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That Obscure Object of Desire Poster

That Obscure Object of Desire

Luis Buñuel's masterpiece
1977 | 103m | French

(26555 votes)

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Popularity: 3 (history)

Details

After dumping a bucket of water on a beautiful young woman from the window of a train car, wealthy Frenchman Mathieu, regales his fellow passengers with the story of the dysfunctional relationship between himself and the young woman in question, a fiery 19-year-old flamenco dancer named Conchita. What follows is a tale of cruelty, depravity and lies -- the very building blocks of love.
Release Date: Aug 17, 1977
Director: Luis Buñuel
Writer: Luis Buñuel, Pierre Louÿs, Jean-Claude Carrière
Genres: Comedy, Drama, Romance
Keywords paris, france, bomb, parent child relationship, mistake in person, bucket, lausanne, switzerland, love, train, maid, humiliation, seville, spain
Production Companies Greenwich Film Production, Incine, Les Films Galaxie
Box Office Revenue: $2,864
Budget: $0
Updates Updated: Jul 30, 2025
Entered: Jun 13, 2025
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Full Credits

Name Character
Fernando Rey Mathieu Faber
Carole Bouquet Conchita
Ángela Molina Conchita
Julien Bertheau Édouard
André Weber Martin
Milena Vukotić Mother on the Train
María Asquerino Encarnación, Conchita's Mother
Ellen Bahl Manolita
Valerie Blanco Isabelle
Auguste Carrière Woman who Mending at the Window
Jacques Debary Judge on the Train
Antonio Duque Driver
André Lacombe Doorman
Lita Lluch-Peiro Dancer
Annie Monange Cabaret Employee
Jean-Claude Montalban Waiter in the Bar
Muni Concierge
Bernard Musson Deporting Policeman
Piéral Psychology Teacher
Isabelle Rattier Secretary
David Rocha El Morenito
Isabelle Sadoyan Jadiner
Juan Santamaría Travel Agency Employee
Mario David (uncredited)
Agnès Gattegno (uncredited)
Silke Humel (uncredited)
Roger Ibáñez (uncredited)
Richard Leduc (uncredited)
Guy Montagné (uncredited)
Justo Ruiz Sect's Member (uncredited)
Michel Piccoli Mathieu Faber (voice) (uncredited)
Name Job
Hélène Plemiannikov Editor
Edmond Richard Director of Photography
Odette Berroyer Makeup Artist, Key Makeup Artist
Carlos Ramón Lluch Production Manager
Pierre Lefait Set Decoration
Sylvie de Segonzac Costume Design
Enrique Alarcón Set Designer
Olivier Villette Sound Engineer
Louis Becker Assistant Director
Alain Tanguy Electrician
Alex Pront Sound Mixer
Guy Villette Sound Engineer
Pierre Lary Assistant Director
Suzanne Durrenberger Script Supervisor
Luis Buñuel Screenplay, Director
Pierre Louÿs Screenplay
Jean-Claude Carrière Screenplay
Pierre Berroyer Hairstylist
Ulrich Picard Production Manager
Pierre Guffroy Production Design
Gina Pignier Sound Editor
Mimi Gayo Assistant Costume Designer
Claude Moesching Production Design
Jean Goudier Editorial Services
Casimiro Dengra Electrician
Juan Luis Buñuel Assistant Director
Jean Distinghin Still Photographer
Jacqueline Porel Sound Re-Recording Mixer
François Suné Special Effects
Name Title
Serge Silberman Producer
Organization Category Person
Cannes Film Festival Best Actor Fernando Reyes Won
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Reviews

Geronimo1967
7.0

There is just a great dynamic here between the wealthy "Mathieu" (Fernando Rey) and his mischievous femme de chambre "Conchita" (Ángela Molina & Carole Bouquet). Why two actresses? Well that's because Luis Buñuel has decided to tell this entertaining story using a couple of timelines that show just ... how this rather stayed and sophisticated man fell under the spell of his servant and of how their relationship evolved (to put it loosely) over time. These actresses are not, however, different to illustrate the passing of time - more to demonstrate the different and frequently contrasting personalities presented by "Conchita". We, like the passengers on the train to whom the story is being regaled, vacillate between laughter and despair as this curious character study unfolds/unravels before us in a quickly paced hundred minutes of lively cinema. The dialogue is pithy and potent - it also leaves us to make our own judgements on the characters and upon their flaws and foibles. Perhaps she is a tease? Perhaps he is a gullible old fool? Perhaps she is unhappy at being the object of an unsought affection? Perhaps he is more predatory than he might outwardly seem? Perhaps none of the aforementioned apply? Well we must judge for ourselves. It does require a bit of concentration, this film - and that's no bad thing because there is lots going on for us to enjoy with some fine and intimate photography from Edmond Richard to keep it personal and interesting too. This is well worth a big screen viewing if you can - somehow that is just more fitting for this classy and stylish - even slightly surreal - film.

Nov 04, 2022