Popularity: 3 (history)
Director: | Paris Zarcilla |
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Writer: | Paris Zarcilla |
Staring: |
An undocumented Filipina immigrant lands a job as a careworker for a seemingly terminal old man, securing a better life for her and her daughter. But a dark discovery threatens to destroy everything she’s strived for and holds dear. | |
Release Date: | Dec 01, 2023 |
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Director: | Paris Zarcilla |
Writer: | Paris Zarcilla |
Genres: | Comedy, Drama, Horror, Mystery, Thriller |
Keywords | immigrant |
Production Companies | Last Conker |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Jul 16, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Max Eigenmann | Joy |
Jaeden Paige Boadilla | Grace |
Leanne Best | Katherine |
David Hayman | Mr. Garrett |
Caleb Johnston-Miller | Orlando |
Oliver Wellington | Gary |
Eugenia Low | Apparition |
Jodie Cuaresma | Apparition |
Seb Yates Cridland | Young Man |
Stephanie Connell | Old Woman |
Sophie Morris-Sheppard | Mrs. Johnson |
Eva Jane Willis | Grace's Father's Wife |
Gabriel Vick | Mr. Johnson |
Jasmine Naziah Jones | Mrs. Clark |
Rob Pomfret | Grace's Father |
Hannah Knight | Apparition |
Dominic Cazenove | Mr. Clark |
Saskia Rose | Officer 1 |
Angelo Paragoso | June |
Faizal Abdullah | Priest |
Jane Ryan | Young Lady |
Mireia Espluga | Apparition |
Name | Job |
---|---|
Paris Zarcilla | Writer, Director |
Joel Honeywell | Director of Photography |
Sian Rogers | Music Supervisor |
Sophie Mac | Makeup & Hair |
Christopher CF Chow | Editor |
Isobel Baker-Smith | Art Direction |
Fiona Fernie | Costume Supervisor |
Mathilda Mace | Makeup & Hair |
Amy Addison | Production Designer |
Amy Beth Addison | Costume Designer, Production Design |
Fiona Alexander | Makeup & Hair |
Peter Burgis | Foley Artist |
Jon Clarke | Original Music Composer |
Pancake Zarcilla | Co-Writer |
Katy Covell | Casting |
Ollie Gilbert | Casting |
Shaun Rhodes | Production Manager |
Carlotta Beck Peccoz | First Assistant Director |
Ruth Tien An Whittle | Story Editor |
Sarah Brewerton | Additional Editing |
Nathaniel Marten | Stunt Coordinator |
Erin Jackson | Stunts |
Name | Title |
---|---|
Chi Thai | Producer |
Darlene Catly Malimas | Co-Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 9 | 14 | 5 |
2024 | 5 | 11 | 18 | 6 |
2024 | 6 | 9 | 22 | 5 |
2024 | 7 | 38 | 107 | 7 |
2024 | 8 | 23 | 38 | 13 |
2024 | 9 | 14 | 24 | 7 |
2024 | 10 | 12 | 27 | 7 |
2024 | 11 | 9 | 16 | 6 |
2024 | 12 | 9 | 16 | 5 |
2025 | 1 | 9 | 14 | 5 |
2025 | 2 | 5 | 9 | 1 |
2025 | 3 | 3 | 7 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 2 | 3 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 1 | 1 | 0 |
2025 | 8 | 0 | 1 | 0 |
2025 | 9 | 1 | 3 | 0 |
2025 | 10 | 3 | 3 | 3 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 85 | 349 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 106 | 417 |
"Joy" (Max Eigenmann) is struggling to find work and bring up her young daughter "Grace" (Jaeden Paige Boadilla) in a Britain where she has no legal status. That sends her down the agency cleaning route where she arrives at the large home of "Katherine" (Leanne Best) who is looking after her bedridd ... en elderly uncle "Garrett" (David Hayman). Now her new employer knows nothing of the daughter, even though her's is a live-in appointment. It's only when "Katherine" has to go away for a weekend leaving the elderly man - and his medication - in her care, that "Grace" can be herself a bit more and we start to realise that there's something fishy going on. Indeed, a mishap with the pills starts to enliven this hitherto husk of a man and we soon start to wonder if "Katherine" isn't up to no good. The enigmatic "Garrett" is clearly no saint either, and though he befriends the curious and friendly "Grace" with hot chocolate, it's increasingly clear that he too has an agenda - especially when her mother is rounded up by immigration officials. Most of this film is actually unremarkable, but the last half hour or so does liven it up a little as all of the characters start to come into play and the story begins to pick up some pace. Hayman delivers quite well, keeping us guessing for a while about the true nature of his character, but the rest of the acting and the writing are neither here nor there and there is much too much preamble. The denouement reminded me a little of something Edgar Wright might have delivered, but otherwise it's not really much more than an OK watch.