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Dead of Winter Poster

Dead of Winter

Katie McGovern will do anything to become an actress. Even if it kills her… tonight it might.
1987 | 100m | English

(5106 votes)

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Popularity: 5 (history)

Details

A fledgling actress is lured to a remote mansion for a screen-test, soon discovering she is actually a prisoner in the middle of a blackmail plot.
Release Date: Feb 06, 1987
Director: Arthur Penn
Writer: Anthony Gilbert, Marc Shmuger, Mark Malone
Genres: Horror, Thriller
Keywords
Production Companies Metro-Goldwyn-Mayer
Box Office Revenue: $2,413,427
Budget: $0
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

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International Posters

Full Credits

Name Character
Mary Steenburgen Julie Rose / Katie McGovern / Evelyn
Roddy McDowall Mr. Murray
Jan Rubeš Dr. Joseph Lewis
William Russ Rob Sweeney
Ken Pogue Officer Mullavy
Wayne Robson Officer Huntley
Mark Malone Roland McGovern
Michael Copeman Highway Patrolman
Sam Malkin Gas Jock
Pamela Moller Woman at Audition
Dwayne McLean Killer
Paul Welsh New Year's Eve Reveler
Name Job
Arthur Penn Director
Arthur Rowsell Costume Designer
Michael MacDonald Production Manager
Ann Brodie Makeup Designer
Denise Lute Stunt Double
Maria Armstrong Casting
Anthony Gilbert Novel
Marc Shmuger Writer
Mark Malone Writer
Richard Einhorn Music
Bill Brodie Production Design
Ross Clydesdale Casting
Alicia Keywan Art Direction
Mark S. Freeborn Set Decoration
Donna Bis Hair Designer
Michael MacDonald Second Unit Director
Tony Thatcher First Assistant Director
David Till Second Assistant Director
David Vaughan Third Assistant Director
Stan Bochner Supervising Sound Editor
Bruce Carwardine Production Sound Mixer
Lee Dichter Sound Re-Recording Mixer
Glen Gauthier Production Sound Mixer
Michael Jacobi ADR Editor
Hal Levinsohn Sound Editor
Bitty O'Sullivan-Smith Sound Editor
Jay Rabinowitz Apprentice Sound Editor
David Neil Trifunovich Special Effects Supervisor
Rick Forsayeth Stunts
Leslie Munro Stunts
Anton Tyukodi Stunts
Rick Shaine Editor
Jan Weincke Director of Photography
Dwayne McLean Stunt Coordinator
Name Title
Michael MacDonald Associate Producer
John Bloomgarden Producer
Marc Shmuger Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
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2024 5 11 21 7
2024 6 9 20 5
2024 7 10 21 5
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2025 1 7 12 4
2025 2 6 10 3
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2025 8 1 3 0
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2025 10 4 5 4

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Reviews

slayrrr666
2.0

Heading for an audition, an actress drives out to a large mansion to prepare for the role only to find that a strange conspiracy appears to involve one of his former patients trying to kill her, and she soon learns of deeper ties to their plot and must put a stop to them before it's too late. The ... re were a few good parts to this one. One of the better parts to this is the house's look, which actually works to the film's advantage in creating a dark, chilling atmosphere due to several key factors. From the large size that offers up hidden passageways, alternate rooms and more to the decorations that adorn the walls and layout, there's plenty to enjoy about the setting to this one. There's also the film's somewhat engaging mystery when it first starts throwing them out there. From the burning license in the fire and the lies about the phones to when it starts in with the hidden rooms and passageways, along with their behavior towards her, it makes this part of the film really entertaining and enjoyable, which is a good thing and is definitely very appreciated. The only other good part of this one is the final chase in here, which is really good from the first instances where the escape plan is put into motion, the different confrontations throughout the house are very good as well, and once it moves into the attic where it gets really fun. From the kills to the suspense and the action all combine to make this the only section of the film where something is happening. These here are all that work for this one as it has a couple flaws that severely hold it back. One of the main ones is the fact that the film just doesn't have any kind of action or horror-related scenes for a near eternity. It's close to fifty minutes in before any kind of danger is detected, and it's still not anything that would move the film along with any kind of speed or momentum at all, and usually resort to being quickly written off at the time to get back to the slow, snail-like pace that has been going on until then. That just makes the film go so long that it's really almost impossible to get into the film with any kind of intimacy, due to the fact that the time when it should be making us interested in the film it spends them showcasing these boring aspects instead, and that is really off- putting and extremely uninteresting. The other big problem with this one is the fact that the twist, when it occurs late in the film, not only doesn't change matters much but seemingly re-writes the film to the point of utter confusion. This would take forever to fully get all the way out, and instead, it just doesn't do much at all to the film as a whole. It's quite a lame twist and doesn't help the film at all. There are a couple other minor flaws, but none of them are as detrimental as these. Rated R: Violence and Language.

Jun 23, 2021