Popularity: 6 (history)
| Director: | Roger Donaldson |
|---|---|
| Writer: | Heywood Gould |
| Staring: |
| After being discharged from the Army, Brian Flanagan moves back to Queens and takes a job in a bar run by Doug Coughlin, who teaches Brian the fine art of bar-tending. Brian quickly becomes a patron favorite with his flashy drink-mixing style, and Brian adopts his mentor's cynical philosophy on life and goes for the money. | |
| Release Date: | Jul 29, 1988 |
|---|---|
| Director: | Roger Donaldson |
| Writer: | Heywood Gould |
| Genres: | Comedy, Drama, Romance |
| Keywords | new york city, night life, jamaica, bartender, ambition, rags to riches, cocktail |
| Production Companies | Silver Screen Partners III, Touchstone Pictures, Interscope Communications |
| Box Office |
Revenue: $171,504,781
Budget: $20,000,000 |
| Updates |
Updated: Jul 30, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Tom Cruise | Brian Flanagan |
| Bryan Brown | Douglas "Doug" Coughlin |
| Elisabeth Shue | Jordan Mooney |
| Lisa Banes | Bonnie |
| Kelly Lynch | Kerry Coughlin |
| Gina Gershon | Coral |
| Ron Dean | Uncle Pat |
| Ellen Foley | Eleanor |
| Chris Owens | Soldier |
| Louis Ferreira | Soldier |
| James Eckhouse | Tourist |
| Laurence Luckinbill | Richard Mooney |
| Paul Benedict | Finance Teacher |
| Robert Donley | Eddie |
| Andrea Doven | Dulcey |
| John Graham | Soldier |
| Richard Thorn | Soldier |
| Robert Greenberg | Job Interviewer |
| Harvey J. Alperin | Job Interviewer |
| Sandra Will | Job Interviewer |
| Allan Wasserman | Job Interviewer |
| E. Hampton Beagle | Job Interviewer |
| Parker Whitman | Job Interviewer |
| Richard Livingston | Job Interviewer |
| Bill Bateman | Job Interviewer |
| Jean St. James | Job Interviewer |
| Rosalyn Marshall | Job Interviewer |
| Jeff Silverman | Job Interviewer |
| Rich Crater | Job Interviewer |
| Marykate Harris | Job Interviewer |
| Lew Saunders | Job Interviewer |
| Jack Newman | Economics Teacher |
| Diane Douglass | Mrs. Rivkin |
| George Sperdakos | English Teacher |
| David Chant | Chinese Porter |
| Dianne Heatherington | First Waitress |
| Arlene Mazerolle | Second Waitress |
| Paul Abbott | Snotty Customer |
| Ellen Maguire | Bar Patron |
| Larry Block | Bar Owner |
| Kelly Connell | Yuppie Poet |
| Gerry Bamman | Tourist |
| Reathel Bean | Tourist |
| Peter Boyden | Tourist |
| Luther Hansraj | Ambulance Attendant |
| Kenneth McGregor | Robert Powell the Sculptor |
| Liisa Repo-Martell | Young Couple in Deli |
| Adam Furfaro | Young Couple in Deli |
| Kim Nelles | Female Artist |
| David L. Crowley | Doorman |
| James Mainprize | Butler |
| Gregg Baker | Bouncer |
| Jaap Broeker | Doorman (uncredited) |
| Vivian Palermo | Bar Patron (uncredited) |
| Garry Pastore | Well Dressed Man (uncredited) |
| Andrew Shue | Wedding Guest (uncredited) |
| Karen Starr | Bar Patron (uncredited) |
| Name | Job |
|---|---|
| J. Peter Robinson | Original Music Composer |
| Roger Donaldson | Director |
| Dean Semler | Director of Photography |
| Donna Isaacson | Casting |
| Ellen Mirojnick | Costume Design |
| Richard L. Anderson | Supervising Sound Editor |
| Penelope Gottlieb | Title Designer |
| Branko Racki | Stunt Coordinator |
| Rob Cowan | First Assistant Director |
| Neil Travis | Editor |
| Mel Bourne | Production Design |
| Renee Bodner | Script Supervisor |
| John S. Lyons | Casting |
| David Coatsworth | Unit Production Manager |
| Mara McSweeny | Production Coordinator |
| Jim Weidman | Music Editor |
| Terry Porter | Sound Re-Recording Mixer |
| Thom 'Coach' Ehle | Dolby Consultant |
| Michael Estler | Stunts |
| Janet Spiegel | Third Assistant Director |
| Perry Hoffman | First Assistant Camera |
| James Christopher | Sound Editor |
| Don Miloyevich | Property Master |
| Linda Gill | Makeup Artist |
| Ron Gillham | Key Grip |
| Michael Cavanaugh | Special Effects Coordinator |
| Rob McEwan | Still Photographer |
| Keith Large | Location Manager |
| Mathew Hart | Location Manager |
| Kim Maitland | Sound Recordist |
| Mel Metcalfe | Sound Re-Recording Mixer |
| Mark Pappas | Foley Editor |
| Kim H. Winther | Second Assistant Director |
| Julian Chojnacki | Camera Operator |
| Mary Andrews | ADR Editor |
| John Dunn | Sound Editor |
| Rick Sharp | Makeup Artist |
| Chris Holmes | Gaffer |
| Tony Eldridge | Best Boy Electric |
| Allen E. Taylor | Production Accountant |
| Dan Davis | Art Direction |
| Hilton Rosemarin | Set Decoration |
| Denis McCallion | Location Manager |
| Jayne Armstrong | Post Production Supervisor |
| Terry Ladin | Production Coordinator |
| Elaine Yarish | Script Supervisor |
| David J. Hudson | Sound Re-Recording Mixer |
| Vlasta Svoboda | Assistant Art Director |
| Richard Lightstone | Sound Mixer |
| Burness Dembrowski | Sound Editor |
| Arthur Rowsell | Costume Supervisor |
| Paul LeBlanc | Hairstylist |
| Roy Elliston | Best Boy Grip |
| Guenter Bartlik | Scenic Artist |
| Robbie Nevil | Musician |
| Heywood Gould | Screenplay |
| Steve Cohen | Assistant Camera |
| Name | Title |
|---|---|
| Robert W. Cort | Producer |
| Ted Field | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 29 | 46 | 16 |
| 2024 | 5 | 30 | 48 | 18 |
| 2024 | 6 | 28 | 45 | 16 |
| 2024 | 7 | 27 | 56 | 17 |
| 2024 | 8 | 26 | 40 | 16 |
| 2024 | 9 | 17 | 24 | 13 |
| 2024 | 10 | 19 | 33 | 11 |
| 2024 | 11 | 19 | 35 | 12 |
| 2024 | 12 | 18 | 25 | 13 |
| 2025 | 1 | 21 | 39 | 13 |
| 2025 | 2 | 16 | 35 | 3 |
| 2025 | 3 | 6 | 19 | 1 |
| 2025 | 4 | 4 | 9 | 2 |
| 2025 | 5 | 4 | 9 | 2 |
| 2025 | 6 | 3 | 7 | 2 |
| 2025 | 7 | 3 | 4 | 2 |
| 2025 | 8 | 3 | 4 | 2 |
| 2025 | 9 | 5 | 9 | 3 |
| 2025 | 10 | 5 | 7 | 4 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 907 | 947 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 390 | 693 |
There was something about Tom Cruise in this film that shows him at his most engaging and fun. His character "Brian" wants to get on in life - but at every turn his limited of education gets in the way. Despondent, he heads to a bar where he encounters "Doug" (Bryan Brown) and next thing we know, he ... is a cocktail barman. A bit slow to start off with, but soon he has the clientele eating out of his hand as his charm and cheekiness soon show he has a real skill for this job. The first half hour or so are actually quite lively and entertaining. We also get a sense of just how hard - manic, even - it is to be behind the bar in a busy venue - maybe I will show a little more patience next time I have to wait for my Sauvignon Blanc (though probably not!). The bulk of the film, though, is really weak and feeble. He falls in love, cheats, falls out of love, drops the bottle, does he or doesn't he get the girl (Elisabeth Shue)? Then the film is tinged with a little bit of tragedy just in case the fluffiness of it all was making us light-headed. The ending is sort of imposed upon us, and after 100 minutes it took it's time to deliver the obvious. If you don't drink, you'll almost certainly hate it. If you do drink, then you will probably still not rate it much, but at least you will learn how to put fruit juice in a martini!
**_Fun 80’s flick starts shallow, gets deeper_** Bent on financial success, a young ex-soldier (Tom Cruise) becomes an expert bartender in Manhattan while attending college in order to make it on Wall Street. Then a dream surfaces to establish a nightclub in Jamaica. Bryan Brown plays his cynical ... mentor while Elisabeth Shue and Lisa Banes are on hand as romantic interests. “Cocktail” (1988) is an entertaining Cruise-led 80’s flick that starts energetic, amusing and shallow but, thankfully, fleshes out the characters for something deeper. It’s fun in a snappy way, yet hindered by a feeling of unreality in the first half, which is resolved in the second. Brown is reminiscent of Michael Caine while Shue is in her prime, although her beauty isn’t fully captured as it was in “The Karate Kid” and the later “Leaving Las Vegas” (the fools). Laurence Luckinbill shows up in the last act; he would go on to superbly play Sybok in “Star Trek V: The Final Frontier” the next year. The ending is fine, but a bar is a bar, a place where people get soused. You can make a good living from it, sure, but does that benefit or deter humanity in the grand scheme of things? The film runs 1 hour, 43 minutes, and was shot in Toronto and Ocho Rios, Jamaica. GRADE: B