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Stage Mother Poster

Stage Mother

Sex, drag and rock & roll
2020 | 93m | English

(3250 votes)

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Popularity: 1 (history)

Director: Thom Fitzgerald
Writer: Brad Hennig
Staring:
Details

A conservative church-choir director moves from Texas to San Francisco to run her deceased gay son's drag club.
Release Date: Jul 24, 2020
Director: Thom Fitzgerald
Writer: Brad Hennig
Genres: Comedy, Drama
Keywords san francisco, california, drag queen, dance, club, life changing, marital conflict
Production Companies Buffalo 8, Branded Pictures Entertainment, Idiot Savant Pictures
Box Office Revenue: $0
Budget: $0
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Jacki Weaver Maybelline Metcalf
Lucy Liu Sienna
Adrian Grenier Nathan
Mya Taylor Cherry
Allister MacDonald Joan
Anthony Skordi August
Oscar Moreno Tequila
Jackie Beat Dusty Muffin
Hugh Thompson Jeb
Lenore Zann Bevette
Eldon Thiele Rickey
Kris Cochrane Diva
Kirstin Howell Erna Lee
Mauralea Austin Imogene
Calem MacDonald Concierge Brody
Sofia Banzhaf Young Maybelline
Vox Smith Young Rickey
Grayson Bermundo Baby Rickey
Adrian Comeau Grayson
Murlane Carew Mrs. Diaz
Garrett Baer Bear
Tyson Thompson Miss Ann Thrope
Callum Dunphy Chappy
Lucus Popowich Bar Patron
Brian Stover Self (uncredited)
Name Job
Brad Hennig Writer
Angela Baker Editor
Yaniv Dabach Editor
Thomas M. Harting Director of Photography
Warren Robert Original Music Composer
Henry Russell Bergstein Casting
Michael Pierson Production Design
Jesse Stewart Art Direction
Arline Vincent Set Decoration
James A. Worthen Costume Design
Kris Cochrane Key Makeup Artist
Kimmy Dewell Makeup Artist
Steven MacLeod Wigmaker
Dayna Pace Hairstylist
Laurie Pace Key Hair Stylist
Roxanne Rizzo Makeup Artist
Doug Pettigrew Location Manager, Production Manager
Kelli Morehouse Property Master
Jenn Tompkins Assistant Property Master
Valerie Biggin Music Supervisor
Melany Mitchell Music Supervisor
Jane Solomon Music Consultant
Greg Richling Executive Music Producer
Maggie Thomas Script Supervisor
Drew McLean First Assistant Director
Michael Cowie Second Assistant Director
Sheila Lane Casting
James Milligan Production Accountant
Anna MacLean Production Coordinator
Abner Michael Joseph Collette Assistant Production Coordinator
Andrew Mortimer Third Assistant Director
Christian Munroe Third Assistant Director
Heather Harvey Third Assistant Director
Ted McInnes First Assistant Camera
Riley Turner Second Assistant Camera, First Assistant "B" Camera
Gareth Roberts "B" Camera Operator
Josh Denaro Second Assistant "B" Camera
Diego Medina Boom Operator
Denise Barrett Assistant Costume Designer
Victoria Rockwell Costume Set Supervisor
Tom Roberts Construction Coordinator
Heather Snider Scenic Artist
D'arcy McDaid Assistant Art Director
Satchel Buck Jones Casting Associate
Shawn Snip Gaffer
Gerald Gillis Best Boy Electric
Jess MacGillivray Electrician
Terry Daly Rigging Gaffer
John Adamson Key Grip
Rick Gillis Best Boy Grip
Mackenzie Garland Best Boy Grip
Will Semple Dolly Grip
Matt Little Assistant Location Manager
Jeff Hackett Assistant Location Manager
Kristin Arason Transportation Coordinator
Debi Jonatanson Transportation Captain
David Maurice Gil Second Unit Director of Photography
Ben Sutherland Assistant Editor
Mark Todd Osborne Colorist
Yagmur Kaplan Supervising Sound Editor
Brian Berger Sound Effects Editor
Lawrence He Sound Effects Editor
Ben Zarai Sound Effects Editor
Vivian Williams Foley Editor
Dante Marino Assistant Sound Editor
James Mezzo Assistant Sound Editor
Buck Snow ADR Mixer
Jake Akuna Visual Effects Supervisor
Thom Fitzgerald Director
Kyla Nicolle Makeup Artist
Jim Rillie Sound Mixer
Gonzalo 'Bino' Espinoza Foley Artist
David Barber Sound Re-Recording Mixer
Name Title
Anne Clements Producer
Clay Epstein Executive Producer
J. Todd Harris Producer
Brad Hennig Producer
Amanda Homer Associate Producer
Laurie Lacob Executive Producer
Doug Pettigrew Producer
Cooper Vollick Associate Producer
Rich Taylor Associate Producer
Darcy Mead Associate Producer
Mark Stevens Co-Executive Producer
Mary Stevens Co-Executive Producer
Kathryn From Co-Executive Producer
Elizabeth Dressel Co-Executive Producer
Brad Littlefield Co-Executive Producer
Bob Falkenberg Co-Producer
Martha Falkenberg Co-Producer
Valeta Massey Co-Producer
Thom Fitzgerald Executive Producer
Robina Riccitiello Co-Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 11 17 6
2024 5 13 25 7
2024 6 11 18 6
2024 7 12 27 5
2024 8 11 23 5
2024 9 7 11 4
2024 10 11 25 4
2024 11 14 31 5
2024 12 8 14 5
2025 1 8 14 5
2025 2 5 9 2
2025 3 4 6 1
2025 4 1 3 1
2025 5 2 3 1
2025 6 1 2 1
2025 7 0 1 0
2025 8 1 2 0
2025 9 2 4 1
2025 10 2 4 0

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Reviews

Geronimo1967
6.0

Jacki Weaver is "Maybeline", a pretty conservative Texan woman who discovers that her estranged, gay, son has died of an overdose in San Francisco. Despite the protestations of her husband "Jeb" she heads off to the funeral and begins to discover just how ("Ricky"), long-term boyfriend "Nathan" (Adr ... ian Grenier) and best friend "Sienna" (Lucy Liu) have been living their lives - and of how he and "Nathan" had been running their own drag club. Initially she faces scepticism and hostility from all but "Sienna" - who sees an opportunity for a free babysitter - particularly as it transpires that her son had no will and so everything he had now belongs to her. Her husband just wants to sell it all, but she decides to try and make a go of it; and to make friends with the folks her son loved. It's a kindly, feel-good film with a gentle, if slightly sweet, storyline peppered with some good old drag innuendo and cattiness. The songs are a bit on the cheesy side, but that doesn't really matter. Essentially, this is a film about regret and having the balls to do something about it - part of her determination to make a success of the club and of the acts is driven by guilt, but much of it is also driven by her own pent-up frustrations having been stuck in a banal marriage that had managed to suffocate much of the personality in her that her late son had managed to manifest in his own life. It's not a great film, at times the production borders on the amateur, but Liu and Weaver deliver engaging characters quite well and I rather enjoyed it.

Mar 27, 2022