The Sound Is Innocent
2019 | 68m | English
Popularity: 0.3 (history)
| Director: | Johana Ožvold |
|---|---|
| Writer: | Lukáš Csiscely, Johana Ožvold |
| Staring: |
| As if directing a science-fiction film, Johana Ožvold dissects the story of electronic music. From the pioneer sound engineers working behind the Iron Curtain, through the French avant-garde composers, up to the post-modern creators of digital sonic artefacts, the first-time filmmaker summons an abstract landscape that is haunting and yet achingly beautiful. A voice appears from old television screens forgotten in the maze of some futuristic archive where past and future seem to coexist in a complex and multi-layered way. | |
| Release Date: | Oct 03, 2019 |
|---|---|
| Director: | Johana Ožvold |
| Writer: | Lukáš Csiscely, Johana Ožvold |
| Genres: | Documentary |
| Keywords | electronic music |
| Production Companies | Česká televize, Universal Production Partners, Soundsquare, RTVS, Films de Force Majeure, Punkchart films, Lyon Capitale TV, Cinémotif Films |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 03, 2025 Entered: May 05, 2024 |
| Name | Character |
|---|---|
| Johana Ožvold | Narrator (voice) |
| Name | Job |
|---|---|
| Šimon Dvořáček | Director of Photography |
| Martin Ožvold | Original Music Composer, Sound Designer |
| Lukáš Csiscely | Screenplay |
| Adam Voneš | Sound |
| Kryštof Melka | Camera Operator |
| Matěj Piňos | Camera Operator |
| Julie Horvathová | Script |
| Alice Růžičková | Dramaturgy |
| Miroslava Tomaníková | Dramaturgy |
| Ondrej Starinský | Dramaturgy |
| Sophia Boyd | Assistant Camera |
| Miroslav Materna | Assistant Camera |
| Urban Arsenjuk | Focus Puller |
| Rasťo Slezák | Steadicam Operator |
| Zuzana Formánková | Assistant Production Design |
| Barbora Zelníčková | Set Decoration |
| Boris Vrábel | Property Master |
| Lukáš Janičík | Assistant Editor |
| Jakub Podmanický | Assistant Editor |
| Viktor Ekrt | Sound Mixer |
| Samuel Štefanec | Sound Assistant |
| Jan Majstr | Sound Assistant |
| Štěpán Kříž | Sound Assistant |
| Petr Kubica | Creative Producer |
| Karol Molnár | Production Manager |
| Soňa Horváthová | Production Manager |
| Olivier Attebi | Production Manager |
| Lukáš Bucman | Production Manager |
| Albert Malinovský | Production Manager |
| Ján Jurga | Production Manager |
| Audrey Bastide Banegas | Production Manager |
| Barbora Foglová | Unit Production Manager |
| Johana Ožvold | Idea, Director, Screenplay |
| Zuzana Walter | First Assistant Director, Editor |
| Martin Mareček | Dramaturgy |
| Antonín Šilar | Production Design |
| Name | Title |
|---|---|
| Kristýna Květová | Producer |
| Kateřina Kovářová | Executive Producer |
| Helena Uldrichová | Co-Producer |
| Katarína Tomková | Co-Producer |
| Didier Maïsto | Co-Producer |
| Perrine Robert | Co-Producer |
| Suzanne Gangloff | Co-Producer |
| Jean-Laurent Csinidis | Co-Producer |
| Jérôme Nunes | Co-Producer |
| Ivan Ostrochovský | Co-Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 1 | 1 | 1 |
| 2024 | 5 | 1 | 3 | 1 |
| 2024 | 6 | 0 | 1 | 0 |
| 2024 | 7 | 2 | 4 | 1 |
| 2024 | 8 | 3 | 6 | 1 |
| 2024 | 9 | 2 | 3 | 1 |
| 2024 | 10 | 1 | 4 | 1 |
| 2024 | 11 | 1 | 3 | 1 |
| 2024 | 12 | 1 | 1 | 1 |
| 2025 | 2 | 1 | 1 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 1 | 2 | 0 |
| 2025 | 9 | 0 | 1 | 0 |
| 2025 | 10 | 0 | 0 | 0 |
Trending Position
Electronic music can be minimalist or towering, hermetic or porous. It can be made of other music or made only of itself, of electricity shaped into waves. It can be staggeringly soulful or mystically severe. It can be for the body, the head, the heart, or all three. It can shift our sense of space- ... time or just slap. Whatever it is, the genre that purists once called homogeneous now offers unparalleled variety. As Ožvold's 'The Sound is Innocent' attests, electronic music infinitely extends the acoustic without uprooting it. It's the sound of our world discovering, not remembering, itself. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-the-sound-is-innocent-processing-electronic-music