Popularity: 4 (history)
| Director: | Lila Neugebauer |
|---|---|
| Writer: | Elizabeth Sanders, Ottessa Moshfegh, Luke Goebel |
| Staring: |
| A US soldier suffers a traumatic brain injury while fighting in Afghanistan and struggles to adjust to life back home in New Orleans. When she meets local mechanic James, the pair begin to forge an unexpected bond. | |
| Release Date: | Oct 28, 2022 |
|---|---|
| Director: | Lila Neugebauer |
| Writer: | Elizabeth Sanders, Ottessa Moshfegh, Luke Goebel |
| Genres: | Drama |
| Keywords | post-traumatic stress disorder (ptsd), new orleans, louisiana, swimming pool, car accident, veteran, woman director, brain injury, mother daughter relationship |
| Production Companies | A24, IAC Films, Excellent Cadaver, IPR.VC |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Jennifer Lawrence | Lynsey |
| Brian Tyree Henry | James |
| Linda Emond | Gloria |
| Jayne Houdyshell | Sharon |
| Stephen McKinley Henderson | Dr. Lucas |
| Russell Harvard | Justin |
| Sean Carvajal | Santiago |
| Frederick Weller | Rick |
| Will Pullen | Bro |
| Neal Huff | Neuropsychologist |
| Danny Wolohan | Jim |
| Han Soto | Physiotherapist |
| Natalie Pilie | Physiotherapist |
| Suzette Stuebben | Bartender |
| Name | Job |
|---|---|
| Lila Neugebauer | Director |
| Heidi Bivens | Costume Design |
| James Colin Beyer | Sound |
| Allison Jackson | Sound Mixer |
| Robert Sharman | Sound Mixer |
| Troy Collins Jr. | Special Effects |
| Elizabeth Sanders | Writer |
| Alex Somers | Original Music Composer |
| Ottessa Moshfegh | Writer |
| Cary Lee | Second Assistant Director |
| Hailey Frey | Production Assistant |
| Nick Houy | Additional Editor |
| Camille Gilbert | Post Production Assistant |
| Michael Howell | Digital Intermediate Colorist |
| Megaera Stephens | First Assistant "A" Camera |
| Marcos Gonzales | Hair Department Head |
| Remi Savva | Makeup Department Head |
| Greg Crawford | ADR Mixer |
| Tyler Newhouse | ADR Editor |
| Emily Pouiliard | Sound |
| Donnie Dean | Special Effects Coordinator |
| Matthew Gatlin | Art Direction |
| Diego García | Director of Photography |
| Robin Fredriksz | Makeup Artist |
| April Melerine | Key Makeup Artist |
| Jonny Bullard | Makeup Artist |
| Ashley Kent Bolotte | Makeup Artist |
| Ashley Treadaway | Key Makeup Artist |
| Dean St. John | ADR Mixer |
| Ryan Cox | Special Effects Technician |
| Timothy Stuart Hildebrandt | Art Direction |
| Matt Kutcher | Second Unit Director |
| Jason Chandler | Second Second Assistant Director |
| Tayler Haynes | Post Production Coordinator |
| Brian Miele | Additional Editor |
| Jennie Shea | ADR Recordist |
| Christopher Surgent | First Assistant Director |
| Takahide Kawakami | Second Assistant Director |
| Max Berger | Assistant Editor |
| Adam Moore | Colorist |
| Lucian Johnston | Editor |
| Jack Fisk | Production Design |
| Adam Willis | Set Decoration |
| Mark DeSimone | ADR Mixer |
| Robert Frazen | Editor |
| Luke Goebel | Writer |
| Thurman Martin III | Visual Effects Producer |
| Teddy Blanks | Title Designer |
| Skip Lievsay | Sound Re-Recording Mixer |
| Jacob Jaffke | Unit Production Manager |
| Name | Title |
|---|---|
| Kirk Michael Fellows | Executive Producer |
| Christopher Surgent | Executive Producer |
| Louise Lovegrove | Co-Producer |
| Grace Potter | Associate Producer |
| Justine Ciarrocchi | Producer |
| Jeffrey Penman | Co-Producer |
| Ed Wasserman | Associate Producer |
| Joshua Bachove | Executive Producer |
| Sophia Lin | Executive Producer |
| Jennifer Lawrence | Producer |
| Jacob Jaffke | Executive Producer |
| Lila Neugebauer | Executive Producer |
| Ottessa Moshfegh | Co-Producer |
| Luke Goebel | Co-Producer |
| Organization | Category | Person | |
|---|---|---|---|
| Golden Globes | Best Supporting Actress | Jennifer Lawrence | Nominated |
| SAG Awards | Best Supporting Actress | Aisling Bea | Nominated |
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 25 | 45 | 14 |
| 2024 | 5 | 30 | 54 | 15 |
| 2024 | 6 | 23 | 36 | 14 |
| 2024 | 7 | 27 | 51 | 14 |
| 2024 | 8 | 22 | 46 | 13 |
| 2024 | 9 | 15 | 19 | 9 |
| 2024 | 10 | 19 | 47 | 12 |
| 2024 | 11 | 15 | 24 | 10 |
| 2024 | 12 | 15 | 31 | 9 |
| 2025 | 1 | 16 | 30 | 8 |
| 2025 | 2 | 10 | 15 | 3 |
| 2025 | 3 | 5 | 16 | 1 |
| 2025 | 4 | 3 | 15 | 1 |
| 2025 | 5 | 3 | 10 | 2 |
| 2025 | 6 | 2 | 4 | 2 |
| 2025 | 7 | 2 | 2 | 1 |
| 2025 | 8 | 2 | 2 | 1 |
| 2025 | 9 | 3 | 4 | 2 |
| 2025 | 10 | 3 | 4 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 54 | 386 |
MORE SPOILER-FREE MINI-REVIEWS @ https://www.msbreviews.com/movie-reviews/other-films-watched-lff-2022 "Causeway possesses detailed, subtle performances by Jennifer Lawrence and Brian Tyree Henry - excellent chemistry - who truly carry the film on their shoulders. Lila Neugebauer doesn't bring ... anything new to the military subgenre of "veteran returns home", but she knows how to give the spotlight to the actors, making the best possible decisions for them to shine. Formulaic and predictable but interesting enough for fans of these types of stories." Rating: B-
"Lynsey" (Jennifer Lawrence) is on her way to a job when her truck breaks down. Seeking help from mechanic "James" (Brian Tyree Henry) she appears reluctant to give him her number. She claims she doesn't recall it... He is sceptical, but as the story now evolves we discover that this young woman is ... a veteran of the war in Afghanistan where she suffered an injury to her brain. With the help of him, and her physician "Dr. Lucas" (Stephen McKinley Henderson) she now tries to put some semblance of order - and fulfilment - back into her life. It is interesting, this film, insofar as it considers the perspective of a woman returning from conflict. Assumptions are made that would probably not be made about her male counterparts, and director Lila Neugebauer tries hard to ensure that how American society deals with these distinctions is writ large. Lawrence delivers quite well, she offers a nuanced effort that can be quite poignant at times, especially as we - and "James" get to know her character more, and as that character begins to emerge from her shell of shame, embarrassment and mistrust. It's not very well paced, though. Despite being only ninety minutes, I felt the points reiterated just once to often and the dialogue didn't really offer much succour to either the actors or the audience. We are left to assume too much; to project our own opinions and sympathies on her persona, and without ever possibly being able to empathise that left me feeling the drama was just a bit too sterile. As with many films depicting the struggle of returning soldiers to fit in and flourish at home, it has a profound message to send - but as a piece of cinema, there are too many lingering close ups, the score is really weak and unimaginative and it's nothing much to write home about.
**By: Louisa Moore / www.ScreenZealots.com** _This film was screened at the Toronto International Film Festival_ It’s tricky to tell a story about the impacts of trauma, and director Lila Neugebauer handles the subject with a sensitive, deft hand in her feature film debut “Causeway.” This inti ... mate independent film is one with a narrative of pain, healing, and friendship, culminating in an extremely effective (and very human) drama. While in Afghanistan working for the Army Corps of Engineers, Lynsey (Jennifer Lawrence) was part of a convoy that was attacked and hit by an explosive device. She suffered significant injuries to her body and brain, and has spent months in a tough rehabilitation program. Now the woman is finally going back to her home in New Orleans, where she is having difficulties adjusting to her return to normal society. As is the case with many veterans, Lynsey wants to redeploy, but her doctor refuses to give her the recommendation she so desperately wants. To pass the time, she takes a job cleaning pools, and when her truck breaks down on the way to work, Lynsey meets a mechanic named James (Brian Tyree Henry). The two form a bond through their mutual traumatic pasts and wounds both psychological and physical, which turns their relationship into something more complex. The story is one of anguish, but also one of healing. You can feel the sense of inner turmoil and torment that weighs down on James and Lynsey, sinking their will to live. It’s a deeply intimate drama with a simple, strong story that makes a huge impact. Neugebauer’s film and storytelling are both beautifully crafted, further refined by the powerful, reserved performances from Lawrence and Henry (which are also among the two actors’ best work to date). Their chemistry is believable and their performances aren’t flashy, which makes for a powerful drama about broken people who need help and find it in each other. “Causeway” is painfully eloquent in a way that makes it so much more than just another trauma drama. It’s a somber look at the way humans must suffer in order to heal, and the film captures this sentiment and feeling in the most potent way.