Popularity: 5 (history)
Director: | J.A. Bayona |
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Writer: | Pablo Vierci, Bernat Vilaplana, Jaime Marques, Nicolás Casariego Córdoba, J.A. Bayona |
Staring: |
On October 13, 1972, Uruguayan Air Force Flight 571, chartered to take a rugby team to Chile, crashes into a glacier in the heart of the Andes. | |
Release Date: | Dec 15, 2023 |
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Director: | J.A. Bayona |
Writer: | Pablo Vierci, Bernat Vilaplana, Jaime Marques, Nicolás Casariego Córdoba, J.A. Bayona |
Genres: | Drama, History |
Keywords | based on novel or book, 1970s, friendship, prayer, rugby, uruguay, based on true story, rescue, struggle for survival, mountain climbing, andes mountains, historical drama, plane crash, cannibalism, cine uruguayo |
Production Companies | Netflix, El Arriero Films, Misión de Audaces Films |
Box Office |
Revenue: $1,281
Budget: $65,500,000 |
Updates |
Updated: Sep 09, 2025 Entered: Aug 14, 2024 |
Name | Character |
---|---|
Enzo Vogrincic | Numa Turcatti |
Agustín Pardella | Fernando "Nando" Parrado |
Matías Recalt | Roberto Canessa |
Esteban Bigliardi | Javier Methol |
Diego Vegezzi | Marcelo Pérez del Castillo |
Fernando Contigiani García | Arturo Nogueira |
Esteban Kukuriczka | Adolfo "Fito" Strauch |
Francisco Romero | Daniel Fernández Strauch |
Rafael Federman | Eduardo Strauch |
Valentino Alonso | Alfredo "Pancho" Delgado |
Tomás Wolf | Gustavo Zerbino |
Agustín Della Corte | Antonio "Tintin" Vizintín |
Felipe Otaño | Carlitos Páez |
Andy Pruss | Roy Harley |
Blas Polidori | Gustavo "Coco" Nicolich |
Felipe Ramusio | Diego Storm |
Simón Hempe | José Luis "Coche" Inciarte |
Luciano Chattón | Pedro Algorta |
Rocco Posca | Ramon "Moncho" Sabella |
Paula Baldini | Liliana Navarro de Methol |
Emanuel Parga | Carlos Roque |
Juan Caruso | Álvaro Mangino |
Benjamín Segura | Rafael "Vasco" Echevarren |
Santiago Vaca Narvaja | Daniel Maspons |
Fede Aznárez | Enrique Platero |
Agustín Berruti | Roberto "Bobby" François |
Alfonsina Carrocio | Susana "Susy" Parrado |
Jaime James | Gastón Costemalle |
Juandi Eirea Young | Juan Carlos Menéndez |
Jerónimo Bosia | Francisco "Pancho" Abal |
Giselle Douaret | Eugenia Dolgay de Parrado |
Agustín Lain | Carlos Valeta |
Julian Bedino | Guido Magri |
Federico Formento | Daniel Shaw |
Lautaro Bakir | Julio Martínez Lamas |
Tea Alberti | Graziela Gumila de Mariani |
Francisco Bereny | Felipe Maquirriain |
Toto Rovito | Alexis Hounie |
Lucas Mascarena | Fernando Vázquez |
Maximiliano de la Cruz | Dante Lagurara |
Juan José Marco | Ovidio Ramírez |
Mariano Rochman | Ramón Martínez |
Esteban Pico | Julio Ferradás |
Pablo Tate | Dr. Francisco Nicola |
Virgínia Kauffmann | Esther Horta de Nicola |
Francisco Burghi | Alfredo Cibils |
Daniel Patricio Antivilio Acuña | Major Massa |
Ezequiel Fadel Hinojosa | Sergió Catalán |
Gustavo F. Sasco | Priest |
Facundo Roure | Church Friend |
Gas | Police Station Officer |
Emanuel Sobré | S.A.R. Radio Operator |
Carlos Miguel Páez Rodríguez | Carlos Páez Vilaró |
Tomás Friedmann | Tomás Friedmann |
Roberto Suárez | Seler Parrado |
Constanza del Sol Giraudo | Graciela Parrado |
Gabriela Quartino Tilve | Rosina Sánchez Varela de Harley |
Sergio Armand'ugón | Walter Roy Harley |
María Elena Pérez | Isabel Pesquera de Turcatti |
Julio Lachs | Gastón Turcatti |
Camila Chieza | Isabel Turcatti |
Franco Rilla | Gastón Turcatti |
Ignacio Martínez | Daniel Turcatti |
Ramiro Rutz | Leonardo Turcatti |
Sandra Américo | Rosina Urioste de Strauch |
Claudia Trecu De Lucía | Marta Vázquez de Inciarte |
Susana Groisman | Mary Callender de Vázquez |
Julieta Marcus | María Laura Methol |
Clara Roibal Camino | Ana Inés Methol |
Clara Ibarra Vierci | María Noel Methol |
Lorenzo Bigliardi | Pablo Methol |
Carolina Steinhorn | Graciela Navarro |
Belen Giannini | Laura Surraco |
Camila Giannotti | Margarita Arocena |
Sofía Lara | Soledad González Mullin |
Verónica Perrotta | Susana Stajano de Zerbino |
Rogelio Gracia | Gustavo Nicolich |
Álvaro Armand Ugón | Juan Carlos Canessa |
Sara Bessio | María Mercedes Urta de Canessa |
Noelia Campo | Bimba Cornah de Storm |
Juan Carlos Alcayaga González | Doctor 1 |
Consuelo Ortega | Nun 1 |
Pedro Luque | Helicopter Cameraman |
Carlos García Bayona | Helicopter Pilot |
Pablo Vierci | Uruguayan Radio Broadcaster |
Berch Rupenian | Berch Rupenian |
Nando Parrado | Airport Family Member |
Roberto Canessa | Chilean Hospital Doctor |
Antonio José Vizintín Brandi | Airport Passenger |
José Luis Inciarte Vázquez | Bar Client |
Gustavo Zerbino Stajano | Rugby Coach |
Daniel Fernández Strauch | Priest Assistant |
Ramón Mario Sabella Barreiro | Airport Passenger |
Joaquín De Freitas Turcatti | Numa's Neighbour |
Juan Andrés Hidalgo Aguayo | Chilean Journalist |
Eder Fructos | Radio Broadcaster 2 |
Ernesto Torres De Rago | Doctor 2 |
Viviana Campugiani | Nun 2 |
María Laura Berch | Nun 3 |
Gustavo Saffores | Football Referee |
Marcelo Zurita | Chilean Taxi Driver |
John Despaux | Uruguayan Airplane Pilot |
Luis Barreiro Delgado | Uruguayan Airplane Co-Pilot |
José Andrés Mediza Teodoro | Airplane Mechanic |
Imma Stawski | Kid 1 |
Enzo Lombardi Fernández | Kid 2 |
Claudio Martín | Pedestrian Fight |
Benicio Sarubbo Colucci | Hospital Baby |
Florencia Colucci | Hospital Baby's Mother |
Name | Job |
---|---|
Pablo Vierci | Book |
Pedro Luque | Director of Photography |
Michael Giacchino | Original Music Composer |
Alejandro Fadel | Second Unit Director |
Bernat Vilaplana | Screenplay |
Jaime Marques | Screenplay |
Jaume Martí | Editor |
Marc Domènech Sanmiquel | Compositing Lead |
Nicolás Casariego Córdoba | Screenplay |
Andrés Gil | Editor |
Oriol Tarragó | Sound |
Alain Baineé | Production Design, Art Direction |
Marc Orts | Sound |
Margarita Huguet | Line Producer |
Jasmina Torbati | Production Executive |
David Gallart | Co-Editor |
Javier Braier | Casting |
Maite Zugarramurdi | Art Direction |
Ángela Nahum | Set Decoration |
Natalia Azambuya | Assistant Hairstylist |
Daniel Carrasco | Concept Artist |
Luciana Diaz | Makeup Artist |
Sandra Gianini | Assistant Hairstylist |
Henry Gómez | Assistant Makeup Artist |
Ana López-Puigcerver | Makeup Designer |
María Marrugat | Special Effects Makeup Artist |
David Martí | Special Effects Makeup Artist |
Jesica Montero | Assistant Makeup Artist |
Juan Olmo | Special Effects Makeup Artist |
Brian Paván | Assistant Hairstylist |
Bárbara Quero | Hairstylist, Assistant Hairstylist |
Hedvig Király | Art Direction |
Iair Said | Casting |
Jorge Adrados | Sound |
Micaela Buye | Line Producer |
Juan Lovece | Line Producer |
Serafín González | Art Direction |
David Temprano | Art Direction |
Carlos Y. Jacques | Supervising Art Director |
Julio Suárez | Costume Design |
Daniela Bayarres | Hairstylist |
Montse Damas | Makeup Artist |
Eva Fernández | Wigmaker |
Henriqueta Gómez | Assistant Hairstylist |
David Huerga | Makeup Artist |
Adela López | Assistant Hairstylist |
Belén López-Puigcerver | Hair Department Head |
Pati Martí Donoghue | Assistant Makeup Artist |
Maria Noel Molinari | Hairstylist |
David Moreno | Hairstylist |
Belén Orique | Assistant Makeup Artist |
Carmen Picazo | Assistant Makeup Artist |
Lupe S. Conde | Assistant Hairstylist |
Sofia Sellanes | Assistant Makeup Artist |
Ana Suarez | Assistant Makeup Artist |
Natalia Toscani | Assistant Hairstylist |
Javi Barboza | Production Manager |
Ramón Cardini | Unit Production Manager |
Maria Noel da Cunda | Assistant Production Manager |
Mariana Flo Díaz | Assistant Production Manager |
Juliana Gallo | Assistant Production Manager |
Ernest Gual | Unit Production Manager |
Nacho Hein | Production Runner |
Vania Konstantinovich | Assistant Production Manager |
Soledad Martínez | Production Supervisor |
Diego Pérez Barreiro | Assistant Production Manager |
Patrick Bencomo | Second Unit First Assistant Director |
Matías Carvalho | Third Assistant Director |
Javier Larry Colsa | Second Assistant Director |
María Gacho | Third Assistant Director |
Mikel García Ferreira | Third Assistant Director |
Pedro Giambruno | Second Assistant Director, Third Assistant Director |
Hobeko González de Viñaspre | Assistant Director |
Fernando Hervás | Third Assistant Director |
Patricia Martínez Rodríguez | Third Assistant Director |
Florencia Novas | Second Assistant Director |
Anna Rua | Second Assistant Director |
Alba Sabio Ochando | Third Assistant Director |
Germán Zecchi | First Assistant Director |
Felipe Villarmarzo | Assistant Director |
Inés Mas | Production Supervisor |
Montse Ribé | Special Effects Makeup Artist |
Charo San Román | Makeup Artist |
Virginia Silva | Assistant Makeup Artist |
Lorena Sanchez | Special Effects Makeup Artist |
Ana Urosa | Makeup Artist |
Bautista Cardini | Production Runner |
Marc Carreres | Post Production Coordinator |
Micaela Gagliano | Post Production Supervisor |
Andrés González Donato | Assistant Production Manager |
Raúl Guibert | Production Manager |
Federico Lopez | Production Manager |
Lucia Medeyros | Assistant Production Manager |
Pablo Aguirre | Second Assistant Director |
Gimena Berrutti | Second Assistant Director |
Dèlia Cobo | Third Assistant Director |
Ricardo Delgado | Second Assistant Director |
Ana Clara Ferrando | Third Assistant Director |
Yago Garbizu | Second Unit First Assistant Director |
Rodrigo Gils | Second Assistant Director |
Emmanuel Granados | Second Assistant Director |
Carlos Lázaro | Second Unit Director |
Marta Mercero | Third Assistant Director |
Pep Parés Font | Second Assistant Director |
Cynthia Ruiz | Second Assistant Director |
Javier Soto | First Assistant Director |
Lucia Vanya | Second Assistant Director |
Glòria Blanes | Script Supervisor |
Anna J. Valenciano | Assistant Editor |
Roberto Bra | Assistant Editor |
Camila Musteikis | Assistant Editor |
Lis González | Assistant Editor |
Rodolfo Iriñiz | Unit Production Manager |
Tebbe Schöningh | Camera Operator |
J.A. Bayona | Director, Screenplay |
María Laura Berch | Casting |
Chris Lyons | Special Effects Makeup Artist |
Name | Title |
---|---|
Santiago López Rodríguez | Executive Producer |
Belén Atienza | Producer |
Sandra Hermida | Producer |
Philip Bolus | Producer |
Pablo Vierci | Associate Producer |
Lilia Scenna | Executive Producer |
Steve Eddy | Executive Producer |
J.A. Bayona | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 109 | 143 | 88 |
2024 | 5 | 102 | 135 | 66 |
2024 | 6 | 70 | 85 | 54 |
2024 | 7 | 86 | 125 | 58 |
2024 | 8 | 57 | 78 | 46 |
2024 | 9 | 47 | 69 | 38 |
2024 | 10 | 56 | 100 | 36 |
2024 | 11 | 47 | 84 | 35 |
2024 | 12 | 50 | 58 | 40 |
2025 | 1 | 54 | 64 | 39 |
2025 | 2 | 39 | 58 | 9 |
2025 | 3 | 20 | 62 | 3 |
2025 | 4 | 7 | 8 | 5 |
2025 | 5 | 6 | 9 | 5 |
2025 | 6 | 6 | 7 | 5 |
2025 | 7 | 6 | 7 | 5 |
2025 | 8 | 5 | 6 | 4 |
2025 | 9 | 5 | 7 | 4 |
2025 | 10 | 6 | 7 | 5 |
Trending Position
Year | Month | High | Avg |
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2025 | 10 | 796 | 796 |
Year | Month | High | Avg |
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2025 | 9 | 242 | 454 |
Year | Month | High | Avg |
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2025 | 8 | 640 | 809 |
Year | Month | High | Avg |
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2025 | 7 | 700 | 836 |
Year | Month | High | Avg |
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2025 | 6 | 652 | 735 |
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2025 | 5 | 685 | 849 |
Year | Month | High | Avg |
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2025 | 4 | 659 | 836 |
Year | Month | High | Avg |
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2025 | 3 | 401 | 683 |
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2025 | 2 | 602 | 762 |
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2025 | 1 | 396 | 700 |
Year | Month | High | Avg |
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2024 | 12 | 423 | 764 |
Year | Month | High | Avg |
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2024 | 11 | 617 | 835 |
Year | Month | High | Avg |
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2024 | 10 | 320 | 764 |
Year | Month | High | Avg |
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2024 | 9 | 179 | 594 |
Year | Month | High | Avg |
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2024 | 8 | 606 | 859 |
FULL SPOILER-FREE REVIEW @ https://fandomwire.com/society-of-the-snow-review-a-harrowing-tale/ "Society of the Snow unquestionably solidifies J. A. Bayona's status as an absurdly underrated filmmaker. One of the most unbelievable, harrowing survival stories ever recreated, brought to life by a ... truly remarkable ensemble cast, breathtaking cinematography that captures the awe-inspiring yet treacherous landscapes, a deeply stirring score that tugs at the heartstrings, and a plane crash sequence like you've never seen before. The convergence of these elements transforms an admittedly predictable survival piece into a visceral, emotionally resonant experience, urging audiences to reflect on the thoughtfully handled themes of human resilience, beliefs, and perseverance. A must-watch, especially on the big screen if possible." Rating: A-
Society of the Snow is an incredible yet harrowing survival drama exemplifying true grit and trauma My Score : 90/100 Based on true events and a book by the same name, Society Of The Snow follows the story of a Uruguayan Rugby team whose plane crashes in the Andes Mountains while being on thei ... r way to Chile. Society of the Snow is haunting survival drama which accounts for the 70 days of the survivors in the sea of snow between the borders of Argentina and Chile. With a spine chilling screenplay and tragic events that follow, the film never feels 150mins long. I was just a hopeless spectator of the trauma the survivors went through. As gut wrenching and painful it may seem, the film efficiently exemplifies true grit and determination for survival which kept the Uruguyans going. The cinematography is incredibly good capturing some beautiful frames of the landscape while balancing it with tight close-ups that will evoke a sense of claustrophobia in you too. The editing is crisp and sharp wherein the length of the drama never bothered me. Director J.A. Bayona has excelled in focusing on the event rather than deep diving into character studies. His direction is top notch. Its a crime not to highlight the excellent sound design which shifts gears with tragic turn of events. Ensemble performances are fantastic and make it more realistic. The conversations are emotional and dialogues are equally well written which leaves a lasting impression. Overall, With a runtime of 145mins Society of the Snow shines as one of the most eventful screenplays of the genre that makes you gasp for your breath at various junctures of the narrative. It is intense, harsh and quite overwhelming thus making for an intriguing and incredible watch. Survival dramas at its finest. Spain’s Official Entry to the Academy Awards this year and I cant agree more. Instagram & X : @streamgenx
Pass me another piece of Society of the Snow. One shot of them walking the ridge made me nauseous. Mind-bending natural prison takes a while to come to light. Nice and personal, close shots keep the focus on the characters otherwise. Great crash scene. Ooohhhh my ankles. ...
Pretty realistic movie of the events of the tragedy of the uruguayan flight with the that crashed in the Andes in 72, showing the strive for survival and realistic events that occurred (including the cannibalism as last resort for survival when the searches were stopped). The film closed the 80t ... h Venice International Film Festival, and was selected as the Spanish entry for the Best International Feature Film at the 96th Academy Awards. The flight was carrying 45 passengers and crew, including 19 members of the Old Christians Club rugby union team, along with their families, supporters and friends. Out of the initial crash, 33 people survived but with natural exposure, starvation, infection and other causes the final number was 16. This because, two survivors, Nando Parrado and Roberto Canessa, climbed the 4,650-metre (15,260 ft) mountain peak on the western rim of the glacier cirque without any mountaineering gear whatsoever and hiked for 10 days into Chile to seek help, traveling 61 km (38 miles) to find a rescue team by helicopters. On 23 December 1972, two months after the crash, all 16 remaining survivors were rescued. The news of their miraculous survival drew worldwide headlines and evolved into a media circus about the fact of cannibalism. The director J. A. Bayona (The Orphanage, The Impossible, A Monster Calls, Jurassic World: Fallen Kingdom), discovered the book of one of the survivors while researching material for the Impossible and bought the rights for the book when he finished filming that movie, while taking more than 100h of interviews with the survivors, and was shoot in location around the crash site and into the actual crash site coasting mor than 60 million Euros. The cinematography by Pedro Luque (Antbellum, Don't Breathe , Blue Beetle, The Girl into the Spider Web) is pretty gritty and realistic, and prosthetics by David Martí and Montse Ribé, Academy Award–winning special effects makeup artists of Pan's Labyrinth were used. In general the best of the movie depicting the events, in a more than realistic way than Alive. Score: 8.1 out of 10.0 / A-
If you're at all familiar with Ethan Hawke's "Alive" (1993) then you'll have the gist of this story of the Uruguayan rugby team whose aircraft came down after heavy turbulence, stranding them amidst the wreckage high up in the Andes mountains. Of the forty who embarked, only sixteen remain and it no ... w falls to them to demonstrate the ultimate in team spirit if they are to fight the cold, hunger, fear, avalanches and each other to survive. Juan Bayona has created a really uncomfortable film to watch here, engendering some strong performances from Enzo Vogrincic (Turcatti) and Agustín Pardella (Nando) as they are forced to drink melted snow and - well you can use your imagination as to how they had to find enough food to survive the sub-zero temperatures whilst - they hoped - help would find them. It's the pristine cinematography that helps this stand out - we really do get a sense of the hostility of this terrain, the cold and the dark; the cloud line making an airborne search for them all but impossible. Should some of them set off to search lower down or is their greater safety in numbers? It's history, so we do know what happened back in 1972 - but even that doesn't impact too much on the gradually increasing senses of peril, claustrophobia and terror and of the best and worst aspects of human nature when facing a crisis. An ensemble effort really, with a team of actors presenting a convincing and compellingly chilling tale of survival that's well crafted by those behind the camera too.
A decent premise with a passable execution. The film seems like it portrays events relatively faithfully but in doing so perhaps neglects narrative drive or meaningful plot development. I think the film would have been a lot tighter if 15-25 minutes of waiting in the snow was skipped over more brief ... ly. The length of time they were trapped was of course a huge part of their miraculous story but i don't think the film did a great job of portraying that on screen. I kept wondering "why doesn't someone go seeking help when they know no one is looking for them?" and i don't think the film adequately addressed that question either in action or dialogue. Character development was negligible with the film noticeably dragging through the middle portion without a compelling reason. Not a film i'll likely remember nor one i'd recommend seeing.