 
  Popularity: 4 (history)
| Director: | Adrian Brunel, Jack Hulbert, Alfred Hitchcock, André Charlot, Paul Murray | 
|---|---|
| Writer: | Adrian Brunel, Val Valentine, Walter C. Mycroft | 
| Staring: | 
| A series of 19 musical and comedy "vaudeville" sketches presented in the form of a live television broadcast hosted by Tommy Handley (as himself). | |
| Release Date: | Feb 06, 1930 | 
|---|---|
| Director: | Adrian Brunel, Jack Hulbert, Alfred Hitchcock, André Charlot, Paul Murray | 
| Writer: | Adrian Brunel, Val Valentine, Walter C. Mycroft | 
| Genres: | Comedy, Music | 
| Keywords | tap dancing, black and white, vaudeville, shakespeare in modern dress, blackface, skit, variety show, xylophone player, russian song, part in color, music hall song, romantic song | 
| Production Companies | British International Pictures | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Aug 03, 2024 Entered: Apr 27, 2024 | 
| Name | Character | 
|---|---|
| Tommy Handley | The Host | 
| Teddy Brown | Himself | 
| Donald Calthrop | Himself / Petruchio in Taming of the Shrew | 
| Jack Hulbert | Himself | 
| Helen Burnell | Herself | 
| The Three Eddies | Themselves | 
| Lily Morris | Herself | 
| Will Fyffe | Himself | 
| Cicely Courtneidge | Herself | 
| John Longden | Himself | 
| Anna May Wong | Herself / Katherina in Taming of the Shrew | 
| Bobbie Comber | Herself | 
| Gordon Harker | George | 
| Hannah Jones | George's Wife | 
| Gordon Begg | Shakespeare | 
| Lawrence Green | |
| Ivor McLaren | |
| Nathan Shacknovsky | |
| Jameson Thomas | |
| John Stuart | 
| Name | Job | 
|---|---|
| Adrian Brunel | Director, Writer | 
| Jack Hulbert | Director | 
| Alfred Hitchcock | Director | 
| André Charlot | Director | 
| A.C. Hammond | Editor | 
| Val Valentine | Writer | 
| Paul Murray | Director | 
| Walter C. Mycroft | Writer | 
| Claude Friese-Greene | Director of Photography | 
| Emile de Ruelle | Editor | 
| James B. Sloan | Production Manager | 
| Alec Murray | Sound | 
| Name | Title | 
|---|---|
| John Maxwell | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 4 | 12 | 1 | 
| 2024 | 5 | 7 | 19 | 4 | 
| 2024 | 6 | 5 | 9 | 2 | 
| 2024 | 7 | 5 | 10 | 2 | 
| 2024 | 8 | 4 | 8 | 2 | 
| 2024 | 9 | 3 | 5 | 1 | 
| 2024 | 10 | 5 | 18 | 1 | 
| 2024 | 11 | 3 | 10 | 1 | 
| 2024 | 12 | 2 | 5 | 1 | 
| 2025 | 1 | 2 | 6 | 1 | 
| 2025 | 2 | 2 | 3 | 1 | 
| 2025 | 3 | 2 | 3 | 1 | 
| 2025 | 4 | 4 | 6 | 1 | 
| 2025 | 5 | 2 | 3 | 1 | 
| 2025 | 6 | 1 | 2 | 1 | 
| 2025 | 7 | 0 | 0 | 0 | 
| 2025 | 8 | 0 | 1 | 0 | 
| 2025 | 9 | 4 | 6 | 2 | 
| 2025 | 10 | 4 | 5 | 4 | 
Trending Position
A distinctly off-form Tommy Handley introduces this rather curious piece of cinematic entertainment that features a variety of stars from the British stage at the end of the 1920s. The mixture of musical, comedy and magical turns illustrates well just quite how a real pot-pourri of acts took to the ... stage in theatres up and down the UK - but there is no audience. Without the engagement, even applause, from those watching the whole thing comes across as a rather sterile collection of concert performances, as if filmed in an empty television studio. It has a couple of rather tenuous continuing threads that try to hold it together - one features a fellow with an elementary television trying, unsuccessfully usually, to catch some of the performance on his set. The other, has a more contrived Shakesperian theme to it that coupled with a lot of Handley's equally over-cooked links make this all rather a disjointed, and frankly rather staccato film to watch. As a curiosity, it is certainly worth a watch - but mainly just as a bit of nostalgia.