Popularity: 13 (history)
Director: | Wes Craven |
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Writer: | Kevin Williamson |
Staring: |
A year after the murder of her mother, a teenage girl is terrorized by a masked killer who targets her and her friends by using scary movies as part of a deadly game. | |
Release Date: | Dec 20, 1996 |
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Director: | Wes Craven |
Writer: | Kevin Williamson |
Genres: | Horror, Crime, Mystery |
Keywords | riddle, killing, small town, halloween, high school, house party, serial killer, school, slasher, whodunit, killing spree, phone, tabloid, news reporter, self-referential, macabre, crime spree, halloween costume, young adult, anxious, teenager, farcical, foreboding, ominous, teen scream |
Production Companies | Dimension Films, Woods Entertainment |
Box Office |
Revenue: $173,046,663
Budget: $14,000,000 |
Updates |
Updated: Jul 30, 2025 Entered: Apr 13, 2024 |
Name | Character |
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David Arquette | Dewey Riley |
Neve Campbell | Sidney Prescott |
Courteney Cox | Gale Weathers |
Matthew Lillard | Stu Macher |
Rose McGowan | Tatum Riley |
Skeet Ulrich | Billy Loomis |
Jamie Kennedy | Randy Meeks |
W. Earl Brown | Kenny Brown |
Joseph Whipp | Sheriff Burke |
Liev Schreiber | Cotton Weary |
Drew Barrymore | Casey Becker |
Roger L. Jackson | Ghostface (voice) |
Kevin Patrick Walls | Steven Orth |
David Booth | Casey's Father |
Carla Hatley | Casey's Mother |
Lawrence Hecht | Neil Prescott |
Lois Saunders | Mrs. Tate |
Lisa Beach | TV Reporter #1 |
Tony Kilbert | TV Reporter #2 |
C.W. Morgan | Hank Loomis |
Frances Lee McCain | Mrs. Riley |
Troy Bishop | Expelled Teen #1 |
Ryan Kennedy | Expelled Teen #2 |
Leonora Scelfo | Cheerleader in Bathroom |
Nancy Anne Ridder | Girl in Bathroom |
Lisa Canning | Reporter with Mask |
Bonnie Wood | Young Girl in Video Store |
Aurora Draper | Party Teen #1 |
Kenny Kwong | Party Teen #2 |
Justin Sullivan | Teen on Couch |
Kurtis Bedford | Bored Teen |
Angela Miller | Girl on Couch |
Henry Winkler | Principal Arthur Himbry (uncredited) |
Linda Blair | Obnoxious Reporter (uncredited) |
Wes Craven | Fred the Janitor (uncredited) |
Lynn McRee | Maureen Prescott (uncredited) |
Name | Job |
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Patrick Lussier | Editor |
Bruce Alan Miller | Set Designer, Production Design |
David Lubin | Art Direction |
Wes Craven | Director |
Kevin Williamson | Screenplay |
Marco Beltrami | Original Music Composer, Conductor |
Mark Irwin | Director of Photography |
Leslie Shatz | Sound Re-Recording Mixer |
Dan Kneece | Steadicam Operator |
Dean Wright | Production Office Coordinator |
Scott Andrew Ressler | First Assistant Camera |
Craig Braginsky | Additional Music |
Peter Deming | Additional Director of Photography |
Barbara Harris | ADR Voice Casting |
Andrew Durham | Assistant Production Coordinator |
Dane Farwell | Stunts |
Lisa Beach | Casting |
Michele Poulik | Set Decoration |
Gerald Lehtola | Art Department Coordinator |
Mathew Hooey | Costume Supervisor |
Gary J. Saldutti | Costume Supervisor |
Annie Welles | Script Supervisor |
Richard Bryce Goodman | Sound Mixer |
Tom E. Dahl | Sound Re-Recording Mixer |
Rick Alexander | Sound Re-Recording Mixer |
Sam Gemette | Sound Effects Editor |
Scott A. Tinsley | Sound Effects Editor |
Sean Rush | Boom Operator |
Frank Ceglia | Special Effects Supervisor |
Jeff Rabhan | Music Supervisor |
E. Gedney Webb | Music Editor |
David Moir | Still Photographer |
Kirk R. Gardner | Steadicam Operator |
Mark Van Loon | Steadicam Operator |
Cynthia Bergstrom | Costume Design |
Robert J. Carlyle | Construction Coordinator |
James Burke | Greensman |
Robert Burg | Painter |
Victoria Carlson | Standby Painter |
Joseph J. Allen | Grip |
Lynn Marie Curreri | Hairstylist |
Barbara Olvera | Key Hair Stylist |
Karen Bradley | Makeup Artist |
Lori Harrison | Set Dressing Artist, Property Buyer |
Braxton Bragg | Carpenter |
Mary Ellen Leonard | Craft Service |
Moore Brian | Driver |
Ryan Krayser | Post Production Assistant |
Daniel K. Arredondo | Second Second Assistant Director, Post Production Supervisor |
J.P. Jones | Property Master |
Steve Kohler | Sound Recordist |
Theresa Donahoe | Stand In |
Anthony Cecere | Stunt Coordinator |
J.T. Thayer | Transportation Captain |
Derek Raser | Transportation Coordinator |
Stuart M. Besser | Unit Production Manager |
Claire Raskind | Unit Publicist |
Doug Hunt | Video Assist Operator |
Nicholas Mastandrea | First Assistant Director |
Mike Mertens | Color Timer |
Peter Devaney Flanagan | First Assistant Editor |
Jason Boccaleoni | Lighting Technician |
Ron Diggory | Rigging Grip |
Cary Granat | Executive In Charge Of Production |
Eric Klosterman | Location Manager |
David Crockett | Production Accountant |
John K. Adams | ADR Supervisor |
Pete Anthony | Orchestrator |
Marla McGuire | Dialogue Editor |
Bob Goold | Dialogue Editor |
John O. Wilde | Dialogue Editor |
Vic Radulich | Dialogue Editor |
Pat Somerset | ADR Editor |
Ricki Fournier | Costumer |
Lucille OuYang | Second Assistant Director |
John 'Skip' Weaver | Assistant Property Master |
Beau Biggart | ADR Mixer |
Roy Baker | Foley Artist |
Paul Benedici | Foley Mixer |
Tom Ketterer | Sound Assistant |
Paul B. Clay | Sound Supervisor |
Deborah Alexander-Lee | Stunt Double |
Don Starnes | BTS Videographer |
Egor Davidoff | Camera Loader |
Charles J. Schray | Dolly Grip |
Charles M. Smallwood | First Company Grip |
Jeffrey N. Civa | Second Assistant Camera |
Kevin Ball | Second Company Grip |
Sarah Katzman | Casting Assistant |
Paul Kieran | Assistant Editor |
Michael D. Gillis | Location Assistant |
Ed Gerrard | Music Consultant |
Charlene Barr | Art Department Production Assistant |
Scott Medcalf | Assistant Chief Lighting Technician |
Jay W. Yowler | Chief Lighting Technician |
Paul Boettiger | Production Assistant |
Katherine Zilavy | Production Secretary |
Stan Fiferman | Foley Artist |
Lee Tinkham | ADR Mixer |
Tim Boyle | Scoring Mixer |
James Marlowe | Location Scout |
Melanie Levitt | Makeup Artist |
Kris Ravetto | Makeup Artist |
Lynn Salvatori | Stunts |
Kathy Marshall | Stunts |
Christine Anne Baur | Stunts |
Thomas M. Harrigan | Assistant Location Manager |
Name | Title |
---|---|
Cathy Konrad | Producer |
Marianne Maddalena | Executive Producer |
Bob Weinstein | Executive Producer |
Cary Woods | Producer |
Stuart M. Besser | Co-Executive Producer |
Dixie J. Capp | Co-Producer |
Nicholas Mastandrea | Associate Producer |
Harvey Weinstein | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 109 | 215 | 63 |
2024 | 5 | 229 | 280 | 183 |
2024 | 6 | 142 | 239 | 78 |
2024 | 7 | 83 | 128 | 60 |
2024 | 8 | 74 | 136 | 49 |
2024 | 9 | 65 | 82 | 49 |
2024 | 10 | 122 | 199 | 69 |
2024 | 11 | 115 | 239 | 71 |
2024 | 12 | 72 | 122 | 54 |
2025 | 1 | 70 | 108 | 48 |
2025 | 2 | 53 | 76 | 9 |
2025 | 3 | 19 | 71 | 3 |
2025 | 4 | 12 | 16 | 10 |
2025 | 5 | 12 | 16 | 10 |
2025 | 6 | 14 | 17 | 10 |
2025 | 7 | 11 | 12 | 9 |
2025 | 8 | 10 | 13 | 8 |
2025 | 9 | 12 | 16 | 9 |
2025 | 10 | 13 | 13 | 12 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 10 | 32 | 71 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 46 | 169 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 63 | 233 |
Year | Month | High | Avg |
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2025 | 7 | 53 | 228 |
Year | Month | High | Avg |
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2025 | 6 | 79 | 259 |
Year | Month | High | Avg |
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2025 | 5 | 83 | 330 |
Year | Month | High | Avg |
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2025 | 4 | 83 | 302 |
Year | Month | High | Avg |
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2025 | 3 | 36 | 276 |
Year | Month | High | Avg |
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2025 | 2 | 70 | 323 |
Year | Month | High | Avg |
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2025 | 1 | 69 | 284 |
Year | Month | High | Avg |
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2024 | 12 | 115 | 354 |
Year | Month | High | Avg |
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2024 | 11 | 41 | 241 |
Year | Month | High | Avg |
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2024 | 10 | 48 | 125 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 9 | 99 | 193 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 150 | 277 |
**Scream was the first of its kind that redefined horror with new rules, a meta plot, and rebellious unexpected twists.** Scream followed all the rules and simultaneously broke them in a brilliant self-aware genre reinvention that leveraged every horror movie trope to set up and subvert every exp ... ectation. Scream is a love ballad to horror movie fans that intimately knows and zealously honors the legacy of terror-filled films that came before while creating something new, innovative, bold, and surprising. Scream’s dark humor and admiration of overused horror plot points resulted in one of the first meta films in history. Characters know they are living a real-life horror film and yet make dumb and predictable horror movie decisions tricking the viewers into a sort of safety before breaking all the rules and surprising with unexpected twists and turns. Scream was the first of its kind and welcomed a whole new horror sub-genre and a movie franchise that still has no end in sight over 25 years later.
**_Scream delivered a breath of fresh air into the slasher franchise and holds up rather well nearly 30 years later._** The plot of this film follows a cookie-cutter structure that models nearly all of the great slasher franchises of the late 1970s and early 1980s, but that is entirely the point. ... Scream is completely aware of the tropes of horror movies and utilizes them in a creative way by adding commentary and subtle comedy delivered by the characters throughout the film. It is not a full-fledged comedy by any means; there is no forced humor or jokes, but it is more of a dark comedy that pokes fun at itself in the background. The performances from our main cast were great. Neve Campbell delivers an excellent badass performance and is the perfect lead for the franchise. She is capable of fighting back in a brutal way and rivals Laurie Stroud from Halloween as my favorite final girl of all time. Courtney Cox was quite good as well; she had limited screen time but was able to really make the most of it. David Arquette was okay; he did not blow me away by any means, and he is quite replaceable in my opinion. Matthew Lillard was my favorite of the film; his performance was over the top and quite mentally deranged, which worked really well. Skeet Ulrich was also quite good, but took a backseat to Lillard in my opinion. The direction of this film was great. Wes Craven did an excellent job delivering unique shots and utilizing the camera angle and height quite well. I do think this movie needs a little more gore and violence for it being a slasher film. There was really only one kill that was quite memorable to me. For it being a homage and critique of the slasher genre, it was lacking quite a bit in the slash department. In addition, the runtime felt a bit bloated, and I think if this was cut down to maybe ten minutes, the viewing experience would have been better. Overall, I do think this movie is slightly overrated, but it is still a great film and worthy of its praise (for the most part). **Score:** _79%_ | **Verdict:** _Great_