 
  Popularity: 11 (history)
| Director: | James Wong | 
|---|---|
| Writer: | James Wong, Glen Morgan | 
| Staring: | 
| High school senior Wendy's premonition of a deadly rollercoaster ride saves her life and a lucky few, but not from death itself — which seeks out those who escaped their fate. | |
| Release Date: | Feb 09, 2006 | 
|---|---|
| Director: | James Wong | 
| Writer: | James Wong, Glen Morgan | 
| Genres: | Horror, Mystery | 
| Keywords | beheading, dying and death, omen, stroke of fate, burned alive, premonition, fate, death, roller coaster / rollercoaster, cheating death, supernatural horror, suspenseful, horror, teen scream | 
| Production Companies | New Line Cinema, Zide-Perry Productions, Hard Eight Pictures, Matinee Pictures, Practical Pictures | 
| Box Office | Revenue: $118,890,272 Budget: $25,000,000 | 
| Updates | Updated: May 05, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Mary Elizabeth Winstead | Wendy Christensen | 
| Ryan Merriman | Kevin Fischer | 
| Kris Lemche | Ian McKinley | 
| Alexz Johnson | Erin Ulmer | 
| Sam Easton | Frankie Cheeks | 
| Jesse Moss | Jason Wise | 
| Gina Holden | Carrie Dreyer | 
| Texas Battle | Lewis Romero | 
| Chelan Simmons | Ashley Freund | 
| Amanda Crew | Julie Christensen | 
| Yan-Kay Crystal Lowe | Ashlyn Halperin | 
| Tony Todd | Devil (voice) | 
| Ecstasia Sanders | Amber Regan | 
| Jody Racicot | Bludworth | 
| Patrick Gallagher | Colquitt | 
| Maggie Ma | Perry Malinowski | 
| Jim Shield | Paul Revere | 
| Cory Monteith | Kahill | 
| Dylan Basu | Ethan | 
| Alberto Ghisi | Harry | 
| Stuart Cowan | Launch Attendant | 
| Harris Allan | Ride Attendant | 
| Alexandr Kalugin | Yuri | 
| Nels Lennarson | Clark | 
| Jacob Rupp | Polanski | 
| R. David Stephens | Minister | 
| Andrew Francis | Payton | 
| Grahame Andrews | Ben Franklin | 
| Tony Morelli | Husband | 
| Nesta Chapman | Wife | 
| Dustin Milligan | Marcus | 
| Lou Bollo | Tow Truck Driver | 
| Colby Johannson | Lineman | 
| Keith Dallas | Offensive Lineman | 
| Víctor Ayala | M-80 Boys | 
| Agam Darshi | Laura | 
| Dylan Basile | Sean | 
| Matt Ellis | Subway Performer | 
| Name | Job | 
|---|---|
| Jon Taylor | Sound Re-Recording Mixer | 
| Dave McMoyler | Supervising Sound Editor | 
| Rory Cutler | Special Effects Coordinator | 
| Clay Shier | Special Effects Coordinator | 
| Joey Lessard | CG Supervisor | 
| Claude Precourt | CG Supervisor | 
| Greg Baxter | Visual Effects Producer | 
| James Wong | Screenplay, Director | 
| Shirley Walker | Conductor, Original Music Composer, In Memory Of | 
| John Papsidera | Casting | 
| Tony Wohlgemuth | Art Direction | 
| Mark Lane | Set Decoration | 
| J.J. Makaro | Stunt Coordinator | 
| Glen Morgan | Screenplay, Second Unit Director | 
| Jeffrey Reddick | Characters | 
| Lou Bollo | Stunts | 
| Jamie Goehring | Location Scout | 
| Benton Jew | Storyboard Artist | 
| Hector C. Gika | Foley Supervisor | 
| Jeff Cassidy | Camera Trainee | 
| Caitlin McKenna | ADR Voice Casting | 
| Monte Thompson | Key Special Effects | 
| Arnaud Brisebois | Matte Painter | 
| Dana Belcastro | Production Executive | 
| Rorelee Tio | Stunt Double | 
| Leslie McMichael | Stunts, Stunt Double | 
| Jodi Stecyk | Stunts | 
| Ashlea Earl | Stunts | 
| Crystal Dalman | Stunts | 
| Jennifer Mylrea | Stunts | 
| Andrea Kinsky | Stunts | 
| Corry Glass | Stunts | 
| Laura Lee Connery | Stunts | 
| Nesta Chapman | Stunts | 
| Armen Ksajikian | Musician | 
| John MacCarthy | Second Unit First Assistant Director | 
| David Hadaway | Set Designer | 
| Jim Ramsay | Set Designer | 
| Jon Title | Sound Designer | 
| Kerry Ann Carmean | Sound Effects Editor | 
| Dino DiMuro | Sound Effects Editor | 
| Michael Kamper | Sound Effects Editor | 
| Mandell Winter | Sound Effects Editor | 
| Christian P. Minkler | Sound Re-Recording Mixer | 
| Robert McLachlan | Director of Photography | 
| Chris G. Willingham | Editor | 
| Gregory Mah | Costume Design | 
| Mark S. Freeborn | Production Design | 
| Sarah Koppes | Hairstylist | 
| Pearl Louie | Makeup Artist | 
| Toby Lindala | Makeup Effects | 
| Lance Webb | Makeup Effects | 
| Harlow MacFarlane | Makeup Effects | 
| Rachel Griffin | Makeup Effects | 
| Catherine Ircha | Assistant Art Director | 
| Mike Rennison | Construction Coordinator | 
| Frank Haddad | Greensman | 
| Darcy Wyness | Greensman | 
| Jim Bridge | Sculptor | 
| Peter Salmon | Sculptor | 
| Gary Young | Sculptor | 
| Wayne Smith | Scenic Artist | 
| Lori Gillis | Set Decoration Buyer | 
| Amy Beresford | Visual Effects Producer | 
| Brigitte Daloin | Visual Effects Editor | 
| Chris Del Conte | Visual Effects Producer | 
| Matthew Lynch | Visual Effects Producer | 
| Nicole Ratcliffe | Visual Effects Editor | 
| Mandy Tankenson | Visual Effects Producer | 
| Etienne Daigle | Visual Effects Supervisor, Compositing Supervisor | 
| Allan Magled | Visual Effects Supervisor | 
| Cristin Pescosolido | Visual Effects Supervisor | 
| Tim Stevenson | Visual Effects Supervisor | 
| Ariel Velasco-Shaw | Visual Effects Supervisor | 
| Bruce Borland | Gaffer | 
| Casey Hotchkiss | Camera Operator | 
| Peter Wilke | Steadicam Operator | 
| Chris McMullin | Steadicam Operator | 
| Shane Harvey | Still Photographer | 
| Glen A. Dickson | Additional Camera | 
| Gaetan Jalbert | Rigging Gaffer | 
| Heike Brandstatter | Casting | 
| Coreen Mayrs | Casting | 
| Hisami Yamamoto | Costume Supervisor | 
| Logan Breit | First Assistant Editor | 
| Thomas Milano | Music Editor | 
| Sylvia Nablo | Transportation Coordinator | 
| Fred Stephens | Picture Car Coordinator | 
| Helga Ungurait | Script Supervisor | 
| Tracy Young | Script Supervisor | 
| Danny McWilliams | Location Manager | 
| Gloria Davies | Unit Publicist | 
| Eric Clement | CG Supervisor | 
| Jason Crosby | CG Supervisor | 
| Kimaree Long | Dialogue Editor, ADR Editor | 
| Zack Davis | Dialogue Editor, ADR Editor | 
| Michelle Pazer | Dialogue Editor, ADR Editor | 
| Michael Hertlein | Dialogue Editor, ADR Editor | 
| Wayne McLaughlin | Property Master | 
| Michael Wrinch | Second Unit Director of Photography, Camera Operator | 
| Nerses Gezalyan | Sound Mixer, Foley Mixer | 
| Rob Young | Sound Mixer | 
| Nancy Ford | Art Direction | 
| Adrian Hrytzak | Art Department Assistant | 
| Paul Rinaldi | Construction Foreman | 
| Brian Epp | Property Master | 
| Alexandra Cram | Props | 
| David Parke | Set Dressing Artist | 
| Dean Friss | First Assistant Camera | 
| Noah Shane | Grip | 
| Fraser Boyle | Key Grip | 
| Debra Wiebe | Key Hair Stylist | 
| Tanya Hudson | Key Makeup Artist | 
| Joann Fowler | Makeup Designer | 
| Ian Ferguson | Cableman | 
| Michael Adkisson | Compositor | 
| Suzanne McGovern | Craft Service | 
| Janet Yale | Digital Producer | 
| Matt Bunten | Driver | 
| Paul Prokop | Executive in Charge of Finance | 
| Lisa O'Donoghue | Dialogue Editor, ADR Editor | 
| Christopher Clark | Makeup Effects | 
| Jay Vinitsky | Post Production Supervisor | 
| Jon Davidson | Production Controller | 
| Dylan Jenkinson | Production Office Assistant | 
| Berj Bannayan | Software Engineer | 
| Tami DeSchutter | Stand In | 
| John Brake | Systems Administrators & Support | 
| Ray Fairchild | Transportation Captain | 
| Bert Prevost | Transportation Co-Captain | 
| Sharon Simms | Utility Stunts | 
| Jack Hardy | First Assistant Director | 
| Michael Hatzer | Color Timer | 
| Max Engoian | Editorial Production Assistant | 
| Derek Touvell | Best Boy Electric | 
| Paul Bougie | Best Boy Electrician | 
| Todd Helsley | Electrician | 
| Ian Allard | Lighting Artist | 
| Jonathan Bosse | Rigging Grip | 
| Wendy O'Brien | Casting Associate | 
| Jody Levin | Executive In Charge Of Post Production | 
| Erik Holmberg | Executive In Charge Of Production | 
| Scott Parker | Post Production Accountant | 
| Lynell Bangs | Production Accountant | 
| Jennifer Metcalf | Production Coordinator | 
| Michael Kowalski | Production Supervisor | 
| Penny Gibbs | Unit Production Manager | 
| Scott Aitken | Boom Operator | 
| Kim Carroll | Musician | 
| Harvey Cohen | Orchestrator | 
| Jacques Dell | 3D Animator | 
| Mitch Gates | 3D Artist | 
| Sylvain Allard | 3D Modeller | 
| Aaron Dem | Executive Visual Effects Producer | 
| Graham T. McClusky | Visual Effects | 
| Richard Cote | Visual Effects Coordinator | 
| Lars Bjerre | Dialogue Editor | 
| Tamar Ouziel | Assistant Makeup Artist | 
| Paul Lavigne | Costume Set Supervisor | 
| Tess Brummitt | Truck Costumer | 
| Tarnya Cook | Additional Third Assistant Director | 
| Danny Rubio | Assistant Director | 
| Roger Scott Russell | Second Assistant Director | 
| Paul Tennis | Second Second Assistant Director | 
| Kevin Leeson | Third Assistant Director | 
| Marta McLaughlin | Assistant Property Master | 
| Jonathan Block | Title Designer | 
| Ron Bedrosian | ADR Mixer | 
| Julio Carmona | ADR Recordist | 
| Derek Lee Bell | Sound Assistant | 
| Ian Korver | Special Effects Assistant | 
| André Dominguez | Special Effects Best Boy | 
| Dennis Briest | Special Effects Technician | 
| Dennis McHugh | VFX Director of Photography | 
| Landon Medeiros | Visual Effects Production Assistant | 
| John Bozzalla | Visual Effects Production Manager | 
| Nick Allen | Stunt Double | 
| Jason Dryden | Best Boy Grip | 
| Elvina Meret | Camera Loader | 
| David Hutton | Dolly Grip | 
| Domenic Mastrippolito III | Second Assistant Camera | 
| James McKenzie Moore | Casting Assistant | 
| Darren Block | Assistant Editor | 
| Jim Garrow | Colorist | 
| Joe Hathaway | Digital Color Timer | 
| Rachel Faith Hanson | Post Production Coordinator | 
| Shane Lennox | Assistant Location Manager | 
| Chris Boardman | Music Arranger | 
| Dana Dubé | Animal Coordinator | 
| Peter G. Capadouca | Chief Lighting Technician | 
| Kate Auld | Digital Compositor | 
| Annette McCaffrey | Extras Casting | 
| Stephanie Boeke | Extras Casting Assistant | 
| Sylvia Jang | First Assistant Accountant | 
| Andrew Bronstein | First Assistant Production Coordinator | 
| John Pirozok | Generator Operator | 
| Francois Garcia | Head of Production | 
| Zsolt Baranyai | Key Production Assistant | 
| W. Robert Millar | Key Set Production Assistant | 
| Dana Perlman | Payroll Accountant | 
| Sean Looper | Pipeline Technical Director | 
| Athena Kouverianos | Production Assistant | 
| Steven Michael Adams | Pyrotechnician | 
| Elizabeth Matthews | Roto Supervisor | 
| Loren Van Wiel | Rotoscoping Artist | 
| Keely Johnson | Second Assistant Accountant | 
| Janina Dall Nenadic | Stunts | 
| Lori Stewart | Stunts | 
| Kristy Glass-Suitor | Stunts | 
| Robert Fernandez | Scoring Mixer | 
| Art Schaefer | Unit Production Manager | 
| Name | Title | 
|---|---|
| James Wong | Producer | 
| Richard Brener | Executive Producer | 
| Toby Emmerich | Executive Producer | 
| Glen Morgan | Producer | 
| Sheila Hanahan | Associate Producer | 
| Craig Perry | Producer | 
| Warren Zide | Producer | 
| Art Schaefer | Co-Producer | 
| Matt Moore | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
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| 2024 | 4 | 42 | 54 | 30 | 
| 2024 | 5 | 49 | 64 | 41 | 
| 2024 | 6 | 53 | 81 | 33 | 
| 2024 | 7 | 70 | 101 | 41 | 
| 2024 | 8 | 47 | 65 | 27 | 
| 2024 | 9 | 36 | 44 | 27 | 
| 2024 | 10 | 44 | 86 | 27 | 
| 2024 | 11 | 40 | 57 | 29 | 
| 2024 | 12 | 36 | 46 | 28 | 
| 2025 | 1 | 38 | 52 | 28 | 
| 2025 | 2 | 47 | 66 | 7 | 
| 2025 | 3 | 11 | 44 | 3 | 
| 2025 | 4 | 15 | 19 | 12 | 
| 2025 | 5 | 34 | 55 | 14 | 
| 2025 | 6 | 27 | 38 | 22 | 
| 2025 | 7 | 13 | 22 | 9 | 
| 2025 | 8 | 9 | 11 | 7 | 
| 2025 | 9 | 10 | 13 | 8 | 
| 2025 | 10 | 10 | 14 | 8 | 
Trending Position
| Year | Month | High | Avg | 
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| 2025 | 10 | 170 | 598 | 
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| 2025 | 9 | 146 | 576 | 
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| 2025 | 8 | 116 | 462 | 
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| 2025 | 7 | 84 | 327 | 
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| 2025 | 6 | 22 | 108 | 
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| 2025 | 5 | 12 | 100 | 
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| 2025 | 4 | 113 | 475 | 
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| 2025 | 3 | 42 | 537 | 
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| 2025 | 2 | 228 | 596 | 
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| 2025 | 1 | 269 | 695 | 
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| 2024 | 12 | 392 | 786 | 
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| 2024 | 11 | 182 | 678 | 
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| 2024 | 10 | 359 | 804 | 
| Year | Month | High | Avg | 
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| 2024 | 9 | 827 | 919 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 8 | 487 | 827 | 
Roller Toaster. Final Destination the series moves into its third instalment without really changing the formula that was working for it. Here the opening disaster involves a Roller Coaster crash that is brought via a premonition to Wendy Christensen (Mary Elizabeth Winstead). As in the previous ... two films, the visionary and some friends get spooked and get off the coaster to find it actually does crash and a bunch of horrific deaths befall all those on board. Sure enough the survivors start being killed off in equally gruesome ways, it becomes apparent that the old grim reaper is out to claim the deaths that were denied him. The opening section of FD3 is superb, the credits roll to a back drop of various carnival/fairground attractions that offer up foreboding terror, all backed by an eerie rumbling musical score. Then the crash itself is excellently stage, so much so that anyone frightened of Roller Coasters can point to this as a reason why! Then we revert to type, the youthful cast get bumped off in more ingenious ways, with more gore and lashings of dark humour pumped up this time (the use of Love Roller Coaster by The Ohio Players is genius). The narrative drive this time involves photographs, which is a nice touch and overcomes the triteness of some dialogue exchanges. It's a safe entry in the series, and it boasts in Winstead the best young lead actress of the whole franchise. As with all horror films - franchises, some will love it and some will hate it, but ultimately it really does exactly what the previous two films did. So if a fan of those then this does a good job as well. The 2 disc DVD comes with a delightful choose their fate option, which with a bit of playing around gives you a slightly different version of the film. While it is recommended you turn up your home cinema systems for the Roller Coaster segments. 7/10
In short, not a very exciting movie. It was not at all as good as the previous ones. Not that this was very surprising of course since the general consensus on the web seems to be that 1 & 2 are quite good, 3 & 4 not so much while the 5th is supposed to be back in shape. Unfortunately, in this 3rd ... installment it seems that the producer took some shortcuts and produced the all to common teenage splatter movie. That is, do not bother about spending time on a decent script nor any acting capabilities to talk about. Replace all that with some wiggling boobs and behinds to appeal to the not too intelligent part of the teenage movie going audience, kill of a few of the bearers of said boobs and behinds at regular intervals in an increasingly goory and spectacular way and you’re done. I kind of like the goory and violent bit, it’s supposed to be a horror movie after all, but I would prefer that it was strung together in something that at least can be said to be semi-intelligent way. Well, you cannot have a film collection if you do not have all the films in a series can you? So I cannot say that I regret buying the set but I do not think this one will go up on the films to re-watch list any time soon.
***Decent, but now formulaic entry in this 'Dead Teenager' series*** The first "Final Destination" movie in 2000 was a rather innovative 'Dead Teenager Movie' in that the killer was Death itself, as an invisible spirit. A group of people, mostly teens, escape a great tragedy due to a premonitio ... n of one of them and the rest of the movie involves the Grim Reaper systematically slaying the kids who cheated Death in various creative ways, usually an unlikely chain of events. The opening tragedy in the first film was a plane crash, in the second it's a horrible highway pile-up while in this third entry it's a rollercoaster mishap. All of the movies in the five-film franchise tell the same basic story with different characters and minor nuances; all of them are of the same high quality of technical filmmaking. Whether you prefer one or another depends on your preference for cast members and the death sequences (and the locations). Other than these factors they're all basically the same. Released in 2006, "Final Destination 3" has a quality doe-eyed heroine or 'final girl' in Mary Elizabeth Winstead. There are some other worthy female cast members, like Alexz Johnson, Chelan Simmons, Crystal Lowe and Amanda Crew. These five ladies represent perhaps the best assortment of women in the series yet. While it’s true that you know exactly how this film plays out if you've seen the first two installments, or any of them, there are some highlights beyond the female cast. For instance, the rollercoaster accident is thrilling and rings true in light of real-life mishaps at amusement parks. There’s also a horrifying tanning booth death sequence, which was done better in “Urban Legends: Bloody Mary” from the previous year (2005). Another death scene occurs at a warehouse where two of the protagonists work. I also liked how an extended sequence outside the teens’ school takes place in the rain, which shows attention to detail (or making the best of a rainy day during shooting, whatever). For me, what makes these movies kinda dull is the fact that it's impossible to cheat Death. Sure, you can escape it here or there, but Death's been in business for millennia and expertly knows what he's doing. As such, everyone's gonna die except maybe the 'final girl,' who will most probably die in the sequel. In case you’re interested, there's an interesting 20-minute documentary about "Dead Teenager Movies" on the 'extras' disk with Roger Ebert being a highlight. The film runs 93 minutes and was shot in the Vancouver area, as were all the Final Destination flicks, except the fourth one. GRADE: C+/B-
This has the best intro to a movie I have ever seen. I'm sure we all have thought about a disaster on a roller coaster at some point in our lives. When we are about to get on a roller coaster. It's a messed up thing to see but it's awesome to see it in this movie. ...
<em>'Final Destination 3'</em> is another dud from this franchise, even if it isn't anything that I'd consider truly terrible - just real forgettable. The plot is boring, the repetitiveness is starting to ring as true as expected. They aren't trying to add any freshness, just respinning the same whe ... el. The cast are OK, Mary Elizabeth Winstead is the better lead compared to this entry's predecessor. Those onscreen aren't strong enough to make up for the movie's many other shortcomings, though. At least the effects and deaths are still solid, certainly the best element of these follow-ups. I can't say I'm expecting much from the final two sequels, here's hoping they tried to add new intrigue - something that has been missing since the gist of the plot was revealed in the original.