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Resident Evil: Welcome to Raccoon City Poster

Resident Evil: Welcome to Raccoon City

Witness the beginning of evil.
2021 | 107m | English

(69741 votes)

TMDb IMDb

Popularity: 7 (history)

Details

Once the booming home of pharmaceutical giant Umbrella Corporation, Raccoon City is now a dying Midwestern town. The company’s exodus left the city a wasteland…with great evil brewing below the surface. When that evil is unleashed, the townspeople are forever…changed…and a small group of survivors must work together to uncover the truth behind Umbrella and make it through the night.
Release Date: Nov 24, 2021
Director: Johannes Roberts
Writer: Johannes Roberts
Genres: Action, Science Fiction, Horror
Keywords mutant, biological weapon, dystopia, infection, orphanage, zombie, mansion, police station, based on video game, reboot, ghost town, duringcreditsstinger, lockdown, 1990s, secret experiment, bitter, disheartening
Production Companies Constantin Film, Screen Gems, Davis Raccoon Films
Box Office Revenue: $41,914,915
Budget: $25,000,000
Updates Updated: Sep 06, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Kaya Scodelario Claire Redfield
Hannah John-Kamen Jill Valentine
Robbie Amell Chris Redfield
Tom Hopper Albert Wesker
Avan Jogia Leon Kennedy
Donal Logue Chief Irons
Neal McDonough William Birkin
Lily Gao Ada Wong
Chad Rook Richard Aiken
Marina Mazepa Lisa Trevor
Nathan Dales Vickers
Josh Cruddas Ben Bertolucci
Pat Thornton Truck Driver
Holly de Barros Sherry Birkin
Janet Porter Annette Birkin
Lily Gail Reid Young Claire
Daxton Gujral Young Chris
Dylan Taylor Kevin Dooley
Sammy Azero Enrico Marini
Jenny Young Waitress / Louise
Stephannie Hawkins Sickly Mother
Nathaniel McParland Sickly Boy
Pamela MacDonald Nurse
Heloise Catherine Pead Galvin Ashford Twin #1
Sophia Ann Pead Galvin Ashford Twin #2
Kalie Hunter Chernobyl Zombie #1
Andrea Ciacci Chernobyl Zombie #2
Kelly Reich Female in Crowd (RCPD)
Robert Chaumont Man in Crowd (RCPD)
Matthew MacCallum Labcoat Zombie / Dining Hall Chernobyl Zombie #1
Jason Lee Bell Dining Hall Chernobyl Zombie #2
Avaah Blackwell Dooley’s Zombie (uncredited)
Carson Manning Orderly (uncredited)
Name Job
Johannes Roberts Writer, Director
Maxime Alexandre Director of Photography
Dev Singh Editor
Jennifer Lantz Costume Design
Mara Zigler Costume Coordinator
Bruno Rocca Art Direction, Graphic Designer
Brian Power ADR Supervisor
Bret Killoran Sound Mixer, Sound Re-Recording Mixer
Alex Armbruster Stunt Double
Bas Reitsma Stunt Driver, Stunt Double
Aj Risi Stunt Double
Mike Chute Stunt Driver
Dan MacDonald Stunts
Vincent Rother Stunts
Andrew Butcher Stunts
Avaah Blackwell Stunts
Anthony Veilleux Prosthetics, Sculptor
Randy Butcher Stunts
Stephannie Hawkins Stunts
Sharon Canovas Stunts
Neven Pajkic Stunts
Ana Shepherd Stunt Double
Geoff Scovell Stunts
Dan Skene Stunt Coordinator
Amy Szoke Stunt Double
E. Nova Zatzman Stunt Double
Sean Skene Stunts
Axel Green Dolly Grip
Mark Korven Original Music Composer
Jennifer Spence Production Design
Anthony Ianni Art Direction
Kalene Osborne Casting Associate
Faith Campbell Costume Assistant
Cayley Jensen Costume Set Supervisor
Minda Johnson Costume Supervisor
Alisha Robinson Costume Supervisor
Sara Sahr Costume Assistant
Bill Ferwerda Colorist
Phil Canning Music Supervisor
Samantha McMeekin Script Supervisor
Bj Prince Animal Wrangler
Andre Coutu Post Producer
Daniel Carrasco Creature Design
Kevin Carter Contact Lens Painter
Emma-Lee Hilton Prosthetic Makeup Artist
Dann Campbell Assistant Hairstylist
Ashley Nay Key Hair Stylist
Jerrett Zaroski Post Production Supervisor
Allan Cooke Special Effects Makeup Artist
Kayla Dobilas Special Effects Makeup Artist
Joseph Hinds Assistant Makeup Artist
Shaun Hunter Prosthetics
Paul Jones Special Effects Makeup Artist
Neil Morrill Special Effects Makeup Artist
Steve Newburn Prosthetic Designer
Daniella Pluchino Makeup Artist
Steph Pringle Key Makeup Artist
Hailey Roseland-Barnes Makeup Artist
Erin Sweeney Makeup Department Head
Mark Wotton Special Effects Makeup Artist
Scott Strauss Executive In Charge Of Production
Luke Ellis Dresser
Randi Lee Butcher Assistant Art Director
Mira Apci Set Designer
Ruby Gibson Coordinating Producer
Paul Grimard Props, Graphic Designer
Gerry Kingsley Digital Compositor
Mark Kowalsky Set Designer
Jesse Lagace Painter
Margaret Shain Set Dresser
Shelley Silverman Set Designer
Christian Urdapilleta Concept Artist
Daniel Lacroix On Set Dresser
Frankie Ovis Art Department Trainee
Lori Paradis Key Scenic Artist
Craig Baker Boom Operator
Jordan Bell ADR Engineer
Ryan Cox Utility Sound
Benjamin Darier ADR Mixer
Jesse Fellows ADR Recordist
Andrew Tay Sound Mixer, Sound Re-Recording Mixer
David Ottier Utility Sound
Dashen Naidoo Sound Designer
Daniel Moctezuma Foley Recordist
Jack Madigan Assistant Sound Editor
Thomas Hayek Sound Mixer
Nelson Ferreira Supervising Sound Editor
Renan Deodato Mix Technician
Hugh Goodden Additional Photography
Jeff Skochko Special Effects Supervisor, Additional Photography
Bruce Stanfield Special Effects Assistant
Ève Corrêa-Guedes Dialogue Editor
Matthew Beightol Visual Effects Compositor
Jo Hughes Visual Effects Supervisor
Brittany Hurrell Data Wrangler
Troy Robinson Cyber Scanning Supervisor
Jubinville Steve Modeling
Jason Lee Bell Utility Stunts
Geoff Meech Stunt Double
Sebastian Buitrago Stunts
Don Stockford Stunt Double
Nick Stead Stunts
Tyler Emms Key Grip
John Gallagher Gaffer
Matt Irwin Camera Operator, Additional Photography, Assistant Director of Photography
Shawn Kazda Best Boy Grip
Darian Loohuizen Camera Trainee
Ryan Prouse Assistant Camera
Adam Stewart Lighting Supervisor
Kierstin Zoratto Second Assistant "A" Camera
Michael Fisher Assistant Camera
Paul T. Brooks Assistant Editor
Danielle Dmytraszko Post Production Coordinator
Dave Muscat Additional Colorist
Patrick Perron Online Editor
Adrian Saywell Online Editor
Lawrence Van Beek Production Assistant
Laura Pettitt Unit Publicist
Brandon Mayer Travel Coordinator
Tessa Sawchuk Assistant Production Coordinator
Norbert Hermannstädter Finance
Stephanie Aubertin Stand In
Olivia Gudaniec Stand In
Cora Gillespie Actor's Assistant
Alina Ducharme Dockery Production Coordinator
Melissa Covey Production Assistant
Christina Cameron Production Assistant
Richard Barlow Production Assistant
Cassandra Barbour Clearances Consultant
Antje Bankmann Finance
Tanner Brazier Assistant Accountant
Lidia Castellano Production Assistant
Donald Colafranceschi Production Coordinator
Alexander Hamilton Westmore Production Assistant
Luke Auger Cast Driver
Dalton Haskin Transportation Coordinator
Nick Haskin Cast Driver
Adam Bocknek Second Assistant Director
Chris Feltis Assistant Director
Abel Erazo-Ibarra Assistant Director
Adam Singer Set Production Assistant
Alessia Spalvieri Assistant Director
Vanessa Smith Makeup Artist
Colin Jones Casting
Sara Kay Casting
Hartley Gorenstein Unit Production Manager
Christine Sola Production Manager
Jenny Lewis Local Casting
Name Title
Victor Hadida Executive Producer
James Harris Producer
Paul W. S. Anderson Executive Producer
Jeremy Bolt Executive Producer
Hiroyuki Kobayashi Associate Producer
Hartley Gorenstein Producer
Alex Zhang Co-Executive Producer
Robert Kulzer Producer
Martin Moszkowicz Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 75 86 61
2024 5 79 97 64
2024 6 74 113 55
2024 7 93 145 56
2024 8 80 124 53
2024 9 63 123 45
2024 10 72 123 48
2024 11 66 136 50
2024 12 58 111 42
2025 1 62 86 41
2025 2 54 94 12
2025 3 25 75 3
2025 4 8 10 7
2025 5 16 57 6
2025 6 14 46 7
2025 7 7 10 6
2025 8 7 9 6
2025 9 7 11 5
2025 10 7 8 6

Trending Position


Year Month High Avg
2025 10 445 818
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2025 9 356 681
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2025 8 583 805
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2025 7 601 815
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2025 6 776 856
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2025 4 244 682
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2025 3 230 672
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2025 2 214 609
Year Month High Avg
2025 1 121 669
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2024 12 619 834
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2024 11 422 800
Year Month High Avg
2024 10 487 716
Year Month High Avg
2024 9 641 834
Year Month High Avg
2024 8 425 745

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Reviews

Dark Jedi
5.0

Well I cannot say that I I had high hopes for this movie but I have watched the other movies in the franchise and I am a bit of a sucker for horror/fantasy/science fiction movies. Especially if one can expect a decent amount of special effects and gore so… It is not a great movie. Not even a good ... movie really but it is a half decent B-movie horror flick. It sure as hell is better than that woke piece of trash that Netflix has produced with their TV-show adaptation of the franchise but then that does not really say very much. The story is rather non-existent and things just happen for no good reason. It is like the writer just took a bunch of zombie and monster encounters and threw them in a mixer to see what came out. Sure there is a resemblance of a background story there but it is not much. We never get to know why the zombies escaped into Raccoon City, why the experiments where abandoned or anything else that might enlighten us as to why zombies pop up here and there all the time (apart from the fact that it is a Resident Evil movie and it is Raccoon City of course). There also seems to be a number of characters in the movie that knows a lot about what is actually going on but again, we never really get much of an explanation. I have understood that the movie is based on the story in the first three of the games so I guess those that have played them might understand the why’s better. The main reason to watch this movie is the special effects, the gore and the action and this is best done with your brain in the off position. There are indeed some decent gory special effects and I have to say that the monsters in the later half of the movie was pretty okay. I do miss Milla Jovovich though. There is not really any good kick-ass replacement for her although some of the characters tried. Also, for f… sake, will the dumbass Hollywood script writers ever going to stop putting stupid shit in the movies, like firing off bazookas and rocket launcher in confined spaces, say a train car. It doesn’t work unless the goal is to also kill the person firing it you morons! One thing that annoyed me throughout the entire movie though is the fact that it is really dark. Sure it is a horror movie so some dark scenes is to be expected but the entire movie is really really dark. To the extent that it really is difficult to see what is going on for a lot of the movie. It might have worked in a cinema but on a TV-screen, even with the pretty good OLED that I have, it is really too dark. So it was pretty much what I expected, a basic B-movie of the gore feast variety. Didn’t feel like I wasted my time but that is a positive as it gets.

May 16, 2024
mooney240
6.0

**The director’s love for the games is apparent, but too many poor decisions ruined what could have been the best and most faithful Resident Evil yet.** Welcome to Raccoon City marks the first live-action Resident Evil adaptation to stick close to the original games in story and feel. Character c ... ostumes looked like they were plucked right from the games. Sets and locations were identical to levels I spent hours playing. Easter eggs and nods throughout the film celebrated hardcore fans. Unfortunately, its flaws overshadow its victories. An overcrowded story with too many characters prevented developing the characters or making the story have any real impact. Forcing two full game stories into an hour and 47-minute run time had consequences. I enjoyed the movie’s attention to the slow descent from human to zombie, which showed the dread and hopelessness as the victims felt their humanity drain away. There is also a fantastic action scene in complete darkness where the muzzle flash provides the only light for the survivors to see. There were some wonderful moments that Resident Evil fans will enjoy, but nostalgia is really the only thing Welcome to Raccoon City has going for it.

Sep 03, 2022
SoSmooth1982
7.0

Not bad, first one without Alice though. Racoon city now has since been destroyed now. They start to find out what's underneath the city. ...

Aug 15, 2023
AJYURH
N/A

A great improvement over the previous movies, but it still misses the mark. Discussing what "is" Resident Evil will never be easy, both the games and the movies reached quite a wide audience, and the two cannons have widely different themes, lovers of the games will want more gore, darkness, horror ... and a bit of cheesiness, and lovers of the movies will be looking forward to big set pieces, pumped action scenes, and a wide cast of characters. Resident Evil: Welcome to Raccon City is clearly trying to bridge the gap by offering an experience closer to that of the games, but in movie form, and it gets close, the themes are there, the cheesy, but undeniably cool scenes are present, and the overall plot follows that of the games much more closely. Having said that, the movie lacked the courage to fully abandon the core formula of the previous movies completely, creating a weird clashing mishmash of ideas. Welcome to Raccoon city wanted to have a wide cast of important characters, and to do so it decided to borrow from 3 games at once, and in its attempt to convert 3 isolated storylines into one a lot was left on the cutting room floor, characters were poorly developed, many events were barely explained, and overall the movie lacked cohesion. It's painful to see how many good ideas were there that lacked the time to be properly executed, one glaring example is the character of Leon, one can see that the movie tried to give him a zero to hero arc, with him going from a clumsy cop to a strong-headed, laid back hero, but the audience doesn't have enough time with the character to fully grasp that growth, and it just ends up giving the feeling that his character just changes drastically from scene to scene. A really good effort, but still a clumsy movie by the end, on par with the rest of the series.

Jul 10, 2025