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Ghost in the Shell Poster

Ghost in the Shell

It found a voice... Now it needs a body.
1995 | 83m | Japanese

(168573 votes)

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Popularity: 6 (history)

Director: Mamoru Oshii
Writer: Kazunori Ito
Staring:
Details

In the year 2029, the barriers of our world have been broken down by the net and by cybernetics, but this brings new vulnerability to humans in the form of brain-hacking. When a highly-wanted hacker known as 'The Puppetmaster' begins involving them in politics, Section 9, a group of cybernetically enhanced cops, are called in to investigate and stop the Puppetmaster.
Release Date: Nov 18, 1995
Director: Mamoru Oshii
Writer: Kazunori Ito
Genres: Animation, Action, Science Fiction
Keywords artificial intelligence (a.i.), man vs machine, cyborg, android, computer virus, dystopia, implantat, fugitive, female protagonist, cyberpunk, based on manga, adult animation, tech noir, anime
Production Companies Bandai Visual, Production I.G, Kodansha
Box Office Revenue: $10,000,000
Budget: $3,000,000
Updates Updated: Sep 03, 2025
Entered: Aug 14, 2024
Trailers and Extras

Full Credits

Name Character
Atsuko Tanaka Motoko Kusanagi (voice)
Akio Otsuka Batou (voice)
Iemasa Kayumi Puppetmaster (voice)
Koichi Yamadera Togusa (voice)
Yutaka Nakano Ishikawa (voice)
Tamio Ohki Aramaki (voice)
Tessyo Genda Director Nakamura (voice)
Naruki Masahisa Dr. Willis (voice)
Masato Yamanouchi Minister of Foreign Affairs (voice)
Shinji Ogawa Gaikôkan (voice)
Mitsuru Miyamoto Mizuho Daita (voice)
Kazuhiro Yamaji Garbage Collector A (voice)
Shigeru Chiba Garbage Collector B (voice)
Hiroshi Yanaka Coroner (voice)
Ginzo Matsuo Old Man (voice)
Takashi Matsuyama Terrorist (voice)
Sanryo Odaka Technician (voice)
Masamichi Sato Driver (voice)
Atsuko Hayashida Operator (voice)
Yuji Ueda Communication (voice)
Toshiki Kameyama Sniper (voice)
Atsushi Goto Commander (voice)
Maaya Sakamoto Kusanagi Girl (voice)
Name Job
Yoji Takeshige Background Designer
Masayuki Yoshihara Key Animation
Hisao Shirai Director of Photography
Kazuhiro Wakabayashi Sound Director
Mamoru Oshii Storyboard Artist, Director
Kazunori Ito Screenplay
Shuichi Kakesu Editor
Hiromasa Ogura Art Direction
Hiroyuki Okiura Animation Director, Character Designer, Animation Supervisor, Key Animation
Kenji Kawai Original Music Composer
Tensai Okamura Key Animation
Hirotsugu Kawasaki Key Animation
Mizuho Nishikubo Animation Director
Makiko Kojima Painter
Mutsu Murakami Special Effects
Takashi Watabe Background Designer, Layout, Production Designer
Hiroaki Hirabayashi Color Timer
Seichi Tanaka CGI Director
Motoaki Ikegami Camera Production Assistant
Shigeyuki Yamamori Assistant Editor
Yayoi Otake Assistant Editor
Kazutoshi Sato Sound Effects
Ayako Koike Title Designer
Tsuyoshi Imai Assistant Editor
Shuji Inoue Sound Recordist
Kazuchika Kise Layout, Animation Supervisor, Key Animation
Teruhisa Tajima Title Designer
Masatoshi Yokomizo Sound Assistant
Akira Yoda Sound Assistant
Yasumitsu Suetake Layout
Ryuji Mitsumoto Production Manager
Haruo Mizuno Production Coordinator
Akiharu Ishii Key Animation
Hisashi Eguchi Key Animation
Kouji Komurakata Key Animation
Hideki Hamasu Key Animation
Takashi Hashimoto Key Animation
Mamoru Sasaki Key Animation
Tetsuhito Saito Key Animation
Yuichi Tanaka Key Animation
Yoshiyuki Ito Key Animation
Kumiko Kawana Key Animation
Hiroyoshi Ôkawa Key Animation
Miyako Yatsu Key Animation
Yasuhiro Oshima Key Animation
Manabu Tanzawa Key Animation
Kazunobu Hoshi Key Animation
Masatsugu Arakawa Key Animation
Kouichi Arai Key Animation
Toyoaki Emura Key Animation
Toshiyuki Inoue Key Animation
Atsushi Takeuchi Mechanical Designer, Layout, Key Animation
Mitsuo Iso Key Animation
Yasushi Muraki Key Animation
Shirow Masamune Comic Book
Shoji Kawamori Mechanical Designer
Masahiro Ando Key Animation
Name Title
Ken Iyadomi Producer
Ken Matsumoto Producer
Hiroshi Yamazaki Associate Producer
Mitsuhisa Ishikawa Producer
Makoto Ibuki Associate Producer
Yasushi Sukeof Associate Producer
Teruo Miyahara Executive Producer
Shigeru Watanabe Executive Producer
Takashi Mogi Executive Producer
Andy Frain Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 52 118 33
2024 5 42 54 30
2024 6 52 77 35
2024 7 55 86 35
2024 8 39 57 27
2024 9 34 52 20
2024 10 46 100 25
2024 11 42 120 33
2024 12 37 45 27
2025 1 43 57 30
2025 2 39 56 8
2025 3 15 44 3
2025 4 12 18 7
2025 5 11 19 9
2025 6 9 16 6
2025 7 6 7 5
2025 8 6 7 5
2025 9 7 9 6
2025 10 7 7 6

Trending Position


Year Month High Avg
2025 10 204 609
Year Month High Avg
2025 9 74 531
Year Month High Avg
2025 8 183 545
Year Month High Avg
2025 7 140 553
Year Month High Avg
2025 6 128 496
Year Month High Avg
2025 5 51 336
Year Month High Avg
2025 4 34 393
Year Month High Avg
2025 3 122 530
Year Month High Avg
2025 2 162 639
Year Month High Avg
2025 1 135 621
Year Month High Avg
2024 12 148 680
Year Month High Avg
2024 11 314 672
Year Month High Avg
2024 10 720 872
Year Month High Avg
2024 9 353 696
Year Month High Avg
2024 8 306 500

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Reviews

badelf
9.0

In the 1990s, Ray Kurzweil wrote about his "Singularity" theory - the future when man and computer are wholly merged. His predictions of AI are perhaps only now coming to fruit. This 1995 movie is the original Ghost In The Shell, which I finally watched. Mamoru Oshii's masterpiece, based on a manga ... by Shirow Masamune, is not only consistent with Singularity theory, but also remarkably prescient. This is the first film to broach the tough question of "what does it mean to be conscious?" in the context of AI (Artificial Intelligence).

Mar 26, 2023
Geronimo1967
7.0

It's a society where humanity has been largely subsumed into a digital world; where cyborgs are a norm and where people are now, essentially, dependant on their own technology for just about all aspects of their survival. In this virtual environment, the "Puppet Master" is the kingpin of the crimina ... l world. It knows that by accessing the minds of those connected to the internet, it can obtain lots of juicy information to facilitate a spree of lucrative and threatening crime. Our very thoughts and dreams are now susceptible - and so the government creates "Section 9". Their job is to reverse-engineer some of these hacks and to try and trace the mastermind before it becomes unstoppable. What now ensues is not the finest example of animation you will ever see - indeed some of the artistry is disappointingly basic and linear. What makes this work is a sold story that questions the very soul of what it is to be an human being. It probes what makes us, well, us... Our identity, our personality - all are vulnerable to manipulation here by something adept at capitalising on the flaws and failings of each of us. Once these flood gates are open, is it even possible to arrest it as global interconnectivity makes control nigh on impossible. There are emerging elements of apocalypse to the plot - but they serve to illustrate the dangers of walking into convenience eyes open, but not looking - and there's some potent dialogue here about our complicity in our what could potentially be our own downfall. Can we necessarily spot truth from fiction any more? What is real and what is not? It's not your typical animé, but it does get you thinking and is very much worth watching.

Feb 04, 2024