Popularity: 10 (history)
Director: | David R. Ellis |
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Writer: | Jeffrey Reddick, J. Mackye Gruber, Eric Bress |
Staring: |
When Kimberly has a violent premonition of a highway pileup she blocks the freeway, keeping a few others meant to die, safe...Or are they? The survivors mysteriously start dying and it's up to Kimberly to stop it before she's next. | |
Release Date: | Jan 31, 2003 |
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Director: | David R. Ellis |
Writer: | Jeffrey Reddick, J. Mackye Gruber, Eric Bress |
Genres: | Horror, Mystery |
Keywords | ambulance, car crash, premonition, vision, hospital, death, cheating death, supernatural horror, horror, apathetic, indifferent, teen scream |
Production Companies | New Line Cinema, Zide-Perry Productions |
Box Office |
Revenue: $90,941,129
Budget: $26,000,000 |
Updates |
Updated: May 09, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
A. J. Cook | Kimberly Corman |
Ali Larter | Clear Rivers |
Michael Landes | Thomas Burke |
Terrence 'T.C.' Carson | Eugene Dix |
Jonathan Cherry | Rory Peters |
Keegan Connor Tracy | Kat Jennings |
Lynda Boyd | Nora Carpenter |
James Kirk | Tim Carpenter |
Justina Machado | Isabella Hudson |
David Paetkau | Evan Lewis |
Tony Todd | William Bludworth |
Sarah Carter | Shaina McKlank |
Alejandro Rae | Dano Estevez |
Shaun Sipos | Frankie Whitman |
Andrew Airlie | Mr. Corman |
Noel Fisher | Brian Gibbons |
Christina Jastrzembska | Administrator |
Eileen Pedde | Anesthesiologist |
Jill Krop | Anchorwoman |
Marrett Green | Anchorman |
Benita Ha | Dental Receptionist |
Aaron Douglas | Deputy Steve |
Eric Keenleyside | Detective Suby |
Enid-Raye Adams | Dr. Ellen Kalarjian |
Fred Henderson | Dr. Lees |
Darcy Laurie | Man in Elevator |
John R. Taylor | Man with Hooks |
Alf Humphreys | Mr. Gibbons |
Chilton Crane | Mrs. Gibbons |
Don Bell | Biker |
Odessa Munroe | Biker's Girlfriend |
Alison Matthews | Physician |
John Stewart | Paramedic at Farm |
Rheta Hutton | On-Ramp Lady |
Name | Job |
---|---|
Peter Zinda | Sound Effects Editor |
David R. Ellis | Director |
Jeffrey Reddick | Story, Characters |
Shirley Walker | Original Music Composer |
John Papsidera | Casting |
Tom Ozanich | Sound Effects Editor |
Scott Martin Gershin | Sound Designer |
Freddie Hice | Stunt Coordinator |
Scott Nicholson | Stunt Coordinator |
Guy Bews | Stunts |
David Barrett | Second Unit Director |
Marshall Virtue | Stunt Double |
Brett Chan | Stunt Driver |
Robert Martin Luther Carter | Special Effects Best Boy |
Gary Burritt | Negative Cutter |
Ginger Joyce | Accountant |
Errin Lally | Casting Assistant |
Frederick H. Stahly | Dialogue Editor |
Michael Hertlein | Dialogue Editor |
Daniel S. Irwin | Dialogue Editor |
Hugh Waddell | ADR Supervisor |
Sharon Simms | Stunts |
Dana Belcastro | Production Executive |
Melissa R. Stubbs | Stunts |
Corry Glass | Stunts |
Marny Eng | Stunts |
Annie Ellis | Stunts |
Leanne Buchanan | Stunt Double |
Lucie Guest | Production Assistant |
Doug Chapman | Stunts |
Rick Pearce | Stunts |
J. Mackye Gruber | Screenplay |
Eric Bress | Screenplay |
Gary Capo | Director of Photography |
Eric A. Sears | Editor |
Jori Woodman | Costume Design |
Michael S. Bolton | Production Design |
James Steuart | Art Direction |
Louise Roper | Set Decoration |
Robert A. Pandini | Hairstylist |
Susan Boyd | Hairstylist |
Monica Huppert | Makeup Artist |
Debbie Vandelaar | Makeup Artist |
Patrick Zahorodniuk | Art Department Coordinator |
Anneke Van Oort | Assistant Art Director |
Dave Conway | Construction Coordinator |
Darcy Wyness | Greensman |
David Beetham | Lead Painter |
Aaron Coakwell | Lead Painter |
Susie Cowley | Scenic Artist |
Bruce Frankel | Scenic Artist |
John Lavoie | Scenic Artist |
Francis Mallette | Scenic Artist |
James Reddy | Leadman |
Camar Sterling | Scenic Artist |
Rob Wagner | Scenic Artist |
Nicola Irwin | Set Designer |
Donna Williams | Set Designer |
Jeffrey Wilhoit | Foley |
Bryan Bowen | Sound Effects Editor |
Dino DiMuro | Sound Effects Editor |
Randy Kelley | Sound Effects Editor |
Scott Sanders | Sound Effects Editor |
Patrick Cyccone Jr. | Sound Re-Recording Mixer |
Alex Burdett | Special Effects Coordinator |
Joel Whist | Special Effects Coordinator |
Ziad Seirafi | CGI Supervisor |
Bonnie Kanner | Visual Effects Producer |
Paul M. Wagner | Visual Effects Editor |
Joe Bauer | Visual Effects Supervisor |
Reid Paul | Visual Effects Supervisor |
Douglas Craik | Camera Operator |
Bill Dawson | Gaffer |
Nathaniel Massey | Camera Operator |
Don McCuaig | Second Unit Cinematographer |
Neil Seale | Camera Operator |
Gary Viola | Camera Operator |
Hans Bjerno | Helicopter Camera |
Shane Harvey | Still Photographer |
Rob Boulet | Standby Painter |
Mike Thomas | Underwater Camera |
Mike Draaijers | Rigging Gaffer |
Heike Brandstatter | Casting |
Coreen Mayrs | Casting |
Thomas L. Pankiewich | Costume Supervisor |
Sondra Durksen | Set Costumer |
Michael A. Webber | First Assistant Editor |
Thomas Milano | Music Editor |
Scott Irvine | Transportation Coordinator |
Greg Farmer | Picture Car Coordinator |
Kelly Moon | Script Supervisor |
Ann Goobie | Location Manager |
Barbara Chomos | Unit Publicist |
Richard Dobbin | Construction Foreman |
Larry Portmann | First Assistant Camera |
Kevin Black | Key Grip |
Paul Arnel | Grip |
Debbie Geaghan | Assistant Costume Designer |
Donna Bis | Key Hair Stylist |
Gordon Brunner | Set Dressing Artist |
Richard Barrett | Carpenter |
Laura Arcangeli | Chef |
Graham Blacklock | Craft Service |
Lawrence Albright | Driver |
Paul Prokop | Executive in Charge of Finance |
Matthew Walcutt | Post Production Assistant |
Jay Vinitsky | Post Production Supervisor |
Jon Davidson | Production Controller |
Tara Burstyk | Production Office Assistant |
Robert Milicevic | Security |
Tami DeSchutter | Stand In |
David Holm | Transportation Captain |
Justis Greene | Unit Production Manager |
Pete Whyte | First Assistant Director |
Michael Hatzer | Color Timer |
Jeff Trebenski | Best Boy Electric |
Gordon Bell | Electrician |
Jay Norton | Rigging Grip |
Wendy O'Brien | Casting Associate |
Erik Holmberg | Executive In Charge Of Production |
Debera Barager | Production Accountant |
Kate St-Pierre | Production Coordinator |
Brendan Ferguson | Production Manager |
Rick Bold | Boom Operator |
Branden Spencer | First Assistant Sound Editor |
Ralph Parker | Sound Mixer |
Clay Dale | 3D Artist |
Patrick Murphy | Digital Compositors |
Chetan Deshmukh | Visual Effects |
Joseph B. Conmy IV | Visual Effects Coordinator |
Christina Bulbrook | Unit Manager |
Jason Crosby | CG Supervisor |
Terry Haws | Costumer |
Cindy L. Russell | Key Set Costumer |
Berengaria Tomkies | Second Assistant Director |
David R. Baron | Third Assistant Director |
Ea Birkett | Assistant Property Master |
Frank Haddad | Head Greensman |
Robin Thomas | Paint Coordinator |
Philip Keller | Storyboard Artist |
Zack Davis | ADR Editor |
Ron Bedrosian | ADR Mixer |
Brian Basham | ADR Recordist |
James Moriana | Foley Artist |
Nerses Gezalyan | Foley Recordist |
Lee Albrighton | Special Effects Assistant |
Tyler Foell | 2D Supervisor |
Bob Lloyd | VFX Artist |
Quincy Paglaro | Additional Second Assistant Camera |
Bill Molnar | Best Boy Grip |
Jose William Manzano | Camera Loader |
Robert L. O'Hara | Dolly Grip |
Jessica Moskal | Focus Puller |
Justin Bergler | Second Assistant Camera |
Sharon Bloedorn | Assistant Editor |
David Waco | Post Production Coordinator |
Paul Giordano | Assistant Location Manager |
Kathleen Nurit | Assistant Production Coordinator |
Don Saari | Chief Lighting Technician |
Mandy Milicevic | Extras Casting Coordinator |
Sylvia Jang | First Assistant Accountant |
Ray Scalice | General Manager |
Alan MacKinnon | Generator Operator |
Jill Anderson | Payroll Accountant |
Scott Steyns | Playback Coordinator |
Carter Baynham | Production Assistant |
Jennifer Ryan | Production Secretary |
Annie Doyon | Second Assistant Accountant |
Trish Schill | Stunts |
Kim Howey | Stunts |
R.D. 'Luther' Fairbairn | Property Master |
David Mylrea | Stunts |
Michael Keller | Sound Re-Recording Mixer |
Andrew Simpson | Animal Coordinator |
Name | Title |
---|---|
Richard Brener | Executive Producer |
Jeffrey Reddick | Executive Producer |
Toby Emmerich | Executive Producer |
Sheila Hanahan | Associate Producer |
Matt Moore | Executive Producer |
Craig Perry | Producer |
Warren Zide | Producer |
Justis Greene | Co-Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 43 | 54 | 32 |
2024 | 5 | 48 | 59 | 36 |
2024 | 6 | 61 | 98 | 35 |
2024 | 7 | 72 | 97 | 45 |
2024 | 8 | 53 | 80 | 36 |
2024 | 9 | 47 | 62 | 33 |
2024 | 10 | 54 | 101 | 35 |
2024 | 11 | 50 | 79 | 33 |
2024 | 12 | 40 | 55 | 29 |
2025 | 1 | 41 | 58 | 31 |
2025 | 2 | 55 | 86 | 9 |
2025 | 3 | 14 | 53 | 3 |
2025 | 4 | 15 | 19 | 12 |
2025 | 5 | 35 | 61 | 14 |
2025 | 6 | 27 | 41 | 20 |
2025 | 7 | 13 | 20 | 9 |
2025 | 8 | 11 | 21 | 7 |
2025 | 9 | 10 | 13 | 8 |
2025 | 10 | 11 | 11 | 10 |
Trending Position
Year | Month | High | Avg |
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2025 | 10 | 306 | 522 |
Year | Month | High | Avg |
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2025 | 9 | 202 | 625 |
Year | Month | High | Avg |
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2025 | 8 | 47 | 414 |
Year | Month | High | Avg |
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2025 | 7 | 95 | 311 |
Year | Month | High | Avg |
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2025 | 6 | 19 | 126 |
Year | Month | High | Avg |
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2025 | 5 | 12 | 108 |
Year | Month | High | Avg |
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2025 | 4 | 104 | 448 |
Year | Month | High | Avg |
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2025 | 3 | 45 | 547 |
Year | Month | High | Avg |
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2025 | 2 | 134 | 589 |
Year | Month | High | Avg |
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2025 | 1 | 437 | 705 |
Year | Month | High | Avg |
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2024 | 12 | 613 | 843 |
Year | Month | High | Avg |
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2024 | 11 | 309 | 789 |
Year | Month | High | Avg |
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2024 | 10 | 330 | 714 |
Year | Month | High | Avg |
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2024 | 9 | 750 | 863 |
Year | Month | High | Avg |
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2024 | 8 | 425 | 790 |
Buckle up. Kimberly Corman has a terrifying vision that a highway pile up will claim her life and that of her friends. Blocking the entrance with her car, Kimberly watches in horror as the crash unfolds, thus saving her life and that of the people in the queue behind her. But the grim reaper is n ... ot impressed and he's coming to claim the deaths of all those who should have died in the crash. For a sequel to truly work well it has to come up with something fresh, otherwise why do a sequel eh? Well the makers of Final Destination 2 choose to use the basic same formula of the hugely enjoyable first film, only adding more black humour into the crazy death design broth. Opening with a quite horrific highway pile up, FD 2 then takes us on a journey that sees an assortment of folk offed in various and gruesome ways. The story remains the same as the first film, even though writers Bress and Gruber think they are being intricate by weaving this plot into the original story, but ultimately it's just a devilishly nonsense fun picture. Ali Larter returns for a second helping, and she in turn is joined by a bunch of no mark actors waiting for death, which is perfectly fine for the genre discerning fan. This is a riot, and as long as you don't look too deep into it (why would you really?) you may just find yourself having a real good time. 7/10
***Solid sequel, maybe a notch better than the first film*** The first "Final Destination" movie from 2000 was a rather innovative 'Dead Teenager Movie' in that the killer was Death itself, the Grim Reaper, as an invisible spiritual presence. A group of people, mostly youths, escape a great trage ... dy due to a premonition of one of them and the rest of the movie involves the Grim Reaper systematically slaying those who cheated Death in various creative ways, usually involving an unlikely chain reaction. The opening tragedy in the first film was a plane crash; in this second film from 2003 it's a horrible highway pile-up; in the third it's a roller-coaster mishap and so on. There are currently five films in the franchise and they all tell the same basic story with different characters and some nuances; they’re all of the same high quality of technical filmmaking. Whether you prefer one or another depends on whether you like the cast and the death sequences (and the locations) because, other than these factors, they're all basically the same, although the fifth film throws in an interesting new twist (Death’s victim can find a substitute). Ali Larter returns as a secondary protagonist while A.J. Cook takes the reigns of the 'final girl.’ Keegan Connor Tracy also has a considerable role in the female department while Sarah Carter has a smaller part. While this is a quality assortment of women, the creators coulda done more with them. On the opposite side of the gender spectrum Michael Landes stars as a state trooper. Jonathan Cherry, Terrence 'T.C.' Carson and James Kirk are also on hand. Their importance to the story is in that order. Meanwhile Tony Todd makes his second of four appearances in the series as a mortician who curiously knows more than he should. I actually like this one a little better than the first one, but like that film, the second half isn’t as strong as the first. Is the final scene supposed to be horrific? Cuz it made me bust out laughing. The film runs 1 hour, 30 minutes and was shot in the Vancouver, British Columbia, area, including Campbell River (although the events take place around New York City). GRADE: B/B-
This is my least favorite out of the series. Just the main character doesn't sell her character to me in this. The death scenes were cool, but it was just an ok movie. ...
"Final Destination 2" sticks to the same formula as the first one, keeping the eerie atmosphere and inevitable doom at the center of its plot. The story kicks off with a massive, well-executed crash sequence that sets the stage for another round of fate playing its twisted game. While the concept re ... mains engaging, the script doesn't dive deeper into the lore, missing an opportunity to expand on what made the original so intriguing. The directing keeps things moving at a solid pace, balancing tension with dark humor, and the cinematography does a good job of making the kills feel even more brutal with clever framing and effects. The acting is decent, nothing outstanding, but it gets the job done for a movie that relies more on suspense and creative death scenes than emotional depth. The editing is sharp, though there are a few continuity errors that eagle-eyed viewers might catch. The score is effective, enhancing the eerie mood and building tension where needed. While it doesn't reinvent the franchise, the movie delivers what fans expect, shocking, elaborate death sequences and a sense of unavoidable fate. It may not be a masterpiece, but it’s a fun, suspenseful ride for horror fans.
<em>'Final Destination 2'</em> isn't a movie I had a bad time watching, but it is undeniably a very sizeable drop from the original that I found so entertaining. Last time out we had a cool plane-related plot, this time out's RTC doesn't quite come out as interesting or as peculiar. The cast are ... also downgrades, if nothing negative. A. J. Cook & Co. are perfectly fine in their respective roles, but it is missing a sturdy lead performer. Their characters are also weak, which obviously doesn't help the acting talent. The effects/creative deaths remain fairly good though. It ends up creating some intrigue with the twist(s), though to be honest to me it felt too entwined. What doesn't help is that the cat is out the bag due to the original, it can't hit as much as you know the general gist of it all. That doesn't bode well for the other sequels, but time will tell.