Popularity: 6 (history)
Director: | Mamoru Oshii |
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Writer: | Kazunori Ito |
Staring: |
In the year 2029, the barriers of our world have been broken down by the net and by cybernetics, but this brings new vulnerability to humans in the form of brain-hacking. When a highly-wanted hacker known as 'The Puppetmaster' begins involving them in politics, Section 9, a group of cybernetically enhanced cops, are called in to investigate and stop the Puppetmaster. | |
Release Date: | Nov 18, 1995 |
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Director: | Mamoru Oshii |
Writer: | Kazunori Ito |
Genres: | Animation, Action, Science Fiction |
Keywords | artificial intelligence (a.i.), man vs machine, cyborg, android, computer virus, dystopia, implantat, fugitive, female protagonist, cyberpunk, based on manga, adult animation, tech noir, anime |
Production Companies | Bandai Visual, Production I.G, Kodansha |
Box Office |
Revenue: $10,000,000
Budget: $3,000,000 |
Updates |
Updated: Sep 03, 2025 Entered: Aug 14, 2024 |
Name | Character |
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Atsuko Tanaka | Motoko Kusanagi (voice) |
Akio Otsuka | Batou (voice) |
Iemasa Kayumi | Puppetmaster (voice) |
Koichi Yamadera | Togusa (voice) |
Yutaka Nakano | Ishikawa (voice) |
Tamio Ohki | Aramaki (voice) |
Tessyo Genda | Director Nakamura (voice) |
Naruki Masahisa | Dr. Willis (voice) |
Masato Yamanouchi | Minister of Foreign Affairs (voice) |
Shinji Ogawa | Gaikôkan (voice) |
Mitsuru Miyamoto | Mizuho Daita (voice) |
Kazuhiro Yamaji | Garbage Collector A (voice) |
Shigeru Chiba | Garbage Collector B (voice) |
Hiroshi Yanaka | Coroner (voice) |
Ginzo Matsuo | Old Man (voice) |
Takashi Matsuyama | Terrorist (voice) |
Sanryo Odaka | Technician (voice) |
Masamichi Sato | Driver (voice) |
Atsuko Hayashida | Operator (voice) |
Yuji Ueda | Communication (voice) |
Toshiki Kameyama | Sniper (voice) |
Atsushi Goto | Commander (voice) |
Maaya Sakamoto | Kusanagi Girl (voice) |
Name | Job |
---|---|
Yoji Takeshige | Background Designer |
Masayuki Yoshihara | Key Animation |
Hisao Shirai | Director of Photography |
Kazuhiro Wakabayashi | Sound Director |
Mamoru Oshii | Storyboard Artist, Director |
Kazunori Ito | Screenplay |
Shuichi Kakesu | Editor |
Hiromasa Ogura | Art Direction |
Hiroyuki Okiura | Animation Director, Character Designer, Animation Supervisor, Key Animation |
Kenji Kawai | Original Music Composer |
Tensai Okamura | Key Animation |
Hirotsugu Kawasaki | Key Animation |
Mizuho Nishikubo | Animation Director |
Makiko Kojima | Painter |
Mutsu Murakami | Special Effects |
Takashi Watabe | Background Designer, Layout, Production Designer |
Hiroaki Hirabayashi | Color Timer |
Seichi Tanaka | CGI Director |
Motoaki Ikegami | Camera Production Assistant |
Shigeyuki Yamamori | Assistant Editor |
Yayoi Otake | Assistant Editor |
Kazutoshi Sato | Sound Effects |
Ayako Koike | Title Designer |
Tsuyoshi Imai | Assistant Editor |
Shuji Inoue | Sound Recordist |
Kazuchika Kise | Layout, Animation Supervisor, Key Animation |
Teruhisa Tajima | Title Designer |
Masatoshi Yokomizo | Sound Assistant |
Akira Yoda | Sound Assistant |
Yasumitsu Suetake | Layout |
Ryuji Mitsumoto | Production Manager |
Haruo Mizuno | Production Coordinator |
Akiharu Ishii | Key Animation |
Hisashi Eguchi | Key Animation |
Kouji Komurakata | Key Animation |
Hideki Hamasu | Key Animation |
Takashi Hashimoto | Key Animation |
Mamoru Sasaki | Key Animation |
Tetsuhito Saito | Key Animation |
Yuichi Tanaka | Key Animation |
Yoshiyuki Ito | Key Animation |
Kumiko Kawana | Key Animation |
Hiroyoshi Ôkawa | Key Animation |
Miyako Yatsu | Key Animation |
Yasuhiro Oshima | Key Animation |
Manabu Tanzawa | Key Animation |
Kazunobu Hoshi | Key Animation |
Masatsugu Arakawa | Key Animation |
Kouichi Arai | Key Animation |
Toyoaki Emura | Key Animation |
Toshiyuki Inoue | Key Animation |
Atsushi Takeuchi | Mechanical Designer, Layout, Key Animation |
Mitsuo Iso | Key Animation |
Yasushi Muraki | Key Animation |
Shirow Masamune | Comic Book |
Shoji Kawamori | Mechanical Designer |
Masahiro Ando | Key Animation |
Name | Title |
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Ken Iyadomi | Producer |
Ken Matsumoto | Producer |
Hiroshi Yamazaki | Associate Producer |
Mitsuhisa Ishikawa | Producer |
Makoto Ibuki | Associate Producer |
Yasushi Sukeof | Associate Producer |
Teruo Miyahara | Executive Producer |
Shigeru Watanabe | Executive Producer |
Takashi Mogi | Executive Producer |
Andy Frain | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 52 | 118 | 33 |
2024 | 5 | 42 | 54 | 30 |
2024 | 6 | 52 | 77 | 35 |
2024 | 7 | 55 | 86 | 35 |
2024 | 8 | 39 | 57 | 27 |
2024 | 9 | 34 | 52 | 20 |
2024 | 10 | 46 | 100 | 25 |
2024 | 11 | 42 | 120 | 33 |
2024 | 12 | 37 | 45 | 27 |
2025 | 1 | 43 | 57 | 30 |
2025 | 2 | 39 | 56 | 8 |
2025 | 3 | 15 | 44 | 3 |
2025 | 4 | 12 | 18 | 7 |
2025 | 5 | 11 | 19 | 9 |
2025 | 6 | 9 | 16 | 6 |
2025 | 7 | 6 | 7 | 5 |
2025 | 8 | 6 | 7 | 5 |
2025 | 9 | 7 | 9 | 6 |
2025 | 10 | 7 | 7 | 6 |
Trending Position
Year | Month | High | Avg |
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2025 | 10 | 204 | 609 |
Year | Month | High | Avg |
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2025 | 9 | 74 | 531 |
Year | Month | High | Avg |
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2025 | 8 | 183 | 545 |
Year | Month | High | Avg |
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2025 | 7 | 140 | 553 |
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2025 | 6 | 128 | 496 |
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2025 | 5 | 51 | 336 |
Year | Month | High | Avg |
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2025 | 4 | 34 | 393 |
Year | Month | High | Avg |
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2025 | 3 | 122 | 530 |
Year | Month | High | Avg |
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2025 | 2 | 162 | 639 |
Year | Month | High | Avg |
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2025 | 1 | 135 | 621 |
Year | Month | High | Avg |
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2024 | 12 | 148 | 680 |
Year | Month | High | Avg |
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2024 | 11 | 314 | 672 |
Year | Month | High | Avg |
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2024 | 10 | 720 | 872 |
Year | Month | High | Avg |
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2024 | 9 | 353 | 696 |
Year | Month | High | Avg |
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2024 | 8 | 306 | 500 |
In the 1990s, Ray Kurzweil wrote about his "Singularity" theory - the future when man and computer are wholly merged. His predictions of AI are perhaps only now coming to fruit. This 1995 movie is the original Ghost In The Shell, which I finally watched. Mamoru Oshii's masterpiece, based on a manga ... by Shirow Masamune, is not only consistent with Singularity theory, but also remarkably prescient. This is the first film to broach the tough question of "what does it mean to be conscious?" in the context of AI (Artificial Intelligence).
It's a society where humanity has been largely subsumed into a digital world; where cyborgs are a norm and where people are now, essentially, dependant on their own technology for just about all aspects of their survival. In this virtual environment, the "Puppet Master" is the kingpin of the crimina ... l world. It knows that by accessing the minds of those connected to the internet, it can obtain lots of juicy information to facilitate a spree of lucrative and threatening crime. Our very thoughts and dreams are now susceptible - and so the government creates "Section 9". Their job is to reverse-engineer some of these hacks and to try and trace the mastermind before it becomes unstoppable. What now ensues is not the finest example of animation you will ever see - indeed some of the artistry is disappointingly basic and linear. What makes this work is a sold story that questions the very soul of what it is to be an human being. It probes what makes us, well, us... Our identity, our personality - all are vulnerable to manipulation here by something adept at capitalising on the flaws and failings of each of us. Once these flood gates are open, is it even possible to arrest it as global interconnectivity makes control nigh on impossible. There are emerging elements of apocalypse to the plot - but they serve to illustrate the dangers of walking into convenience eyes open, but not looking - and there's some potent dialogue here about our complicity in our what could potentially be our own downfall. Can we necessarily spot truth from fiction any more? What is real and what is not? It's not your typical animé, but it does get you thinking and is very much worth watching.