Popularity: 3 (history)
Director: | Ridley Scott |
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Writer: | Sara Gay Forden, Roberto Bentivegna, Becky Johnston |
Staring: |
When Patrizia Reggiani, an outsider from humble beginnings, marries into the Gucci family, her unbridled ambition begins to unravel the family legacy and triggers a reckless spiral of betrayal, decadence, revenge, and ultimately… murder. | |
Release Date: | Nov 24, 2021 |
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Director: | Ridley Scott |
Writer: | Sara Gay Forden, Roberto Bentivegna, Becky Johnston |
Genres: | Drama, Crime, History |
Keywords | marriage crisis, italy, biography, fashion designer, murder, fashion, failing marriage, 1980s, 1990s, rich family, gucci |
Production Companies | Metro-Goldwyn-Mayer, Bron Studios, Scott Free Productions |
Box Office |
Revenue: $153,235,995
Budget: $75,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Lady Gaga | Patrizia Reggiani |
Adam Driver | Maurizio Gucci |
Al Pacino | Aldo Gucci |
Jeremy Irons | Rodolfo Gucci |
Jared Leto | Paolo Gucci |
Jack Huston | Domenico De Sole |
Salma Hayek Pinault | Pina Auriemma |
Alexia Murray | Silvana Reggiani |
Vincent Riotta | Fernando Reggiani |
Gaetano Bruno | Franco |
Camille Cottin | Paola Franchi |
Youssef Kerkour | Nemir Kirdar |
Reeve Carney | Tom Ford |
Florence Andrews | Jenny Gucci |
Mehdi Nebbou | Saïd |
Miloud Mourad Benamara | Omar |
Andrea Piedimonte Bodini | Ivano Savioni |
Vincenzo Tanassi | Benedetto Ceraulo |
Mauro Lamantia | Max |
Nicole Bani Sarkute | Alessandra (3 Years Old) |
Mia McGovern Zaini | Alessandra (9 Years Old) |
Clelia Rossi Marcelli | Alessandra (Teenager) |
Pietro Ragusa | Count Sarzana |
Alessandro Pess | Reggiani Trucker |
Al Mariotti | Reggiani Trucker |
Monica Nappo | Reggiani Trucker Secretary |
Alessandro Piavani | Upper Crust Stiff |
Marina Occhionero | Upper Crust Stiff |
Pierpaolo Palladino | Priest at Wedding |
Jun Ichikawa | Masseuse |
Daphne Morelli | Aldo's French Model |
Mădălina Ghenea | Sophia Loren |
Gjergj Lala | Chief Tanner |
Alessandra Borgia | Elderly Female Worker |
Havana Alfarano | Pretty Young Worker at Tannery |
Philippe Boa | Bobby Short |
Ira Fronten | Maybeline |
Marika De Chiara | Maternity Ward Nurse |
Antonello Annunziata | Karl Lagerfield |
Edouard Philipponnat | Walter |
Nicola Garofalo | IRS Man |
Daniele De Martino | IRS Man |
Beatrice Pelliccia | Paolo's Assistant |
Beppe Rosso | Aldo's Lawyer |
Jay Natelle | Federal Court Judge |
Johanna Santos | Paolo's Model |
Larry Kapust | Aldo's Squash Opponent |
Livio Beshir | Stall Street Holder NYC |
Pietro Pace | Waiter at Aldo's Party |
Bianca Nappi | Clerk |
Paolo De Giorgio | Judge Milan Court |
Mario Opinato | Patrizia's Father |
Gianpiero Pumo | Waiter (Boeucc) |
Stefano Moretti | Fashion Show Director |
Catherine Walker | Anna Wintour |
Martino Palmisano | Richard Avedon |
Eva Moore | Chalet Guest |
Filippo De Carli | Chalet Guest |
Marco Sincini | Handwriting Specialist |
Daniele Monterosi | Tax Cop |
Daniela Macaluso | St. Moritz Housekeeper |
Alfredo Pea | St. Moritz Housekeeper |
Dirk Plönissen | Swiss Border Guard |
Mimmo Mancini | Galleria Porter |
Eric Alexander | Cop |
Beniamino Marcone | Paolo's Accountant |
Simone Spinazzè | Chief Police Officer |
Fausto Caroli | Anna Wintour's Assistant |
Bruce McGuire | Judge |
Loris Loddi | Judge |
Luke Chikovani | Fashionista |
Alessandro Egger | Fashionista |
Roger Garth | Fashionista |
Andrea Bruschi | Porter (uncredited) |
Dante Alba | Fashionista (uncredited) |
Marta Marenco | Gucci Store Shop Assistant |
Marco Stefanelli | Aldo Gucci's Chaffeur (uncredited) |
Paolo Sena | Undertaker (uncredited) |
Name | Job |
---|---|
Sara Gay Forden | Book |
Arthur Max | Production Design |
Claire Simpson | Editor |
Dariusz Wolski | Director of Photography |
Stéphane Bucher | Sound Mixer |
Harry Gregson-Williams | Original Music Composer |
Janty Yates | Costume Design |
Paul Massey | Sound Re-Recording Mixer |
Maria Gnecchi | Stunt Double |
Roberto Bentivegna | Screenplay |
Massimo Pauletto | Art Direction |
Gianpaolo Rifino | Art Direction |
Saverio Sammali | Art Direction |
Letizia Santucci | Set Decoration |
Diego Cavallo | Production Manager |
Sabrina Manna | Assistant Production Manager |
Andrea Pugini | Assistant Production Manager |
Aurora Gambelli | Hairstylist |
Daniel Lawson Johnston | Makeup Artist |
Lidia Minì | Makeup Artist |
Stefania Pellegrini | Key Makeup Artist |
Jérôme Rabu | Boom Operator |
Becky Johnston | Story, Screenplay |
Teresa Razzauti | Casting Director |
Cristina Onori | Supervising Art Director |
Silvia Colafranceschi | Assistant Art Director |
Claudia Granucci | Assistant Art Director |
Dario Nolé | Assistant Art Director |
Fabiana Rizzi | Assistant Set Decoration |
Niv Adiri | Sound Re-Recording Mixer |
Tomas Blazukas | Sound Effects Editor |
Victoria Freund | Assistant Sound Editor |
Sophia Hardman | Foley Editor |
Xena Kirby | Assistant Sound Editor |
Jed Loughran | Sound Effects Editor |
James Mather | Supervising Sound Editor |
Christoph Roth | Visual Effects Producer |
Roberta D'Alessio | Makeup Artist |
Virginia Smorra | Set Decoration Buyer |
Lorenzo Marconi | Visual Effects Supervisor |
Marco Alzari | Costume Supervisor |
Raymond Kirk | First Assistant Director |
Martina Götthansova | Second Assistant Director |
Daniele Massaccesi | "A" Camera Operator |
Roberto Gentili | "B" Camera Operator |
Matteo Ceccarelli | "C" Camera Operator |
Armando Avallone | "D" Camera Operator |
Alberto Torrecilla | First Assistant "A" Camera |
Francisco Pintore | First Assistant "B" Camera |
Giorgio Perluigi | First Assistant "C" Camera |
Riccardo Pau | First Assistant "D" Camera |
Stefano Palla | Second Assistant "A" Camera |
Scilla Petita | Second Assistant "B" Camera |
Lorenzo Ciccarelli | Second Assistant "C" Camera |
Niccolò Brindasso | Second Assistant "D" Camera |
Thomas Dirnhofer | Camera Operator |
Ryan Nguyen | Digital Imaging Technician |
Annie Penn | Script Supervisor |
Stefano De Marco | Assistant Editor |
Allegra De Souza | Music Editor |
Tony Lewis | Music Editor |
Alex Bramucci | Chief Lighting Technician |
Luca Martis | Assistant Chief Lighting Technician |
Marco Contaldo | Electrician |
Patrizio Cardelli | Electrician |
Flavio Meloni | Electrician |
Alessandro Cardelli | Rigging Gaffer |
Tommaso Mele | Key Grip |
Massimiliano Dessena | Best Boy Grip |
Giacomo Mele | Dolly Grip |
Giorgio Pezzotti | Dolly Grip |
Bruno Anghelone | Dolly Grip |
Massimo Spina | Dolly Grip |
Daniele Dessena | Grip |
Mauro Faina | Grip |
Fortunato Maccotta | Grip |
Romano Brasioli | Grip |
Mona Bernal | Production Coordinator |
Daria Santilli | Production Secretary |
Giulia Valeri | Production Secretary |
Alberto Mangiapane | Second Second Assistant Director |
Piernicola Pinnola | Location Manager |
Elisabetta Tomasso | Location Manager |
Gianluca Barra | Location Manager |
Astra Redler | Location Manager |
Cecilia Durì | Assistant Location Manager |
Gabor Agoston | Location Manager |
Gordon Cowell | Casting Associate |
Gabriella Summer Wolf | Casting Assistant |
Ridley Scott | Director |
Sarah Tanno | Makeup Artist |
Ilario Monti | First Assistant Editor |
Name | Title |
---|---|
Giannina Facio | Producer |
Kevin J. Walsh | Producer |
Aaron L. Gilbert | Executive Producer |
Mark Huffam | Producer |
Jason Cloth | Executive Producer |
Megan Ellison | Executive Producer |
Aidan Elliott | Executive Producer |
Marco Valerio Pugini | Executive Producer |
Francesca Cingolani | Co-Producer |
Teresa Kelly | Co-Producer |
Ridley Scott | Producer |
Organization | Category | Person | |
---|---|---|---|
SAG Awards | Best Actor | Adam Driver | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 37 | 50 | 28 |
2024 | 5 | 38 | 51 | 28 |
2024 | 6 | 34 | 48 | 23 |
2024 | 7 | 45 | 92 | 23 |
2024 | 8 | 37 | 57 | 25 |
2024 | 9 | 26 | 43 | 18 |
2024 | 10 | 34 | 55 | 22 |
2024 | 11 | 27 | 49 | 19 |
2024 | 12 | 26 | 35 | 17 |
2025 | 1 | 26 | 47 | 18 |
2025 | 2 | 22 | 34 | 4 |
2025 | 3 | 10 | 36 | 2 |
2025 | 4 | 5 | 10 | 2 |
2025 | 5 | 5 | 9 | 3 |
2025 | 6 | 4 | 5 | 3 |
2025 | 7 | 4 | 6 | 3 |
2025 | 8 | 3 | 4 | 2 |
2025 | 9 | 3 | 3 | 2 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 876 | 876 |
Year | Month | High | Avg |
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2025 | 7 | 987 | 987 |
Year | Month | High | Avg |
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2025 | 5 | 108 | 508 |
Year | Month | High | Avg |
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2025 | 4 | 756 | 867 |
Year | Month | High | Avg |
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2025 | 2 | 443 | 675 |
Year | Month | High | Avg |
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2025 | 1 | 479 | 629 |
Year | Month | High | Avg |
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2024 | 12 | 484 | 687 |
Year | Month | High | Avg |
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2024 | 11 | 914 | 953 |
Year | Month | High | Avg |
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2024 | 10 | 663 | 803 |
Year | Month | High | Avg |
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2024 | 9 | 824 | 890 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 640 | 811 |
Has its moments and is well shot but had a hard to time really getting in to this, though guess I enjoyed the chaos and backstabbing within the family. On the other hand, found the Italian accents to be laughable at times and Jared Leto was just ridiculous under that makeup (in conjunction with his ... accent). Not terrible and at least watchable, though could've been a tad shorter. **2.75/5**
It isn't often that I can say this, but for me the best actor by a country mile here is Jeremy Irons. He plays the aging Rodolfo, whom along with his far more flamboyant brother Aldo (Al Pacino) owns and runs the legendary Italian fashion house. His son Maurizio (Adam Driver) falls in love with Patr ... izia (Lady Gaga) who the daughter of a trucking company owner and needless to say his dad is less than impressed. He proceeds to cut his son off, but the younger man has fallen totally for his ambitious and savvy new gal, and soon they are married and working with his uncle. Meantime, feeling neglected, and with his nose out of joint, Aldo's ditzy son Paolo (an almost unrecognisable Jared Leto) tries to tap up his uncle Rodolfo with some of his own designs - and my favourite scene as the older man calls a spade a spade ensues! Much of the best of the rest of this has been largely leaked in the trails. Gaga is good, but not great and far too much time is spent on the character establishment. By the time we get to the serious story of how this marriage and this family and this business all turned in onto themselves, betraying and scarring as they went, the pace turns decidedly slow and the events of the story itself become really quite rushed. Way too much of the denouement is encapsulated by one scene and by on-screen text. Had less been made of the preamble, then I think Sir Ridley Scott could have made much more of the interesting and entertaining causes of the dynasty's troubles. Still, it's is enjoyable and flies by. Well worth a watch.
This movie really struggled with pacing. All the time I found myself surprised at how big the jumps in time were, even though everything is chronological. Overall I think they were working from a compelling story but just couldn't quite tell it in a way that was captivating. The film could only hold ... my attention for half of its length.
Full review: <a>https://www.tinakakadelis.com/beyond-the-cinerama-dome/2021/12/28/father-son-house-of-mess-house-of-gucci-review<a> I’m finding it very difficult to figure out where to begin with House of Gucci. I could start where the movie started, the last morning of Maurizio Gucci’s (Adam Dri ... ver) life. Or, I could start with Lady Gaga’s bizarre Italian accent as Patrizia Reggiani. There’s also the extremely questionable prosthetics used for Jared Leto to portray Paolo Gucci. Given all of that, I’ll start with what I wanted to get out of this movie.
<em>'House of Gucci'</em> makes for good viewing. I enjoyed the performances of Lady Gaga and Adam Driver, with the former being the film's best in my opinion - she is two for two now after <em>'<a href="https://letterboxd.com/film/a-star-is-born-2018/" rel="nofollow">A Star Is Born</a>'</em>, so ... I'm keen to see what she produces for <em>'<a href="https://letterboxd.com/film/joker-folie-a-deux/" rel="nofollow">Joker: Folie à Deux</a>'</em>. The rest of the cast are also very good, whether it be Al Pacino or Jeremy Irons... Jack Huston and even Jared Leto are solid as well. Well done casting. I found this 158 minute flick to have positive pacing, the film doesn't necessarily fly by but it does keep flowing along nicely. I, however, didn't like the music, there are some strange choices in there which I don't think quite fit the vibe of the film. It also felt odd a few times to have everyone speaking English with accents, especially when in Italy. I also would've liked more regular notices of location/year of certain scenes, not that it was hard to figure out but a few scenes, despite being set elsewhere/at another time, felt mashed into one sometimes. Those negatives aren't major ones, though, as I did get the required entertainment from this Ridley Scott film.
I'm glad I watched this but am slightly disappointed that there was surprisingly less action than suggested in the trailer - yes I know that could be said of every film but in this one, there wasn't any. Even the promised murder was unremarkable. However, it's well worth brushing up on the history o ... f that handbag you're so proud of. It's worth watching but if you're interested in fashion biographies, then Coco before Chanel is better, and if you're into fashion murders, The Assassination of Gianni Versace (from Maureen Orth’s book Vulgar Favours) is more dramatic. This is worth adding to your brand history though.