply poor. Tommy looks like he needs to take a dump before every fight with that ridiculous pose of his. This is not a 1-star movie as some rate it. That’s just ridiculous. It has some entertainment value. However, it could have been so much better. Unfortunately I suspect this movie has done the G.I. Joe franchise a disservice for some time to come.

May 16, 2024
Geronimo1967
5.0

It's one thing offering us Henry Golding as a pretty chap you'd want to take home to meet your mother, it's quite another telling him to abstain from shaving for a few days and hope that turns him into a convincing, highly trained ninja! That's what is in store for us here as this latest GI Joe spin ... off presents our hero as the rescuer of the heir of an ancient Japanese clan - "Tommy" (Andrew Koji). Once he is thoroughly ingratiated with this noble family, it transpires that old "Snake Eyes" has an agenda all of his own - and it's not exactly honourable! The rest of the film follows a well trodden path of suspicion, betrayal, reconciliation and - of course - loads of epic looking sword fighting and gravity-defying action scenes. As with so many films in this genre, way too much emphasis has been placed on the look of the thing - the characters are instantly forgettable, the plot thinner than any rice paper could ever hope to be and the ending dragged this, quite unnecessarily, over the two hour mark. It needs a big screen to do the photography and visuals justice, but maybe just pay daytime rates?

Mar 28, 2022
ARGMAN
3.0

I think they want to overstate something but failed ...

Feb 29, 2024