 
  Popularity: 4 (history)
| Director: | A.J. Edwards | 
|---|---|
| Writer: | A.J. Edwards | 
| Staring: | 
| A young man’s difficult entry into adulthood, who experiences the highs and lows of his first love, while dealing with the familial fallout spurred by the financial crisis of 2008. | |
| Release Date: | Jun 17, 2022 | 
|---|---|
| Director: | A.J. Edwards | 
| Writer: | A.J. Edwards | 
| Genres: | Drama, Romance | 
| Keywords | |
| Production Companies | Voltage Pictures, Fortitude International | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Hero Fiennes Tiffin | Jim Albright | 
| Sydney Park | Ann Matienzo | 
| Diane Kruger | Kay Albright | 
| Jeffrey Donovan | Greg Albright | 
| Nikolai Tsankov | Father Alex | 
| Chris Galust | Casey Albright | 
| Nanrisa Lee | Senior Manager | 
| Blake Weise | Nick | 
| Sharon Leal | Jeannine Matienzo | 
| Makeba Pace | Sonia | 
| Aurelia Michael | Headhunter | 
| Diane Venora | Aunt Irene | 
| Vincent Ventresca | Mark Albright | 
| Harrison Cone | Tol | 
| Stephen Singleton | Kris | 
| Kiara T. Romero | Liz | 
| Elena Heuzé | Kim | 
| Dominique Gayle | Natalie | 
| Emma Apgar | Amanda | 
| Alan Feinstein | Bill Sosoyan | 
| Patti Tippo | Ellen Sosoyan | 
| Bruce Wexler | Vance | 
| Sanjay Chandani | Auditor | 
| Michael Prevas | Father Michael | 
| Raji Ahsan | Receptionist | 
| Gabriella Quezada | Nicole | 
| Maddie Smith | Wedding Photographer | 
| Name | Job | 
|---|---|
| A.J. Edwards | Writer, Director | 
| Joshua Glassman | First Assistant Director | 
| Cameron H. Price | Second Assistant Director | 
| Hank Kulesa | Art Direction | 
| Scott Esterly | Sound Mixer | 
| Joey Luu | Gaffer | 
| Gabby Ondrejech | Set Costumer | 
| Megan Ellis | Makeup & Hair | 
| Joy Ellison | Dialect Coach | 
| Karmen Leech | Casting | 
| Julianne D'Errico | Costume Designer | 
| Alec Styborski | Editor | 
| Jeff Bierman | Director of Photography | 
| Charles Arthur Berg | Line Producer | 
| George Kallis | Original Music Composer | 
| Name | Title | 
|---|---|
| Nadine de Barros | Producer | 
| Lucas Jarach | Producer | 
| Todd Spradlin | Associate Producer | 
| Tyler Glodt | Co-Producer | 
| Jonathan Deckter | Executive Producer | 
| Henry Briggs Kittredge | Producer | 
| A.J. Edwards | Producer | 
| Diane Kruger | Executive Producer | 
| Nicolas Chartier | Executive Producer | 
| Hero Fiennes Tiffin | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 19 | 29 | 10 | 
| 2024 | 5 | 22 | 39 | 13 | 
| 2024 | 6 | 19 | 31 | 12 | 
| 2024 | 7 | 18 | 26 | 12 | 
| 2024 | 8 | 16 | 26 | 11 | 
| 2024 | 9 | 23 | 39 | 14 | 
| 2024 | 10 | 22 | 36 | 13 | 
| 2024 | 11 | 16 | 26 | 11 | 
| 2024 | 12 | 16 | 26 | 10 | 
| 2025 | 1 | 16 | 25 | 12 | 
| 2025 | 2 | 11 | 16 | 3 | 
| 2025 | 3 | 5 | 15 | 1 | 
| 2025 | 4 | 2 | 4 | 1 | 
| 2025 | 5 | 2 | 5 | 1 | 
| 2025 | 6 | 1 | 2 | 1 | 
| 2025 | 7 | 1 | 1 | 1 | 
| 2025 | 8 | 1 | 2 | 0 | 
| 2025 | 9 | 2 | 3 | 1 | 
| 2025 | 10 | 3 | 4 | 2 | 
Trending Position
What in heaven's name is Diane Kruger doing in this? It's one of these cheesy angst-ridden stories that is really all about building upon eye-candy Hero Fiennes Tiffin's "After..." series of unremarkable youthful romances. This time he ("Jim") falls for school friend "Ann" (Sydney Park) but for reas ... ons that I didn't quite spot, she dumps him (after they've shagged, so perhaps it's not just his acting that's not so hot?). Meantime, his mum "Kay" (Miss Kruger) and her on-screen husband "Greg" (Jeffrey Donovan) are struggling in the aftermath of the financial crisis - their marriage and their home are at risk after he loses his job. Can he find work and can the kids patch their relationship up? What do you think? It's bizarre this film - nothing happens. The emotional/sex scenes are as lacking in passion as possible - without them actually being in different rooms, and the soundtrack, which can frequently be a redeeming factor in films like this - is really just lacklustre. HFT needs to be careful. He has a certain boyish charm, but he is not strong on accents (though quite why one was required here at all is anyone's guess) and unless he starts on the route to more substantial parts, then he is wont to disappear without trace leaving a legacy of teenage mush behind him. This is poor, no other word for it - even if I am not the demographic!