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The King's Man

Witness the bloody origin.
2021 | 131m | English

(189762 votes)

TMDb IMDb

Popularity: 7 (history)

Details

As a collection of history's worst tyrants and criminal masterminds gather to plot a war to wipe out millions, one man must race against time to stop them.
Release Date: Dec 22, 2021
Director: Matthew Vaughn
Writer: Matthew Vaughn, Karl Gajdusek
Genres: Adventure, Action, Thriller
Keywords london, england, spy, world war i, prequel, based on comic, world domination, duringcreditsstinger, speculative, vexed, zealous, 1910s, unassuming, sympathetic
Production Companies Marv, Cloudy Productions, 20th Century Studios
Box Office Revenue: $125,897,478
Budget: $100,000,000
Updates Updated: Aug 04, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Ralph Fiennes Orlando Oxford
Gemma Arterton Polly
Rhys Ifans Grigori Rasputin
Matthew Goode Morton
Tom Hollander King George / Kaiser Wilhelm / Tsar Nicholas
Harris Dickinson Conrad Oxford
Daniel Brühl Erik Jan Hanussen
Djimon Hounsou Shola
Charles Dance Kitchener
Shaun McKee Camp Guard #1
Peter York Camp Guard #2
Alexandra Maria Lara Emily Oxford
Alexander Shaw Young Conrad
Bevan Viljoen Boer Sniper
Shaun Scott Kingsman Tailor #1
Andrew Bridgmont Kingsman Tailor #2
Olivier Richters Huge Machinery Shack Guard
Valerie Pachner Mata Hari
Joel Basman Gavrilo Princip
Todd Boyce Dupont
Richard Stephenson Winter Shepherd's Flock Member #2
Takako Akashi Shepherd's Flock Member #3
Thorston Manderlay Shepherd's Flock Member #4
Terence Anderson Shepherd's Flock Member #5
Andy Cheung Shepherd's Flock Member #6
Ron Cook Archduke Franz Ferdinand of Austria
Barbara Drennan Sophie, Duchess of Hohenberg
Maja Simonsen Pretty Girl
Benedick Blythe Saravejo General
Max Count Young King George
Emil Oksanen Young Kaiser Wilhelm
George Gooderham Young Tsar Nicholas
Alexa Povah Queen Victoria
Branka Katić Tsarina Alix
Alexander Shefler Tsarevich Alexei
Rosie Goddard Grand Duchess Anastasia
Dora Davis Grand Duchess Maria
Lucia Jade Barker Grand Duchess Olga
Molly McGeachin Grand Duchess Tatiana
Angus Castle-Doughty British Soldier
Jed O'Hagan British Soldier #2
Thomas Mahy British Soldier #3
Connor Calland British Soldier #4
James Musgrave Lieutenant
Martin Razpopov Sarajevo Prison Warden
Aaron Vodovoz Felix Yusupov
Gabriela Całun Russian Maid
Gabriel Constantin Russian Master of Ceremonies
Vår Haugholt Russian Prostitute #1
Ronja Haugholt Russian Prostitute #2
Alyona Kazarova Yusupov Guest #1
Fiz Marcus Yusupov Guest #2
Nina Novich Yusupov Guest #3
Andrey Andreev Yusupov Guest #4
August Diehl Vladimir Lenin
Nigel Lister Arthur Zimmermann
Daniel Vernan German Foreign Office Worker #1
Nigel Pilkington German Foreign Office Worker #2
Ed Cooper Clarke Admiralty Military Intel Officer
Stevee Davies Young Codebreaker
Alison Steadman Rita
Russell Balogh Sandhurst PT
Kristian Nekrasov General Ludendorff
Stefan Schiffer Ludendorff Butler
Tim Bruce Sandhurst Chaplain
Hal Hillman Sandhurst Cadet
Ian Kelly President Woodrow Wilson
David Calvitto Vice President
Ian Porter General
Simon Connolly White House Butler
Alexander Cobb British Officer
Aaron Taylor-Johnson Archie Reid
Emun Elliott Sergeant Major
James Backway Soldier
Cassidy Little British Spy
Neil Jackson Captain Forrest
Ben Ayers Black Watch Soldier #1
Gwithian Evans Black Watch Soldier #2
Cory Stuckey Black Watch Soldier #3
Timon Staehler Storm Trooper
Timothy Blore German Soldier #1
Ross Anderson Corporal Johnstone
Robert Aramayo Sergeant Major Atkins
Remus Brooks Kings Liverpool Soldier #1
Felix Mosse Kings Liverpool Soldier #2
Will Pattle Kings Liverpool Soldier #3
Amy Leeson Pub Girl #1
Dolores Carbonari Pub Girl #2
Stanley Tucci United States Ambassador
Pippa Winslow United States Embassy Secretary
David Kross Moustached Man
Katarina Martin Housekeeper (uncredited)
Kya Garwood Maid (uncredited)
Constantine Gregory Mayor of Sarajevo (uncredited)
Hal Fowler Russian General (uncredited)
Renars Latkovskis Russian Sheppard (uncredited)
Jack Cunningham-Nuttall Bath Boy (uncredited)
Chloé Booyens Soldier (uncredited)
Tiago Martins Officer Cadet (uncredited)
Name Job
Matthew Vaughn Story, Screenplay, Director
Karl Gajdusek Screenplay
Mark Millar Comic Book
Dave Gibbons Comic Book
Jason Ballantine Editor
Aidan Brindle Stunts
Doren John Farmer Stunts
Mark Ginther Stunt Coordinator
Adam Bohling Unit Production Manager
David Reid Unit Production Manager
Iain Mackenzie Unit Production Manager
Cliff Lanning First Assistant Director
Bradley James Allan Second Unit Director
Guillermo Grispo Stunt Coordinator, Second Unit Director
Matthew Collinge Sound Supervisor, Sound Re-Recording Mixer
Danny Sheehan Sound Supervisor, Supervising Sound Editor
Dominic Lewis Original Music Composer
Mike Snow Stunts
Paul Massey Sound Re-Recording Mixer
Wayne Dalglish Fight Choreographer
Daren Nop Fight Choreographer
Elizabeth Donker Curtius Stunt Double
Fraser Taggart Second Unit Director of Photography
Peter Burgis Foley Artist
Dorval Pittaluga Driver
Matteo Leurini Unit Manager
Matthew Margeson Original Music Composer
Michele Clapton Costume Design
Kazia Roach VFX Artist
Annabelle Zoellin Visual Effects Producer
Oliver Benson Art Direction, Assistant Art Director
Joe Howard Art Direction
Gary Jopling Art Direction
Matthew Kerly Art Direction
Doug J. Meerdink Supervising Art Director
Andrew Palmer Art Direction
Alessandro Santucci Art Direction
Dominic Capon Set Decoration
James Collins Set Designer
Laura Collins Set Dresser
Raffaella Cuviello Set Decoration Buyer
Julia Dehoff Assistant Art Director
James Flanagan Set Dresser
Marco Furbatto Assistant Art Director
Lara Genovese Set Designer
Cody Gillies Set Dresser
Keely Lanigan-Atkins Assistant Art Director
George Lee Set Designer
Conor Maclay Set Dresser
Kristen Maloney Assistant Art Director
Chris Peters Assistant Art Director
Jake Phythian Set Dresser
Francesco Spina Set Dresser
Emma Vane Assistant Art Director
Rob Prynne Sound Designer
Alyn Sclosa Sound Effects Editor
Markus Stemler Sound Designer
Katrin Arndt Visual Effects Producer
Markus Degen Visual Effects Supervisor
Grégoire Delzongle VFX Artist
Matthew Dravitzki Visual Effects Producer
Brian Ducharme VFX Artist
Lucile Jules Gaston VFX Artist
Tom Greene Visual Effects Producer
John Haley Visual Effects Supervisor
Lev Kolobov Visual Effects Supervisor
Abhishek Kumar VFX Artist
Adrien Lambert VFX Artist
Angela Mikrut VFX Artist
Danielle Morley Visual Effects Producer
Marlene Nehls Visual Effects Producer
Geoffrey Niquet Visual Effects Supervisor
Félix Pirritano VFX Artist
Quentin Ramasseul VFX Artist
Oliver Schulz Visual Effects Supervisor
Charles Tait Visual Effects Supervisor
Kay Hoddy Rotoscoping Artist
Allen Jo Fight Choreographer
Harry Morton In Memory Of
Rob Hall Editor
Angus Bickerton Visual Effects Supervisor
Jenny Shircore Hair Designer, Makeup Designer
Reg Poerscout-Edgerton Casting
Joe Watts Utility Stunts
Lilly Blazewicz Foley Editor
Jack Cucci Foley Mixer
Zoe Freed Foley Artist
Glen Gathard Foley Mixer
Tavish Grade Foley Mixer
Rebecca Heathcote Foley Artist
Jemma Riley-Tolch Assistant Foley Artist
Michael Maroussas Dialogue Editor
Kessiah Arthur Prosthetics
Oonagh Bagley Hairstylist
Sam Bear Hairstylist, Makeup Artist
Jacqueline Bhavnani Hairstylist, Makeup Artist
Jessica Brooks Special Effects Makeup Artist
Hanna Canfor Hairstylist, Makeup Artist
Kirstin Chalmers Makeup Artist
John Fallows Hairstylist
Louise Fisher Makeup Artist
Chloe Grice Makeup Artist
Victoria Holt Prosthetic Makeup Artist
Joe Hopker Makeup Artist
Federico Laurenti Makeup Artist
Heather Manson Makeup Artist
Claire Matthews Makeup Artist
Valentina Spuntarelli Hairstylist
Ben Davis Director of Photography
Mike Prestwood Smith Sound Re-Recording Mixer
Chris Lyons Special Effects Makeup Artist
Luke Tumber Stunts
Josh Dyer Stunts
Nick Gottschalk Art Direction
Laura Swift Stunt Double
Darren Gilford Production Design
Ben Foster Conductor
Daniel Awde Stunts
Nikeah Forde Visual Effects Producer
Matthew Twyford Visual Effects Supervisor
Philip Harvey Stunt Double
Matthew Bell Stunts
Emanuele Romano Stunts
Sebastian Lauer CG Supervisor
Cali Nelle Stunt Double
Luke Scott Stunts
Name Title
Adam Bohling Producer
Matthew Vaughn Producer
Mark Millar Executive Producer
Dave Gibbons Executive Producer
Carlos Peres Co-Producer
David Reid Producer
Stephen Marks Executive Producer
Claudia Schiffer Executive Producer
Cliff Lanning Co-Producer
Ralph Fiennes Executive Producer
Angus More Gordon Co-Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 112 178 61
2024 5 204 234 163
2024 6 136 212 54
2024 7 99 146 64
2024 8 96 131 60
2024 9 68 82 58
2024 10 74 116 48
2024 11 67 78 47
2024 12 70 120 53
2025 1 67 92 53
2025 2 49 68 9
2025 3 27 59 3
2025 4 9 10 7
2025 5 19 71 7
2025 6 19 70 8
2025 7 7 9 5
2025 8 7 10 5

Trending Position


Year Month High Avg
2025 8 243 605
Year Month High Avg
2025 7 312 652
Year Month High Avg
2025 6 267 683
Year Month High Avg
2025 5 361 700
Year Month High Avg
2025 4 224 622
Year Month High Avg
2025 3 248 677
Year Month High Avg
2025 2 143 748
Year Month High Avg
2025 1 296 671
Year Month High Avg
2024 12 230 733
Year Month High Avg
2024 11 193 682
Year Month High Avg
2024 10 481 780
Year Month High Avg
2024 9 340 687
Year Month High Avg
2024 8 218 484

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Reviews

garethmb
N/A

After being delayed multiple times from a planned November 2019 release; Writer/Director Matthew Vaughn has released the third film in the “Kingsman “film series with “The King’s Man”. This time around the movie looks back to the origins of the society dedicated to peace and solving global conflicts ... before they can escalate. In pre-World War I Europe; wealthy pacifist Orlando Oxford (Ralph Finnes); looks to raise his son Conrad (Harris Dickinson); following the tragic loss of his wife some years earlier on a Red Cross mission. When events kick off the war; Conrad wishes to enlist and fight and his father is able to keep this from happening as he wants his son to avoid the horrors of war. At the same time; a secret Cabal has been plotting to start the war and manipulate the outcome and one of the agents named Rasputin (Rhys Ifans); looms prominently due to his influence over the Czar of Russia. As the years pass and the war unfolds; Conrad and Orlando soon find themselves at odds and being pulled into opposite directions which sets a chain of events into action and puts the fate of the world in the balance. The film is at times more retrained than the prior two films but the action sequences when they arrive are entertaining and mix the humor and violence that the series is known for. The cast is solid and the way that historical events were used but given an alternate perspective really added to the enjoyment of the film. The movie does have a decent amount of humor but does spend a great deal of time on character development and exposition which can lead to some long gaps between the action, but the engaging stories and characters hold your interest throughout. The film sets up further adventures in the Prequel timeline well and it appears that this is the direction that future films may go which would be more than fine as the film delivered what fans have come to expect from the series. 4 stars out of 5

Dec 14, 2021
Dark Jedi
4.0

This movie ended up being quite unique and not in a good way. The uniqueness comes from the fact that I actually agree with the critics rating at that abysmally woke, leftist and useless site Rotten Tomatoes that this movie is not very good. That I agree with that rubbish site is rare indeed. As ... a standalone movie I probably would have rated it higher but as a movie in the Kingsman franchise I have to say that it was a disappointment. The movie sets a quite different tone than the other Kingsman movies. This movie is quite gloomy. The story, which takes the history of the first world war and the Russian revolution and rewrites everything behind those events, is pretty ridiculous. The stories in the two previous Kingsman movies was no masterpieces but this historical rewrite is just wrong. Especially when playing with historical events that has caused more suffering than more or less anything else in modern history. The coolness of the two previous movies is more or less gone. I cannot figure out if this movie tried to be serious or humorous but it fails on both accounts. The Duke of Oxford’s overprotection of his son and his pacifism during most of the movie was just tiresome. What eventually happened to his son was rather predictable but the way they did it was like they where just trying to piss the audience off. Incredibly frustrating. Then we have Rasputin. The entire Rasputin part was mostly alternating between silly and disgusting. The Duke’s maid/nurse was a nice part though although the actor was not really very good in the role. Also, I am not sure that this “network of domestic servants” felt very plausible. There were some outbursts of action that was not too bad. Especially towards the end when the Duke finally seemed to get his act together and drop this pacifist rubbish. I do however exclude most the world war scenes from the good action. They were just gloomy, sad and, at times, unrealistic and silly. Overall this movie was just so unlike the other two movies, and not in a good way, that I really did not like it. It was not really fun to watch. As I wrote it was gloomy most of the time. As it used the events leading to world war one and the Russian revolution it was just one disastrous setback after each other. The only positive event in the movie was really at the end when the Duke of Oxford, founded the Kingsman agency. Reading the synopsis one might get the idea about the Kingsman agency being created and I hoped more of the movie would have been about the actual creation but the movie is really two hours of long winded often gloomy, sometimes silly, drama and then there are less than two minutes where the Duke of Oxford proclaims the agency created. Not what I expected to be honest.

May 16, 2024
tmdb28039023
1.0

The King’s Man is a mostly harmless movie, unless you, like Rasputin, “consider being boring offensive”; if that’s the case, then you’re most likely going to want to demand satisfaction from co-writer/director Matthew Vaughn. This is an exceedingly long movie, yet it somehow can’t or won’t find the ... time or space to fit in a little logic. Consider the following. A group of British citizens go to Moscow to kill Rasputin, whom they believe to be a pernicious influence on the Tsar – and that he is, but that doesn’t change the fact that Rasputin remains the Tsar’s closest and most trusted advisor. One would not expect the Russian monarch to be too keen on continuing his alliance with England if he knew a bunch of English covert agents just assassinated, with extreme prejudice, his right hand man. Fortunately he never finds out – or at least doesn’t appear to do so; the scene where the British cover up the murder and make it look like an accident or whatever has gone missing, presumably because it was never written, let alone shot. Having said that, I rather liked Rasputin’s death scene, which recreates all manners of his fabled death (or, to be more specific, the myth surrounding it created by Prince Felix Yusupov); poison, beating, bullet wounds, and drowning in freezing water. This, by the way, is not a spoiler; first because it happens halfway through the movie (and in this case “halfway” means there’s still a very long way to go), and second because his legendary demise is so well known it even has a trope named after it. You know what else would not be a spoiler? The identity of the criminal mastermind behind the nameless organization – I would suggest OWCA (Organization Without a Cool Acronym), were it not already taken – intent on wreaking havoc upon the world; identity which I will not reveal because it should be readily apparent to anyone familiar with the Law of Economy of Characters (in which a seemingly minor or unimportant character turns out to be much more crucial to the plot than they first appear to be). I will only add that the villain’s uncanny ability to impossibly go from point A to a point beyond the alphabet, aided by little more than the requirements of the script, produces a plot hole so big a submarine could pass through it – and literally does.

Sep 03, 2022
MChrisp
N/A

So, I did not expect this movie. Way darker than the previous ones. Still with humour, though. I really enjoyed it. Really well made. Good effects, good acting, surprising storyline. Did not find anything annoying, whicj rarely happens. I really like this one best of the three Kingsman. ...

Feb 15, 2023