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Scream 3

The most terrifying scream is always the last.
2000 | 116m | English

(178160 votes)

TMDb IMDb

Popularity: 9 (history)

Director: Wes Craven
Writer: Ehren Kruger
Staring:
Details

While Sidney Prescott and her friends visit the Hollywood set of Stab 3, the third film based on the Woodsboro murders, another Ghostface killer rises to terrorize them.
Release Date: Feb 04, 2000
Director: Wes Craven
Writer: Ehren Kruger
Genres: Horror, Mystery
Keywords movie business, isolation, mask, ex-cop, sequel, serial killer, reporter, slasher, hollywood, self-referential, phone call, satirical, annual phone call
Production Companies Konrad Pictures, Craven-Maddalena Films, Dimension Films
Box Office Revenue: $161,834,276
Budget: $40,000,000
Updates Updated: Aug 16, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
David Arquette Dewey Riley
Neve Campbell Sidney Prescott
Courteney Cox Gale Weathers
Patrick Dempsey Mark Kincaid
Scott Foley Roman Bridger
Lance Henriksen John Milton
Matt Keeslar Tom Prinze
Jenny McCarthy-Wahlberg Sarah Darling
Emily Mortimer Angelina Tyler
Parker Posey Jennifer Jolie
Deon Richmond Tyson Fox
Kelly Rutherford Christine Hamilton
Liev Schreiber Cotton Weary
Patrick Warburton Steven Stone
Jamie Kennedy Randy Meeks
Roger L. Jackson Ghostface (voice)
Julie Janney Moderator
Richmond Arquette Student
Nancy O'Dell Female Reporter
Ken Taylor Male Reporter
Lynn McRee Maureen Prescott
Roger Corman Studio Executive
Josh Pais Wallace
John Embry Stage Security Guard
Lawrence Hecht Neil Prescott
Lisa Beach Studio Tour Guide
Kevin Smith Silent Bob
Jason Mewes Jay
Erik Erath Stan
Daniel K. Arredondo Office Security Guard
Lisa Gordon Waitress
Heather Matarazzo Martha Meeks
Carrie Fisher Bianca Burnette
C.W. Morgan Hank Loomis
Beth Toussaint Female Caller (voice)
Wes Craven Man with Video Camera on Studio Tour (uncredited)
Strawberry Fields Tourist (uncredited)
Name Job
Ehren Kruger Screenplay
Marco Beltrami Original Music Composer
Gene Serdena Set Decoration
Wes Craven Director
Kevin Williamson Characters
Peter Deming Director of Photography
Patrick Lussier Editor
Claudia Bestor Art Department Coordinator
Jake Garber Makeup Effects
Daniel Lupi Production Manager
Todd Toon Supervising Sound Editor, Sound Designer
Scott Andrew Ressler First Assistant Camera
Rick Avery Second Unit Director, Stunt Coordinator
Jennifer Badger Stunts, Stunt Double
Lisa Hoyle Stunt Double
Gloria O'Brien Stunts, Stunt Double
Bruce Alan Miller Production Design, Set Designer
Rico Torres Still Photographer
Kimberly Adams Assistant Costume Designer
Patti Hawn Unit Publicist
Doc Kane ADR Mixer
Joni Avery Stunts
Laura Albert Stunts
Grant Samson Leadman
Steven Lambert Stunts
Erik Cord Stunts
Spiro Razatos Stunts
Rick Barker Stunts
Lisa Beach Casting
Thomas Fichter Art Direction
Abigail Murray Costume Design
Robert J. Carlyle Construction Coordinator
Ron Bolanowski Special Effects Coordinator
Leslie Huntley Visual Effects Producer
Ray McIntyre Jr. Visual Effects Supervisor
Gene Warren Jr. Visual Effects Supervisor
Sarah Katzman Casting Associate
Sheila Waldron Script Supervisor
Kathrine Gordon Hair Department Head
Carol Schwartz Makeup Department Head
Sarah Mays Makeup Artist
Donna Cicatelli-Lewis Key Makeup Artist
Daniel K. Arredondo Second Assistant Director
Nicholas Mastandrea First Assistant Director
Robert W. Anderson Set Dresser
Craig B. Ayers Sr. Greensman
George Capetanos Set Dresser
Gerald Gates Jr. Painter
Michael Glynn Set Dresser
J.P. Jones Property Master
Cesar Orozco Propmaker
Sloane U'Ren Set Designer
Quinn Yarbrough Set Dresser
Edward Tamayo Set Dresser
G.W. Brown Supervising ADR Editor
Tim Chau Sound Re-Recording Mixer
Andy D'Addario Sound Re-Recording Mixer
David Diamond Boom Operator
Albert Gasser Sound Editor
Howell Gibbens ADR Editor
John Kwiatkowski Sound Editor
Donald J. Malouf Sound Editor
Piero Mura Sound Editor
Jim Stuebe Sound Mixer
David Ghegan Electrician
Tim Collins Dolly Grip
Ken Glassing Camera Operator
Mark Sadler Lighting Technician
Tony Bacigalupi First Assistant Editor
Nathan Easterling Assistant Editor
Bill Abbott Music Editor
Ed Gerrard Music Supervisor
Adam Kay Music Editor
Robert Dawson Title Designer
Michelle Sebek Stunts, Stunt Double
Lori Rowbotham Assistant Art Director
Nancy Deren Set Designer
Anthony D. Parrillo Set Designer
Barbara Ann Spencer Set Designer
Steven Samanen Graphic Designer
Robert Consing Storyboard Artist
Monica Castro Assistant Property Master
Mark Van Loon Steadicam Operator
Suzanne Cranfill Set Costumer
David Dietch Set Costumer
Lesa Nielsen Makeup Artist
Hazel Catmull Hairstylist
Elisha Gruer Casting Assistant
Jennifer Bender Extras Casting
Robert C. Decker Location Manager
Ilt Jones Location Manager
Ray Rarick Construction Foreman
Derek Raser Transportation Coordinator
J.T. Thayer Transportation Captain
Jim Chesney Transportation Co-Captain
Paul Hughen Second Unit Director of Photography
Rosemary C. Cremona Second Unit First Assistant Director
David Kern Sound Editor
Mark A. Tracy First Assistant Sound Editor
F. Scott Taylor Assistant Sound Editor
Dan O'Connell Foley Artist
John T. Cucci Foley Mixer
John Kurlander Scoring Mixer
Reid Paul Compositing Supervisor
Patrick Murphy Digital Compositor
Frank Anello Stand In
Bruce Harris Digital Compositor
Tina Anderson Post Production Coordinator
Philip Sloan First Company Grip
Eric Sandlin Assistant Chief Lighting Technician
Eugene B. Kerry Grip
Paul Wilkowsky Grip
Michael LaViolette Chief Lighting Technician
Jane Austin Stunts
Dana Reed Stunts
Tabby Hanson Stunts
Tammy Brady Conrad Stunts
Terri Cadiente Stunts
Mary Albee Stunts
Phil Culotta Stunts
Clint Lilley Stunts
Name Title
Marianne Maddalena Producer
Cathy Konrad Producer
Kevin Williamson Producer
Bob Weinstein Executive Producer
Harvey Weinstein Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 50 77 34
2024 5 55 126 33
2024 6 40 58 26
2024 7 38 64 27
2024 8 41 92 29
2024 9 30 41 25
2024 10 55 96 31
2024 11 63 122 37
2024 12 38 57 31
2025 1 41 82 28
2025 2 29 42 5
2025 3 11 36 3
2025 4 9 16 5
2025 5 8 18 5
2025 6 6 10 5
2025 7 5 6 4
2025 8 5 6 4
2025 9 6 7 5
2025 10 8 9 7

Trending Position


Year Month High Avg
2025 10 242 702
Year Month High Avg
2025 9 341 746
Year Month High Avg
2025 8 205 653
Year Month High Avg
2025 7 126 663
Year Month High Avg
2025 6 349 659
Year Month High Avg
2025 5 328 733
Year Month High Avg
2025 4 356 672
Year Month High Avg
2025 3 160 655
Year Month High Avg
2025 2 157 566
Year Month High Avg
2025 1 275 725
Year Month High Avg
2024 12 363 709
Year Month High Avg
2024 11 281 644
Year Month High Avg
2024 10 464 781
Year Month High Avg
2024 9 460 715
Year Month High Avg
2024 8 839 945

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Reviews

John Chard
7.0

Oh the irony of it all... After surviving the second wave of ghostface killings, Sidney Prescott has retired to the mountains to live in peace and work as a phone call therapist. Sadly for her she is about to be dragged back into the nightmare because the production of Stab 3 is rocked by murder ... and the killer is leaving pictures of Sidney's dead mother at the crime scenes. I have to admit that I once never gave this film much love, I loved the first two to such a degree that I felt this third and final instalment was way off being a fitting closure to what was at the time a trilogy. Yet as time has wore on I have really grown fond of the film, Parker Posey no longer annoys the hell out of me, the once jarring itch of watching the makers kill off a fave character of mine in the opening sequence is something I now view as a masterstroke, and the twisty ending that was once an irksome pest has moved on to be the perfect "trilogy" closure. Scream 3 has its tongue firmly in its cheek, it's aware of its number and it's aware of its formulaic root, so in spite of treading familiar ground (I mean come on gang, have you not learnt nothing from your previous experiences), the returning characters still have our undivided attention. While the transporting of the story to Hollywood, with its movie within a movie structure, is fresh and adds a new dimension to proceedings. New additions to the scary fun are Patrick Dempsey, Emily Mortimer, Lance Henriksen and the afore mentioned Parker Posey, and all of them add greatly to the mysterious plot unfolding. The death quotient is still high, and the Wes Craven school of whodunitry is well and truly open, and I personally feel that this one is easily the funniest film of the three, witness Jay & Silent Bob turning up, a Carrie Fisher sequence that once heard will never be forgotten, and a video appearance by passed on geek god Randy Meeks. Scream 3 closes the "trilogy" just fine, it's got bags of energy and a glint in its eye, now if only I could get a copy of the uncompleted Stab 3 off the internet - and if only there wasn't to be a part 4 further down the line... 7/10

May 16, 2024
Geronimo1967
5.0

Not even a brief cameo from "Princess Leia" herself - passing lively comment on George Lucas's casting techniques, can save this entirely derivative trequel. Amidst the filming of "Stab 3", people start to drop like flies almost exactly as they might following script of this soon to be completed mas ... terpiece. The new slasher starts as he/she/it means to go on, by dispatching poor old "Cotton" (Liev Schreiber) and his girlfriend before turning attention to the old guard of "Sidney" (Neve Prescott), Courteney Cox ("Gale") - and their movie-star doppelgängers whilst the indomitable "Dewey" (David Arquette) laudably, but ineffectively, keeps a look out as the corpses pile up. This is a really poor rehash of the original with almost exactly the same plot with the same red herrings, screeching hysteria and audio-induced jump-points. Although the structure of the story is marginally different, the ending is just as ridiculously left field and reminded me of something Agatha Christie might have drafted before she tossed it on the fire. This gift has stopped giving for Wes Craven, time to stop!

Feb 14, 2023
TitanGusang
4.0

**_Scream 3’s_ lackluster screenplay and unimaginative kills leave a film that is a bore to watch.** The meta-narrative of trilogies throughout the film does not make up for how abysmal the plot was. This film creates so much lore for the past movies seemingly out of the blue, muddling up the con ... tinuity for shock value. It added very little to this film and felt forced. The entire plot point of Sidney’s mother being a former Hollywood actress was pretty lame, especially with the added plot point of her being sexually assaulted by a movie producer. It may be personal taste, but I absolutely despise when films add that plot point, as it feels incredibly hypocritical since it is something that genuinely happens to an industry, they are involved in. The love triangle between Gale, Dewey, and the Gale actress was pretty dumb and felt undeserved, as we have not seen Gale and Dewey actually together in any of the films. In horror films, you can have a good movie with a terrible plot as long as the kills are great. Unfortunately, Scream 3 continues the trend of having boring kills with no imagination. There has been only one truly unique kill throughout the entire franchise, and the rest are unbloody stab kills. I understand the meta being about stabbing with a knife, as the in-film movie is called Stab, but please add some gore to it. There is nothing, no blood squirts or body horror, and it caused the entire movie to be boring. Our performances were exactly how I would describe Scream 2, with both Neve Campbell and Courtney Cox being the standouts and David Arquette being average at best. All of the new characters were pretty uninteresting, all of the actors in the film were annoying, and the movie producers felt generic. The direction of this film felt pretty uninspired. I am not sure if Wes Craven was forced to make this movie by the studio, but nothing about it felt unique and creative. It felt like he was phoning it in for a paycheck. Overall, there were not a lot of redeeming qualities for this film, and it left me feeling unfulfilled as the final credits rolled. Hoping Scream IV has more in store for me than this lackluster film. **Score:** _45%_ **Verdict:** _Poor_

Mar 08, 2023