Wallace & Gromit: Vengeance Most Fowl
New friends. Old enemies.
2024 | 79m | English
Popularity: 5 (history)
| Director: | Nick Park, Merlin Crossingham |
|---|---|
| Writer: | Mark Burton, Nick Park |
| Staring: |
| Gromitβs concern that Wallace is becoming too dependent on his inventions proves justified, when Wallace invents a βsmartβ gnome that seems to develop a mind of its own. When it emerges that a vengeful figure from the past might be masterminding things, it falls to Gromit to battle sinister forces and save his masterβ¦ or Wallace may never be able to invent again! | |
| Release Date: | Dec 18, 2024 |
|---|---|
| Director: | Nick Park, Merlin Crossingham |
| Writer: | Mark Burton, Nick Park |
| Genres: | Comedy, Adventure, Animation, Family |
| Keywords | inventor, human animal relationship, penguin, revenge, stop motion, anthropomorphism, robot, dog, animals, jewelry heist, gnome, animal human friendship, goofy |
| Production Companies | Aardman |
| Box Office |
Revenue: $191,452
Budget: $0 |
| Updates |
Updated: Mar 10, 2026 Entered: Aug 14, 2024 |
| Name | Character |
|---|---|
| Ben Whitehead | Wallace (voice) |
| Peter Kay | Chief Inspector Mackintosh (voice) |
| Lauren Patel | P.C. Mukherjee (voice) |
| Reece Shearsmith | Norbot (voice) |
| Diane Morgan | Onya Doorstep (voice) |
| Adjoa Andoh | Judge (voice) |
| Muzz Khan | Anton Deck (voice) |
| Lenny Henry | Mr. Convenience (voice) |
| Victoria Elliott | Additional Voices (voice) |
| Jon Glover | Additional Voices (voice) |
| Bethan Mary-James | Additional Voices (voice) |
| Richard Beek | Additional Voices (voice) |
| David Holt | Additional Voices (voice) |
| Adrian Rhodes | Additional Voices (voice) |
| John Sparkes | Additional Voices (voice) |
| Maya Sondhi | Additional Voices (voice) |
| Tom Doggart | Additional Voices (voice) |
| Merlin Crossingham | Additional Voices (voice) |
| Lizzie Waterworth | Additional Voices (voice) |
| Roman Kemp | Additional Voices (voice) |
| Garth Jennings | Zookeeper (voice) (uncredited) |
| Name | Job |
|---|---|
| Lorne Balfe | Original Music Composer |
| Dan Hembery | Editor |
| Lucy Rands | Casting Director |
| Darren Dubicki | Art Direction |
| Richard Edmunds | Art Direction |
| Gavin Lines | Art Direction |
| Matt Sanders | Art Direction |
| Chris Burdon | Sound Re-Recording Mixer |
| Pete Gates | Dialogue Editor |
| Gilbert Lake | Sound Re-Recording Mixer |
| Matthias Radcliffe | Foley Mixer |
| Luke Nagy | Sound |
| Will Norie | Sound |
| Adrian Rhodes | Supervising Sound Editor |
| Nick Roberts | ADR Mixer |
| Joseph Stracey | Sound Effects Editor |
| Miles Sullivan | Sound Effects Editor |
| Franziska Treutler | Foley Artist |
| Howard Jones | Visual Effects Supervisor |
| Matt Perry | Production Design |
| Dave Alex Riddett | Director of Photography |
| Julian Nott | Original Music Composer |
| Will Becher | Second Unit Director |
| Kelly Lappin | Line Producer |
| Mark Burton | Screenplay, Story |
| Nick Park | Director, Story |
| Merlin Crossingham | Director |
| James Baber | Camera Technician |
| Claire Jennings | Consulting Producer |
| Stephanie Miller | Line Producer |
| Tom Barnes | Post Production Supervisor |
| Jack Bird-Hall | Third Assistant Director |
| Richard Bowen | First Assistant Director |
| Amy Davies | Second Assistant Director |
| Polly Green | Second Assistant Director |
| Sophia Jackson | Third Assistant Director |
| Lottie Rayner | Third Assistant Director |
| Georgina Reynolds | First Assistant Director |
| Alan Barrett | Rigging Supervisor |
| Rachel Crook | Set Dresser |
| Oliver Geen | Set Dresser, Prop Maker |
| Phoebe Gibson | Set Dresser |
| Isabella Gilding | Set Dresser, Prop Maker |
| Beth Jones | Set Dresser, Prop Maker |
| Martha Langley | Intern |
| David 'Del' Lawson | Rigging Gaffer |
| Barunka O'Shaughnessy | Additional Writing |
| Sanna Myllykangas | Story Artist |
| Richard Phelan | Story Artist |
| Rob Richards | Story Artist |
| Michael Salter | Story Artist |
| Paul Bolger | Story Artist |
| Terri Matthews | Story Artist |
| Adam Cootes | Story Artist |
| Andy James | Story Artist |
| Carmen Bromfield-Mason | Animation |
| Rich Spence | CG Supervisor |
| Deborah Price | Visual Effects Coordinator |
| Jon Biggins | 2D Supervisor |
| Kirstie Deane | Visual Effects Producer |
| Holly Walsh | Additional Writing |
| Name | Title |
|---|---|
| Richard Beek | Producer |
| Peter Lord | Executive Producer |
| Claire Jennings | Producer |
| Mark Burton | Executive Producer |
| Sean Clarke | Executive Producer |
| Sarah Cox | Executive Producer |
| James Higginson | Executive Producer |
| Kerry Lock | Executive Producer |
| Nick Park | Executive Producer |
| Carla Shelley | Executive Producer |
| David Sproxton | Executive Producer |
| Alison Taylor | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 2 | 4 | 1 |
| 2024 | 5 | 2 | 4 | 1 |
| 2024 | 6 | 6 | 11 | 1 |
| 2024 | 7 | 12 | 29 | 6 |
| 2024 | 8 | 7 | 13 | 2 |
| 2024 | 9 | 10 | 16 | 7 |
| 2024 | 10 | 22 | 47 | 9 |
| 2024 | 11 | 22 | 33 | 12 |
| 2024 | 12 | 52 | 145 | 21 |
| 2025 | 1 | 412 | 770 | 120 |
| 2025 | 2 | 196 | 319 | 39 |
| 2025 | 3 | 78 | 243 | 3 |
| 2025 | 4 | 22 | 27 | 18 |
| 2025 | 5 | 13 | 21 | 11 |
| 2025 | 6 | 10 | 15 | 8 |
| 2025 | 7 | 8 | 10 | 5 |
| 2025 | 8 | 6 | 8 | 5 |
| 2025 | 9 | 5 | 9 | 4 |
| 2025 | 10 | 5 | 7 | 4 |
| 2025 | 11 | 7 | 9 | 4 |
| 2025 | 12 | 5 | 7 | 3 |
| 2026 | 1 | 4 | 6 | 3 |
| 2026 | 2 | 4 | 6 | 3 |
| 2026 | 3 | 6 | 8 | 4 |
Trending Position
| Year | Month | High | Avg |
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| 2026 | 3 | 474 | 782 |
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| 2026 | 2 | 576 | 799 |
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| 2026 | 1 | 836 | 915 |
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| 2025 | 12 | 891 | 945 |
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| 2025 | 10 | 1000 | 1000 |
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| 2025 | 9 | 871 | 879 |
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| 2025 | 8 | 771 | 771 |
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| 2025 | 7 | 871 | 926 |
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| 2025 | 6 | 795 | 918 |
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| 2025 | 5 | 368 | 703 |
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| 2025 | 4 | 353 | 853 |
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| 2025 | 3 | 99 | 506 |
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| 2025 | 2 | 63 | 323 |
| Year | Month | High | Avg |
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| 2025 | 1 | 2 | 63 |
| Year | Month | High | Avg |
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| 2024 | 12 | 10 | 420 |
| Year | Month | High | Avg |
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| 2024 | 11 | 201 | 557 |
| Year | Month | High | Avg |
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| 2024 | 10 | 155 | 531 |
Oh, if only I'd thought of the "smart gnome" when I had a garden. It could have proved invaluable with the pruners, the shears and the mower. Unfortunately, though, I didn't and "Wallace" did. That's a little to the chagrin of his pal "Gromit" who, quite prophetically, worries that things will not e ... nd well for this latest in a long line of inventions that usually end up with a mind of their own. What's much more sinister here is the fact that the long incarcerated nemesis of the cheese-loving pair is out for revenge. When "Norbot" starts showing just a little too much independent spirit, might there be something more malevolent afoot? Alternatively, of course, "Gromit" could let the thing run riot in the hope that maybe it will deter his pal from any more quirky engineering? I have struggled with the thin-ness of the stories in the feature length Aardman animations in the recent past, but this is back to the high standard of the "Wrong Trousers" (1993) with characterful mischief throughout, loads of quickly paced and colourful panic and mayhem, some entertaining voice talent to accompany the story and, naturally, chaos of an epic proportion at a denouement that's really quite entertaining. The clay stop-motion figures are hugely expressive and detailed - especially the bug-eyes, but also the oversized hands and with retribution in mind, we've a marvellously, but simplistically, crafted nasty to foil too. Thirty years on, their antics are still well worth a watch as a Christmas gift that really does keep on giving.
Why can't the BBC make more entertainment like this? "Wallace and Gromit: Vengeance Most Fowl" felt, to me, like coming home. Its the kind of clever, down to earth, genuinely British entertainment, I'd once associated with the BBC before the woke, DEI revolution (or is that devolution?). Once ... again, Wallace and Gromit are out adventuring. Wallace with his penchant for invention, gives a new meaning to the term "garden gnome". Whilst Gromit, as per usual is left to pick up the pieces when things go wrong and solve the mystery. This is great fun from beginning to end. Yes its claymation but its witty and sophisticated enough, to be every bit as enjoyable for adults, as it is for children. In summary, BBC why can't you knock off the politicised woke nonsense and focus on more entertainment like this? In short, funny, lighthearted fun, for all the family. A must watch.