 
  Popularity: 11 (history)
| Director: | Robert Zemeckis | 
|---|---|
| Writer: | Robert Zemeckis, William Broyles Jr., Chris Van Allsburg | 
| Staring: | 
| When a doubting young boy takes an extraordinary train ride to the North Pole, he embarks on a journey of self-discovery that shows him that the wonder of life never fades for those who believe. | |
| Release Date: | Nov 10, 2004 | 
|---|---|
| Director: | Robert Zemeckis | 
| Writer: | Robert Zemeckis, William Broyles Jr., Chris Van Allsburg | 
| Genres: | Animation, Family, Fantasy, Adventure | 
| Keywords | holiday, santa claus, nerd, faith, bell, train, beard, north pole, trestle, ticket, train travel, christmas | 
| Production Companies | Castle Rock Entertainment, Golden Mean, Shangri-La Entertainment, Playtone, ImageMovers | 
| Box Office | Revenue: $318,432,432 Budget: $165,000,000 | 
| Updates | Updated: Jul 30, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Tom Hanks | Hero Boy / Father / Conductor / Hobo / Scrooge / Santa Claus | 
| Leslie Zemeckis | Sister Sarah / Mother | 
| Eddie Deezen | Know-It-All | 
| Nona Gaye | Hero Girl (voice) | 
| Peter Scolari | Billy - Lonely Boy | 
| Michael Jeter | Smokey / Steamer | 
| Josh Hutcherson | Hero Boy (motion capture) | 
| Daryl Sabara | Hero Boy (voice) | 
| Jimmy Bennett | Lonely Boy (voice) | 
| Tinashe | Hero Girl (motion capture) | 
| Brendan King | Pastry Chef | 
| Andy Pellick | Pastry Chef | 
| Josh Eli | Waiter | 
| Mark Mendonca | Waiter | 
| Rolondas Hendricks | Waiter | 
| Mark Goodman | Waiter | 
| Jon Scott | Waiter | 
| Gregory Gast | Waiter | 
| Sean Scott | Waiter | 
| Gordon Hart | Waiter | 
| Chris Coppola | Toothless Boy / Elf | 
| Julene Renee | Red Head Girl / Elf | 
| Charles Fleischer | Elf General | 
| Steven Tyler | Elf Lieutenant / Elf Singer | 
| Phil Fondacaro | Elf | 
| Debbie Lee Carrington | Elf | 
| Mark Povinelli | Elf | 
| Ed Gale | Elf | 
| Dante Pastula | Little Boy | 
| André Sogliuzzo | Smokey / Steamer (voice) | 
| Isabella Peregrina | Sister Sarah (voice) | 
| Eric Newton | Acrobatic Elf | 
| Aidan O'Shea | Acrobatic Elf | 
| Aaron Hendry | Acrobatic Elf | 
| Kevin C. Carr | Acrobatic Elf | 
| Bee Jay Joyer | Acrobatic Elf | 
| Jena Carpenter | Acrobatic Elf | 
| Karine Mauffrey | Acrobatic Elf | 
| Elisabeth P. Carpenter | Acrobatic Elf | 
| Bill Forchion | Acrobatic Elf | 
| Devin Henderson | Acrobatic Elf | 
| Sagiv Ben-Binyamin | Acrobatic Elf | 
| Ashly Holloway | Sister Sarah | 
| Jimmy 'Jax' Pinchak | Know-It-All | 
| Chantel Valdivieso | Hero Girl | 
| Hayden McFarland | Lonely Boy | 
| Connor Matheus | Toothless Boy | 
| Evan Sabara | Young Boy | 
| Jack Angel | Wolves (uncredited) | 
| Rodger Bumpass | Wolves (uncredited) | 
| Dylan Cash | Boy (voice) (uncredited) | 
| Cody Klop | Additional Voices (voice) (uncredited) | 
| Patrick Stogner | (uncredited) | 
| Name | Job | 
|---|---|
| Eric Bradley | Musician | 
| Robert Zemeckis | Screenplay, Director | 
| William Broyles Jr. | Screenplay | 
| Alan Silvestri | Conductor, Original Music Composer, Songs | 
| Victoria Burrows | Casting | 
| Joanna Johnston | Costume Design | 
| John Carrafa | Choreographer | 
| François Duhamel | Still Photographer | 
| Tom Johnson | Sound Re-Recording Mixer | 
| Randy Thom | Sound Designer, Sound Re-Recording Mixer | 
| Dennis Leonard | Supervising Sound Editor | 
| Glen Ballard | Songs | 
| Josh McLaglen | Unit Production Manager, First Assistant Director | 
| Deborah La Mia Denaver | Key Makeup Artist | 
| Daniel C. Striepeke | Makeup Artist | 
| Oliver Scholl | Production Illustrator | 
| Mark Chadwick | Stunts | 
| Rob Engle | Digital Effects Supervisor | 
| Angie Wells | Makeup Artist | 
| Patricio Castillo | Musician | 
| Joel McNeely | Orchestrator | 
| Brian Machleit | Stunts | 
| Ken Ralston | VFX Supervisor | 
| Steve Starkey | Second Unit Director | 
| Dane Farwell | Stunt Double | 
| Marc Gabbana | Concept Artist | 
| Robert Presley | Director of Photography | 
| R. Orlando Duenas | Editor | 
| Jeremiah O'Driscoll | Editor | 
| Scot Boland | Casting | 
| Karen O'Hara | Set Decoration | 
| Tony Fanning | Art Direction | 
| James Hegedus | Art Direction | 
| Alicia Maccarone | Art Direction | 
| Norman Newberry | Art Direction | 
| Erin Collins Butler | Art Department Coordinator | 
| Diana Goodwin | Art Department Coordinator | 
| Mike Stassi | Assistant Art Director | 
| Andrew L. Jones | Assistant Art Director | 
| John P. Goldsmith | Assistant Art Director | 
| Scott Herbertson | Assistant Art Director | 
| Jim Wallis | Assistant Art Director | 
| Pamela Wise | Costume Supervisor | 
| Luca Kouimelis | Script Supervisor | 
| Patrick B. O'Brien | Camera Operator | 
| David Schaub | Animation Supervisor | 
| Rob Bredow | Digital Effects Supervisor | 
| Mark Lambert | Digital Effects Supervisor | 
| Alberto Menache | Digital Effects Supervisor | 
| Sean Phillips | Digital Effects Supervisor | 
| Martin A. Kline | Visual Effects Art Director | 
| Craig Sost | Visual Effects Producer | 
| Scott Guitteau | Sound Effects Editor | 
| David C. Hughes | Sound Effects Editor | 
| Kathryn Blondell | Hair Designer | 
| Alison Learned Wolf | First Assistant Editor | 
| John Villarino | Construction Coordinator | 
| Rick Kelly | Second Assistant Director | 
| Chris Juen | Digital Producer | 
| Vladimir Todorov | Character Designer | 
| George Denes Suhayda | Visual Effects Art Director | 
| Jackson Bishop | Set Designer | 
| Jeffrey Beck | Set Designer | 
| Cathlyn Marshall | Set Designer | 
| Todd Cherniawsky | Set Designer | 
| Smokey Stover | Set Designer | 
| Kenneth A. Larson | Set Designer | 
| Masako Masuda | Set Designer | 
| Kseniya Hoppe | Set Designer | 
| Alex Olivares | First Assistant Editor | 
| Stephen M. Rickert Jr. | VFX Editor | 
| Ryan Chan | Assistant Editor | 
| Timothy Eaton | Visual Effects Editor | 
| Fernando Benítez | Layout | 
| Juan Gonzalez | Layout | 
| Corey Hels | Layout | 
| Maks Naporowski | Layout | 
| Carlos Pedroza | Layout | 
| Joseph Thomas | Layout | 
| William B. Kaplan | Sound Mixer, Production Sound Mixer | 
| Cary Weitz | Boom Operator | 
| Robin L. Miller | Property Master | 
| Audrey L. Anzures | Key Hair Stylist | 
| Steven C. McGee | Chief Lighting Technician | 
| Bradlee Thomas Emmons III | Rigging Gaffer | 
| Michael J. Coo | Key Grip | 
| Mark P. Coo | Grip | 
| Michael Lantieri | Special Effects Coordinator | 
| Gabriela Ríos | Production Coordinator, Production Office Coordinator | 
| Jane E. Russell | Unit Publicist | 
| Josh Einsohn | Casting Assistant | 
| Randy Cantor | Transportation Coordinator | 
| E. Larry Oatfield | Foley Editor | 
| Will Files | Sound Design Assistant | 
| Sue Fox | Foley Editor | 
| Kenneth Karman | Music Editor | 
| Conrad Pope | Orchestrator | 
| Ryan Cosgrove | Art Department Assistant | 
| Brian Feola | Construction Foreman | 
| David C. Potter | Leadman | 
| Ketty Gonzalez | Hairstylist | 
| Anthony Almaraz | Set Costumer | 
| Scott Owen | Set Dressing Artist | 
| Paulie DiCocco | Driver | 
| Dana Gong | Post Production Assistant | 
| Richard Robinson | Propmaker | 
| Jep Hill | Sequence Supervisor | 
| Ken C. Wu | Set Production Assistant | 
| Christopher Burdorf | Software Engineer | 
| Allen Robinson | Stunt Coordinator | 
| Samuel R. Harrison III | Video Assist Operator | 
| Edward J. Cox | Best Boy Electric | 
| Glen Gustafson | Lighting Artist | 
| Ronald A. Miller | Rigging Grip | 
| Susan Fried | Casting Associate | 
| Mark Scoon | Executive In Charge Of Production | 
| Daryl C. Lefever | Production Accountant | 
| Sande Scoredos | Production Supervisor | 
| John E. Sasaki | Digital Compositors | 
| Oscar G. Castillo | Visual Effects | 
| Timothy Loughran | Visual Effects Coordinator | 
| Jim Berney | Visual Effects Supervisor | 
| Maureen Beatty | Storyboard | 
| Tom Armbruster | Motion Capture Artist | 
| Gene Radzik | Dolby Consultant | 
| Martin L'Heureux | Animation | 
| Enfys Dickinson | Creative Producer | 
| Ronald G. Roumas | Sound Recordist | 
| Michael Condro | 3D Artist | 
| W. Layne Mcdonald | Additional Editing | 
| Alex Tysowsky | Animation | 
| Alice V. Kaiserian | Animation | 
| Danny Wawrzaszek | Animation | 
| Denis Samoilov | Animation | 
| Jeff Lin | Animation | 
| Jon L. Hooper | Animation | 
| Jordan Harris | Animation | 
| Keith Paciello | Animation | 
| Marco Marenghi | Animation | 
| Paul Jessel | Animation | 
| Seth Hippen | Animation | 
| Stéphane Couture | Animation | 
| David Howard | Camera Operator | 
| Matt Cohen | Camera Operator | 
| Edward Taylor IV | Character Modelling Supervisor | 
| Robin Richesson | Costume Illustrator | 
| Daniel Kuehn | Digital Producer | 
| Joey Freitas | Driver | 
| Joseph Sullivan | Driver | 
| Zane Weiner | Production Executive, Executive In Charge Of Production | 
| Dennie Thorpe | Foley | 
| Jana Vance | Foley | 
| Adam W. Erler | Grip | 
| Mitchell K. Hiniker | Grip | 
| Scott Parrish | Hairstylist | 
| Diana Wilson | Key Costumer | 
| Roxane Griffin | Key Hair Stylist | 
| Tyler Ely | Key Hair Stylist | 
| Ben Radcliffe | Lighting Artist | 
| Frances Kumashiro | Lighting Artist | 
| Mark Hamilton | Lighting Artist | 
| Bill Myer | Makeup Artist | 
| Cinzia Zanetti | Makeup Artist | 
| Dale Condit | Makeup Artist | 
| Donna Cicatelli-Lewis | Makeup Artist | 
| Jane English | Makeup Artist | 
| Karen Westerfield | Makeup Artist | 
| Leo Corey Castellano | Makeup Artist | 
| Lisa Buono | Makeup Artist | 
| Nacoma Whobrey | Makeup Artist | 
| Nadege Schoenfeld | Makeup Artist | 
| Robert Norin | Makeup Artist | 
| Robert Ryan | Makeup Artist | 
| Tegan Taylor | Makeup Artist | 
| Dean Wolcott | Modeling | 
| Dustin Zachary | Modeling | 
| Jeff Frost | Modeling | 
| Kim Smith | Modeling | 
| Marc Steinberg | Modeling | 
| Mark Krentz | Modeling | 
| Tony Bohorquez | Modeling | 
| Mark Lipsmeyer | Motion Capture Artist | 
| Andrew Bain | Musician | 
| George Doering | Musician | 
| James Thatcher | Musician | 
| Kevin Connolly | Musician | 
| M.B. Gordy | Musician | 
| Marcia Dickstein | Musician | 
| Matt Chamberlain | Musician | 
| Wade Culbreath | Musician | 
| Gary Burritt | Negative Cutter | 
| Mo Henry | Negative Cutter | 
| Adrian Iler | Sequence Supervisor | 
| David Parrish | Sequence Supervisor | 
| Robert Winter | Sequence Supervisor | 
| Brian Hall | Software Engineer | 
| J. Robert Ray | Software Engineer | 
| Min-Zhi Shao | Software Engineer | 
| Kevin Gillen | Special Effects | 
| David Hugghins | Stunts | 
| Jeff Evans | Stunts | 
| Matthew Rugetti | Stunts | 
| Shane Habberstad | Stunts | 
| Dan Kessler | VFX Artist | 
| Ergin Kuke | VFX Artist | 
| Brian C. Davis | Visual Effects | 
| Hae-Jeon Lee | Visual Effects | 
| Kyudon Choi | Visual Effects | 
| Len White | Visual Effects | 
| Lori Smallwood | Visual Effects | 
| Nick Gray | Visual Effects | 
| Sandra Warren | Visual Effects | 
| Chris McLeod | Visual Effects Coordinator | 
| Jarrod Nesbit | Visual Effects Coordinator | 
| Rocco Pucillo | Visual Effects Coordinator | 
| John Clinton | Visual Effects Producer | 
| Daniel James Weber | Visual Effects Technical Director | 
| Quentin Frost | Visual Effects Technical Director | 
| Michael Len | Motion Capture Artist | 
| Ann Knight | Set Buyer | 
| Stefan Dechant | Storyboard Artist | 
| Michael Miller | ADR Mixer | 
| David Lucarelli | ADR Recordist | 
| Karen Brocco | Assistant Dialogue Editor | 
| Ellen Heuer | Foley Artist | 
| Frank Rinella | Foley Mixer | 
| George Peterson Jr. | Foley Recordist | 
| Joel Mitchell | Special Effects Technician | 
| Patrick Ballin | Visual Effects Assistant Editor | 
| James Andrykowski | Visual Effects Editor, Assistant Editor | 
| Beth Tyszkiewicz | Visual Effects Production Assistant | 
| Steven Cueva | Assistant Camera | 
| Craig Kohtala | Best Boy Grip | 
| Antony Diamond | Second Assistant Camera | 
| Andrew Titcomb | Layout Supervisor | 
| Kelvin Lee | Senior Animator | 
| Judith Bouley | Additional Casting | 
| Jan Yarbrough | Colorist | 
| Paul McGhee | Digital Intermediate Colorist | 
| C. Marie Davis | Digital Intermediate Producer | 
| Pete Billington | CG Artist | 
| J.D. Cowles | Compositing Lead | 
| Brian Ducharme | Digital Compositor | 
| Christian Feldhaus | First Assistant Accountant | 
| Heather Wusterbarth | Key Set Production Assistant | 
| Thomas Esmeralda | Matte Painter | 
| Angela Randazzo | Payroll Accountant | 
| Josh Ernstrom | Production Assistant | 
| Dakau Jackson | Second Assistant Accountant | 
| Steve Guevara | Motion Capture Artist | 
| James C.J. Williams | Head of Layout | 
| Brian Magerkurth | Sound Recordist | 
| Avneet Kaur | Hairstylist | 
| Dennis Sands | Sound Re-Recording Mixer | 
| Jon Null | Dialogue Editor, ADR Editor | 
| William Ross | Orchestrator | 
| Terry Haggar | Color Timer | 
| Jerome Chen | Senior Visual Effects Supervisor | 
| Don Burgess | Director of Photography | 
| Rick Carter | Production Design | 
| Doug Chiang | Production Design | 
| Chris Van Allsburg | Book | 
| Richard B. Wester | Set Dresser | 
| Name | Title | 
|---|---|
| Gary Goetzman | Producer | 
| Steve Starkey | Producer | 
| Robert Zemeckis | Producer | 
| Josh McLaglen | Associate Producer | 
| William Teitler | Producer | 
| Steven J. Boyd | Co-Producer | 
| Debbie Denise | Associate Producer | 
| Peter M. Tobyansen | Associate Producer | 
| Chris Van Allsburg | Executive Producer | 
| Tom Hanks | Executive Producer | 
| Jack Rapke | Executive Producer | 
| Organization | Category | Person | |
|---|---|---|---|
| Academy Awards | Best Animated Feature | N/A | Nominated | 
| Golden Globes | Best Animated Feature | N/A | Nominated | 
| BAFTA Awards | Best Animated Feature | N/A | Nominated | 
| SAG Awards | Best Animated Feature | Tom Hanks | Nominated | 
| Cannes Film Festival | Best Animated Feature | N/A | Nominated | 
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 43 | 60 | 30 | 
| 2024 | 5 | 48 | 59 | 36 | 
| 2024 | 6 | 48 | 83 | 33 | 
| 2024 | 7 | 52 | 79 | 30 | 
| 2024 | 8 | 41 | 96 | 27 | 
| 2024 | 9 | 34 | 44 | 26 | 
| 2024 | 10 | 56 | 98 | 29 | 
| 2024 | 11 | 105 | 167 | 51 | 
| 2024 | 12 | 175 | 325 | 108 | 
| 2025 | 1 | 72 | 141 | 40 | 
| 2025 | 2 | 33 | 65 | 7 | 
| 2025 | 3 | 13 | 54 | 3 | 
| 2025 | 4 | 8 | 14 | 5 | 
| 2025 | 5 | 7 | 15 | 4 | 
| 2025 | 6 | 6 | 11 | 5 | 
| 2025 | 7 | 5 | 7 | 4 | 
| 2025 | 8 | 7 | 11 | 5 | 
| 2025 | 9 | 9 | 11 | 7 | 
| 2025 | 10 | 10 | 12 | 7 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 10 | 276 | 724 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 9 | 416 | 689 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 8 | 492 | 733 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 7 | 678 | 829 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 6 | 500 | 805 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 5 | 499 | 772 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 4 | 609 | 770 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 3 | 358 | 760 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 2 | 447 | 717 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 1 | 278 | 689 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 12 | 29 | 149 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 11 | 68 | 235 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 10 | 332 | 626 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 9 | 441 | 697 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 8 | 778 | 874 | 
***Some kids with creepy dead eyes take a dreamlike trip to the North Pole on The Polar Express*** A boy from Grand Rapids, Michigan, is at the age where he no longer believes in Christmas, as far as Santa, his elves and flying reindeer go, but a magical train appears in front of his home on Chr ... istmas Eve and whisks him away on an adventurous trip to the North Pole with several other kids. “The Polar Express” (2004) was based on the 1985 Christmas book and was the first mainline movie to use motion capture animation for all its characters beginning to end (think Gollum from “The Lord of the Rings” trilogy). Some people think the animation is weak, but I feel it creates its own world and has its own charm. It holds up as long as you can adapt to those creepy dead eyes of the characters. Some people love this movie while others think it’s weird, like a Twilight Zone Christmas flick. Roger Ebert, for instance, loved it and gave it a perfect grade. I’m sorta in the middle. I see its good points and appreciate them, like the haunting winter ambiance, parts of the trip to the North Pole (e.g. the quasi-rollercoaster ride) and the kids’ investigation of the Christmas factory. But there are some meh parts and dubious sections like the whole last act with the multitude of elves and the towering Santa who looked like he was modeled after 6’5” Christopher Lee with a pillow strapped to his mid-section. The movie’s interesting in some ways but also quaint in a cheesy way, as well as peculiar and lifeless. The film runs 1 hour, 40 minutes. GRADE: C
No matter how many times I watch this, it always brought me to tears! I only wish that I got to see it in 3D at the cinema. ...
Watching The Polar Express is not an annual event for me, but I believe I have seen it three times and would not nix the idea if someone were to suggest watching it again. I feel a connection to it for an odd reason: my wife and I volunteered one Christmas season to be elves serving cocoa and danci ... ng for an actual Polar Express narrow gauge train ride when we lived in Maine. (Though I can assure you our dancing was not as acrobatic as what you see in this movie.) The animation feels a little odd at first, but I stop noticing it each time I watch it. The story turns the train trip to the North Pole into a real thrill ride for the children on board, especially for our hero boy, voiced by Tom Hanks. In fact, if you are a Hanks fan, settle in, because he does multiple voices here, including one that sounds remarkably like Gilbert Godfrey to me. I try to avoid punching holes in the plots of Christmas movies. Half the point is that they will include unlikely events all leading to the miracle of Christmas ending. You want logic; pull out the old algebra textbook!
A young man is all excited as he heads to bed on Christmas eve. His sleep is disturbed though, when his house starts to shake. He bounds to the window whereupon he sees the arrival of a great train, one he quickly discovers is heading on to the North Pole. Safely aboard he encounters other children ... and adventure beckons as they learn that one child will get to meet Santa Claus himself before he embarks on his global deliveries! I didn't love this film. I found the rather sharp, linear, facial animations a bit too sterile and there is way too much chatter with not enough going on. I can play chase the ticket once, but after a while that became little better than a clunky conduit for the rather episodic nature of the narrative. I'm sure that technically it is a masterpiece of CGI and human interaction, but somehow it all just left me feeling that the cheesy sentiment overwhelmed it with it's messages of teamwork and the Christmas spirit well and truly over-egged. Alan Silvestri has provided a nice score, and when the animation scenes focus on the actual train then it does liven up a bit, but sorry - for the most part I wasn't sold.