Popularity: 6 (history)
Director: | Charlotte Wells |
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Writer: | Charlotte Wells |
Staring: |
Sophie reflects on the shared joy and private melancholy of a holiday she took with her father twenty years earlier. Memories real and imagined fill the gaps between miniDV footage as she tries to reconcile the father she knew with the man she didn't. | |
Release Date: | Oct 21, 2022 |
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Director: | Charlotte Wells |
Writer: | Charlotte Wells |
Genres: | Drama |
Keywords | hotel, karaoke, vacation, swimming pool, memory, family vacation, teenage daughter, semi autobiographical, woman director, rug, reminiscing, bittersweet, depression, tourist, turkey, coming of age, tai chi, first kiss, lgbt, video recorder, moody, father daughter relationship, gay theme, queer loneliness |
Production Companies | BBC Film, BFI, PASTEL, Screen Scotland, Tango Entertainment, Unified Theory |
Box Office |
Revenue: $7,834,405
Budget: $0 |
Updates |
Updated: Jul 21, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Paul Mescal | Calum |
Frankie Corio | Sophie |
Brooklyn Toulson | Michael |
Celia Rowlson-Hall | Adult Sophie |
Sally Messham | Belinda |
Ayşe Parlak | Teen Girl 1 |
Sophia Lamanova | Teen Girl 2 |
Spike Fearn | Olly |
Harry Perdios | Toby |
Frank Corio | Ocean Park Father |
Ruby Thompson | Laura |
Ethan James Smith | Scott |
Onur Ekşioğlu | Onur |
Cafer Karahan | Carpet Salesman |
Kayleigh Coleman | Jane |
John Stuifzand | Resort Entertainer |
Tyler Mutlu | Ocean Park Hotel Tour Rep |
Kieran Burton | Alex |
Nijat Gachayev | Turk Hotel Receptionist |
Sarah Makharine | Adult Sophie's Partner |
Erol Cengizalp | Man with Camera |
Djamel Turner | Raver (uncredited) |
Name | Job |
---|---|
Charlotte Wells | Director, Screenplay |
Blair McClendon | Editor |
Oliver Coates | Original Music Composer |
Steven Little | Head of Production |
Kath Raisch | Colorist |
Mustafa Ozgun | Assistant Camera |
Gregory Oke | Director of Photography |
Billur Turan | Production Design |
Frank Gallacher | Costume Design |
İpek Erden | Line Producer |
Lucy Pardee | Casting |
Guzin Erkaymaz | Art Direction |
Jovan Ajder | Sound Re-Recording Mixer, Supervising Sound Editor |
Mehmet Aksoy | Sound Designer |
Vijay Rathinam | Sound Effects Editor |
Murat Cagin | Hairstylist |
Oya Aygör | Makeup Artist |
Deniz Degirmendereli | Costume Supervisor |
Meltem Sancar | Makeup Artist |
Zeynep Çetinkaya | Assistant Hairstylist |
Jessica Lee | Production Manager |
Emma Zee | Post Production Supervisor |
Tugce Turfan | First Assistant Director |
Eren Kurt | Second Assistant Director |
Alican Durbaş | Crowd Assistant Director |
Yusuf Baraç | Scenic Artist |
Ramazan Ersoy | Carpenter |
Burcu Gucuk | Art Department Coordinator |
Murat Polat | Props |
Ismail Alacan | Sound Mixer |
Jasper Thorn | ADR Recordist |
Ananth Nagarajan | Assistant Sound Editor |
Eser Fidan | Boom Operator |
Ruben Aguirre Barba | Dialogue Editor |
Ezgi Aum Altunkaynak | Costume Assistant |
Linyi Jia | Assistant Costume Designer |
Cengiz Koc | Location Manager |
Özlem Inan | Script Supervisor |
Lucy Bright | Music Supervisor |
Anita Surendran | Thanks |
Thomas J. Mangan IV | Thanks |
André Des Rochers | Thanks |
Aysegül Öner | Production Manager |
Michaela McCaffrey | Production Accountant |
Hannah Perkins | Finishing Producer |
Josiah Newbolt | Title Designer |
Caspar Newbolt | Title Designer |
Justin Tillett | VFX Artist |
Nic Durber | VFX Artist |
Charine Bederar | Visual Effects Producer |
Evren Ozfirat | Gaffer |
Ali Kursun | Key Grip |
Alison Piper | Casting Associate |
Noah Furrer | Gaffer |
Jake Schick | Post Production Assistant |
Kadri Doğan | Graphic Designer |
Todd Solondz | Thanks |
Name | Title |
---|---|
Amy Jackson | Producer |
Adele Romanski | Producer |
Lia Buman | Executive Producer |
Barry Jenkins | Producer |
Mark Ceryak | Producer |
Lizzie Francke | Executive Producer |
Kieran Hannigan | Executive Producer |
Eva Yates | Executive Producer |
Alex Sutherland | Executive Producer |
Ana Leocha | Co-Producer |
Neil Shah | Co-Producer |
Tim Headington | Executive Producer |
Organization | Category | Person | |
---|---|---|---|
Spirit Awards | Best Supporting Actor | Calum Worthy | Nominated |
Berlin International Film Festival | Best Director | Charlotte Wells | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 46 | 57 | 34 |
2024 | 5 | 51 | 79 | 33 |
2024 | 6 | 45 | 79 | 30 |
2024 | 7 | 45 | 68 | 30 |
2024 | 8 | 49 | 102 | 30 |
2024 | 9 | 37 | 50 | 29 |
2024 | 10 | 36 | 71 | 27 |
2024 | 11 | 48 | 96 | 31 |
2024 | 12 | 40 | 58 | 31 |
2025 | 1 | 50 | 78 | 36 |
2025 | 2 | 35 | 46 | 7 |
2025 | 3 | 15 | 50 | 3 |
2025 | 4 | 9 | 12 | 5 |
2025 | 5 | 9 | 14 | 7 |
2025 | 6 | 7 | 9 | 5 |
2025 | 7 | 7 | 8 | 5 |
2025 | 8 | 5 | 7 | 4 |
Trending Position
Year | Month | High | Avg |
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2025 | 8 | 125 | 558 |
Year | Month | High | Avg |
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2025 | 7 | 84 | 462 |
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2025 | 6 | 112 | 538 |
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2025 | 5 | 173 | 547 |
Year | Month | High | Avg |
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2025 | 4 | 41 | 466 |
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2025 | 3 | 169 | 542 |
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2025 | 2 | 83 | 597 |
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2025 | 1 | 123 | 527 |
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2024 | 12 | 216 | 569 |
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2024 | 11 | 257 | 672 |
Year | Month | High | Avg |
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2024 | 10 | 246 | 600 |
Year | Month | High | Avg |
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2024 | 9 | 124 | 318 |
Year | Month | High | Avg |
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2024 | 8 | 56 | 383 |
"Calum" (Paul Mescal) and his daughter "Sophie" (Frankie Corio) head off for a holiday in Turkey. Initially their experience reminded me of "Carry on Abroad" (1972) with the usual building works and booking errors, but soon they settle into a comfortable poolside routine and we begin to learn a litt ... le about the dynamic between father and daughter. The occasional conversation with their absent mother tells us the parents are no longer together and a series of ongoing vacation activities paired with brief flashbacks from the adult "Sophie" help us to follow the young girl's attempts to get to know her father better - and he, her - as they relax in the sunshine. This features a strong and confident performance from the young Corio and there is an engaging familial dynamic here between the two. His character is protective but indulgent, her's independent and curious - and auteur Charlotte Wells allows their characterisations to develop for us in a well paced, considered fashion. Nothing really happens here - and yet so much does with their relationship and their respective maturity. It has a realism to it - there are no "jump" moments as such, it's about evolution and both have plenty of scope for that. I am not sure it really needs to be seen at a cinema, but it is certainly worth watching when it hits the smaller screen.
I was pulled into watching this movie by the high ratings it received rather than the plot or the performers. So I find myself in the weird position of wondering if I am a bit thick and just didn’t “get it.” For to me the movie was a mess. There were some striking scenes and fine acting, but it all ... seemed disjointed and confused to me. Between shaky camera syndrome and recurring flashing images that meant nothing to me, I lost the thread of the story besides the obvious, which was showing the ongoing interaction between father and daughter. Several of the quiet scenes seemed to trail off and take on the appearance of a still life picture, and then suddenly we are in the next scene, Wait, what was the previous scene all about? There were a few hints alluding to the father’s melancholy state of mind and where it might have led him (since we were not told explicitly) and those scenes should have been critical ones driving the plot and the mood of the story. But they felt like they were offered just as sidebar information.
This is about an important topic in today's world - unrecognized mental health issues. First, let me say that the acting is tremendous. Paul Mescal did an awesome job of portraying the silence of depression. Even Frankie impressed me, like another Ana Paquin. This is a powerful story that clearly mi ... rrors the unanswered questions in the life of auteur Charlotte Wells. This film has been added to my movie list "Directors About Themselves". https://letterboxd.com/sirlaffalot/list/directors-about-themselves/ I was really only not pleased with the introduction of Older Sophie's domestic life. We don't learn anything about them and it leaves a hole in the overall script.
Would almost describe it as boring except I felt very uneasy and on edge the whole time. A humanistic portrait of a father-daughter relationship that evokes the question of what is it to be a good father. ...
I unintentionally farted during the movie's perhaps most serious scene and started laughing because of the contrast. Then, as the character on-screen started sobbing, I started laughing harder, and I couldn't stop myself, and tears started rolling. That's a true story, and by far the best moment ... of the movie for me. I wanted to like this movie as my brother recommended it, but it's... Toxic. I can tell from the songs that are played throughout that someone in my age group made this. But... It's narcissism. It's like a shit teenager from when I was a teenager grew up, and never became an adult. Whoever made this is a piece of shit. That's what I'm left with. I want nothing to do with the father in this movie, I don't want to know how his broken daughter is trying to become unbroken. I don't want anything to do with anyone involved in making this movie, unless they thought they were making a scathing commentary of how narcissism becomes negative heritage for the unfortunate descendants of them.