Popularity: 3 (history)
| Director: | Florian Zeller |
|---|---|
| Writer: | Florian Zeller, Christopher Hampton |
| Staring: |
| A successful lawyer, with a new wife and infant, agrees to care for his teenage son from a previous marriage after his ex-wife becomes concerned about the boy's wayward behavior. | |
| Release Date: | Nov 10, 2022 |
|---|---|
| Director: | Florian Zeller |
| Writer: | Florian Zeller, Christopher Hampton |
| Genres: | Drama |
| Keywords | suicide, depression, mental illness, mental health, child of divorce, divorced parents, hard, father son conflict, self-harm |
| Production Companies | Ingenious Media, Film4 Productions, See-Saw Films, Embankment Films, Cross City Films, Inthevoid Production |
| Box Office |
Revenue: $3,564,844
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Hugh Jackman | Peter |
| Zen McGrath | Nicholas |
| Vanessa Kirby | Beth |
| Laura Dern | Kate |
| Anthony Hopkins | Anthony |
| William Hope | Andrew |
| George Cobell | Nicholas (6 Years) |
| Felix Goddard | Theo |
| Max Goddard | Theo |
| Shin-Fei Chen | Alexandra |
| Nancy Baldwin | Principal's Secretary |
| Akie Kotabe | Mr. Yama |
| Isaura Barbé-Brown | Sophia |
| Erick Hayden | Allan |
| Joseph Mydell | Brian |
| Rachel Handshaw | Brian's Assistant |
| Gabriel Ecoffey | Intern |
| Stephanie Palies | Assistant |
| George Potts | Therapist |
| Reza Diako | Waiter |
| Yolanda Nieto | Maria |
| Danielle Lewis | Jessica |
| Gretchen Egolf | E.R. Psychiatrist |
| Alex Mugnaioni | Nurse |
| Hugh Quarshie | Doctor Harris |
| Mercedes Bahleda | Mary (uncredited) |
| Van Pierre | Steven (uncredited) |
| Patrice Bevans | Attorney in Peter's Office (uncredited) |
| Rene Costa | Hospital Attendant (uncredited) |
| Joakim Skarli | Boardroom Executive (uncredited) |
| Julia Westcott-Hutton | Boardroom Executive (uncredited) |
| Kenny-Lee Mbanefo | Boardroom Executive (uncredited) |
| Riccardo Mazzi | Business Executive Staff (uncredited) |
| Name | Job |
|---|---|
| Caroline Story | Supervising Art Director |
| Nicola Chisholm | Casting |
| Niv Adiri | Sound Re-Recording Mixer, Sound Designer |
| Cass Marks | Line Producer |
| Molly MacCormack | Color Assistant |
| Benjamin Dol | Third Assistant Director |
| Nick Flavin | Second Second Assistant Director |
| Carly Griffith | Assistant Costume Designer |
| Tomas Piekus | Transportation Captain |
| Julie Robinson | Script Supervisor |
| Mauro Calanca | First Assistant "B" Camera |
| Andy DeAngelo | Grip |
| Lisa Duncan | Costume Design |
| Chris Francis | Additional Colorist |
| Jamie D. Allen | Second Assistant Director |
| Pippa Feldberg Collins | Third Assistant Director |
| Eric LaFranchi | First Assistant Director |
| Felicity Goldsworthy | Costume Standby |
| Harriet Town | Costume Standby |
| Laura Petoin | Additional Script Supervisor |
| Anabel Caicedo | Second Assistant "B" Camera |
| Kristin Davis | Digital Imaging Technician |
| Rekha Garton | Still Photographer |
| Gabriel Hyman | First Assistant "A" Camera |
| Jessica Kourkounis | Still Photographer |
| Joseph Robinson | Second Assistant "A" Camera |
| Clément Valette | Electrician |
| Alistair Bolt | ADR Mixer |
| Tammy Douglas | Sound Mixer |
| Peter Owen Brook | Assistant Editor |
| Leigh Myers | Finishing Producer |
| George Every | First Assistant Director |
| Kat Hess | Second Assistant Director |
| Marnie Fitzpatrick | Costume Supervisor |
| Lisa Harlow-Powell | Wardrobe Supervisor |
| Susanna Lenton | Script Supervisor |
| Michel Bouquerel | Gaffer |
| Arthur Chamaillard | Grip |
| Nicolas Eon | Key Grip |
| Sean Patrick Henderson | Dolly Grip |
| Elizabeth Khan-Greig | Second Assistant Camera |
| Jack S. O'Leary | Camera Trainee |
| Vincent Toubel | First Assistant Camera |
| Jean-Charles Granjon | Underwater Camera |
| Katie Morrissey | Key Grip |
| Sol Saihati | Gaffer |
| Susan Leber | Line Producer |
| Christophe Jeauffroy | Line Producer |
| Andrea Cremonini | Second Assistant Sound |
| Linda Forsén | ADR Supervisor |
| Ryan Hill | First Assistant Sound Editor |
| Florian Zeller | Screenplay, Theatre Play, Director |
| Ben Smithard | Director of Photography |
| Simon Bowles | Production Design |
| Christopher Hampton | Screenplay |
| Hans Zimmer | Original Music Composer |
| Paul Kennington | Stunt Coordinator |
| Dave Isern | Steadicam Operator |
| Mark DeSimone | ADR Mixer |
| David Fleming | Additional Music |
| Yorgos Lamprinos | Editor |
| Karen Hartley-Thomas | Makeup Artist, Hairstylist |
| Charlotte Hayward | Makeup Artist |
| Mickaela Trodden | Set Decoration |
| Evelyne Noraz | Makeup Department Head |
| Amaya Valentina Gonzalez Perez | Art Direction |
| Name | Title |
|---|---|
| Daniel Battsek | Executive Producer |
| Lauren Dark | Executive Producer |
| Tim Haslam | Executive Producer |
| Katherine Bridle | Associate Producer |
| Simon Gillis | Executive Producer |
| Hugo Grumbar | Executive Producer |
| Joanna Laurie | Producer |
| Christophe Spadone | Producer |
| Peter Touche | Executive Producer |
| Karl Hartman | Producer |
| Christelle Conan | Executive Producer |
| Hugh Jackman | Executive Producer |
| Ollie Madden | Executive Producer |
| Philippe Carcassonne | Executive Producer |
| Emile Sherman | Producer |
| Florian Zeller | Producer |
| Iain Canning | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 29 | 44 | 14 |
| 2024 | 5 | 30 | 55 | 14 |
| 2024 | 6 | 19 | 29 | 12 |
| 2024 | 7 | 27 | 52 | 15 |
| 2024 | 8 | 22 | 50 | 11 |
| 2024 | 9 | 15 | 23 | 10 |
| 2024 | 10 | 16 | 24 | 9 |
| 2024 | 11 | 30 | 49 | 11 |
| 2024 | 12 | 22 | 51 | 14 |
| 2025 | 1 | 36 | 73 | 15 |
| 2025 | 2 | 16 | 30 | 4 |
| 2025 | 3 | 8 | 24 | 2 |
| 2025 | 4 | 4 | 7 | 2 |
| 2025 | 5 | 3 | 7 | 1 |
| 2025 | 6 | 2 | 4 | 2 |
| 2025 | 7 | 2 | 3 | 1 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 3 | 5 | 2 |
| 2025 | 10 | 2 | 4 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 449 | 528 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 978 | 978 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 85 | 230 |
FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/the-son-spoiler-free-review-lff-2022 "The Son is an emotionally devastating film with a shocking yet important cautionary message for all parents. A gradually sadder, depressing, frustrating story that grips the audience throu ... gh its tension-filled dialogue, but the lack of something new and impactful directly about those primarily affected by mental health issues could be an uncomfortable trigger for many viewers. Hugh Jackman stands out with one of the best performances of his career in a genuinely powerful, tear-inducing display. Florian Zeller's movie will get an understandably divisive reception, but I definitely consider it a must-watch flick." Rating: B+
Despite more experienced and lauded stars, this film only really belongs to the young Australian Zen McGrath in the title role. He is "Nicholas", a young man who lives with his divorcee mother (Laura Dern) while his father (Hugh Jackman) has a new family with "Beth" (Vanessa Kirby) and baby "Theo". ... His mother reaches the end of her tether when it transpires that the young man has been skipping school. She feels genuinely intimidated by him and so a move to dad's is soon on the cards. Settling in ok? Going to a new school? Well that's when we begin to spot signs that this lad has problems. Signs of self harm ring alarm bells and indicate a spiralling descent for "Nicholas" that perhaps only his father can arrest? The story is interesting, but the writing is frankly terrible and the acting from both Jackman and the always limited Dern is truly wooden. For such an emotive subject there is no sense of involvement; no personal touches - he is never to referred to as "Nick" or anything that might illustrate that there any intimate love here. It's all just a bit sterile with join-the-dot scenarios that accumulate towards an ending that serves no purpose at all. That's not to say it had to be all rose covered cottages, but the last twenty minutes really defy even the most devoted of parental logic before a rather abrupt denouement. It might offer a beginners guide to warning signs for parents, but otherwise this is a weakly constructed and frankly, rather implausible, drama that really disappoints.