| In need of creative inspiration, a professionally stagnant and hard-partying Los Angeles artist recklessly indulges in a series of drug binges. As the narcotics fly out of control, so does her newfound and inexplicable, yet unquenchable, craving for blood. | |
| Release Date: | Sep 27, 2019 |
|---|---|
| Director: | Joe Begos |
| Writer: | Joe Begos |
| Genres: | Horror |
| Keywords | painter, drug dealer, artist, gore, pay phone, los angeles, california, drugs |
| Production Companies | Channel 83 Films |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Dora Madison | Dezzy |
| Tru Collins | Courtney |
| Rhys Wakefield | Ronnie |
| Jeremy Gardner | Clive |
| George Wendt | Pops |
| Chris L. McKenna | David |
| Rachel Avery | Nikki St. Jean |
| Abraham Benrubi | Abe |
| Graham Skipper | Hadrian |
| Mark Beltzman | Lance |
| Jesse Merlin | Dante |
| Matt Mercer | The Bloody Man |
| Josh Ethier | Bobby |
| Jackson Birnbaum | |
| Susan Slaughter | |
| Erin Braswell | |
| Simone Wasserman | |
| Kristin Lorenz | |
| Har Mar Superstar | Coach Jeff |
| Zoe Cooper |
| Name | Job |
|---|---|
| Adele Caine | Production Design |
| Mike Lemek | Art Direction |
| Mike Testin | Cinematography |
| Amanda Lewis | Key Makeup Artist |
| Steve Moore | Music |
| Josh Russell | Special Effects Makeup Artist |
| Sierra Russell | Special Effects Makeup Artist |
| Tomasso Pompei | Sound Mixer |
| Victor P. Bouzi | Sound Mixer |
| Scott Marshall | Boom Operator |
| Eli Joel Moskowitz | Sound Mixer |
| Shawn Duffy | Sound Editor |
| Joe Begos | Writer, Camera Operator, Director |
| Josh Ethier | Editor |
| Mayank Bhatter | Casting |
| Brandon Christensen | Visual Effects |
| Name | Title |
|---|---|
| Caroline Metz | Producer |
| Brian E. Dutton | Co-Producer |
| Terry Shaikh | Executive Producer |
| Joe Begos | Producer |
| Josh Ethier | Producer |
| Graham Skipper | Producer |
| Audrey Wasilewski | Producer |
| Lyle Kanouse | Producer |
| Matt Mercer | Co-Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 14 | 27 | 9 |
| 2024 | 5 | 18 | 33 | 11 |
| 2024 | 6 | 14 | 28 | 8 |
| 2024 | 7 | 13 | 23 | 8 |
| 2024 | 8 | 12 | 22 | 7 |
| 2024 | 9 | 9 | 14 | 5 |
| 2024 | 10 | 8 | 17 | 4 |
| 2024 | 11 | 8 | 12 | 5 |
| 2024 | 12 | 9 | 15 | 5 |
| 2025 | 1 | 8 | 14 | 5 |
| 2025 | 2 | 7 | 10 | 3 |
| 2025 | 3 | 5 | 10 | 1 |
| 2025 | 4 | 2 | 2 | 1 |
| 2025 | 5 | 1 | 3 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 1 | 1 | 0 |
| 2025 | 8 | 1 | 2 | 0 |
| 2025 | 9 | 1 | 4 | 0 |
| 2025 | 10 | 1 | 2 | 0 |
Trending Position
There was something very familiar about _Bliss_, in a good way. Watching it was kind of like... coming home. _Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._ ...
Went into this film completely blind, 10 minutes into my train journey home I realised I really shouldn't be watching this on public transport and the woman sitting next to me thinks I'm a creep. Ugh, otherwise pretentious, very pretty, garbage dialogue pointlessly peppered with excessive swearin ... g to try and seem cool, and just excuse after excuse for the lead to get topless. Which is cool and all, but after the 6th or 7th time it lessens the impact. But my big complaint is it is clearly a film made by people who have no idea how drugs work, what they look like, or how you take them. I wish I liked this director's style more, but between this and VFW I'm not feeling him, on paper his work should be right up my alley but it's style over substance