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Scream

It's always someone you know.
2022 | 114m | English

(179837 votes)

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Popularity: 15 (history)

Details

Twenty-five years after a streak of brutal murders shocked the quiet town of Woodsboro, a new killer has donned the Ghostface mask and begins targeting a group of teenagers to resurrect secrets from the town’s deadly past.
Release Date: Jan 12, 2022
Director: Tyler Gillett, Matt Bettinelli-Olpin
Writer: James Vanderbilt, Guy Busick
Genres: Horror, Mystery
Keywords attempted murder, mask, hallucination, murder, serial killer, hospital, teen movie, slasher, whodunit, killing spree, hometown, reboot, crime spree, illegitimate child, murder mystery, legacy, fandom, copycat killer, generation z, murder spree, sister sister relationship, retired cop, return to hometown, adoring, teen scream
Production Companies Paramount Pictures, Radio Silence, Project X Entertainment, Spyglass Media Group
Box Office Revenue: $137,743,924
Budget: $24,000,000
Updates Updated: Oct 30, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Melissa Barrera Sam Carpenter
Jenna Ortega Tara Carpenter
Mason Gooding Chad Meeks-Martin
Jasmin Savoy Brown Mindy Meeks-Martin
Jack Quaid Richie Kirsch
Mikey Madison Amber Freeman
Courteney Cox Gale Weathers
David Arquette Dewey Riley
Neve Campbell Sidney Prescott
Dylan Minnette Wes Hicks
Skeet Ulrich Billy Loomis
Sonia Ammar Liv McKenzie
Roger L. Jackson 'The Voice' (voice)
Kyle Gallner Vince Schneider
Marley Shelton Sheriff Judy Hicks
Reggie Conquest Deputy Farney
Heather Matarazzo Martha Meeks
Chester Tam Deputy Vinson
Brooke Barnhill Bartender
Stephen West-Rogers EMT
Milli M. Reporter
Christopher Speed Movie Randy
Chelsea Rebecca Film Fails Host
James A. Janisse Film Fails Host
Jamie Kennedy Party Guest (voice) (uncredited)
Matthew Lillard Flamethrower Ghostface / Party Guest (voice) (uncredited)
Matt Bettinelli-Olpin Party Guest (voice) (uncredited)
Tyler Gillett Party Guest (voice) (uncredited)
Iya Labunka Party Guest (voice) (uncredited)
Kevin Williamson Party Guest (voice) (uncredited)
Marco Beltrami Party Guest (voice) (uncredited)
Patrick Lussier Party Guest (voice) (uncredited)
Julie Plec Party Guest (voice) (uncredited)
Rian Johnson Party Guest (voice) (uncredited)
Drew Barrymore Principal (voice) (uncredited)
Name Job
Kevin Williamson Characters
Rich Delia Casting
Brett Jutkiewicz Director of Photography
Brian Tyler Original Music Composer
Wes Craven In Memory Of
Jennifer Badger Stunts
Delmar Reyna Stunts
Danya Bateman Stunts
Marcelle Coletti Stunts
John Gilbert Stunts
Erin Rose Kelly Casting Assistant
Jean-Paul Rovela CG Supervisor
Sarah Trevino Music Arranger
James Vanderbilt Writer
Rian Johnson Thanks
Dena Sodano Stunt Double
Tyler Gillett Director
Chad Keith Production Design
Jonathan Guggenheim Art Direction
Helen Britten Set Decoration
Emily Gunshor Costume Design
Jeff Goodwin Makeup Artist
Rick Pour Makeup Effects, Makeup Department Head
A. Patrick Storey Property Master
Larry Long Sound Mixer
William Purcell Special Effects Coordinator
John Copeman Stunt Coordinator
Michel Aller Editor
Zane D. Bruce Foley Artist
Matt Fann Boom Operator
Caleb Hollenback Mix Technician, Sound Recordist
Beso Kacharava Foley Artist
Giorgi Lekishvili Foley Mixer
Sean Massey Supervising Sound Editor
George Murgulia Foley Editor
Michelle Pazer ADR Editor
Eliza Pollack Zebert Dialogue Editor
Angelo Raguso Sound Mixer
Greg P. Russell Sound Re-Recording Mixer
Alexander Sanikidze Foley Editor
D. Chris Smith Sound Designer
Peter Staubli Sound Designer
Antony Zeller Foley Mixer
George Corrie Special Effects Technician
Carrie Messina Hairstylist
Bryan David Moss Key Hair Stylist
Joan Shay Key Hair Stylist
Mathew Ferrante Executive In Charge Of Production
Emily Kacere Unit Production Manager
Scott Oberholzer Second Assistant Director
Dallas Clarke Thomas Graphic Designer
Kelly Sweitzer Scenic Artist
Wes Simpkins Storyboard Artist
Cynthia Bergstrom Key Costumer
Catherine Corkery Costume Assistant, Production Assistant
Dalia Dalili Set Costumer, Costumer
Jared Major Set Costumer
Amanda Vinopal Costumer, Key Costumer
Taylor Woodell Extras Casting
Anthony Cecere Stunt Coordinator
Andy Bader Digital Imaging Technician
Patrick J. Borowiak First Assistant Camera
Ryan Byrd Rigging Grip
Jimmy DiGiandomenico Dolly Grip
Matt Doll Steadicam Operator, "A" Camera Operator
Lee Donaldson First Company Grip, Key Grip
Jeremy Lee Rigging Grip
Neil Orchard Assistant Chief Lighting Technician, Best Boy Electric
Mike Repeta Camera Operator
Brooke Barnhill Location Manager
Russell Major Location Assistant
Kara McGee Script Supervisor
Matthew Llewellyn Music Editor
Danielle Couture Art Department Coordinator
Chelsea Lockhart Set Dresser
Adam Richards Casting Associate
James Jenkins Makeup Artist
Jason Willis Makeup Artist
Catherine Bayley Assistant Set Decoration, Production Assistant
Matt Hobbs Art Department Assistant
Donnie Little Sound Engineer
David Young Sound Engineer
Timmy Broderick Visual Effects Producer
Angela Bend Stunts
Timothy Coderre Stunts
Jeffrey Mayfield Stunts
Paul Burke Stunts
Keith Ward Stunts
Dino Muccio Stunts
Salvador Vasquez On Set Dresser
Jerry Hall Set Designer
John Bromell Set Dresser
James Johnston Set Dresser
Michael Shapiro Set Dresser
George Winn Set Dresser
Jill Autry Loader
Billy Bob Hendricks Generator Operator
Steve Thompson Chief Lighting Technician
Matthew Brookman Electrician
Kevin Grieve Electrician
Jack Templer Electrician
Scott Friedland Second Company Grip
Colin Dennis Grip
Patrick Hayden Grip
David Toothman Grip
Jake Andrews Grip
Michael Bonsignore Grip
Jay Coyle Rigging Grip
Chad Hoyle Rigging Grip
Dave Knudson Rigging Grip
Tom Jones Jr. Construction Coordinator
Kathy Brunswick Construction Buyer
Cameron Byers Propmaker
Jack W. Caldwell Propmaker
Stephen Carlson Propmaker
Jason Carrick Propmaker
Jeremy Cox Propmaker
Joey Huff Propmaker
Richard Smith Propmaker
Ryan Thrift Propmaker
Ernie Watson Propmaker
Daniel Wils Propmaker
Chris Wright Propmaker
Heinner Mourillo Propmaker
Tim Hunley Scenic Artist
Rebecca Lee Scenic Artist
Debra B. Mills Scenic Artist
Penny Thomas Scenic Artist
Cheryl Watson Scenic Artist
Stephanie Macomber Standby Painter
Tasha Thomas Set Painter
Jehan Purcell Special Effects Technician
Reid Duke Special Effects Technician
Jeff Loy Special Effects Technician
Ryan Daeche Assistant Location Manager
M.J. Cocuzza Location Coordinator
Sean Hiller Location Assistant
Jane Beck Costume Supervisor
Hannah Ross Assistant Property Master
Charley Coleman Armorer
Amy Fulbright Costume Coordinator
Bernard Williams Hairstylist
Christy Koebley Hair Department Head
Richard Conkling Additional Editor
Steven Trapani First Assistant Editor
Nancy Kirhoffer Post Production Supervisor
David Townsend Post Production Coordinator
Amy Harmon Travel Coordinator
Stephen Glawson Production Secretary, Script Coordinator
Lisa Mae Fincannon Location Casting
Shellie Gillespie Production Accountant
Erin Hunter Second Assistant Accountant
Adam Taylor First Assistant Accountant
Eric Davis Set Production Assistant
Tess League Production Assistant
Jacqueline Mangrum Production Assistant
Matthew Hobbs Production Assistant
Tripp Allen Production Assistant
Crystal Frid Production Assistant
JP Verardi Production Assistant
Chris Jargo Supervising ADR Editor
Philip D. Morrill First Assistant Sound Editor
Neil Castles Jr. Transportation Coordinator
Lynn Dodson Transportation Co-Captain
Alan Hilburn Transportation Captain
Tim Walters Picture Car Coordinator
Patricia Story Unit Publicist
Brownie Harris Still Photographer
Nathan Oliver-Block Chef
Thibaut Moissenet Compositor
Gregory Corraze Compositor
Anand Rajesh Madishetty 2D Supervisor
Gurbachan Singh Lighting Supervisor
Joe Lisanti Supervising Music Editor
Darrell Hall Music Editor
Nicholas Fitzgerald Music Editor
Chris Forsgren Music Arranger
Josh Zimmerman Music Arranger
Kenny Wood Music Arranger
Massimiliano Lombardo Music Arranger
Nathan Alexander Music Arranger
Katelyn Crabb Producer's Assistant
Stephen Thompson Gaffer
Marissa Labog Stunts
Matt Bettinelli-Olpin Director
Biko Gogaladze Foley Artist
Guy Busick Writer
Karen Baker Landers Supervising Sound Editor
Name Title
Kevin Williamson Executive Producer
William Sherak Producer
James Vanderbilt Producer
Paul Neinstein Producer
Gary Barber Executive Producer
Cathy Konrad Executive Producer
Marianne Maddalena Executive Producer
Peter Oillataguerre Executive Producer
Ron Lynch Executive Producer
Chad Villella Executive Producer
Chris Stone Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 78 116 58
2024 5 92 140 66
2024 6 77 113 55
2024 7 78 136 47
2024 8 81 135 56
2024 9 61 80 50
2024 10 112 176 59
2024 11 123 205 79
2024 12 87 158 66
2025 1 83 147 62
2025 2 55 84 11
2025 3 22 67 3
2025 4 14 22 9
2025 5 12 22 10
2025 6 11 17 9
2025 7 10 14 8
2025 8 9 12 7
2025 9 9 12 7
2025 10 12 15 10

Trending Position


Year Month High Avg
2025 10 60 398
Year Month High Avg
2025 9 85 464
Year Month High Avg
2025 8 147 547
Year Month High Avg
2025 7 100 543
Year Month High Avg
2025 6 209 587
Year Month High Avg
2025 5 176 545
Year Month High Avg
2025 4 107 542
Year Month High Avg
2025 3 71 470
Year Month High Avg
2025 2 123 496
Year Month High Avg
2025 1 120 379
Year Month High Avg
2024 12 144 464
Year Month High Avg
2024 11 103 358
Year Month High Avg
2024 10 154 276
Year Month High Avg
2024 9 200 376
Year Month High Avg
2024 8 278 468

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Reviews

garethmb
N/A

It is hard to believe it has been 25 years since “Scream” premiered and in doing so; brought new life into the slasher genre which had become stale due to an abundance of direct to DVD and cable releases combined with many uninspired and stale theatrical releases. The movie was a massive success ... and launched a very successful trilogy and made the Ghostface killer and many moments from the series Pop Culture mainstays. After a hiatus; “Scream 4” arrived and continued the series and in 2022; “Scream” has arrived which continues the story to the eager anticipation of fans. When a young girl named Tara (Jenna Ortega); is brutally attacked in a fashion very similar to the Ghostface Killer; her sister Sam (Melissa Barrera); returns to Woodsboro to be by her side while Tara recuperates. Sam is joined by her boyfriend Richie (Jack Quaid), who has no idea about the history of Woodsboro nor the popular “Stab” film series that is based on the events of the murders that have plagued the town. Sam’s past troubles makes her return difficult and when Ghostface strikes again; she and Richie seek the help of Dewey (David Arquette); who has fallen on hard times and has split from Gayle (Courtney Cox). Despite his reluctance; Dewey gets involved and tells Sam the “rules” which would indicate the killer might be someone she knows and soon everyone in her and Tara’s circle becomes suspect even as the deaths start to increase. This allows for some of the best moments of the film as the characters make references to several other modern and past horror franchises and discuss things from online Trolls, rabid fans, and other Pop Culture references which provides some tongue in cheek humor about the series and also establishes the world of “Scream” as one where people are well-versed in horror films old and new and have modified the rules based on sequel, prequel, and “Requel” rules for films. As tensions and body count mounts; Gayle, Dewey, and Sidney (Neve Campbell) must face their fears to stop Ghostface before it is too late. While the final act of the film is very over the top and at times absurd; it does provide plenty of the elements that fans have come to expect from the series. I was able to accurately see and predict almost all of the twists very early in the film and did not have many surprises as the film unfolded; I think many will still find enough enjoyment watching the tale unfold as after four films I have a pretty good idea of the formula for the series and also have many years of this as I saw the twists in “The Sixth Sense” and “The Village” very early in the films so I just seem to have a knack for this sort of thing. While it does not break much in the way of new ground; the film does deliver what fans have come to expect and I did find in more enjoyable than “Scream 3” and there was more than enough to keep me entertained. There have been rumors that a sixth film has already been planned and if so: I will be more than ready for more. 3.5 out of 5

Jan 13, 2022
msbreviews
8.0

FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/scream-2022-spoiler-free-review "Scream (5) is a brilliant "requel" with cleverly fascinating meta commentary on the horror genre, toxic fandoms, social media, and much more, ultimately becoming a strong contender for this new ye ... ar's Top10. Boasting a continuously entertaining screenplay filled with exceptionally captivating, relevant dialogue and some of the goriest, bloodiest murders in the famous saga, the directors (Matt Bettinelli-Olpin, Tyler Gillett) and writers (James Vanderbilt, Guy Busick) pay a beautiful homage to the influential creator Wes Craven. The whole cast - both newcomers and icons - delivers remarkable performances, portraying characters who unapologetically address admittedly cinephile-driven topics that some occasional moviegoers might not fully understand but will still receive pure entertainment on the big screen. As a horror-mystery flick, it keeps the viewers on the edge of their seats, laughing and getting jumpscared for the entire runtime. I couldn't recommend it more." Rating: A-

Jan 18, 2022
ChrisSawin
4.0

Ghostface is my favorite cinematic serial killer and I love the first four films (yes, even _Scream 3_ and Gale’s terrible bangs) despite their flaws and fluctuating factors of entertainment. I’ll see and support any new _Scream_ film or TV series that comes along because of it. I know this new inst ... allment was successful ($88.4 million worldwide box office gross as of this writing) and some enjoyed it, but it is honestly my least favorite in the franchise. This new film feels like it’s trying too hard to be one of the original _Scream_ films when it should have just been more of its own thing. This is something the film addresses, but originality should always triumph over retreading familiar territory; especially when it seems like its kills are being plunged into the same stab wounds. Full review: https://hubpages.com/entertainment/Scream-2022-Review-Movies-Make-Psychos-More-Imitative

Jan 29, 2022
edwecks
7.0

Decent movie with a nice balance of meta / references to the original without overdoing it. ...

Mar 14, 2022
JPV852
6.0

Okay addition to the franchise has some good kills and the acting at least was serviceable and nice seeing the legacy characters again. The killer's motivations did feel a bit 5 years ago (to me, though I don't do reddit or really other social media platforms) but fine I guess and similar to the soc ... ial commentary from Scream 4. I'd rank this third in the franchise I suppose, behind the original and Scream 2 (for all that movie's flaws, it has a soft spot for me). Not great but worth watching once. **3.25/5**

Apr 08, 2022
TitanGusang
7.0

Scream is a self-aware thriller that doesn't try to be more than it is. The kills are great, the violence is there, and the comedy is good enough that is doesn't take away from the movie. **Verdict:** _Good_ ...

Jul 15, 2022
MonsterMartha
7.0

I've watched every scream since scream was invented. I like the first two okay but after that the kind of got a little iffy. This one really goes back to what screen was intended to be by Wes Craven. I really like the flow of this movie and how they put the twist on Samantha's character. It starts l ... ike the first scream and it ends like the first scream. I'll have to say out of all the scream movies this was one of the most decent and hardest to figure out.

Jul 26, 2022
mooney240
9.0

**One of the best slasher flicks since 1996!** I loved the first Scream - the surprise, the shock, the self-awareness, the humor. It reinvented horror and launched a franchise of sequels of varying quality. And this newest one is the best since the first! It captured all the fun of the first. It ... kept the stakes high by bringing back the original cast and proving that no one is truly safe. The directors had fun baiting the audience with every slasher trope they could. Tense music would rise every time a character walked past a dark doorway or opened a cabinet to hide the view from the hall - naturally, that is when the killer is standing on the other side but not in Scream! Playing with the tropes in a fun, self-aware way is what Scream is all about, and Matt Bettinelli-Olpin and Tyler Gillett nailed it.

Sep 03, 2022
tmdb28039023
6.0

Some things never change. This can be good and also bad. Bad like Audibly Sharp knives (i.e., blades that make a sharpening noise when being whisked through thin air), or like when former deputy Dewey Riley (David Arquette) says “You have to shoot 'em in the head, or they always come back.” Of cours ... e, the very existence of the new Scream is irrefutable proof that they will come back regardless. This movie is slasher history repeating itself in more ways than one; in addition to revisiting this particular franchise, it borrows a key plot point from Freddy's Dead: The Final Nightmare – that I will not reveal but which you may have inkling about if you are, like me, a student of the genre. All of the above notwithstanding, Scream ‘22 is overall more good than bad. True to its roots, this iteration serves as a deconstruction of the current state of mainstream horror cinema. Specifically, it is a textbook example of a “requel” – like the last couple of Halloweens, or the recent Texas Chainsaw Massacre –, and by ‘textbook’ I mean that it actually includes a scene where a character literally explains what a requel is and how it works. I also like that it lampshades one of my least favorite tropes, which I call Chekhov's Inhaler. I just compared it to Halloween and The Texas Chainsaw Massacre, but the fact is that Scream ‘22 comes to join the much better company of Wes Craven’s New Nightmare and last year’s Candyman (suitably, the movie is dedicated to Craven’s memory and gives Jordan Peele a shoutout). This Scream’s oft-repeated mantra is “always go back to the original,” and that’s sage advice because, like Nightmare on Elm Street, this franchise is a brainchild of Craven that began life as thinking man’s horror only to get progressively dumbed down with each new entry – unlike, say, Friday the 13th, which was born stupid. Thankfully, this film has been made by people with knowledge of and respect for their source material, and who don’t underestimate the audience’s intelligence. Consequently, when characters send text messages, the words appear on their phone screens as opposed to our movie and TV screens, and when a someone is stabbed, they spill real fake blood instead of a stream of red pixels (and in an age where CGI is the norm, any horror movie that uses practical effects instantly doubles its visceral impact). I will only add that, also like New Nightmare and Candyman ‘21, Scream ‘22 is as much of a return to form as it is a fitting farewell, so here’s hoping that it will live up to its promise that “After tonight, no more books, no more movies, no more f***ing Ghostface.”

Sep 03, 2022