Menu
Slingshot Poster

Slingshot

Some fears are darker than space.
2024 | 109m | English

(10893 votes)

TMDb IMDb

Popularity: 2 (history)

Details

An elite trio of astronauts aboard a years-long, possibly compromised mission to Saturn's moon Titan, gears up for a highly dangerous slingshot manoeuvre that will either catapult them to Titan or into deep space.
Release Date: Aug 30, 2024
Director: Mikael Håfström
Writer: Nathan Parker, R. Scott Adams
Genres: Science Fiction, Thriller
Keywords moon, saturn, memory loss, astronaut, serene
Production Companies Bluestone Entertainment, Astral Pictures, Filmsquad, Széchenyi Funds, WME Independent
Box Office Revenue: $0
Budget: $0
Updates Updated: Aug 04, 2025 (Update)
Entered: Apr 20, 2024
Trailers and Extras

No trailers or extras available.

International Posters

Full Credits

Name Character
Casey Affleck John
Laurence Fishburne Captain Franks
Emily Beecham Zoe Morgan
Tomer Capone Nash
David Morrissey Sam Napier
Charlotta Lövgren Gale
Mark Ebulue Gordon
Nikolett Barabas The Ship (voice)
Harry Szovik Additional voices (voice)
Name Job
Péter Závorszky Post Production Supervisor
László Kósa Stunt Coordinator
Anna Lovas Script Supervisor
Marisol Roncali Editor
Zsófia Tasnádi Art Direction
Caroline Harris Costume Design
Csilla György First Assistant Director
Mikael Håfström Director
Nathan Parker Screenplay
Chelsea Ellis Bloch Casting
Jaye Tyroff Stunt Coordinator
Pär M. Ekberg Director of Photography
R. Scott Adams Writer
Steffen Thum Original Music Composer
Rickard Krantz Editor
Anna Kennedy Editor
Barry Chusid Production Design
Toldi Veronika Art Direction
Name Title
István Major Producer
Ivett Havasi Executive Producer
Michael E. Hollingsworth Executive Producer
Ron Cundy Executive Producer
Jonathan Krauss Executive Producer
Joanna Plafsky Executive Producer
Richard Saperstein Producer
Beau Turpin Producer
Shara Kay Executive Producer
Tom Nohstadt Executive Producer
Brooklyn Weaver Executive Producer
Nikolett Barabas Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 6 14 2
2024 5 6 10 4
2024 6 8 20 3
2024 7 9 12 5
2024 8 24 57 9
2024 9 87 195 10
2024 10 79 195 51
2024 11 58 107 33
2024 12 59 109 30
2025 1 35 52 23
2025 2 27 44 6
2025 3 9 28 1
2025 4 5 7 3
2025 5 3 6 2
2025 6 2 3 1
2025 7 2 3 1
2025 8 3 5 1
2025 9 1 2 1

Trending Position


Year Month High Avg
2025 8 31 349
Year Month High Avg
2025 6 364 633
Year Month High Avg
2025 5 476 789
Year Month High Avg
2025 4 52 468
Year Month High Avg
2025 3 23 447
Year Month High Avg
2025 2 615 804
Year Month High Avg
2025 1 347 752
Year Month High Avg
2024 12 22 503
Year Month High Avg
2024 11 28 391
Year Month High Avg
2024 10 66 526
Year Month High Avg
2024 9 4 138
Year Month High Avg
2024 8 338 557

Return to Top

Reviews

Brent_Marchant
5.0

Sci-fi releases that attempt to do something more than the minimum of what’s typically expected of them are to be admired for their ambition and creativity. That’s especially true when they seek to fuse their subjects and storylines with material drawn from other genres. However, to achieve success ... at that, the filmmakers behind these projects need to be very precise and diligent in coming up with a mix that works, and, sadly, that’s where this offering fails – not by much, mind you, but just enough to characterize it as a well-intentioned near miss. The film follows the diverse, often-surreal experiences of an astronaut (Casey Affleck) on a daring, cutting-edge mission to the Saturnian moon Titan, one that’s to be reached via a gravitational slingshot effect around Jupiter that will propel the craft to its destination at an accelerated speed. That consideration aside, though, the journey is nevertheless a lengthy one, requiring the protagonist and his crew mates (Laurence Fishburne, Tomer Capone) to be placed in drug-induced hibernation for vast stretches of the trip, a tricky proposition given the potential side effects of these powerful substances. This blend of story elements thus sets up the characters for an odyssey (ironically, the name of their ship) fraught with strange dreams, hallucinations and other unexpected developments, particularly when the spacecraft is mysteriously damaged, placing completion of the mission in jeopardy and affecting the psychological stability of the crew. Matters become further complicated when our hero begins having visions of his romantic interest (and one of the ship’s designers) (Emily Beecham) aboard the craft. So what is exactly going on here? That’s what director Mikael Hafstrom seeks to explain, though it’s far from an easy task. While the picture has its moments of intelligence and even poetic insights, it nevertheless struggles with a narrative and screenplay that become a little too convoluted for their own good. The writing, unfortunately, isn’t completely capable of fulfilling its intent, often taking the long way around to connect the dots and involving material that could have used some cleaning up to attain its goal (such as (ironically enough) using some “slingshot” shortcuts to move the story along instead of getting bogged down in plodding, elaborate attempts at explanation). Some will also note the many thematic similarities between this offering and “Spaceman,” released earlier this year (though, admittedly, there are enough distinct tonal differences and plot devices to adequately distinguish the two films and keep them from being labeled copycats). And then rhere’s the production’s tendency to push the limits of appropriate on-screen violence, verging on becoming a little too gratuitous though never actually crossing the line of acceptability (despite coming precariously close on occasion). Regrettably, these shortcomings detract somewhat from some of the picture’s genuinely fine attributes, such as some gorgeous special effects, a simple but smart production design, solid performances and a catchy soundtrack. It’s truly a shame that those elements noted above don’t match the level of these qualities; had “Slingshot” done so, this would have been a stellar release in the same vein as offerings like “Solaris” (2002) and “2001: A Space Odyssey” (1968) instead of becoming a largely forgettable sci-fi also-ran, a destiny with which it’s ultimately likely to be saddled.

Aug 31, 2024
tmdb51616167
4.0

In the mesmerizing thriller "Slingshot," viewers are taken on a gripping journey through the vast expanse of space and time. Casey Affleck stars as John, a character who finds himself trapped in the depths of space, leading to a series of unexpected twists and turns that keep audiences on the edge o ... f their seats. While the film may have moments that captivate and intrigue, there are also instances where the pace slows and boredom may creep in. However, as the third act unfolds, the movie truly takes flight, delivering an exhilarating and unforgettable experience that makes the initial dryness worth enduring. Throughout the film, viewers are kept guessing and questioning the fates of characters like John, Nash, and Frank, creating a sense of anticipation and curiosity that drives the narrative forward. Lawrence Fishburne shines as the formidable antagonist, bringing a menacing intensity to his role that adds depth to the story. Meanwhile, Casey Affleck delivers a standout performance that solidifies his place as a talented actor. While the first act may feel lackluster at times, "Slingshot" is a film that is best enjoyed through streaming platforms, rather than in theaters. It's a journey worth embarking on for those who appreciate a thought-provoking and immersive cinematic experience.

Sep 02, 2024