 
  Popularity: 15 (history)
| Director: | Tyler Gillett, Matt Bettinelli-Olpin | 
|---|---|
| Writer: | James Vanderbilt, Guy Busick | 
| Staring: | 
| Twenty-five years after a streak of brutal murders shocked the quiet town of Woodsboro, a new killer has donned the Ghostface mask and begins targeting a group of teenagers to resurrect secrets from the town’s deadly past. | |
| Release Date: | Jan 12, 2022 | 
|---|---|
| Director: | Tyler Gillett, Matt Bettinelli-Olpin | 
| Writer: | James Vanderbilt, Guy Busick | 
| Genres: | Horror, Mystery | 
| Keywords | attempted murder, mask, hallucination, murder, serial killer, hospital, teen movie, slasher, whodunit, killing spree, hometown, reboot, crime spree, illegitimate child, murder mystery, legacy, fandom, copycat killer, generation z, murder spree, sister sister relationship, retired cop, return to hometown, adoring, teen scream | 
| Production Companies | Paramount Pictures, Radio Silence, Project X Entertainment, Spyglass Media Group | 
| Box Office | Revenue: $137,743,924 Budget: $24,000,000 | 
| Updates | Updated: Oct 30, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Melissa Barrera | Sam Carpenter | 
| Jenna Ortega | Tara Carpenter | 
| Mason Gooding | Chad Meeks-Martin | 
| Jasmin Savoy Brown | Mindy Meeks-Martin | 
| Jack Quaid | Richie Kirsch | 
| Mikey Madison | Amber Freeman | 
| Courteney Cox | Gale Weathers | 
| David Arquette | Dewey Riley | 
| Neve Campbell | Sidney Prescott | 
| Dylan Minnette | Wes Hicks | 
| Skeet Ulrich | Billy Loomis | 
| Sonia Ammar | Liv McKenzie | 
| Roger L. Jackson | 'The Voice' (voice) | 
| Kyle Gallner | Vince Schneider | 
| Marley Shelton | Sheriff Judy Hicks | 
| Reggie Conquest | Deputy Farney | 
| Heather Matarazzo | Martha Meeks | 
| Chester Tam | Deputy Vinson | 
| Brooke Barnhill | Bartender | 
| Stephen West-Rogers | EMT | 
| Milli M. | Reporter | 
| Christopher Speed | Movie Randy | 
| Chelsea Rebecca | Film Fails Host | 
| James A. Janisse | Film Fails Host | 
| Jamie Kennedy | Party Guest (voice) (uncredited) | 
| Matthew Lillard | Flamethrower Ghostface / Party Guest (voice) (uncredited) | 
| Matt Bettinelli-Olpin | Party Guest (voice) (uncredited) | 
| Tyler Gillett | Party Guest (voice) (uncredited) | 
| Iya Labunka | Party Guest (voice) (uncredited) | 
| Kevin Williamson | Party Guest (voice) (uncredited) | 
| Marco Beltrami | Party Guest (voice) (uncredited) | 
| Patrick Lussier | Party Guest (voice) (uncredited) | 
| Julie Plec | Party Guest (voice) (uncredited) | 
| Rian Johnson | Party Guest (voice) (uncredited) | 
| Drew Barrymore | Principal (voice) (uncredited) | 
| Name | Job | 
|---|---|
| Kevin Williamson | Characters | 
| Rich Delia | Casting | 
| Brett Jutkiewicz | Director of Photography | 
| Brian Tyler | Original Music Composer | 
| Wes Craven | In Memory Of | 
| Jennifer Badger | Stunts | 
| Delmar Reyna | Stunts | 
| Danya Bateman | Stunts | 
| Marcelle Coletti | Stunts | 
| John Gilbert | Stunts | 
| Erin Rose Kelly | Casting Assistant | 
| Jean-Paul Rovela | CG Supervisor | 
| Sarah Trevino | Music Arranger | 
| James Vanderbilt | Writer | 
| Rian Johnson | Thanks | 
| Dena Sodano | Stunt Double | 
| Tyler Gillett | Director | 
| Chad Keith | Production Design | 
| Jonathan Guggenheim | Art Direction | 
| Helen Britten | Set Decoration | 
| Emily Gunshor | Costume Design | 
| Jeff Goodwin | Makeup Artist | 
| Rick Pour | Makeup Effects, Makeup Department Head | 
| A. Patrick Storey | Property Master | 
| Larry Long | Sound Mixer | 
| William Purcell | Special Effects Coordinator | 
| John Copeman | Stunt Coordinator | 
| Michel Aller | Editor | 
| Zane D. Bruce | Foley Artist | 
| Matt Fann | Boom Operator | 
| Caleb Hollenback | Mix Technician, Sound Recordist | 
| Beso Kacharava | Foley Artist | 
| Giorgi Lekishvili | Foley Mixer | 
| Sean Massey | Supervising Sound Editor | 
| George Murgulia | Foley Editor | 
| Michelle Pazer | ADR Editor | 
| Eliza Pollack Zebert | Dialogue Editor | 
| Angelo Raguso | Sound Mixer | 
| Greg P. Russell | Sound Re-Recording Mixer | 
| Alexander Sanikidze | Foley Editor | 
| D. Chris Smith | Sound Designer | 
| Peter Staubli | Sound Designer | 
| Antony Zeller | Foley Mixer | 
| George Corrie | Special Effects Technician | 
| Carrie Messina | Hairstylist | 
| Bryan David Moss | Key Hair Stylist | 
| Joan Shay | Key Hair Stylist | 
| Mathew Ferrante | Executive In Charge Of Production | 
| Emily Kacere | Unit Production Manager | 
| Scott Oberholzer | Second Assistant Director | 
| Dallas Clarke Thomas | Graphic Designer | 
| Kelly Sweitzer | Scenic Artist | 
| Wes Simpkins | Storyboard Artist | 
| Cynthia Bergstrom | Key Costumer | 
| Catherine Corkery | Costume Assistant, Production Assistant | 
| Dalia Dalili | Set Costumer, Costumer | 
| Jared Major | Set Costumer | 
| Amanda Vinopal | Costumer, Key Costumer | 
| Taylor Woodell | Extras Casting | 
| Anthony Cecere | Stunt Coordinator | 
| Andy Bader | Digital Imaging Technician | 
| Patrick J. Borowiak | First Assistant Camera | 
| Ryan Byrd | Rigging Grip | 
| Jimmy DiGiandomenico | Dolly Grip | 
| Matt Doll | Steadicam Operator, "A" Camera Operator | 
| Lee Donaldson | First Company Grip, Key Grip | 
| Jeremy Lee | Rigging Grip | 
| Neil Orchard | Assistant Chief Lighting Technician, Best Boy Electric | 
| Mike Repeta | Camera Operator | 
| Brooke Barnhill | Location Manager | 
| Russell Major | Location Assistant | 
| Kara McGee | Script Supervisor | 
| Matthew Llewellyn | Music Editor | 
| Danielle Couture | Art Department Coordinator | 
| Chelsea Lockhart | Set Dresser | 
| Adam Richards | Casting Associate | 
| James Jenkins | Makeup Artist | 
| Jason Willis | Makeup Artist | 
| Catherine Bayley | Assistant Set Decoration, Production Assistant | 
| Matt Hobbs | Art Department Assistant | 
| Donnie Little | Sound Engineer | 
| David Young | Sound Engineer | 
| Timmy Broderick | Visual Effects Producer | 
| Angela Bend | Stunts | 
| Timothy Coderre | Stunts | 
| Jeffrey Mayfield | Stunts | 
| Paul Burke | Stunts | 
| Keith Ward | Stunts | 
| Dino Muccio | Stunts | 
| Salvador Vasquez | On Set Dresser | 
| Jerry Hall | Set Designer | 
| John Bromell | Set Dresser | 
| James Johnston | Set Dresser | 
| Michael Shapiro | Set Dresser | 
| George Winn | Set Dresser | 
| Jill Autry | Loader | 
| Billy Bob Hendricks | Generator Operator | 
| Steve Thompson | Chief Lighting Technician | 
| Matthew Brookman | Electrician | 
| Kevin Grieve | Electrician | 
| Jack Templer | Electrician | 
| Scott Friedland | Second Company Grip | 
| Colin Dennis | Grip | 
| Patrick Hayden | Grip | 
| David Toothman | Grip | 
| Jake Andrews | Grip | 
| Michael Bonsignore | Grip | 
| Jay Coyle | Rigging Grip | 
| Chad Hoyle | Rigging Grip | 
| Dave Knudson | Rigging Grip | 
| Tom Jones Jr. | Construction Coordinator | 
| Kathy Brunswick | Construction Buyer | 
| Cameron Byers | Propmaker | 
| Jack W. Caldwell | Propmaker | 
| Stephen Carlson | Propmaker | 
| Jason Carrick | Propmaker | 
| Jeremy Cox | Propmaker | 
| Joey Huff | Propmaker | 
| Richard Smith | Propmaker | 
| Ryan Thrift | Propmaker | 
| Ernie Watson | Propmaker | 
| Daniel Wils | Propmaker | 
| Chris Wright | Propmaker | 
| Heinner Mourillo | Propmaker | 
| Tim Hunley | Scenic Artist | 
| Rebecca Lee | Scenic Artist | 
| Debra B. Mills | Scenic Artist | 
| Penny Thomas | Scenic Artist | 
| Cheryl Watson | Scenic Artist | 
| Stephanie Macomber | Standby Painter | 
| Tasha Thomas | Set Painter | 
| Jehan Purcell | Special Effects Technician | 
| Reid Duke | Special Effects Technician | 
| Jeff Loy | Special Effects Technician | 
| Ryan Daeche | Assistant Location Manager | 
| M.J. Cocuzza | Location Coordinator | 
| Sean Hiller | Location Assistant | 
| Jane Beck | Costume Supervisor | 
| Hannah Ross | Assistant Property Master | 
| Charley Coleman | Armorer | 
| Amy Fulbright | Costume Coordinator | 
| Bernard Williams | Hairstylist | 
| Christy Koebley | Hair Department Head | 
| Richard Conkling | Additional Editor | 
| Steven Trapani | First Assistant Editor | 
| Nancy Kirhoffer | Post Production Supervisor | 
| David Townsend | Post Production Coordinator | 
| Amy Harmon | Travel Coordinator | 
| Stephen Glawson | Production Secretary, Script Coordinator | 
| Lisa Mae Fincannon | Location Casting | 
| Shellie Gillespie | Production Accountant | 
| Erin Hunter | Second Assistant Accountant | 
| Adam Taylor | First Assistant Accountant | 
| Eric Davis | Set Production Assistant | 
| Tess League | Production Assistant | 
| Jacqueline Mangrum | Production Assistant | 
| Matthew Hobbs | Production Assistant | 
| Tripp Allen | Production Assistant | 
| Crystal Frid | Production Assistant | 
| JP Verardi | Production Assistant | 
| Chris Jargo | Supervising ADR Editor | 
| Philip D. Morrill | First Assistant Sound Editor | 
| Neil Castles Jr. | Transportation Coordinator | 
| Lynn Dodson | Transportation Co-Captain | 
| Alan Hilburn | Transportation Captain | 
| Tim Walters | Picture Car Coordinator | 
| Patricia Story | Unit Publicist | 
| Brownie Harris | Still Photographer | 
| Nathan Oliver-Block | Chef | 
| Thibaut Moissenet | Compositor | 
| Gregory Corraze | Compositor | 
| Anand Rajesh Madishetty | 2D Supervisor | 
| Gurbachan Singh | Lighting Supervisor | 
| Joe Lisanti | Supervising Music Editor | 
| Darrell Hall | Music Editor | 
| Nicholas Fitzgerald | Music Editor | 
| Chris Forsgren | Music Arranger | 
| Josh Zimmerman | Music Arranger | 
| Kenny Wood | Music Arranger | 
| Massimiliano Lombardo | Music Arranger | 
| Nathan Alexander | Music Arranger | 
| Katelyn Crabb | Producer's Assistant | 
| Stephen Thompson | Gaffer | 
| Marissa Labog | Stunts | 
| Matt Bettinelli-Olpin | Director | 
| Biko Gogaladze | Foley Artist | 
| Guy Busick | Writer | 
| Karen Baker Landers | Supervising Sound Editor | 
| Name | Title | 
|---|---|
| Kevin Williamson | Executive Producer | 
| William Sherak | Producer | 
| James Vanderbilt | Producer | 
| Paul Neinstein | Producer | 
| Gary Barber | Executive Producer | 
| Cathy Konrad | Executive Producer | 
| Marianne Maddalena | Executive Producer | 
| Peter Oillataguerre | Executive Producer | 
| Ron Lynch | Executive Producer | 
| Chad Villella | Executive Producer | 
| Chris Stone | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 78 | 116 | 58 | 
| 2024 | 5 | 92 | 140 | 66 | 
| 2024 | 6 | 77 | 113 | 55 | 
| 2024 | 7 | 78 | 136 | 47 | 
| 2024 | 8 | 81 | 135 | 56 | 
| 2024 | 9 | 61 | 80 | 50 | 
| 2024 | 10 | 112 | 176 | 59 | 
| 2024 | 11 | 123 | 205 | 79 | 
| 2024 | 12 | 87 | 158 | 66 | 
| 2025 | 1 | 83 | 147 | 62 | 
| 2025 | 2 | 55 | 84 | 11 | 
| 2025 | 3 | 22 | 67 | 3 | 
| 2025 | 4 | 14 | 22 | 9 | 
| 2025 | 5 | 12 | 22 | 10 | 
| 2025 | 6 | 11 | 17 | 9 | 
| 2025 | 7 | 10 | 14 | 8 | 
| 2025 | 8 | 9 | 12 | 7 | 
| 2025 | 9 | 9 | 12 | 7 | 
| 2025 | 10 | 12 | 15 | 10 | 
Trending Position
| Year | Month | High | Avg | 
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| 2025 | 10 | 60 | 398 | 
| Year | Month | High | Avg | 
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| 2025 | 9 | 85 | 464 | 
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| 2025 | 8 | 147 | 547 | 
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| 2025 | 7 | 100 | 543 | 
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| 2025 | 6 | 209 | 587 | 
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| 2025 | 5 | 176 | 545 | 
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| 2025 | 4 | 107 | 542 | 
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| 2025 | 3 | 71 | 470 | 
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| 2025 | 2 | 123 | 496 | 
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| 2025 | 1 | 120 | 379 | 
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| 2024 | 12 | 144 | 464 | 
| Year | Month | High | Avg | 
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| 2024 | 11 | 103 | 358 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 10 | 154 | 276 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 9 | 200 | 376 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 8 | 278 | 468 | 
It is hard to believe it has been 25 years since “Scream” premiered and in doing so; brought new life into the slasher genre which had become stale due to an abundance of direct to DVD and cable releases combined with many uninspired and stale theatrical releases. The movie was a massive success ... and launched a very successful trilogy and made the Ghostface killer and many moments from the series Pop Culture mainstays. After a hiatus; “Scream 4” arrived and continued the series and in 2022; “Scream” has arrived which continues the story to the eager anticipation of fans. When a young girl named Tara (Jenna Ortega); is brutally attacked in a fashion very similar to the Ghostface Killer; her sister Sam (Melissa Barrera); returns to Woodsboro to be by her side while Tara recuperates. Sam is joined by her boyfriend Richie (Jack Quaid), who has no idea about the history of Woodsboro nor the popular “Stab” film series that is based on the events of the murders that have plagued the town. Sam’s past troubles makes her return difficult and when Ghostface strikes again; she and Richie seek the help of Dewey (David Arquette); who has fallen on hard times and has split from Gayle (Courtney Cox). Despite his reluctance; Dewey gets involved and tells Sam the “rules” which would indicate the killer might be someone she knows and soon everyone in her and Tara’s circle becomes suspect even as the deaths start to increase. This allows for some of the best moments of the film as the characters make references to several other modern and past horror franchises and discuss things from online Trolls, rabid fans, and other Pop Culture references which provides some tongue in cheek humor about the series and also establishes the world of “Scream” as one where people are well-versed in horror films old and new and have modified the rules based on sequel, prequel, and “Requel” rules for films. As tensions and body count mounts; Gayle, Dewey, and Sidney (Neve Campbell) must face their fears to stop Ghostface before it is too late. While the final act of the film is very over the top and at times absurd; it does provide plenty of the elements that fans have come to expect from the series. I was able to accurately see and predict almost all of the twists very early in the film and did not have many surprises as the film unfolded; I think many will still find enough enjoyment watching the tale unfold as after four films I have a pretty good idea of the formula for the series and also have many years of this as I saw the twists in “The Sixth Sense” and “The Village” very early in the films so I just seem to have a knack for this sort of thing. While it does not break much in the way of new ground; the film does deliver what fans have come to expect and I did find in more enjoyable than “Scream 3” and there was more than enough to keep me entertained. There have been rumors that a sixth film has already been planned and if so: I will be more than ready for more. 3.5 out of 5
FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/scream-2022-spoiler-free-review "Scream (5) is a brilliant "requel" with cleverly fascinating meta commentary on the horror genre, toxic fandoms, social media, and much more, ultimately becoming a strong contender for this new ye ... ar's Top10. Boasting a continuously entertaining screenplay filled with exceptionally captivating, relevant dialogue and some of the goriest, bloodiest murders in the famous saga, the directors (Matt Bettinelli-Olpin, Tyler Gillett) and writers (James Vanderbilt, Guy Busick) pay a beautiful homage to the influential creator Wes Craven. The whole cast - both newcomers and icons - delivers remarkable performances, portraying characters who unapologetically address admittedly cinephile-driven topics that some occasional moviegoers might not fully understand but will still receive pure entertainment on the big screen. As a horror-mystery flick, it keeps the viewers on the edge of their seats, laughing and getting jumpscared for the entire runtime. I couldn't recommend it more." Rating: A-
Ghostface is my favorite cinematic serial killer and I love the first four films (yes, even _Scream 3_ and Gale’s terrible bangs) despite their flaws and fluctuating factors of entertainment. I’ll see and support any new _Scream_ film or TV series that comes along because of it. I know this new inst ... allment was successful ($88.4 million worldwide box office gross as of this writing) and some enjoyed it, but it is honestly my least favorite in the franchise. This new film feels like it’s trying too hard to be one of the original _Scream_ films when it should have just been more of its own thing. This is something the film addresses, but originality should always triumph over retreading familiar territory; especially when it seems like its kills are being plunged into the same stab wounds. Full review: https://hubpages.com/entertainment/Scream-2022-Review-Movies-Make-Psychos-More-Imitative
Decent movie with a nice balance of meta / references to the original without overdoing it. ...
Okay addition to the franchise has some good kills and the acting at least was serviceable and nice seeing the legacy characters again. The killer's motivations did feel a bit 5 years ago (to me, though I don't do reddit or really other social media platforms) but fine I guess and similar to the soc ... ial commentary from Scream 4. I'd rank this third in the franchise I suppose, behind the original and Scream 2 (for all that movie's flaws, it has a soft spot for me). Not great but worth watching once. **3.25/5**
Scream is a self-aware thriller that doesn't try to be more than it is. The kills are great, the violence is there, and the comedy is good enough that is doesn't take away from the movie. **Verdict:** _Good_ ...
I've watched every scream since scream was invented. I like the first two okay but after that the kind of got a little iffy. This one really goes back to what screen was intended to be by Wes Craven. I really like the flow of this movie and how they put the twist on Samantha's character. It starts l ... ike the first scream and it ends like the first scream. I'll have to say out of all the scream movies this was one of the most decent and hardest to figure out.
**One of the best slasher flicks since 1996!** I loved the first Scream - the surprise, the shock, the self-awareness, the humor. It reinvented horror and launched a franchise of sequels of varying quality. And this newest one is the best since the first! It captured all the fun of the first. It ... kept the stakes high by bringing back the original cast and proving that no one is truly safe. The directors had fun baiting the audience with every slasher trope they could. Tense music would rise every time a character walked past a dark doorway or opened a cabinet to hide the view from the hall - naturally, that is when the killer is standing on the other side but not in Scream! Playing with the tropes in a fun, self-aware way is what Scream is all about, and Matt Bettinelli-Olpin and Tyler Gillett nailed it.
Some things never change. This can be good and also bad. Bad like Audibly Sharp knives (i.e., blades that make a sharpening noise when being whisked through thin air), or like when former deputy Dewey Riley (David Arquette) says “You have to shoot 'em in the head, or they always come back.” Of cours ... e, the very existence of the new Scream is irrefutable proof that they will come back regardless. This movie is slasher history repeating itself in more ways than one; in addition to revisiting this particular franchise, it borrows a key plot point from Freddy's Dead: The Final Nightmare – that I will not reveal but which you may have inkling about if you are, like me, a student of the genre. All of the above notwithstanding, Scream ‘22 is overall more good than bad. True to its roots, this iteration serves as a deconstruction of the current state of mainstream horror cinema. Specifically, it is a textbook example of a “requel” – like the last couple of Halloweens, or the recent Texas Chainsaw Massacre –, and by ‘textbook’ I mean that it actually includes a scene where a character literally explains what a requel is and how it works. I also like that it lampshades one of my least favorite tropes, which I call Chekhov's Inhaler. I just compared it to Halloween and The Texas Chainsaw Massacre, but the fact is that Scream ‘22 comes to join the much better company of Wes Craven’s New Nightmare and last year’s Candyman (suitably, the movie is dedicated to Craven’s memory and gives Jordan Peele a shoutout). This Scream’s oft-repeated mantra is “always go back to the original,” and that’s sage advice because, like Nightmare on Elm Street, this franchise is a brainchild of Craven that began life as thinking man’s horror only to get progressively dumbed down with each new entry – unlike, say, Friday the 13th, which was born stupid. Thankfully, this film has been made by people with knowledge of and respect for their source material, and who don’t underestimate the audience’s intelligence. Consequently, when characters send text messages, the words appear on their phone screens as opposed to our movie and TV screens, and when a someone is stabbed, they spill real fake blood instead of a stream of red pixels (and in an age where CGI is the norm, any horror movie that uses practical effects instantly doubles its visceral impact). I will only add that, also like New Nightmare and Candyman ‘21, Scream ‘22 is as much of a return to form as it is a fitting farewell, so here’s hoping that it will live up to its promise that “After tonight, no more books, no more movies, no more f***ing Ghostface.”