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Libel

The surprise witness ! The searching question ! The perjured testimony ! The accusing finger ! The shattering truth !
1959 | 100m | English

(1723 votes)

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Popularity: 4 (history)

Details

A California commercial pilot sees a telecast in London of an interview with Sir Mark Lodden at his home. The Canadian is convinced that the baronet is a fraud, and he is actually a look-alike actor named Frank Welney.
Release Date: Oct 23, 1959
Director: Anthony Asquith
Writer: Karl Tunberg, Anatole de Grunwald, Edward Wooll
Genres: Drama, Mystery, Thriller
Keywords england, war veteran, return, court case, look-alike, impostor, courtroom drama, english nobility, libel suit, airplane pilot, pow, prisoner of war camp
Production Companies Metro-Goldwyn-Mayer, Metro-Goldwyn-Mayer British Studios, De Grunwald Productions
Box Office Revenue: $0
Budget: $0
Updates Updated: Aug 03, 2024
Entered: Apr 25, 2024
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Full Credits

Name Character
Dirk Bogarde Sir Mark Loddon / Frank Welney / Number Fifteen
Olivia de Havilland Lady Margaret Anne Loddon
Paul Massie Jeffrey Buckenham
Robert Morley Sir Wilfred
Wilfrid Hyde-White Hubert Foxley
Anthony Dawson Gerald Loddon
Richard Wattis The Judge
Richard Dimbleby Himself
Martin Miller Dr. Schrott
Millicent Martin Maisie
Toke Townley Associate
Deering Wells Editor
Bill Shine The Guide
Ivan Samson Admiral Loddon
Sebastian Saville Michael Loddon
Richard Pearson The Butler
Robert Shaw First Photographer
Geoffrey Bayldon Second Photographer
Gordon Sterne Maddox
Arthur Howard Car Salesman
Joyce Carey Miss Sykes
Josephine Middleton Mrs. Squire
Kenneth Griffith Fitch
Barbara Archer Barmaid
Tony Doonan Man at Bar
Vanda Hudson Girl in Street
Victor Harrington Barrister (uncredited)
Sam Kydd Newspaper Vendor (uncredited)
Reg Thomason Barrister (uncredited)
Name Job
Karl Tunberg Screenplay
Irene Howard Casting
Anthony Asquith Director
Anatole de Grunwald Screenplay
Christian Dior Costume Design
Robert Krasker Director of Photography
Benjamin Frankel Music, Compositor
Frank Clarke Editor
Paul Sheriff Art Direction
Joan Johnstone Hairstylist
Bill Lodge Makeup Artist
Roy Parkinson Executive In Charge Of Production
David Middlemas Assistant Director
Robert Carrick Sound Editor
J.B. Smith Sound Mixer
Gerry Turner Sound Recordist
A.W. Watkins Sound Recordist
Tom Howard Visual Effects
Edward Wooll Original Story
Maurice Fowler Set Dresser
Name Title
Anatole de Grunwald Producer
Pierre Rouve Associate Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 5 11 2
2024 5 7 18 3
2024 6 7 15 3
2024 7 8 15 3
2024 8 5 10 2
2024 9 3 5 1
2024 10 3 7 1
2024 11 3 10 1
2024 12 2 4 1
2025 1 4 12 1
2025 2 2 4 1
2025 3 2 4 1
2025 4 1 2 1
2025 5 2 3 1
2025 6 1 1 1
2025 7 0 0 0
2025 8 0 1 0
2025 9 2 3 1
2025 10 2 4 1

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Reviews

John Chard
8.0

The Amnesiac Doppleganger. Libel is directed by Anthony Asquith and adapted from Edward Wooll's play by Anatole de Grunwald and Karl Tunberg. It stars Dirk Bogarde, Olivia de Havilland, Paul Massie, Robert Morley, Wilfrid Hyde-White, Anthony Dawson and Richard Wattis. Music is by Benjamin Frankel ... and cinematography by Robert Krasker. A shell-shocked ex-WWII prisoner of war with amnesia is accused of being an impostor by one of the guys he was imprisoned with. This sends him spinning into the middle of a Libel court case that could destroy everything in his life. A splendidly stylish mystery/drama that offers up two Dirk Bogarde's for the price of one. The big question throughout is if Bogarde, in the shoes of Sir Mark Sebastian Loddon, is actually a doppleganger that he was in the war with called Frank Welney. Loddon has the riches, the estate and a beautiful loving wife, Welney was a struggling actor and something of a mischievous imp. The big narrative thrust is that Loddon is not sure himself, he can only remember certain things, thus we are never sure either as the plot twists and turns and the court case simmers away with dramatic force. Bogarde is great in his dual role, with a voice change for each character and different hair styles to help the viewers differentiate. In the court we have a trio of classy character actors, with Hyde-White and Morley as the opposing lawyers (wonderful to witness this) and Watiss as the judge presiding over the trial. Havilland isn't asked to do much until late in the day, but then she shines bright and puts some emotional punch into proceedings. The great Krasker photographs it in crisp black and white, while Asquith directs with a smoothness that undercuts the coincidences and conveniences that exist in this sort of story. All the highlights of a court room drama are here, and it's a cracking mystery to boot. 8/10

May 16, 2024