Landscape with Invisible Hand
They came for our love.
2023 | 105m | English
Popularity: 1 (history)
| Director: | Cory Finley |
|---|---|
| Writer: | M.T. Anderson, Cory Finley |
| Staring: |
| Years into a benevolent alien occupation, mankind is still adjusting to its new overlords. Their technology initially held promise for global prosperity, but rendered most human jobs – and steady income – obsolete. When two teenagers discover the aliens are fascinated with human love and will pay for access to it, they decide to livestream their romance to make extra cash for their families. | |
| Release Date: | Aug 18, 2023 |
|---|---|
| Director: | Cory Finley |
| Writer: | M.T. Anderson, Cory Finley |
| Genres: | Comedy, Science Fiction, Drama |
| Keywords | love, based on novel or book, alien invasion |
| Production Companies | Plan B Entertainment, Annapurna Pictures |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Asante Blackk | Adam Campbell |
| Kylie Rogers | Chloe Marsh |
| Tiffany Haddish | Beth Campbell |
| Brooklynn MacKinzie | Natalie Campbell |
| Josh Hamilton | Mr. Marsh |
| Michael Gandolfini | Hunter Marsh |
| John Newberg | Mr. Stanley |
| Dev H Patel | Rival Boy |
| Geanna Funes | Rival Girl |
| Christian Adam | Zach |
| Nickolas Wolf | Soup Stand Employee |
| Whitney Goin | Shirley Vuvv's Secretary |
| Vishwas | Chauffeur |
| William Jackson Harper | Mr. Campbell |
| Tony Vogel | Brett |
| Thea Camara | High School Principal |
| Larry Herring | Security Guard |
| Melanie Kiran | TV Pundit #1 |
| Joe Knezevich | TV Pundit #2 |
| David E. Collier | Bodyguard |
| Keiko Bell | Upper World Dweller (uncredited) |
| Name | Job |
|---|---|
| M.T. Anderson | Novel |
| Lyle Vincent | Director of Photography |
| Yohannes Yamassee | Assistant Art Director |
| LaToya Henderson | Makeup Department Head |
| Travis Culberson | Assistant Makeup Artist |
| Jennifer E Ivey | Key Makeup Artist |
| Morgan E. Beasley | Set Dresser |
| TK Shom | First Assistant Director |
| Sirraya Billings | Key Costumer |
| Zena Zeizet | Set Costumer |
| T. Ashton Bruce | Dailies Operator |
| Leeda Yazdi | Assistant Editor |
| Paola Cambo | Assistant Location Manager |
| Mela Rayne | Location Coordinator |
| Scott Dropkin | Steadicam Operator, "A" Camera Operator |
| Louie Northern | Drone Pilot |
| Ben McLeod | Camera Loader |
| Daniel Vlahos | Grip |
| Laura Spoutz | Camera Loader |
| Matthew Nicolay | Sound Mixer |
| Kurdice Neal | Boom Operator |
| Eddy Taylor | Concept Artist |
| Katie Laxton | Set Decoration Buyer |
| Elizabeth Ralston | Assistant Property Master |
| Tiago Foa | Imaging Science |
| James Ledwell | Visual Effects Producer |
| Pat Chu | Stunts |
| Arjun Sheth | Sound Re-Recording Mixer, Supervising Sound Editor |
| Gene Park | Sound Designer, Sound Re-Recording Mixer, Supervising Sound Editor |
| Ruy García | Sound Re-Recording Mixer, Supervising Sound Editor |
| Donna Martin | Makeup Artist |
| Erik De Boer | Visual Effects Supervisor |
| Erik Louis Robert | Art Direction |
| Edward Morrison | Hair Department Head |
| Aakash Chandresh Dave | Production Assistant |
| Antoinette Black | Key Hair Stylist |
| Benji Dove | Special Effects Makeup Artist |
| Reginald Robertson | Hairdresser |
| John Bonaccorse | Second Assistant Director |
| Jason Suhrke | Second Second Assistant Director |
| Trinity Kendrick | Set Costumer |
| Marc Lulkin | Colorist |
| Chase Commins | Dailies Operator |
| Matthew B. Chamberlin | Location Manager |
| Sean Crane | Assistant Location Manager |
| Nicholas Balibucci | Picture Car Coordinator |
| Corbin Speed | Best Boy Grip |
| Kelly Poor | First Assistant "B" Camera |
| Eli Chitwood | Key Rigging Grip |
| Chelsea Alan | Lighting Technician |
| Matthew Kay | Foley Mixer |
| Karen A. Felix | Property Master |
| Rachel Block | Graphic Designer |
| Miles Logan | Props |
| Chuck McCourt | Set Dresser |
| Jada Howard | Visual Effects Production Assistant |
| Matt Ramirez | Stunts |
| Matt Rigby | Dialogue Editor |
| Lynne Mitchell | Set Decoration |
| Cora McMillan | Hair Department Head |
| Kierke Panisnick | Production Supervisor |
| Timothy Blackburn | Assistant Hairstylist |
| Tyra Garzon | Makeup Artist |
| Chardae Adams | Set Designer |
| Victoria Rupert | Additional Second Assistant Director |
| Meagan Lewis | Location Casting |
| Korii Young | Set Costumer |
| Kate Albers | Digital Intermediate Producer |
| Alexandra P. Garcia Ortiz | Finishing Producer |
| Joshua Acosta | Assistant Location Manager |
| Shawn Boyachek | Location Scout |
| Patrick Sokley | First Assistant "A" Camera |
| Brett Mayfield | "B" Camera Operator |
| Kevin Wilson | Second Assistant "B" Camera |
| Lynsey Weatherspoon | Still Photographer |
| James Notari | Digital Imaging Technician |
| Michaiah Jones | Best Boy Electric |
| Kurdice Neal | Utility Sound |
| Dane Hallett | Concept Artist |
| Madison Harvey | Set Decoration Buyer |
| Jeffrey Mastney | Leadman |
| Heet Dave | VFX Artist |
| Darina Johns Ivanova | Visual Effects Producer |
| Dionne Wynn | Makeup Artist |
| Michael McMenomy | Dialogue Editor |
| Cory Finley | Writer, Director |
| Sue Chan | Production Design |
| David Kern | Unit Production Manager |
| Dean Wright | Visual Effects Supervisor |
| Nitasha Bhambree | Stunt Coordinator |
| Josh Diogo | Stunt Double |
| Jenin Gonzalez | Stunts |
| Niahlah Hope | Stunt Double |
| Michael Abels | Music |
| Louise Ford | Editor |
| Name | Title |
|---|---|
| Dede Gardner | Producer |
| Jeremy Kleiner | Producer |
| Megan Ellison | Producer |
| Sue Naegle | Producer |
| David Kern | Executive Producer |
| Brad Pitt | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 15 | 20 | 11 |
| 2024 | 5 | 19 | 28 | 10 |
| 2024 | 6 | 18 | 32 | 9 |
| 2024 | 7 | 19 | 33 | 12 |
| 2024 | 8 | 12 | 18 | 8 |
| 2024 | 9 | 11 | 19 | 8 |
| 2024 | 10 | 14 | 31 | 9 |
| 2024 | 11 | 14 | 37 | 8 |
| 2024 | 12 | 12 | 21 | 8 |
| 2025 | 1 | 11 | 19 | 7 |
| 2025 | 2 | 9 | 12 | 3 |
| 2025 | 3 | 5 | 11 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 1 | 1 | 0 |
| 2025 | 8 | 1 | 2 | 0 |
Trending Position
Landscape with Invisible Hand is a 2023 American science styrical fiction film movie written and directed by Cory Finley (Thoroughbreds, Bad Education), based on the 2017 novel of the same name by M. T. Anderson. The film stars the young black man with artistic aspirations Asante Blackk as Adam ... Campbell and Kylie Rogers as Chloe Marsh as protagonist, both bellow average, through the role who really shines is from Tiffany Haddish as the matriarch Beth Campbell. The two younglins meet by the obsoleted (and soon to be closed school) and is invited to live in the basement of the Campbell family, that retained the house in a impoverished Erath where the rich sent to flying city to work (in minor jobs for the alien race, the Vuvvs) and the rest of the population lives in Earth receiving rations by the Vuvvs and living scavenging under impoverished positions. The Vuvvs observed the humans since the 50´ where they thought the human race was in their better era, and are tiny physically limited in Earth, where they use they technology and a funny clamp rushing to make sounds as language. Their "invasion" where peacefully as they had replicators for everything, also being able to reproduce more money that the richest of Earth to create a peaceful and Vuvv cultured servent species. Humans can use little technology pieces of metal in their heads that receive and transmits images and transmissions to the Vuvvs that are especially interested in paying to see real romance between humans (and to pay for it) - another satyre to apps like TickTock, Instagram, etc. The Styrical part here is obvious against capitalism and social levels. Maybe way too obvious but not into the source that was over simplified for the target audience. Maybe some more writing and adult plot would make the movie betters (I see why Brad Pitt is one of the producers and why he saw potential on this one). Maybe like the average "Big Bug" (2022, Netflix) from the magnificent and eccentric Jean-Pierre Jeunet that went under radar. My score: 6,0 out of 10,0 / C+