Popularity: 9 (history)
| Director: | Kevin Costner |
|---|---|
| Writer: | Michael Blake |
| Staring: |
| Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe. | |
| Release Date: | Mar 30, 1990 |
|---|---|
| Director: | Kevin Costner |
| Writer: | Michael Blake |
| Genres: | Adventure, Drama, Western |
| Keywords | countryside, based on novel or book, culture clash, desertion, mutiny, wolf, language barrier, self-discovery, dakota, buffalo, friendship, unsociability, freedom, tennessee, kansas, usa, sioux, native american, snow, pawnee tribe, 19th century, lakota, bison, somber, early america, provocative, dramatic, intense, foreboding, harsh, powerful |
| Production Companies | Tig Productions, Allied Filmmakers, Majestic Films International |
| Box Office |
Revenue: $424,208,848
Budget: $22,000,000 |
| Updates |
Updated: Aug 02, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Kevin Costner | Lieutenant Dunbar |
| Mary McDonnell | Stands With A Fist |
| Graham Greene | Kicking Bird |
| Rodney A. Grant | Wind In His Hair |
| Floyd "Red Crow" Westerman | Ten Bears |
| Tantoo Cardinal | Black Shawl |
| Robert Pastorelli | Timmons |
| Charles Rocket | Lieutenant Elgin |
| Maury Chaykin | Major Fambrough |
| Jimmy Herman | Stone Calf |
| Nathan Lee Chasing His Horse | Smiles A Lot |
| Michael Spears | Otter |
| Jason R. Lone Hill | Worm |
| Tony Pierce | Spivey |
| Doris Leader Charge | Pretty Shield |
| Tom Everett | Sergeant Pepper |
| Larry Joshua | Sergeant Bauer |
| Kirk Baltz | Edwards |
| Wayne Grace | Major |
| Donald Hotton | General Tide |
| Annie Costner | Christine |
| Conor Duffy | Willie |
| Elisa Daniel | Christine's Mother |
| Percy White Plume | Big Warrior |
| John Tail | Escort Warrior |
| Steve Reevis | Sioux #1 / Warrior #1 |
| Sheldon Peters Wolfchild | Sioux #2 / Warrior #2 |
| Wes Studi | Toughest Pawnee |
| Buffalo Child | Pawnee #1 |
| Clayton Big Eagle | Pawnee #2 |
| Richard Leader Charge | Pawnee #3 |
| Redwing Ted Nez | Sioux Warrior |
| Marvin Holy | Sioux Warrior |
| Raymond Newholy | Sioux Courier |
| David J. Fuller | Kicking Bird's Son |
| Ryan White Bull | Kicking Bird's Eldest Son |
| Otakuye Conroy | Kicking Bird's Daughter |
| Maretta Big Crow | Village Mother |
| Steve Chambers | Guard |
| William H. Burton Jr. | General's Aide |
| Bill W. Curry | Confederate Cavalryman |
| Nick Thompson | Confederate Soldier |
| Carter Hanner | Confederate Soldier |
| Kent Hays | Wagon Driver |
| Robert Goldman | Union Soldier |
| Frank P. Costanza | Tucker |
| James A. Mitchell | Ray |
| R. L. Curtin | Ambush Wagon Driver |
| Justin | Cisco |
| Teddy | Two Socks |
| Buck | Two Socks |
| Michael Horton | Captain Cargill |
| Name | Job |
|---|---|
| John Barry | Original Music Composer |
| Dean Semler | Director of Photography |
| Jeffrey Beecroft | Production Design |
| Ben Zeller | Construction Coordinator |
| Norman Howell | Stunt Coordinator |
| Kevin Reynolds | Thanks |
| Michael C. Blundell | Electrician |
| Doc Kane | ADR Mixer |
| Alicia Stevenson | Foley Artist |
| Russell Williams II | Production Sound Mixer |
| Erik Rondell | Stunts |
| Michael Blake | Screenplay |
| Neil Travis | Editor |
| Elisabeth Leustig | Casting |
| Lisa Dean | Set Decoration |
| Elsa Zamparelli | Costume Design |
| Steve Potter | Editor |
| Chip Masamitsu | Editor |
| William Ladd Skinner | Art Direction |
| Stephanie Waldron | Greensman |
| Albert Aquino | Boom Operator |
| Robert Fitzgerald | Supervising Sound Editor, Sound Designer |
| Gregory H. Watkins | Sound Re-Recording Mixer |
| Robbie Knott | Special Effects |
| Birgitta Bjerke | Costume Supervisor |
| Barbara Gordon | Set Costumer |
| Wayne Jones | Transportation Co-Captain |
| Jonathan A. Rosenfeld | Transportation Captain |
| David Siegel | Transportation Coordinator |
| Elle Elliott | Hairstylist |
| Joani Yarbrough | Hairstylist |
| Francisco X. Pérez | Makeup Artist |
| Patrick Cassidy | Leadman |
| Hari Ryatt | Supervising Sound Editor |
| Jeffrey Perkins | Sound Re-Recording Mixer |
| Bill W. Benton | Sound Re-Recording Mixer |
| Ben Glass | Still Photographer |
| S. Phillip Sparks | Additional Camera |
| Víctor Pérez | Gaffer |
| Marc Wostak | Best Boy Electric |
| Cliff Kohlweck | Music Editor |
| Peter Haas | Unit Publicist |
| John T. Haun | Production Accountant |
| Tim Wilson | Location Manager |
| J. Michael Muro | Steadicam Operator, Camera Operator |
| Derek Kavanagh | Unit Production Manager |
| Michael J. Harker | Post Production Supervisor |
| Robert D. Bailey | Visual Effects |
| Paul Curley | Visual Effects |
| Matthew Yuricich | Visual Effects |
| Rene Haynes | Extras Casting, Casting |
| Jory Weitz | Casting |
| Robert C. Lusted | Assistant Editor |
| Mike Stanwick | Color Timer |
| Tommy Morgan | Additional Soundtrack |
| Jan Evans | Script Supervisor |
| Scott A. Stephens | Property Master |
| Linda Bowman | Assistant Hairstylist |
| Heather Matisoff | Assistant Hairstylist |
| Linda Peterson | Assistant Hairstylist |
| Beth Miller | Assistant Hairstylist |
| Deborah Mills-Whitlock | Assistant Hairstylist |
| Tammy Ashmore | Assistant Makeup Artist |
| Tea Jay Glass | Assistant Makeup Artist |
| Terri Goett | Assistant Makeup Artist |
| Karin Hayes | Assistant Makeup Artist |
| Patricia Carrisosa | First Assistant Makeup Artist |
| Tamara Guthrie | Key Hair Stylist |
| David Atherton | Key Makeup Artist |
| Doug Metzger | First Assistant Director |
| Stephen P. Dunn | Second Assistant Director |
| John Huneck | Second Unit Director of Photography, Second Unit Director |
| Philip C. Pfeiffer | Second Unit Director of Photography, Second Unit Director |
| Fred L. McLane | Assistant Camera |
| Henry Tirl | Assistant Camera |
| Joe Sanchez | Assistant Camera |
| Kim Heath | Best Boy Grip |
| John W. Murphy | Dolly Grip |
| Raymond Gonzales | Electrician |
| Lee Blasingame | First Assistant Camera |
| Mark Davison | First Assistant Camera |
| Jimmy E. Jensen | First Assistant Camera |
| Bryon Bower | Grip |
| Doug Cowden | Grip |
| Tony DeVito | Grip |
| Michael Dunson | Grip |
| Lyle Ehlers | Grip |
| William Eddie Paul | Grip |
| William 'Bear' Paul | Key Grip |
| Dudley J. Voll | Second Assistant Camera |
| Ron Beebe | Costume Assistant |
| Susan Brown | Costume Assistant |
| Catherine 'Kitty' Duffy | Extras Casting Assistant |
| Ka-Mook Nichols | Extras Casting Assistant |
| John C. Cameron | Assistant Property Master |
| Reed A. Finch | Carpenter |
| Kerry J. Frosh | Carpenter |
| Patrick Mollman | Carpenter |
| Al Eylar | Construction Foreman |
| Jim Hill | Construction Foreman |
| Ron Ashmore | Lead Painter |
| Robert Des Jarlais | Standby Carpenter |
| Marvin Holy | Standby Carpenter |
| Jay B. Curry | Swing |
| Darryl Hayes | Swing |
| James Allen Bradley | Swing |
| Dayna Lee | Set Dresser |
| Paul Arthur Hartman | Set Dresser |
| Chris Jargo | ADR Editor |
| Justine Turner | Assistant Sound Editor |
| Rubén Domingo | Assistant Sound Editor |
| Lee Loesch | Cableman |
| Dan O'Connell | Foley Artist |
| Joel Berkovitz | Foley Editor |
| John Duvall | Foley Editor |
| Timothy A. Hoggatt | Foley Mixer |
| Mary Jo Devenney | Production Sound Mixer |
| Ed Fassl | Sound Editor |
| Albert Gasser | Sound Editor |
| Howard Gindoff | Sound Editor |
| Linda Moss | Sound Editor |
| Jeff Rosen | Sound Editor |
| Bruce Stubblefield | Sound Editor |
| Barbara Barnaby | Supervising ADR Editor |
| Gary Burritt | Negative Cutter |
| Angela Robinson | Script Supervisor |
| S. Fox Sloan | Animal Wrangler |
| Dan Wesson | Animal Wrangler |
| Doris Leader Charge | Dialogue Coach |
| Albert White Hat | Dialogue Coach |
| Gary E. Pfaff | Pilot |
| Chris Romberg | Post Production Accountant |
| Doris Hartley | Production Coordinator |
| Stacy Hartley | Production Secretary |
| Larry Belitz | Technical Advisor |
| Cathy Smith | Technical Advisor |
| David L. Aaron | Title Designer |
| Jay Johnson | Title Designer |
| Billy Joe Fredericks | Stunts |
| John Coinman | Music Supervisor |
| Blair Forward | Playback Coordinator |
| Kevin Costner | Director |
| William Hoy | Editor |
| Name | Title |
|---|---|
| Jim Wilson | Producer |
| Bonnie Arnold | Associate Producer |
| Kevin Costner | Producer |
| Jake Eberts | Executive Producer |
| Organization | Category | Person | |
|---|---|---|---|
| Academy Awards | Best Picture | N/A | Won |
| Academy Awards | Best Director | Kevin Costner | Nominated |
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 47 | 78 | 35 |
| 2024 | 5 | 53 | 63 | 43 |
| 2024 | 6 | 45 | 58 | 27 |
| 2024 | 7 | 56 | 80 | 33 |
| 2024 | 8 | 44 | 60 | 30 |
| 2024 | 9 | 43 | 59 | 30 |
| 2024 | 10 | 36 | 70 | 27 |
| 2024 | 11 | 41 | 54 | 32 |
| 2024 | 12 | 38 | 45 | 28 |
| 2025 | 1 | 41 | 52 | 32 |
| 2025 | 2 | 33 | 44 | 6 |
| 2025 | 3 | 17 | 49 | 3 |
| 2025 | 4 | 8 | 13 | 4 |
| 2025 | 5 | 6 | 13 | 4 |
| 2025 | 6 | 6 | 8 | 4 |
| 2025 | 7 | 6 | 7 | 5 |
| 2025 | 8 | 6 | 8 | 4 |
| 2025 | 9 | 8 | 12 | 5 |
| 2025 | 10 | 7 | 10 | 5 |
Trending Position
| Year | Month | High | Avg |
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| 2025 | 10 | 235 | 735 |
| Year | Month | High | Avg |
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| 2025 | 9 | 263 | 750 |
| Year | Month | High | Avg |
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| 2025 | 8 | 224 | 692 |
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| 2025 | 7 | 379 | 717 |
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| 2025 | 6 | 101 | 579 |
| Year | Month | High | Avg |
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| 2025 | 5 | 412 | 768 |
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| 2025 | 4 | 384 | 736 |
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| 2025 | 3 | 122 | 617 |
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| 2025 | 2 | 374 | 757 |
| Year | Month | High | Avg |
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| 2025 | 1 | 482 | 766 |
| Year | Month | High | Avg |
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| 2024 | 12 | 499 | 785 |
| Year | Month | High | Avg |
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| 2024 | 11 | 464 | 797 |
| Year | Month | High | Avg |
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| 2024 | 10 | 625 | 867 |
| Year | Month | High | Avg |
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| 2024 | 9 | 595 | 765 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 832 | 910 |
One of my all-time favorite movies. I can't begin to remember how many times I've seen it. And I'll watch it again. Kevin Costner gives a compelling performance, but so does the entire cast. One gets a great sense of who the Lakota were and are. Respect. ...
I watched the extended version of this film, and I just have to say, any film that can run for FOUR HOURS and not come out the other end as a boring pile of garbage, is worthy of some pretty serious praise. That said, _Dances with Wolves_ is not really in my wheelhouse, and although it held my atten ... tion I can't see myself probably ever watching it again. Costner knows what he's about, and that's great, but a four-hour film about American history with strong romance elements is never going to blow me away. _Final rating:★★★ - I liked it. Would personally recommend you give it a go._
There are two actor of recent years that I really struggle with. One is Tom Hanks, the other is Kevin Costner. His monotonic narrative as he conveys this story via his journal makes this otherwise breathtakingly beautiful story frequently a real plod. He is "Lt. Dunbar" who after a very close shave ... with the Confederate troops during the US Civil War is posted to a far outpost where he finds himself living a solitary existence with only a wolf ("Two Socks") for company. That is until a passing warrior gets a glimpse of him at his bath and runs a mile. What now ensues is a gently paced story depicting his developing relationship with his neighbouring Sioux tribe. This film features a memorable John Barry score to accompany some fine cinematography, and the efforts from Graham Greene ("Kicking Bird") and a slew of other native American actors is excellent. It's just Kevin. He was the power being the production, and certainly had some skill directing it - but his acting... It is so soporific. He simply doesn't convey well the senses of loneliness, fear and joy that his character experiences as he gradually becomes subsumed into a new - sometimes rather brutal - identity. The story demonstrates and exposes the prevailing attitudes of both cultures towards the other, of their suspicions and mistrust - and were the "Dunbar" role to have been portrayed by a more heavyweight screen presence, then we could have had a memorable movie rather than just a long one. It is still good, though - just could have been doing with more oomph from the star.