 
  Popularity: 5 (history)
| Director: | Danny Cannon | 
|---|---|
| Writer: | William Wisher, Steven E. de Souza, Michael De Luca | 
| Staring: | 
| In a dystopian future, Dredd, the most famous judge (a cop with instant field judiciary powers) is convicted for a crime he did not commit while his murderous counterpart escapes. | |
| Release Date: | Jun 30, 1995 | 
|---|---|
| Director: | Danny Cannon | 
| Writer: | William Wisher, Steven E. de Souza, Michael De Luca | 
| Genres: | Action, Science Fiction | 
| Keywords | corruption, judge, villain, post-apocalyptic future, dystopia, superhero, based on comic, trial, cyberpunk, police officer, revenge motive, justice, based on graphic novel, frame up, law enforcement, framed for murder, gene, prosthetic limb, dna testing, domineering, futuristic city, action hero, good versus evil, ridiculous | 
| Production Companies | Hollywood Pictures, Cinergi Pictures | 
| Box Office | Revenue: $113,493,481 Budget: $90,000,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Sylvester Stallone | Judge Joseph Dredd | 
| Diane Lane | Judge Hershey | 
| Armand Assante | Rico | 
| Rob Schneider | Herman 'Fergee' Ferguson | 
| Jürgen Prochnow | Judge Griffin | 
| Max von Sydow | Chief Justice Fargo | 
| Christopher Adamson | Mean Machine | 
| Joanna Miles | Judge Evelyn McGruder | 
| Joan Chen | Dr. Ilsa Hayden | 
| Balthazar Getty | Cadet Nathan Olmeyer | 
| Maurice Roëves | Warden Miller | 
| Ian Dury | Geiger | 
| Ewen Bremner | Junior Angel | 
| Peter Marinker | Judge Carlos Esposito | 
| Martin McDougall | Twist | 
| Mitchell Ryan | Vartis Hammond | 
| Scott Wilson | Pa Angel | 
| Angus MacInnes | Judge Silver | 
| Louise Delamere | Locker Judge | 
| Phil Smeeton | Fink Angel | 
| Steve Toussaint | Hunter Squad Leader | 
| Bradley Lavelle | Chief Judge Hunter | 
| Mark Morghan | Judge Killed by Robot | 
| Ed Stobart | Barge Crew Member | 
| Huggy Leaver | Brutal Prisoner | 
| Lex Daniel | Brisco | 
| John Blakey | Border Guard | 
| Howard Grace | Pilot | 
| Dig Wayne | Reggie | 
| Ashley Artus | Squatter 1 | 
| Christopher Glover | Squatter 2 | 
| Brendan Fleming | Squatter 3 | 
| Stephen Lord | Zed Squatter | 
| Phil Kingston | Zed Squatter 2 | 
| Ewan Bailey | Aspen Guard | 
| Stuart Mullen | Co-Pilot | 
| Pat Starr | Lily Hammond | 
| James Earl Jones | Narrator (uncredited) | 
| Adrienne Barbeau | Voice of Central Computer (uncredited) | 
| James Remar | Block Warlord (uncredited) | 
| Charlie Condou | Cadet (uncredited) | 
| James Bowden | Prison Officer JRB007 (uncredited) | 
| Alan Bond | Rioter (uncredited) | 
| Ryan Gage | Young Thief (uncredited) | 
| Tony Montalbano | Young Cadet (uncredited) | 
| Al Sapienza | Young Judge (uncredited) | 
| Elly Fairman | Cadet (uncredited) | 
| Mark Moraghan | Jodge Monroe (uncredited) | 
| Amelia Curtis | Blonde Cadet (uncredited) | 
| Sam Barriscale | Cadet Mark (uncredited) | 
| Adam Henderson | Fuppie | 
| Name | Job | 
|---|---|
| Chris Lyons | Special Effects Makeup Artist | 
| Carlos Ezquerra | Characters | 
| Harry Keramidas | Editor | 
| Jackie Burch | Casting | 
| Nigel Phelps | Production Design | 
| Bernard Bellew | Second Assistant Director | 
| Ben Howarth | Third Assistant Director | 
| Leslie Tomkins | Supervising Art Director | 
| Kevin Phipps | Art Direction | 
| Don Dossett | Art Direction | 
| Martin Laing | Assistant Art Director | 
| Gary Tomkins | Assistant Art Director | 
| David Worley | Camera Operator | 
| Ian Foster | Camera Operator | 
| Kevin Day | Gaffer | 
| Patrick Wheatley | Wardrobe Supervisor | 
| Emma Porteous | Costume Design | 
| Joel Hynek | Visual Effects Supervisor | 
| Melissa Lackersteen | Makeup Artist | 
| Jeni Walker | Makeup Artist | 
| Peter Young | Set Decoration | 
| Ty Teiger | Property Master | 
| Chris Munro | Sound Mixer | 
| Beau Marks | Second Unit Director | 
| Marc Boyle | Stunt Coordinator | 
| Susan Bradley | Title Designer | 
| Kim B. Christensen | Sound Effects Editor | 
| Malcolm Fife | Sound Effects Editor | 
| Chris Grigg | Sound Effects Editor | 
| Kyrsten Mate | Sound Effects Editor | 
| E. Jeane Putnam | Foley Editor | 
| David A. Cohen | ADR Editor | 
| Patrick Dodd | Dialogue Editor | 
| Richard Quinn | Dialogue Editor | 
| Michael Minkler | Sound Re-Recording Mixer | 
| Colin Clarke | Carpenter | 
| Scott H. Eddo | Makeup Artist | 
| Danny Cannon | Director | 
| William Wisher | Screenplay, Story | 
| Chris Cunningham | Special Effects | 
| Alex Mackie | Editor | 
| John Wagner | Characters | 
| Steven E. de Souza | Screenplay | 
| Alan Silvestri | Original Music Composer | 
| Michael De Luca | Story | 
| Adrian Biddle | Director of Photography | 
| Nick Dudman | Makeup Supervisor | 
| Leslie Shatz | Sound Designer, Sound Re-Recording Mixer | 
| Christopher Newman | First Assistant Director | 
| Fraser Taggart | Focus Puller | 
| Name | Title | 
|---|---|
| Charles Lippincott | Producer | 
| Susan Nicoletti | Producer | 
| Edward R. Pressman | Executive Producer | 
| Andrew G. Vajna | Executive Producer | 
| Beau Marks | Producer | 
| Tony Munafo | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 126 | 343 | 75 | 
| 2024 | 5 | 354 | 486 | 284 | 
| 2024 | 6 | 222 | 338 | 96 | 
| 2024 | 7 | 69 | 148 | 30 | 
| 2024 | 8 | 36 | 60 | 21 | 
| 2024 | 9 | 27 | 45 | 19 | 
| 2024 | 10 | 31 | 54 | 22 | 
| 2024 | 11 | 26 | 37 | 20 | 
| 2024 | 12 | 31 | 48 | 20 | 
| 2025 | 1 | 33 | 60 | 22 | 
| 2025 | 2 | 21 | 34 | 5 | 
| 2025 | 3 | 8 | 27 | 2 | 
| 2025 | 4 | 4 | 10 | 2 | 
| 2025 | 5 | 5 | 11 | 3 | 
| 2025 | 6 | 4 | 7 | 3 | 
| 2025 | 7 | 4 | 6 | 3 | 
| 2025 | 8 | 4 | 7 | 3 | 
| 2025 | 9 | 4 | 8 | 2 | 
| 2025 | 10 | 3 | 6 | 2 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 10 | 901 | 911 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 9 | 711 | 842 | 
| Year | Month | High | Avg | 
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| 2025 | 8 | 953 | 953 | 
| Year | Month | High | Avg | 
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| 2025 | 7 | 419 | 710 | 
| Year | Month | High | Avg | 
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| 2025 | 6 | 406 | 723 | 
| Year | Month | High | Avg | 
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| 2025 | 5 | 287 | 682 | 
| Year | Month | High | Avg | 
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| 2025 | 4 | 338 | 780 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 3 | 563 | 683 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 2 | 303 | 674 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 1 | 371 | 603 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 12 | 205 | 462 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 11 | 139 | 139 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 10 | 604 | 699 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 9 | 500 | 566 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 8 | 727 | 821 | 
The story is the weak link in what is otherwise a marvellously fun chain. Unfortunately, when it comes to the film industry, the plot-link is kind of the most important one, so I can't really call Judge Dredd a success. And although the general premise is strong, this is not to the credit of the mov ... ie, seeing as it sources its material from the comic books of the same name, and 2000 AD. Sylvester Stallone (the titular Dredd) and Rob Schneider (his offsider) are perhaps poor casting options. But they aren't so terrible as to make Judge Dredd unwatchable, especially seeing as there are a quite a few good choices to balance this out. Despite being made in '95, it shares that intrinsically 1980's vision of a dystopian future, where all the buildings are black, all the signs are neon, and all the residents are androgynous punks and goths. Which to be honest I'm a huge sucker for, so this earns Judge Dredd some points (though again, not for originality). It's perhaps not the sort of description you'd expect of a violence-heavy, guilty-pleasure dodgy sci-fi, but Judge Dredd is just so cute! The ABC Warrior I have a particular soft spot for, but even overall, the piece is enjoyable to not take seriously (though taking it seriously is probably impossible). Yes it's true that Judge Dredd is enjoyable in a laughing at it kind of way rather than a laughing with it one, but that's still enjoyable in my books. 51% -Gimly
I AM... THE LAW! ...