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How the Grinch Stole Christmas Poster

How the Grinch Stole Christmas

He puts the mean in green.
2000 | 104m | English

(314880 votes)

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Popularity: 7 (history)

Details

The Grinch decides to rob Whoville of Christmas - but a dash of kindness from little Cindy Lou Who and her family may be enough to melt his heart...
Release Date: Nov 17, 2000
Director: Ron Howard
Writer: Jeffrey Price, Peter S. Seaman, Dr. Seuss
Genres: Family, Comedy, Fantasy
Keywords holiday, based on novel or book, christmas party, new love, santa claus, village, thief, surrealism, cynical, public humiliation, christmas, surreal world, absurd, hilarious, disgusted
Production Companies Imagine Entertainment, Universal Pictures, LUNI Productions, Dr. Seuss Enterprises
Box Office Revenue: $345,800,000
Budget: $123,000,000
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Jim Carrey Grinch
Taylor Momsen Cindy Lou Who
Jeffrey Tambor Mayor Augustus Maywho
Christine Baranski Martha May Whovier
Bill Irwin Lou Lou Who
Molly Shannon Betty Lou Who
Clint Howard Whobris
Josh Ryan Evans 8-Year-Old Grinch
Mindy Sterling Clarnella
Bryce Dallas Howard Surprised Who
Lacey Kohl Christina Whoterberry
Rachel Winfree Rose
Rance Howard Elderly Timekeeper
Jeremy Howard Drew Lou Who
T.J. Thyne Stu Lou Who
Nadja Pionilla Junie
Jim Meskimen Officer Wholihan
Michael Dahlen Customer
David Costabile Biker Who
Mary Stein Miss Rue Who
James Ritz Crazy Mose
Deep Roy Post Office Clerk
Jessica Sara Sophie
Mason Lucero Who Boy
Ben Bookbinder 8-Year-Old Augustus Maywho
Michaela Gallo Who Schoolgirl
Landry Allbright 8-Year-Old Martha May Whovier
Reid Kirchenbauer 8-Year-Old Whobris
Rebecca Chace Shopper
Suzanne Krull Shopper
Steve Kehela Shopper
Lillias White Shopper
Rain Pryor Shopper
John Alexander Shopper
Kevin Isola Tree Trimmer
Gavin Grazer Yodeler
Walter Franks Clerk
Verne Troyer Band Member
Clayton Martinez Cook
Q'orianka Kilcher Little Choir Member
Caroline Williams Tiny Who Woman
John Short Tiny Who Man
Grainger Esch Near Miss Who
Eva Burkley Pudding Chef
Rick Baker Puppeteer
Bill Sturgeon Puppeteer
Mark Setrakian Puppeteer
Jurgen Heimann Puppeteer
Tim Blaney Puppeteer
Charles Croughwell Balloon Who
Frank Welker Max the Dog (voice)
Anthony Hopkins Narrator (voice)
Name Job
Mike Hill Editor
Aldric La'Auli Porter First Assistant Director
Charles Croughwell Stunt Coordinator
Todd Hallowell Second Unit Director
Kazu Hiro Makeup Artist
Eric A. Norris Sound Effects Editor
Deborah Rutherford Makeup Artist
Lisa Hoyle Stunt Double
Lou Pecora Compositing Artist
Chris O'Hara Stunts
Jeffrey Price Screenplay
Peter S. Seaman Screenplay
James Horner Original Music Composer
Ve Neill Makeup Artist
Kevin Scott Mack Visual Effects Supervisor
Rita Ryack Costume Design
Rick Baker Makeup Effects Designer
Michael Corenblith Production Design
Jane Jenkins Casting Director
Janet Hirshenson Casting Director
Dr. Seuss Book
Kelly Port Compositing Artist
Darlene Ava Williams Stunt Double
Clayton J. Barber Stunts
Kevin Abercrombie Stunts
Laura Albert Stunts
Pat Banta Stunts
Richie Gaona Stunts
Tabby Hanson Stunt Double
Jane Oshita Stunts
Terry Notary Stunts
Gregg Smrz Stunts
Chris Sayour Stunts
Wyatt Tipton Stunts
Sonny Tipton Stunts
Ben Scott Stunts
Jake Lombard Stunts
Svetla Krasteva Stunts
Thomas J. Larsen Stunts
Gary Dionne Stunts
Michael Dahlen Stunts
Donald Peterman Director of Photography
Daniel P. Hanley Editor
Rachel Wyn Dunn Compositors
Barry E. Jackson Conceptual Design
Allen Hall Special Effects Coordinator
Nina Paskowitz Hairstylist
Leslie Park Script Supervisor
Gail Rowell-Ryan Key Hair Stylist
Merideth Boswell Set Decoration
Michael Key Makeup Artist
Bob Camp Storyboard Artist
Bonnie Greenberg Music Supervisor
David Hyman Second Assistant Director
Kurt Williams Visual Effects Producer, Visual Effects Supervisor
Dan Webster Supervising Art Director
Lauren E. Polizzi Art Direction
Dan Bronson Costume Supervisor
Toni G Makeup Department Head
Patricia Miller Key Hair Stylist
David MacMillan Production Sound Mixer
Mike Anderson Key Grip
Julian Levi Visual Effects Producer
Debra Wolff VFX Editor
Joyce Cox Visual Effects Producer
Michael J. Malone Location Manager
Brian Thomas Nist Sound Effects Editor
Kenneth L. Johnson Sound Effects Editor
Michael Geisler Sound Effects Editor
Christopher Flick Foley Editor
Joe E. Rand Music Editor
Jim Henrikson Music Editor
John LaSalandra Music Editor
Judith M. Brown Studio Teacher
Sylvia Nava Makeup Artist
Ron Howard Director
Bill Corso Makeup Artist
David Womark Unit Production Manager
Scott A. Hecker Supervising Sound Editor
Ronald Batzdorff Still Photographer
Marc Dominic Rienzo Compositing Artist
Name Title
Brian Grazer Producer
Todd Hallowell Executive Producer
Aldric La'Auli Porter Associate Producer
Ron Howard Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 54 67 39
2024 5 55 72 40
2024 6 56 94 41
2024 7 55 80 37
2024 8 57 104 39
2024 9 47 57 36
2024 10 83 142 35
2024 11 158 265 73
2024 12 451 939 252
2025 1 130 338 62
2025 2 46 74 9
2025 3 18 59 3
2025 4 10 18 6
2025 5 8 21 5
2025 6 8 11 6
2025 7 7 10 5
2025 8 7 8 5

Trending Position


Year Month High Avg
2025 8 649 841
Year Month High Avg
2025 7 347 792
Year Month High Avg
2025 6 544 781
Year Month High Avg
2025 5 617 841
Year Month High Avg
2025 4 553 751
Year Month High Avg
2025 3 481 706
Year Month High Avg
2025 2 467 778
Year Month High Avg
2025 1 198 580
Year Month High Avg
2024 12 15 85
Year Month High Avg
2024 11 85 349
Year Month High Avg
2024 10 471 844

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Reviews

Kamurai
7.0

Really good watch, will eventually watch again, and can recommend, but less so for younger audiences. I never remembered all the weird adult humor in this, it is usually just the charming grinchiness of Jim Carey's overacting that sticks with me, and maybe the Christmas spirit of Mary Lou Who. ... The movie manages to ride this wonderfully line between keeping the spirit of the book (even rhyming at times) and being new and refreshing, but it does do that by playing to the adults that would have read the book as a child rather than endearing a new generation of children, but I think they intended to try to do both. Jim Carey embodies the Grinch like no one else possibly could (I think Mike Myers proved that in "The Cat in the Hat"), and that is the majority of this so if you don't enjoy him, then you won't enjoy this movie. I do think they added some refreshing character interactions, though some of the execution is much better than others. While it is far from a perfect movie, my biggest gripe is their stupid noses: it seriously bothers me the entire movie. It bothers me more than them dressing the Grinch, which points out that he is naked a LOT with his "co lead" being a young girl: you can see it just distracts from the spirit of the movie. I don't think that everyone is going to love this movie, but it's hard to imagine that people will hate it.

Jun 23, 2021
Kamurai
7.0

Really good watch, will eventually watch again, and can recommend, but less so for younger audiences. I never remembered all the weird adult humor in this, it is usually just the charming grinchiness of Jim Carey's overacting that sticks with me, and maybe the Christmas spirit of Mary Lou Who. ... The movie manages to ride this wonderfully line between keeping the spirit of the book (even rhyming at times) and being new and refreshing, but it does do that by playing to the adults that would have read the book as a child rather than endearing a new generation of children, but I think they intended to try to do both. Jim Carey embodies the Grinch like no one else possibly could (I think Mike Myers proved that in "The Cat in the Hat"), and that is the majority of this so if you don't enjoy him, then you won't enjoy this movie. I do think they added some refreshing character interactions, though some of the execution is much better than others. While it is far from a perfect movie, my biggest gripe is their stupid noses: it seriously bothers me the entire movie. It bothers me more than them dressing the Grinch, which points out that he is naked a LOT with his "co lead" being a young girl: you can see it just distracts from the spirit of the movie. I don't think that everyone is going to love this movie, but it's hard to imagine that people will hate it.

Jun 23, 2021
Peter89Spencer
7.0

I'm not gonna lie, this version of the Grinch scared the crap out of me when I was a kid! But as I got older I started to get use to it. The trick was to just listen to the whole thing without looking at it and gradually (each year take a peak). ...

Jun 23, 2021
SoSmooth1982
7.0

At first I didn't like this movie. It's one of my daughters favorites tho. So she would always want to watch a lot around Christmas time. Now I don't mind it and it's like a Christmas tradition for us now to watch this movie. ...

Jun 27, 2023
moatsc18
7.0

This is my favorite version and has been my favorite since I was a small child. ...

Dec 27, 2023
FilipeManuelNeto
7.0

**A movie about Christmas, and about the way we face it.** For starters, I must clarify that I have never seen any other material about Grinch, much less the original book where this character was created. I will judge this movie for what it is, without weaves comparisons. He is not my Christmas ... favorite, never was, I even think it is a little scary for smaller children, given the mischiefs and attitude of Grinch. But it has a good story, good dialogues and other qualities. What is Christmas? Many will say that's the family or children's party. I accept, but in fact, it is the symbolic date that the Catholic Church marks the birth of Jesus. No one knows when Jesus was born, but the Church chose the date for convenience, coinciding the feast with an older pagan celebration, Saturnalia. For centuries, Christmas was just a festive day when Catholics confessed themselves, listened to Mass and ate fish (the consumption of meat and candy is forbidden on holy days, even though the elites did, by paying cash indulgences... in my country it's still tradition to eat codfish in Christmas Eve). The "invention" of modern Christmas happened in the late nineteenth century, with capitalism, and the creation of toy industries and food industries that allowed the middle classes a more interesting supper and the gift for children, offered to them by Baby Jesus and, later, for the invented character of Father Natal (in Spain, this exchange of gifts is only made on the day of kings in January, what I think makes full sense). This is how, in England, Germany and the US, Christmas became more commercial, more focused on consuming, gift distribution and conviviality, and the religious aspect was putted in the background. This movie, released in the 1980s, shows us an evil character who learned to see Christmas as futile due to this obsession with toys, gifts and food. He does not know how to express this in the best way, he's unaware that behind this is a greater meaning, but what Grinch rejects is precisely this "commercial Christmas." And I couldn't agree more with him… So, through his mischiefs, Grinch will help people to rediscover the meaning of Christmas, even if this is not his real purpose. This is the beauty of this story, for me: Grinch will help the Whoos while they will help him to understand that Christmas is more than gifts or food. Directed by Ron Howard, a director whose credits do not require presentations, the film is very well done and was a gigantic box office hit and critical success. It became a Christmas classic, although today it is not so popular. With no dead moments, it has an excellent pace, it does not lengthen too much, it is not tiring, and the script does what it needs, although with various flaws and several jokes that are not working. I liked, in particular, the narrator's interventions and rhymes, something that reinforces the idea that this is a children's story. Cinematography is amazing, with vibrant and flashy colors, and the soundtrack, not being memorable, has good qualities. Jim Carrey did very well in accepting the difficult task of bringing Grinch to life. I can only imagine how boring it was for him to be subject to that make-up routine every day, but it was totally worth the time and sacrifice: he's unrecognizable and absolutely credible and authentic under that thing, and has a natural gift to model the voice as he wants and suits to the character. Sir Anthony Hopkins also deserves praise for his participation, having lent his voice to the narrator. The rest does a positive job, but merely supports Carrey in its task of building the movie around it.

Jun 10, 2024