Popularity: 18 (history)
| Director: | Gabriela Cowperthwaite |
|---|---|
| Writer: | Nick Shafir |
| Staring: |
| Tensions flare in the near future aboard the International Space Station as a conflict breaks out on Earth. U.S. and Russian astronauts receive orders from the ground: take control of the station by any means necessary. | |
| Release Date: | Jan 19, 2024 |
|---|---|
| Director: | Gabriela Cowperthwaite |
| Writer: | Nick Shafir |
| Genres: | Science Fiction, Thriller |
| Keywords | alcohol, paranoia, space, astronaut, zero gravity, thoughtful, world war, inspirational, provocative, compassionate, defiant, powerful, scathing, tragic, wry |
| Production Companies | LD Entertainment |
| Box Office |
Revenue: $6,605,079
Budget: $13,800,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Ariana DeBose | Dr. Kira Foster |
| Chris Messina | Gordon Barrett |
| John Gallagher Jr. | Christian Campbell |
| Masha Mashkova | Weronika Vetrov |
| Costa Ronin | Nicholai Pulov |
| Pilou Asbæk | Alexey Pulov |
| Name | Job |
|---|---|
| Gabriela Cowperthwaite | Director |
| Colin Patton | Editor |
| Richard Mettler | Editor |
| Luis Tinoco | Visual Effects Supervisor |
| Nick Matthews | Director of Photography |
| Alison Semenza | Unit Production Manager |
| K.C. White | Set Decoration Buyer |
| Mohamed El Gohary | Visual Effects Compositor |
| Christian J. Fletcher | Utility Stunts |
| Jimmie Lee Sessoms | Utility Stunts |
| G. Peter King | Stunt Coordinator |
| Jacob Yakob | Still Photographer |
| Nick Shafir | Screenplay |
| Joseph Middleton | Casting |
| Geoff Wallace | Production Design |
| Kevin Hardison | Art Direction |
| Kevin Pierce | Set Decoration |
| Robbie McKeithan | Costume Design |
| J.C. Davis | Key Hair Stylist |
| Lindsay Irish-Desarno | Makeup Department Head |
| Bryan David Moss | Hair Department Head |
| Heather Richardson | Key Makeup Artist |
| Mitchell Grobman | Post Production Supervisor |
| Scott Hardwick | Second Assistant Director |
| Sean Vawter | First Assistant Director |
| Colt Allen | Set Dresser |
| Brandon Arrington | Graphic Designer |
| Maria Bentfield | Set Decoration Buyer |
| Mark Cacciatore | Assistant Property Master |
| Cat Dawson | Property Master |
| Joshua L. Ellsworth | Construction Coordinator |
| Tom Jones Jr. | Construction Coordinator |
| Jeannette Kim | Set Designer |
| Scott Kinnebrew | Set Dresser |
| Michelle Glahn Livers | Art Department Production Assistant |
| Chelsea Lockhart | Set Decorating Coordinator |
| Taura C.C. Rivera | Set Designer |
| Glenn Rivers | Set Designer |
| Clayton Salberg | Set Dresser |
| Bob Smith | Leadman |
| Sal Vasquez | On Set Dresser |
| Danny Wils | Carpenter |
| Jessica Arkoff | Supervising Sound Editor |
| Matthew T. Duncan | Sound Re-Recording Mixer |
| Matt Fann | Boom Operator |
| James T. Jones | Utility Sound |
| Jeremy Kozura | Sound Effects Editor |
| Larry Long | Sound Mixer |
| Colin Rogers | ADR Mixer |
| Steve Urban | Supervising Sound Editor |
| Drew Webster | Sound Re-Recording Mixer |
| Mike Xu | Dialogue Editor |
| Paul Poleski | Special Effects |
| Jehan Purcell | Special Effects Technician |
| William Purcell | Special Effects Coordinator |
| Mike Strain Jr. | Special Effects |
| Radwa Alaa | Visual Effects Compositor |
| Bragi Brynjarsson | Visual Effects Compositor |
| Kevin Conlon | Visual Effects Compositor |
| Mariel Folmer | Visual Effects Compositor |
| Alaa Negm | Visual Effects Compositor |
| D.J. Shea | Visual Effects Compositor |
| Jeffrey Warnhoff | Visual Effects Compositor |
| Brandon Burzawa | Digital Compositor |
| Kyle Dutton | Visual Effects Producer |
| Brian Ellebracht | VFX Supervisor |
| Moustafa Nabil | Digital Compositor |
| Kamila Ostra | Visual Effects Producer |
| Marinela Racheva | Digital Compositor |
| Irina Soriano | Visual Effects Coordinator |
| Silvia Torrella | Digital Compositor |
| Timothy Coderre | Utility Stunts |
| Lucinda Foy | Utility Stunts |
| Matt Sweeney | Utility Stunts |
| Jimmy Waitman | Utility Stunts |
| Michele Waitman | Utility Stunts |
| Kurt Hockenberry | Stunt Double |
| Jill Autry | Loader |
| Andy Bader | Digital Imaging Technician |
| Will Barker | Rigging Grip |
| Patrick J. Borowiak | First Assistant Camera |
| Eddie Bowlin | Rigging Gaffer |
| Darwin Brandis | Second Assistant Camera |
| Matt Doll | Steadicam Operator, "A" Camera Operator |
| Kevin Grieve | Electrician |
| Ben D. Griffith Jr. | Key Grip |
| Billy Hendricks | Gaffer |
| Tony Jenzano | Video Assist Operator |
| John Jernigan | Electrician |
| Sarah Kibby | Electrician |
| Roy Knauf | Second Assistant Camera |
| Dean Labossiere | Best Boy Electric |
| Travis Middaugh | Electrician |
| Neil Orchard | Best Boy Electric |
| Mike Repeta | Camera Operator |
| Tim Rook | Dolly Grip |
| Derek Smith | First Assistant Camera |
| Daniel Waller | Electrician |
| Tanya Giang | Casting Associate |
| Catherine Corkery | Wardrobe Assistant |
| Michelle Pare | Seamstress |
| Amanda Vinopal | Key Costumer |
| Jeff Cummings | Additional Editor |
| Matt Evans | Additional Editor |
| Christopher Riggs | Digital Intermediate |
| Charlie B. Spaht | Assistant Editor |
| Neil Castles Jr. | Transportation Coordinator |
| Alan Hilburn Jr. | Transportation Captain |
| Kelsey Ogata | Production Assistant |
| Anne Nikitin | Original Music Composer |
| Georgia Vaughn | Production Coordinator |
| Name | Title |
|---|---|
| Alison Semenza | Executive Producer |
| Jacob Yakob | Executive Producer |
| Michael Glassman | Executive Producer |
| Mehrdod Heydari | Executive Producer |
| Mickey Liddell | Producer |
| Pete Shilaimon | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 40 | 52 | 28 |
| 2024 | 5 | 43 | 56 | 30 |
| 2024 | 6 | 45 | 60 | 28 |
| 2024 | 7 | 53 | 69 | 33 |
| 2024 | 8 | 33 | 52 | 19 |
| 2024 | 9 | 23 | 38 | 16 |
| 2024 | 10 | 30 | 50 | 17 |
| 2024 | 11 | 22 | 34 | 17 |
| 2024 | 12 | 20 | 42 | 12 |
| 2025 | 1 | 21 | 28 | 13 |
| 2025 | 2 | 21 | 36 | 4 |
| 2025 | 3 | 8 | 24 | 1 |
| 2025 | 4 | 3 | 5 | 1 |
| 2025 | 5 | 3 | 5 | 1 |
| 2025 | 6 | 2 | 4 | 1 |
| 2025 | 7 | 2 | 3 | 1 |
| 2025 | 8 | 2 | 3 | 1 |
| 2025 | 9 | 2 | 2 | 1 |
| 2025 | 10 | 8 | 23 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 640 | 813 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 500 | 577 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 631 | 772 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 32 | 501 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 707 | 847 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 741 | 848 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 428 | 737 |
There are times when this drama quite effectively illustrates the claustrophobic nature of life aboard the International Space station that is jointly manned by American and Russian scientists. The arrival of "Foster" (Ariana DeBose) brings the tally to three from each nation but very shortly afterw ... ards it's apparent that things on Earth are no-good. What look like volcanic eruptions are occurring all over the place followed by complete radio silence. Well, almost complete. The Americans are given an order that they must assume their counterparts have been given too. What now ensues is a really mediocre sci-fi thriller that tries far too hard to manufacture tension from a misfiring cast and some serious over-scripting. DeBose does enough I suppose, but Chris Messina is his usual wooden self (even if there is a scene that just made me think of that famous line from Brian Blessed). The visual effects do enough but the characterisations are shallow and the plausibility of the entire scenario is dubious. Essentially two warring tribes cohabiting the same space-borne igloo. The denouement doesn't really make a great deal of sense, but I suppose it does ask us to test the relative merits of human nature and decency against the demands of national loyalty - especially when the benefits of either are ambiguous at best. It's not terrible, but I've seen better episodes of "Space 1999".
It's good. Coulda been better, but still good. <em>'I.S.S.'</em> gave me enough. I do think it could've been paced better and had a bit more intrigue put in there, though what's produced is satisfying. The titular set looks nice and the zero gravity comes across as convincing, while the sound des ... ign et al. is all positive. For me, the cast are very solid. It perhaps could've done with a true star performer as no-one stands far and above their co-stars. Ariana DeBose is more than solid, she is the best of those onscreen; albeit narrowly so. Masha Mashkova and Pilou Asbæk are decent, as also are Chris Messina and Costa Ronin. Nothing spectacular evidently, though this release is a perfectly watchable sci-fi flick. I'd recommend it.
It’s unfortunate that a good premise can’t be saved from poor execution, but such is the case with this undercooked sci-fi thriller. When three Americans and three Russians aboard the International Space Station are stranded there when war breaks out between the two countries on Earth, the previousl ... y congenial crewmates turn against one another when the two teams of astronauts each receive orders to take control of the facility at any cost. The question in this, of course, is why? As a scientific research center, what material value would there be in taking charge of a remote space-based facility to the Earth-bound survivors of a war-ravaged planet? While the reasoning behind this is eventually explained, its revelation is delayed, leaving viewers with a drawn-out mystery that doesn’t make much apparent sense, especially when taking control calls for a team of intelligent, convivial, supposedly mature scientists to instantaneously turn into murderous territorial thugs. And, even when the big reveal is finally made, it seems like it’s hardly justification enough for this kind of behavior from a group of individuals who are allegedly more psychologically evolved and have supposedly risen above the infantile geopolitical bickering of their counterparts on terra firma. That’s particularly true in light of the many (and I do mean many) references to the crew’s “enlightened” outlook and assumed solidarity, qualities that are repeatedly browbeaten into viewers in the film’s opening act. The fault here lies with a rather lame narrative and a screenplay that doesn’t do much to overcome that failing. The special effects are also somewhat underwhelming for a sci-fi offering, one in which the filmmakers could have done considerably more to make the picture more visually engaging. Sadly, director Gabriela Cowperthwaite, perhaps best known for the superb documentary “Blackfish” (2013), is in over her head with this release, a project that really could have used a more skillful hand in making it the kind of edge-of-your-seat thriller that it deserved to be. Instead, audiences are left with a mediocre sci-fi tale that feels more like something one would find on the SyFy Channel or some other B-grade cable network. You won’t miss much by skipping this one.
I loved this movie and gave it a 8/10 for accomplishing many things for me: - totally believable that this was filmed in space on the I.S.S. - mostly believable characters but I'd change some perfection on the set - I'll never get the moment out of my mind about first seeing a "volcano" from s ... pace - it ended appropriately, as it's difficult to find a "perfect ending" - so much introspective that all humans have the capability of doing ruthless things - Sci-Fi totally believable thriller from start to end. (8/10) P.S. If you liked this, you'd also probably like High Life (Mia Goth).