 
  Popularity: 8 (history)
| Director: | Peter Yates | 
|---|---|
| Writer: | Robert L. Fish, Harry Kleiner, Alan Trustman | 
| Staring: | 
| Senator Walter Chalmers is aiming to take down mob boss Pete Ross with the help of testimony from the criminal's hothead brother Johnny, who is in protective custody in San Francisco under the watch of police lieutenant Frank Bullitt. When a pair of mob hitmen enter the scene, Bullitt follows their trail through a maze of complications and double-crosses. This thriller includes one of the most famous car chases ever filmed. | |
| Release Date: | Oct 17, 1968 | 
|---|---|
| Director: | Peter Yates | 
| Writer: | Robert L. Fish, Harry Kleiner, Alan Trustman | 
| Genres: | Action, Drama, Romance, Crime, Thriller | 
| Keywords | san francisco, california, hotel, detective, based on novel or book, airport, chase, witness protection, principal witness , politician, police, organized crime, hospital, burglary, gunfight, explosion, stolen identity, coroner, mob hit, ford mustang, dodge charger | 
| Production Companies | Solar Productions, Warner Bros.-Seven Arts | 
| Box Office | Revenue: $42,300,000 Budget: $5,500,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Steve McQueen | Lt. Frank Bullitt | 
| Robert Vaughn | Walter Chalmers | 
| Jacqueline Bisset | Cathy | 
| Don Gordon | Lt. Delgetti | 
| Robert Duvall | Cabbie Weissberg | 
| Simon Oakland | Captain Sam Bennett | 
| Norman Fell | Captain Baker | 
| Georg Stanford Brown | Dr. Willard | 
| Justin Tarr | Eddy | 
| Carl Reindel | Detective Stanton | 
| Felice Orlandi | Albert E. Renick | 
| Vic Tayback | Pete Ross | 
| Robert Lipton | 1st Aide | 
| Ed Peck | Westcott | 
| Pat Renella | Johnny Ross | 
| Paul Genge | The Hitman | 
| John Aprea | Killer | 
| Al Checco | Desk Clerk | 
| Bill Hickman | Phil | 
| Robert Cleaves | Uniformed Courtesy Officer (uncredited) | 
| Name | Job | 
|---|---|
| Tom Steele | Stunt Driver | 
| Frank P. Keller | Editor | 
| Sass Bedig | Special Effects | 
| Robert L. Fish | Novel | 
| Emile LaVigne | Makeup Artist | 
| Ralph S. Hurst | Set Decoration | 
| Theadora Van Runkle | Costume Design | 
| John K. Kean | Sound | 
| Marshall J. Wolins | Script Supervisor | 
| Denny Arnold | Stunts | 
| Phil Abramson | Set Decoration | 
| Albert Brenner | Art Direction | 
| Tim Zinnemann | Assistant Director | 
| Ralph H. Martin | Assistant Editor | 
| Dick Geary | Stunts | 
| Paul Nuckles | Stunt Double | 
| Joe Smith | Gaffer | 
| Ann Brebner | Casting | 
| Harry Kleiner | Screenplay | 
| Jack N. Reddish | Production Manager | 
| Joe L. Cramer | Unit Manager | 
| Pat Davey | Hairstylist | 
| Everett Creach | Stunts | 
| Max Balchowsky | Stunts | 
| David M. Walsh | Camera Operator | 
| Alan Levine | Costumer | 
| Dan Wallin | Sound Re-Recording Mixer | 
| Frank Orsatti | Stunts | 
| Alex Sharp | Stunts | 
| Ed Scheid | Supervising Sound Editor | 
| Peter Yates | Director | 
| Alan Trustman | Screenplay | 
| Lalo Schifrin | Original Music Composer | 
| William A. Fraker | Director of Photography | 
| Pablo Ferro | Title Designer | 
| Bill Hickman | Stunt Driver | 
| Lightning Bear | Stunts | 
| Bud Ekins | Stunt Driver | 
| Carey Loftin | Stunt Coordinator, Stunt Double | 
| Loren Janes | Stunt Double | 
| Steve McQueen | Stunts | 
| Dale Van Sickel | Stunts | 
| Jack Perkins | Stunts | 
| Jay Sebring | Hair Designer | 
| Name | Title | 
|---|---|
| Robert E. Relyea | Executive Producer | 
| Philip D'Antoni | Producer | 
| Steve McQueen | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 33 | 50 | 20 | 
| 2024 | 5 | 34 | 48 | 20 | 
| 2024 | 6 | 30 | 46 | 14 | 
| 2024 | 7 | 27 | 45 | 16 | 
| 2024 | 8 | 25 | 37 | 14 | 
| 2024 | 9 | 19 | 38 | 11 | 
| 2024 | 10 | 26 | 58 | 14 | 
| 2024 | 11 | 21 | 32 | 15 | 
| 2024 | 12 | 19 | 26 | 14 | 
| 2025 | 1 | 24 | 51 | 15 | 
| 2025 | 2 | 17 | 29 | 6 | 
| 2025 | 3 | 8 | 25 | 1 | 
| 2025 | 4 | 5 | 8 | 2 | 
| 2025 | 5 | 4 | 8 | 3 | 
| 2025 | 6 | 3 | 6 | 3 | 
| 2025 | 7 | 3 | 4 | 2 | 
| 2025 | 8 | 3 | 5 | 2 | 
| 2025 | 9 | 4 | 5 | 2 | 
| 2025 | 10 | 7 | 10 | 5 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 10 | 711 | 862 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 9 | 858 | 899 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 8 | 596 | 596 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 6 | 601 | 736 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 5 | 356 | 726 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 4 | 438 | 576 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 3 | 991 | 991 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 2 | 885 | 909 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 1 | 533 | 621 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 8 | 913 | 913 | 
Steve McQueen is at his most grumpily enigmatic as he portrays this unorthodox San Francisco police lieutenant. He's none too pleased when the greasy-pole merchant "Sen. Chambers" (Robert Vaughn) has him detailed to guard a shady character who's a potential witness in a case against some hitherto Te ... flon gangsters. When two gunmen break into his room and gun him down, it becomes imperative that "Bullitt" gets to the bottom of things before his new found pal nails his slats to the mast. With the active support of "Capt. Bennet" (Simon Oakland) who increasingly has to run point for the man, he begins an investigation that manages to irritate just about everyone as he realises the case is complex and downright dangerous. It's this left field style of work that this cop excels at, and McQueen is on confident form delivering a persona that's conflicted and determined to get to the truth without selling his soul to Satan. To that latter end, he must rely more and more on girlfriend "Cathy" (Jacqueline Bisset) who seems to be his only link with sanity as the maelstrom of events begins to get on top of him. It's famous for the car chase, and some of the scenes at the airport towards the end are directed really quite tensely but I can't pretend I liked the conclusion. After all the interweaving and duplicity, it all rather ran out of steam. The style of the production isn't exactly electric either, and in many ways it reminded me of a great many other similar style vehicles about rogue police officers created for A-list actors whose careers might be considered "between genres". That said it's still a good, solid, thriller with a few twists and a Vaughn who always managed to portray the sleazy characters naturally.