Popularity: 2 (history)
Director: | Alan J. Pakula |
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Writer: | William Goldman, Bob Woodward, Carl Bernstein |
Staring: |
During the 1972 elections, two reporters' investigation sheds light on the controversial Watergate scandal that compels President Nixon to resign from his post. | |
Release Date: | Apr 09, 1976 |
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Director: | Alan J. Pakula |
Writer: | William Goldman, Bob Woodward, Carl Bernstein |
Genres: | Drama, Mystery, Thriller, History |
Keywords | newspaper, journalist, plan, washington dc, usa, shadowing, politics, burglar, fbi, wiretap, watergate scandal, based on true story, conspiracy, newspaper man, watergate |
Production Companies | Wildwood Enterprises |
Box Office |
Revenue: $70,600,000
Budget: $8,500,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Dustin Hoffman | Carl Bernstein |
Robert Redford | Bob Woodward |
Jack Warden | Harry Rosenfeld |
Martin Balsam | Howard Simons |
Hal Holbrook | Deep Throat |
Jason Robards | Ben Bradlee |
Jane Alexander | Bookkeeper |
Meredith Baxter | Debbie Sloan |
Ned Beatty | Dardis |
Stephen Collins | Hugh Sloan |
Penny Fuller | Sally Aiken |
John McMartin | Foreign Editor |
Robert Walden | Donald Segretti |
Frank Wills | Frank Wills |
F. Murray Abraham | Arresting Officer #1 |
David Arkin | Eugene Bachinski |
Henry Calvert | Bernard L. Barker |
Dominic Chianese | Eugenio R. Martinez |
Bryan Clark | Arguing Attorney |
Nicolas Coster | Markham |
Lindsay Crouse | Kay Eddy |
Valerie Curtin | Miss Milland |
Gene Dynarski | Court Clerk |
Nate Esformes | Virgilio R. Gonzales |
Ron Hale | Frank Sturgis |
Richard Herd | James W. McCord, Jr. |
Polly Holliday | Dardis' Secretary |
James Karen | Hugh Sloan's Lawyer |
Paul Lambert | National Editor |
Frank Latimore | Judge |
Gene Lindsey | Alfred D. Baldwin |
Anthony Mannino | Arresting Officer #2 |
Allyn Ann McLerie | Carolyn Abbott |
James Murtaugh | Congress Library Clerk |
John O'Leary | Attorney #1 |
Jess Osuna | Joe, FBI Agent |
Neva Patterson | CRP Woman |
George Pentecost | George |
Penny Peyser | Sharon Lyons |
Joshua Shelley | Al Lewis |
Sloane Shelton | Bookkeeper's Sister |
Lelan Smith | Arresting Officer #3 |
Jaye Stewart | Male Librarian |
Ralph Williams | Ray Steuben |
George Wyner | Attorney #2 |
Leroy Aarons | Financial Editor |
Donnlynn Bennett | Reporter |
Stanley Bennett Clay | Assistant Metro Editor |
Carol Coggin | News Aide |
Laurence Covington | News Announcer |
John Devlin | Metro Editor |
John Furlong | News Desk Editor |
Sidney Ganis | L.A. Stringer |
Amy Grossman | Reporter |
Cynthia Herbst | Reporter |
Basil Hoffman | Assistant Metro Editor |
Mark Holtzman | Reporter |
Jamie Smith-Jackson | Post Librarian |
Barbara Lipsky | Reporter |
Doug Llewelyn | White House Aide |
Jeff MacKay | Reporter |
Irwin Marcus | Reporter |
Greg Martin | Reporter |
Ron Menchine | Post Librarian |
Christopher Murray | Photo Aide |
Jess Nadelman | Assistant Metro Editor |
Noreen Nielson | Reporter |
Florence Pepper | Message Desk Receptionist |
Barbara Perlman | CRP Receptionist |
Louis Quinn | Salesman |
Peter Salim | Reporter |
Shawn Shea | News Aide |
Marvin Smith | Reporter |
Pam Trager | Reporter |
Carol Trost | Ben Bradlee's Secretary |
Richard Venture | Assistant Metro Editor |
Bill Willens | Hippie |
Wendell Wright | Assistant Metro Editor |
Al Beaudine | Reporter (uncredited) |
Gary Bohn | Reporter (uncredited) |
Stephen Burnette | Reporter (uncredited) |
Marcello Clay | Reporter (uncredited) |
Edward Coch Jr. | Reporter (uncredited) |
Cara Duff-MacCormick | Tammy Ulrich (uncredited) |
Len Felber | Reporter (uncredited) |
Mel Gold | Reporter (uncredited) |
Bart Greene | Reporter (uncredited) |
Francine Henderson | Reporter (uncredited) |
Eugene Jackson | Reporter (uncredited) |
Pauline Lum | Reporter (uncredited) |
Robert S. Mills | TV Reporter (uncredited) |
Ray Pourchot | Reporter (uncredited) |
John Randolph | John Mitchell (voice) (uncredited) |
Bill Scully | Reporter (uncredited) |
Bob Templeton | Reporter (uncredited) |
Lance Vantile Whitfield | Child in Courtroom (uncredited) |
Spiro Agnew | Self (archive footage) (uncredited) |
Walter Cronkite | Self (archive sound) (uncredited) |
Thomas Eagleton | Self (archive footage) (uncredited) |
Gerald Ford | Self (archive footage) (uncredited) |
Richard Kleindienst | Self (archive footage) (uncredited) |
Pat Nixon | Self (archive footage) (uncredited) |
Richard Nixon | Self (archive footage) (uncredited) |
Ronald Ziegler | Self (archive footage) (uncredited) |
Name | Job |
---|---|
Alan J. Pakula | Director |
Bill Green | First Assistant Director |
George Gaines | Set Decoration |
George Jenkins | Production Design |
David Shire | Original Music Composer |
Robert L. Wolfe | Editor |
Fern Buchner | Makeup Artist |
Don L. Cash | Makeup Artist |
Romaine Greene | Hairdresser |
Lynda Gurasich | Hairdresser |
Gary Liddiard | Key Makeup Artist |
Henry Millar | Special Effects |
Steve Vetter | Location Manager |
Kim Kurumada | Second Assistant Director |
Art Levinson | First Assistant Director |
Charles Ziarko | Second Assistant Director |
Matty Azzarone | Assistant Property Master |
Guy Bushman | Assistant Property Master |
Mike Higelmire | Leadman |
Roger Irvin | Construction Foreman |
Robert I. Jillson | Assistant Art Director |
Robert Krume | Construction Coordinator |
Alan Levine | Property Master |
Bill MacSems | Property Master |
George Szeptycki | Draughtsman |
Rick Alexander | Sound Re-Recording Mixer |
Clint Althouse | Boom Operator |
Milton C. Burrow | Supervising Sound Editor |
Les Fresholtz | Sound Re-Recording Mixer |
Chris McLaughlin | Boom Operator |
James E. Webb | Sound Mixer |
Ray De La Motte | First Assistant Camera |
Ralph Gerling | Camera Operator |
George Holmes | Gaffer |
Larry D. Howard | Best Boy Electric |
Bob Rose | Key Grip |
Peter Salim | Second Assistant Camera |
Ronald L. Vargas Jr. | Second Assistant Camera |
Bernie Pollack | Costume Supervisor |
Carroll Timothy O'Meara | Assistant Editor |
Steve Potter | Assistant Editor |
Nicholas C. Washington | Music Editor |
Karen Hale Wookey | Script Supervisor |
Rebecca Britton | Production Coordinator |
Ronnie Kramer | Production Coordinator |
Joanna Ney | Unit Publicist |
Erika Koppitz | Production Coordinator |
William Goldman | Screenplay |
Gordon Willis | Director of Photography |
Alan Shayne | Casting |
Dan Perri | Title Designer |
Bob Woodward | Book |
Carl Bernstein | Book |
Name | Title |
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Walter Coblenz | Producer |
Jon Boorstin | Associate Producer |
Michael Britton | Associate Producer |
Organization | Category | Person | |
---|---|---|---|
Golden Globes | Best Documentary Feature | N/A | Nominated |
Academy Awards | Best Picture | N/A | Nominated |
Golden Globes | Best Picture | N/A | Nominated |
Golden Globes | Best Supporting Actor | Jason Robards Sr. | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 24 | 36 | 18 |
2024 | 5 | 23 | 33 | 16 |
2024 | 6 | 22 | 42 | 13 |
2024 | 7 | 24 | 35 | 15 |
2024 | 8 | 21 | 32 | 14 |
2024 | 9 | 15 | 19 | 12 |
2024 | 10 | 27 | 50 | 15 |
2024 | 11 | 20 | 35 | 15 |
2024 | 12 | 16 | 22 | 11 |
2025 | 1 | 17 | 27 | 11 |
2025 | 2 | 14 | 21 | 3 |
2025 | 3 | 6 | 20 | 2 |
2025 | 4 | 6 | 10 | 2 |
2025 | 5 | 4 | 11 | 2 |
2025 | 6 | 3 | 6 | 2 |
2025 | 7 | 2 | 3 | 1 |
2025 | 8 | 2 | 5 | 1 |
Trending Position
Year | Month | High | Avg |
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2025 | 7 | 744 | 782 |
Year | Month | High | Avg |
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2025 | 5 | 934 | 937 |
Year | Month | High | Avg |
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2025 | 4 | 408 | 736 |
Year | Month | High | Avg |
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2025 | 3 | 514 | 730 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 913 | 920 |
Based on the true, ground-breaking, investigations by the Washington Post into the seemingly innocuous break-in into the Watergate Building; this film produces two of the finest performances ever committed to film. Dustin Hoffman already had some grittier parts in his repertoire; but for Robert Redf ... ord this is more of a departure from his usual roles and the rapport between the two, initially suspicious journalists, builds as we all begin to realise that there is a hell of a lot more to this than just some unlucky burglars. Jason Robards and Martin Balsam serve as the real life editorial leads at the newspaper, but also as characters we can all use to take stock during these rapidly advancing, and incriminating developments. Alan J. Pakula subtly and deftly takes us through the chronology in an enthralling manner; exposing crossing sub-plots and personalities - as well as demonstrating the palpable risks being taken by many to uncover the truth. We all know the ending, but this film is quite possibly the reason why many still recall this momentous story.
**Fifty years after Watergate, what have we learned?** The “Watergate Affair” was fifty years ago. For those who don't remember or weren't born, it all started with the invasion of the Democratic Party offices in the Watergate Building, in Washington D.C., by a group of men, caught while trying t ... o install bugs and copy documents. The group's connection to the CIA became obvious and, as the inquiries progressed, the story became more bizarre: after all, everything had been done under orders coming from within the White House, from people very interested in manipulating the elections that year, in which Richard Nixon was going to run for his second term against the Democratic candidate, George McGovern. The film tells us about this, but stops here, focusing on the contribution of journalists from The Washington Post, who investigated the matter and published relevant information. The film doesn't say what happened next, but as we know, Nixon was re-elected and quickly found himself under suspicion about his involvement in the Watergate break-in. Nixon refused to give explanations, hiding behind his office prerogatives, not even when it became known that there was a voice recording system in his office. With Congress demanding to hear these recordings under serious threats of impeachment, Nixon preferred to resign and, since then, “Watergate” has been an eternal synonym of political corruption at the highest level. Directed by Alan Pakula and released in the years following the events, the film would have needed no further explanation. The names of those involved and the details of the story would be fresh in everyone's memory. However, more than fifty years later, who remembers the details? As the film does not give us explanations, only people who know the subject well or have read about it will watch the film without needing to go to the Internet every ten minutes. Even I, a historian, needed to refresh my memory. Aside from this problem, the film is good and is faithful to the events and what the two “Post” journalists did. There is another problem with this film, although it is a minor problem: at this time, in the 70s, it seems that a politician was required to have bulletproof morality and a virtually untainted character. And now? We are in 2024 and democracy, instead of maturing, seems to have rotted to the point that American citizens allow a former president, who is in the grip of justice and apparently involved in a direct attack against Congress (which represents all the people) to presents himself again as a candidate without any problems, ready to be carried on shoulders to a cabinet he should never set foot in again. I am not North American, but as a European I refuse to consider such a matter a mere internal issue, taking into account the role that the USA wants to maintain on the international stage, in NATO or in the UN. Unfortunately, the degradation of democracy happens here too, and has been taken advantage of by Putin, President Xi and other enemies of the free world, a world of peace and freedom that our fathers worked hard to build together, and we are letting disappear. Returning to the film... it's worth seeing the performance of Dustin Hoffman and Robert Redford in two roles that helped a lot in the evolution of their careers. They are some of the best actors of that period and did a colossal job in this film. The supporting cast is equally remarkable and deserves our full attention. I particularly liked the work of Martin Balsam, Jack Warden and Jason Robards, outstanding actors who transformed three roles without much relevance into good additions to the general plot. And although we only learned more details recently, Hal Holbrook was an excellent choice to bring to life the mysterious “Deep Throat”, one of the decisive sources for linking Watergate with the White House. Technically, it is a discreet film that bets everything on the rigorous reconstruction of the settings, environments and events. There are some very good sound effects (the association of the sounds of typewriters with the sound of gunshots was intelligent and well done, for example) and the lighting effects were equally well-used. Note the dark and mysterious atmosphere of the encounters with “Deep Throat”, with the light almost reduced to what is essential. The film deservedly won four Oscars (Best Sound, Best Adapted Screenplay, Best Art Direction and Best Supporting Actor) and was one of the big contenders for Best Film.