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| In a future where humanity has surrendered its ability to dream in exchange for immortality, an outcast finds illusion, nightmarish visions, and beauty in an intoxicating world of his own making. | |
| Release Date: | Nov 22, 2025 |
|---|---|
| Director: | Bi Gan |
| Writer: | Bi Gan, Zhai Xiaohui |
| Genres: | Science Fiction, Drama |
| Keywords | experimental cinema |
| Production Companies | ARTE France Cinéma, Chengdu Film Group, CG Cinéma, Poly Film Investment, Huace Media, Maoyan Entertainment, Dangmai Films 荡麦影业, Aranya Pictures, Daxi Culture Media, Muxin Culture Communication, Yanhuadeng Media, Leopard Films, Tianyue Culture Media, Creative Pioneer International, China Monolith Pictures, Water Spirit Pictures, Thin Blue Line Pictures, Inna Art Space, Yaojin Pictures, Sanhe Huibi Media, K. Artists |
| Box Office |
Revenue: $27,783,000
Budget: $0 |
| Updates |
Updated: Apr 01, 2026 Entered: Nov 23, 2025 |
![Official Trailer [Subtitled]](/extra_thumbs/ZIJezWgFUEY.jpg)
![Smell Chapter Trailer [Subtitled]](/extra_thumbs/L-m4ydwdwmY.jpg)
![Taste Chapter Trailer [Subtitled]](/extra_thumbs/KIpKNLFqZN8.jpg)
![Sound Chapter Trailer [Subtitled]](/extra_thumbs/tKDA9CWHFs0.jpg)
![The visionary director Bi Gan's Cannes Special Prize winning RESURRECTION in UK cinemas from 13 March [Subtitled]](/extra_thumbs/4FRw4ApKU0g.jpg)
![Touch Chapter Trailer [Subtitled]](/extra_thumbs/aNt3lH109Vs.jpg)
| Name | Character |
|---|---|
| Jackson Yee | Deliriant / Qiu Moyun / Mongrel / Jia Shengjun / Apollo |
| Shu Qi | The Great Other / Mother / Voiceover |
| Mark Chao | Commander |
| Li Gengxi | Tai Zhaomei |
| Huang Jue | Mr. Luo |
| Chen Yongzhong | Spirit of Bitterness |
| Zhang Zhijian | Old Master |
| Chloe Maayan | The Smoke Attendant |
| Nan Yan | Instrumentalist |
| Guo Mucheng | Little Girl |
| Name | Job |
|---|---|
| Dong Jinsong | Camera Operator, Director of Photography |
| Bi Gan | Screenplay, Editor, Director, Story |
| Strilen Liu | Visual Effects Supervisor |
| Tu Nan | Production Design |
| Liu Qiang | Production Design |
| Karen Fu | Presenter |
| Chi Kit Chan | Visual Effects Supervisor |
| Xue Bai | Editor |
| Chien Xiaoyong | Chief Lighting Technician |
| Li Danfeng | Sound Director |
| Anthony Gonzalez | Original Music Composer |
| Lisa Fisher | Visual Effects Supervisor |
| Wong Chi-Ming | Lighting Director |
| Huang Wen-Ying | Costume Design |
| Weiliang Mao | Chief Lighting Technician |
| Zhai Xiaohui | Screenplay |
| Zhong Beer | First Assistant Director |
| Emmanuel Croset | Sound Mixer |
| Romain Anklewicz | Foley Artist |
| Feng Yueyang | Sound Editor |
| Shen Xuhui | Sound Editor |
| Guo Bowen | Sound Editor |
| Chen Yutong | Sound Editor |
| Li Bolen | Sound Editor |
| Dan-feng Li | Sound Re-Recording Mixer |
| Gao Ruifeng | Sound Re-Recording Mixer |
| Grégoire Chauvot | Sound Editor |
| Sébastien Noiré | Sound Editor |
| Loriane Lucas | Visual Effects Producer |
| Name | Title |
|---|---|
| Chi Qingbo | Associate Producer |
| Charles Gillibert | Producer |
| Yang Lele | Producer |
| Shan Zuolong | Producer |
| Bi Gan | Executive Producer |
| Wan Juan | Executive Producer |
| Zhang Zhuo | Co-Producer |
| Xincai Xia | Co-Producer |
| Xue Fei | Associate Producer |
| Qi Ai | Associate Producer |
| Zhou Zhou | Associate Producer |
| Tianye Wang | Associate Producer |
| Dongfan Chen | Associate Producer |
| Binbin Xiong | Associate Producer |
| Yan Chen | Associate Producer |
| Dongyang Lu | Associate Producer |
| Tian Qi | Associate Producer |
| Li Xin | Associate Producer |
| Fu Caiping | Associate Producer |
| Bi Ran | Associate Producer |
| Ding Jianguo | Associate Producer |
| Shiyan Chen | Associate Producer |
| REN Guang | Co-Producer |
| Kaustubh Vick Singh | Co-Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 1 | 2 | 1 |
| 2024 | 5 | 1 | 2 | 1 |
| 2024 | 6 | 1 | 4 | 0 |
| 2024 | 7 | 4 | 13 | 1 |
| 2024 | 8 | 2 | 5 | 0 |
| 2024 | 9 | 1 | 3 | 1 |
| 2024 | 10 | 1 | 2 | 1 |
| 2024 | 11 | 1 | 1 | 1 |
| 2024 | 12 | 1 | 3 | 1 |
| 2025 | 1 | 2 | 4 | 1 |
| 2025 | 2 | 1 | 1 | 1 |
| 2025 | 3 | 1 | 2 | 1 |
| 2025 | 5 | 2 | 4 | 1 |
| 2025 | 6 | 2 | 3 | 1 |
| 2025 | 7 | 1 | 1 | 0 |
| 2025 | 8 | 2 | 3 | 1 |
| 2025 | 9 | 3 | 4 | 2 |
| 2025 | 10 | 4 | 5 | 3 |
| 2025 | 11 | 5 | 7 | 4 |
| 2025 | 12 | 7 | 12 | 5 |
| 2026 | 1 | 5 | 7 | 3 |
| 2026 | 2 | 7 | 39 | 2 |
| 2026 | 3 | 18 | 42 | 7 |
| 2026 | 4 | 8 | 10 | 7 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 4 | 212 | 571 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 3 | 65 | 387 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 2 | 13 | 467 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 1 | 59 | 692 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 12 | 209 | 623 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 11 | 172 | 578 |