 
  Popularity: 6 (history)
| Director: | Robert Schwentke | 
|---|---|
| Writer: | Evan Spiliotopoulos, Anna Waterhouse, Joe Shrapnel | 
| Staring: | 
| After saving the life of their heir apparent, tenacious loner Snake Eyes is welcomed into an ancient Japanese clan called the Arashikage where he is taught the ways of the ninja warrior. But, when secrets from his past are revealed, Snake Eyes' honor and allegiance will be tested – even if that means losing the trust of those closest to him. | |
| Release Date: | Jul 22, 2021 | 
|---|---|
| Director: | Robert Schwentke | 
| Writer: | Evan Spiliotopoulos, Anna Waterhouse, Joe Shrapnel | 
| Genres: | Adventure, Action | 
| Keywords | prequel, based on cartoon, ninja, based on toy, spin off, origin of hero, gi joe, female fighter, action hero, female warrior, based on tv series | 
| Production Companies | Paramount Pictures, Metro-Goldwyn-Mayer, di Bonaventura Pictures, Hasbro, Entertainment One, Skydance Media | 
| Box Office | Revenue: $36,964,325 Budget: $88,000,000 | 
| Updates | Updated: Aug 04, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Henry Golding | Snake Eyes | 
| Andrew Koji | Tommy / Storm Shadow | 
| Haruka Abe | Akiko | 
| Úrsula Corberó | The Baroness | 
| Samara Weaving | Scarlett | 
| Takehiro Hira | Kenta | 
| Eri Ishida | Sen | 
| Iko Uwais | Hard Master | 
| Peter Mensah | Blind Master | 
| Steven Allerick | Father | 
| Simon Chin | Hama | 
| Samuel Finzi | Mr. Augustine | 
| Shota Kakibata | Yakuza | 
| Nicholas Dohy | Security Thug | 
| Dean Muhtadi | Bruiser Streetfighter | 
| James Hiroyuki Liao | Yasuzo | 
| Kenji Tanigaki | Yakuza with Eye Patch | 
| Kento Matsunami | Arashikage Ninja Guard | 
| Sean Owen Roberts | Augustine's Hired Thug | 
| Jason William Day | Augustine's Hired Thug | 
| Kojun Notsu | Arashikage Mechanic | 
| Max Archibald | Young Snake Eyes | 
| Gui DaSilva-Greene | Cobra Agent | 
| Derrick DeVilliers | Promoter | 
| Neal Honda | Yakuza | 
| Ryan Klarenbach | Cobra Commando | 
| Owen Szabo | Cobra Commando | 
| Brandon Melendy | Cobra Agent | 
| Solomon Brende | Cobra Agent | 
| Hugh Aodh O'Brien | Ambulance Driver | 
| Name | Job | 
|---|---|
| Mariel Lohninger | Sound Mixer | 
| Angela Uyeda | Stunt Driver | 
| Leo Chiang | Stunts | 
| Vincent Khai | Stunts | 
| Robert Schwentke | Director | 
| Kimani Ray Smith | Stunt Coordinator | 
| Bojan Bazelli | Director of Photography | 
| Evan Spiliotopoulos | Screenplay, Story | 
| Martin Todsharow | Original Music Composer | 
| Anna Behlmer | Sound Re-Recording Mixer | 
| Saori Izawa | Stunts | 
| Megan Hui | Stunt Double | 
| Jacqueline Lee Geurts | Stunt Double | 
| Krista Bell | Stunt Driver | 
| Gui DaSilva-Greene | Stunts | 
| Margery Simkin | Casting | 
| Jeff G. Waxman | Unit Production Manager | 
| Dan Mansfield | Second Assistant Director | 
| Jeff Sanca | Stunt Driver | 
| Anis Cheurfa | Stunt Double | 
| Christopher Ang | Stunts | 
| Felix Famelart | Stunt Driver | 
| Lars Grant | Stunt Driver | 
| Mike Ching | Stunts | 
| Brian Ho | Stunts | 
| Ryan Klarenbach | Stunts | 
| Robert Zen Humpage | Stunts | 
| Chuck Johnson | Stunts | 
| Colby Lemmo | Stunt Double | 
| Jaeson Lee | Stunt Double | 
| Don Lew | Stunts | 
| Darryl Quon | Stunts | 
| Tom McComas | Stunt Driver | 
| Jesse James Pierce | Stunts | 
| Dan Redford | Stunt Driver | 
| Taylor Tai | Stunts | 
| Owen Szabo | Stunts | 
| Shota Tsuji | Utility Stunts | 
| Dimitry Tsoy | Stunts | 
| Mathew Yanagiya | Stunts | 
| Zachary W. Sowinski | Grip | 
| Stuart Levy | Editor | 
| Andrew Li | Art Direction | 
| Anna Waterhouse | Screenplay | 
| Joe Shrapnel | Screenplay | 
| Louise Mingenbach | Costume Design | 
| Alec Hammond | Production Design | 
| Michael Diner | Supervising Art Director | 
| Sandy Walker | Set Decoration | 
| Chris Sposa | Boom Operator | 
| Daemon Cadman | Special Effects Makeup Artist | 
| Dorothee Deichmann | Key Makeup Artist, Assistant Makeup Artist | 
| Megan Harkness | Key Makeup Artist, Assistant Makeup Artist | 
| Sarah Keen | Makeup Artist | 
| Sofia Phillips | Key Makeup Artist | 
| Sean Byrnes | Production Sound Mixer | 
| Eliot Connors | Sound Designer | 
| Jack Cucci | Foley Mixer | 
| Robert Eber | Production Sound Mixer | 
| Toshiyuki Furutani | Boom Operator | 
| Bob Lacivita | ADR Mixer | 
| Michael Miller | ADR Mixer | 
| Michael Minkler | Sound Re-Recording Mixer | 
| Mark Noda | Sound Mixer, Production Sound Mixer | 
| Dan O'Connell | Foley Artist | 
| Stephen P. Robinson | Sound Designer | 
| Christian Storms | Sound Mixer | 
| Rachelle Bartamian | Visual Effects Coordinator | 
| Grettel Batoon | Visual Effects Coordinator | 
| Pratik Chaudhari | Visual Effects | 
| Josh Clark | Visual Effects | 
| Pratik Redkar | Visual Effects | 
| Chantal Feghali | Visual Effects Producer | 
| Sierra Hoyle | Stunts | 
| Crystal Hooks | Stunt Double | 
| John R. Saunders | First Assistant Director | 
| Justin Muller | First Assistant Director | 
| Woodrow Travers | Second Assistant Director | 
| Adrienne Sol | Production Manager | 
| Benoit Waller | Assistant Art Director | 
| Alex Juzkiw | Assistant Art Director | 
| Joe Wolkosky | Assistant Art Director | 
| Jamie Jonasson | Assistant Set Decoration | 
| Linda Ganderton | Set Decorating Coordinator | 
| Chad W. Chilibeck | Lead Set Dresser | 
| Scott Holburn | Lead Set Dresser | 
| Kester Svendsen | Lead Set Dresser | 
| Nick Mather | Set Dresser | 
| Ryan Drake | Set Dresser | 
| Grayson Hosie | Set Dresser | 
| Ben Toews | Set Dresser | 
| Agnieszka Kaczorowska | Set Dresser | 
| Alexa Giddens | Art Department Coordinator | 
| Austin Chuqiao Wang | Set Designer | 
| Kyle White | Set Designer | 
| Arin Ringwald | Graphic Designer | 
| Nemo Balkanski | Graphic Designer | 
| Wenke Li | Art Department Assistant | 
| Chris Gibbins | First Assistant "A" Camera | 
| Ashton Harmon | Second Assistant "A" Camera | 
| Dean Heselden | "B" Camera Operator | 
| Tyler Woeste | First Assistant "B" Camera | 
| Rodrigo Carcamo Parga | Second Assistant "B" Camera | 
| Lukas Fournier | Second Assistant "B" Camera | 
| Simon Jori | Digital Imaging Technician | 
| Emily Raglin | Camera Loader | 
| Susan Lambie | Script Supervisor | 
| Taylor Black | Production Supervisor | 
| David Scott Thomson | Third Assistant Director | 
| Meaghan Irene Johnson | Third Assistant Director | 
| Tony Wyman | Boom Operator | 
| Candice Todesco Galamini | Sound Assistant | 
| Stuart Haggerty | Chief Lighting Technician | 
| Niall Fraser | Assistant Chief Lighting Technician | 
| Sean Oxenbury | Rigging Gaffer | 
| Armand Santos | Best Boy Electric | 
| Mike Stroman | Generator Operator | 
| Spencer Village | Key Rigging Grip | 
| Geoff Kennedy | Key Rigging Grip | 
| Kim Olsen | First Company Grip | 
| Mike Kirilenko | First Company Grip | 
| Dubin Kim | Grip | 
| Drew David | Grip | 
| David McIntosh | Rigging Grip | 
| Robin Say | Rigging Grip | 
| Peter Pacula | Rigging Grip | 
| Pat Waller | Rigging Grip | 
| Jack Cruikshank | Dolly Grip | 
| Mike Dodd | Dolly Grip | 
| Matt Bonin | Grip | 
| Sam McManus | Grip | 
| Joshua Cullen | Grip | 
| Stephen Arnott | Rigging Grip | 
| Shaun Kinney | Rigging Grip | 
| Tony Hyland | Rigging Grip | 
| Jesse Joslin | Construction Coordinator | 
| Thomas J. Gaudet | Construction Foreman | 
| Larry Szaroz | Construction Foreman | 
| Aaron Jordan | Sculptor | 
| Joel Whist | Special Effects Supervisor | 
| Ann Goobie | Location Manager | 
| Paul Giordano | Assistant Location Manager | 
| Michael Hauka | Assistant Location Manager | 
| Travis Belyea | Props | 
| Ken Friss | Props | 
| Rob Fournier | Armorer | 
| Janice MacIsaac | Costume Supervisor | 
| Koreen Heaver | Assistant Costume Designer | 
| Lana S. Krause | Costume Coordinator | 
| Corinne Mameli | Costume Coordinator | 
| Taryn Thumath | Costume Set Supervisor | 
| Isabel Bloor | Costume Set Supervisor | 
| Meghann Rogers | Costume Set Supervisor | 
| Debbie Humpreys | Costumer | 
| Vanessa Palmer | Costumer | 
| Jaclyn Hart | Costumer | 
| Jalisa Ocean-Hunt | Costumer | 
| Andre Brouwer | Costumer | 
| Amie Payne | Costumer | 
| Nicola Ryall | Costumer | 
| Tannis Hegan | Costumer | 
| Emalyn Mckenna | Costumer | 
| Lucas Comstock | Costumer | 
| Luisa Dal Magro | Costumer | 
| Ayla McIninch | Costumer | 
| Corrine Larson | Costumer | 
| Susie Milka | Costumer | 
| Priscilla Maturing | Costume Assistant | 
| Christopher Mark Pinhey | Makeup Department Head | 
| Tanya Hudson | Assistant Makeup Artist | 
| Jessica Rain | Hair Department Head | 
| Sharon Markell | Assistant Hairstylist | 
| Madison Gillespie | Assistant Hairstylist | 
| Marie Clancy | Assistant Hairstylist | 
| Tony Bacigalupi | Visual Effects Editor | 
| Peter Brown | Sound Supervisor, Sound Designer | 
| Gail Laskowski | Post Production Supervisor | 
| Aaron Brock | First Assistant Editor | 
| Dylan Quirt | First Assistant Editor | 
| Mark Adams | Assistant Editor | 
| Laura Livingstone | Production Coordinator | 
| Cassidy Kennedy | Assistant Production Coordinator | 
| Eudora Chu | Assistant Production Coordinator | 
| Kyle O'Brien | Production Controller | 
| Tina Dawson | Production Accountant | 
| Sydney Leclaire | First Assistant Accountant | 
| Sylvia Jang | Assistant Accountant | 
| Christopher J. Green | Assistant Accountant | 
| Simone Lindo | Payroll Accountant | 
| Paul Aulicino | Assistant Sound Editor | 
| Shane Hayes | Dialogue Editor | 
| Joe Dzuban | Sound Editor | 
| John T. Cucci | Foley Artist | 
| Tavish Grade | Foley Mixer | 
| Darrell Hall | Supervising Music Editor | 
| Nicholas Fitzgerald | Music Editor | 
| Susie Bench | Conductor | 
| Jeremy Levy | Orchestrator | 
| Lorenzo Carrano | Orchestrator | 
| Jeff Gartenbaum | Music Consultant | 
| Eva Reistad | Music Consultant | 
| David Holm | Transportation Coordinator | 
| Cody Blake | Transportation Captain | 
| Carrie O'Bray | Transportation Captain | 
| Brigitte Prochaska | Unit Publicist | 
| Ed Araquel | Still Photographer | 
| Bruce McCleery | Second Unit Director of Photography | 
| Azuna Saito | Seamstress | 
| Robert Jackson | ADR Editor | 
| Koji Kawamoto | Stunts | 
| Keanu Lam | Utility Stunts | 
| Darren E. Scott | Stunt Double | 
| Derick Vizcarra | Stunt Double | 
| Brennan Walstrom | Stunt Driver | 
| Kye Walstrom | Stunt Driver | 
| Roberto De Angelis | Second Unit Director of Photography, "A" Camera Operator | 
| Kenji Tanigaki | Second Unit Director, Fight Choreographer | 
| Sandra Baier | Property Master | 
| James Madigan | Second Unit Director | 
| Kenji Sato | Stunts | 
| Name | Title | 
|---|---|
| Lorenzo di Bonaventura | Producer | 
| David Ellison | Executive Producer | 
| Dana Goldberg | Executive Producer | 
| Jeff G. Waxman | Executive Producer | 
| Brian Goldner | Producer | 
| Erik Howsam | Producer | 
| Greg Mooradian | Executive Producer | 
| Jennifer Madeloff | Associate Producer | 
| Don Granger | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 48 | 58 | 37 | 
| 2024 | 5 | 54 | 80 | 35 | 
| 2024 | 6 | 50 | 78 | 38 | 
| 2024 | 7 | 74 | 121 | 40 | 
| 2024 | 8 | 54 | 92 | 35 | 
| 2024 | 9 | 41 | 51 | 31 | 
| 2024 | 10 | 48 | 78 | 32 | 
| 2024 | 11 | 44 | 90 | 32 | 
| 2024 | 12 | 42 | 75 | 33 | 
| 2025 | 1 | 45 | 65 | 34 | 
| 2025 | 2 | 35 | 46 | 8 | 
| 2025 | 3 | 15 | 51 | 3 | 
| 2025 | 4 | 8 | 13 | 5 | 
| 2025 | 5 | 7 | 13 | 5 | 
| 2025 | 6 | 6 | 9 | 4 | 
| 2025 | 7 | 5 | 6 | 4 | 
| 2025 | 8 | 5 | 7 | 3 | 
| 2025 | 9 | 9 | 11 | 7 | 
| 2025 | 10 | 9 | 12 | 6 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 10 | 772 | 889 | 
| Year | Month | High | Avg | 
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| 2025 | 9 | 738 | 861 | 
| Year | Month | High | Avg | 
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| 2025 | 8 | 267 | 653 | 
| Year | Month | High | Avg | 
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| 2025 | 7 | 569 | 822 | 
| Year | Month | High | Avg | 
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| 2025 | 6 | 552 | 761 | 
| Year | Month | High | Avg | 
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| 2025 | 5 | 485 | 822 | 
| Year | Month | High | Avg | 
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| 2025 | 4 | 270 | 567 | 
| Year | Month | High | Avg | 
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| 2025 | 3 | 362 | 750 | 
| Year | Month | High | Avg | 
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| 2025 | 2 | 719 | 719 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 1 | 644 | 855 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 12 | 738 | 851 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 11 | 409 | 770 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 8 | 664 | 795 | 
The latest film in the G.I. Joe cinematic universe has arrived with “Snake Eyes: GI Joe Origins”. The film was originally planned to arrive in March of 2020 but faced delays due to cinematic closures during the Pandemic. The film opens with a young boy being orphaned after a group of thugs kills ... his father. Years later the man is still obsessed with finding out who killed his father and earns a living in underground fighting known as Snake Eyes (Henry Golding) His exploits get the attention of Kenta (Takehiro Hira); who hires him into his organization with a promise to help him find the man who killed his father. Snake Eyes soon finds himself working on the docks where he smuggles guns into fish bound for Japan. Despite his misgivings working for criminals, he befriends a man named Tommy (Andrew Koji); who teases him about his demeaning work by calling him “Fish Boy”. When Kenta forces Snake Eyes to kill Tommy for being a spy; Snake Eyes refuses and the two make a daring escape to Japan. It is learned that Tommy is next in line to run his clan and that Kenta was banished years prior and plans revenge. Despite mistrust from a trusted associate named Akiko (Hakura Abe); Snake Eyes begins his training in the Ninja Arts which should he survive will make him a valued part of the Clan which Tommy believes is correct thanks to his Blood Debt to Snake Eyes. The film focuses on various aspects of training before branching into the larger story of divided loyalties and honors which results in a few battles and chases along the way. While the film does space the action out; it does provide some great cinematography and the action is entertaining even if it lacks much tension. The biggest issue is that the G.I. Joe/COBRA connection seems a bit forced as The Baroness (Ursula Corbero) arrives to move things along but it is mainly for the purpose of getting characters to do this and get that so the film can move towards the climactic action. Samara Weaving does show up as Scarlett but she does not have a very large part in the story and aside from a few limited action moments; she seems to be more of the token G.I.Joe representation. Golding and Hira are very good and their intertwined and complicated relationship is giving plenty of time to develop as their past is a large part of their futures and the film does a good job in explaining their past and future motivations. The film blends Asian and Western film styles and in doing so creates an enjoyable film that for me was more enjoyable than the prior films in the series. To me those films focused mainly on action and this one was focused on developing characters. While it remains to be seen what direction future films in the franchise will take; it would be interesting to see more of Snake Eyes story down the line. 3 stars out of 5
If you are looking for the G.I. Joe style storytelling and action this may disappoint. It's a very different style and kind of predictable in many ways. ...
Bland and forgettable martial-arts thriller that delves deeper into the character but outside of Henry Goulding who was good in the role, there's not much else to the film. The rest of the cast wasn't terribly charismatic and Samara Weaving talents is completely wasted in a small supporting role (sh ... ows up basically for the third act). I don't know, while the first two GI Joe films weren't very good, there were a few entertaining moments, this one I found pretty boring for the most part, worse yet, the fight scenes suffered from bad editing and poor lighting. **2.5/5**
I actually liked the two first G.I. Joe movies, G.I. Joe: The Rise of Cobra and G.I. Joe: Retaliation. This one… not so much. It could have been a really good movie but it ended up as a huge disappointment. The story should have been a cool revenge story but it ended up being a convoluted mess ma ... king Snake Eyes one of the bad guys for most of the movie. It is also hugely predictable after the first 20 minutes of the movie. Did the writers really think that the “twists” would come as a surprise for anyone? They probably did since Hollywod writers usually reside on the low end of the intelligence scale nowadays. Putting three of those hacks together to write a movie doesn’t help of course. I could have accepted all of that if the rest would have been cool with lots of fights and special effects. Sadly the movie is mediocre, at best, in these areas as well. Snake Eyes is not only a bad guy but he is rather stupid as well as devoid of any charisma. His acting is quite poor which can be said for most of the actors actually. Apart from the mediocre acting there’s really no one in the movie that you feel like rooting for. No one stands out, everyone just excels in mediocrity. The only person in the entire movie that has any coolness factor worth talking about is Scarlett but she is not in the movie for more than a few scenes. There are a few scenes with some special effects, cars flipping over, huge snakes etc. but not really that much for this kind of movie. That could have been fine since this movie should be a lot about martial arts. Amazingly enough, not even here does it deliver. Most of the martial arts scenes involve a lot of flipping around with arms and swords but they mostly look like they have been written for a PG rated TV show for teens and pre-teens. They are simply poor. Tommy looks like he needs to take a dump before every fight with that ridiculous pose of his. This is not a 1-star movie as some rate it. That’s just ridiculous. It has some entertainment value. However, it could have been so much better. Unfortunately I suspect this movie has done the G.I. Joe franchise a disservice for some time to come.
It's one thing offering us Henry Golding as a pretty chap you'd want to take home to meet your mother, it's quite another telling him to abstain from shaving for a few days and hope that turns him into a convincing, highly trained ninja! That's what is in store for us here as this latest GI Joe spin ... off presents our hero as the rescuer of the heir of an ancient Japanese clan - "Tommy" (Andrew Koji). Once he is thoroughly ingratiated with this noble family, it transpires that old "Snake Eyes" has an agenda all of his own - and it's not exactly honourable! The rest of the film follows a well trodden path of suspicion, betrayal, reconciliation and - of course - loads of epic looking sword fighting and gravity-defying action scenes. As with so many films in this genre, way too much emphasis has been placed on the look of the thing - the characters are instantly forgettable, the plot thinner than any rice paper could ever hope to be and the ending dragged this, quite unnecessarily, over the two hour mark. It needs a big screen to do the photography and visuals justice, but maybe just pay daytime rates?
I think they want to overstate something but failed ...