Popularity: 2 (history)
Director: | Hadi Hajaig |
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Writer: | Hadi Hajaig |
Staring: |
While working undercover as a bodyguard to arms dealer Harry, former-soldier-turned-secret-service-agent Ewan survives a bloody shootout with a member of an Islamic terrorist cell who steals Harry's briefcase full of Semtex explosives and escapes. Ewan's spymasters task Ewan with hunting down the cell members and retrieving the briefcase. | |
Release Date: | Mar 08, 2012 |
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Director: | Hadi Hajaig |
Writer: | Hadi Hajaig |
Genres: | Drama, Crime, Thriller |
Keywords | |
Production Companies | UK Film Studio, The Salt Company |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Sean Bean | Ewan |
Abhin Galeya | Ash |
Charlotte Rampling | Charlotte McQueen |
Peter Polycarpou | Nabil |
Tuppence Middleton | Kate |
Tom Burke | Mark |
Sam Douglas | Harry |
Michelle Ryan | Emma |
James Fox | Scott Catesby |
Shivani Ghai | Rena |
Glenn Wrage | Sergeant Glen Conlan |
Silas Carson | Amin |
Chris Geere | Nick |
Tariq Jordan | Paul |
Name | Job |
---|---|
Hadi Hajaig | Writer, Director, Editor |
John Adams | Production Manager |
Peter Pedrero | Stunt Coordinator |
Elaine Grainger | Casting |
Simon Lambros | Music |
Maja Meschede | Costume Design |
Stéphane Collonge | Production Design |
Humphrey Jaeger | Production Design |
Jenny Ray | Art Direction |
Sonya Yu | Art Direction |
Farah Abushwesha | Production Manager |
Mira Bajagic | Production Manager |
Pedro Moura | Assistant Art Director |
Tom Parsons | Sound Designer |
André Jacquemin | Sound Designer |
Craig Irving | Sound Re-Recording Mixer |
Robert Karlsson | Dolby Consultant |
Aaron Trinder | Main Title Designer, Visual Effects Supervisor |
Rob Llewellyn | Camera Operator |
Liam Iandoli | Camera Operator |
Matt Allsop | Steadicam Operator |
Stephen Brayne | Still Photographer |
James Eckersley | Still Photographer |
Kevin Day | Gaffer |
Jonathan Spencer | Gaffer |
Frank Macauley | Video Assist Operator |
Paul J. Wright | Digital Intermediate |
Rebecca Sheridan | Script Supervisor |
Ben O'Farrell | Location Manager |
David Colenutt | Location Manager |
Janine Azern | Public Relations |
Louisa Bradshaw | Public Relations |
Ian Howes | Director of Photography |
John Liu | Hairstylist |
Nikki Belding | Makeup Artist |
Hannah Edwards | Makeup Artist |
Annabelle Miller | Makeup Artist |
Alexandra Sanders | Makeup Artist |
Sally Alcott | Makeup Artist |
Laura Milligan | Makeup Artist |
Dominic Webb | Makeup Designer |
Stuart Conran | Makeup Effects Designer |
Jude Campbell | First Assistant Director |
Ben Burt | Second Assistant Director |
Emily Perowne | Second Assistant Director |
Paula Turnbull | Second Assistant Director |
Katya Guy | Property Master |
Hugh Fottrell | Set Dresser |
James Morrall | Set Dresser |
Max Berman | Standby Art Director |
Sarah Powell | Standby Art Director |
Tony Chance | Storyboard Artist |
Moncho Aldamiz | Assistant Camera |
Roland C. Phillips | Camera Loader |
David Mills | Camera Loader |
Ossian Bacon | Focus Puller |
Karl Hui | Focus Puller |
Mark Sneddon | Focus Puller |
Henry Howes | Gaffer |
Kevin Foy | Grip |
Steve Manningham | Grip |
Kate Thomson | Assistant Costume Designer |
Adrienn Lakatos | Costume Assistant |
Naomi Howarth | Wardrobe Assistant |
Jessica Snyder | Wardrobe Assistant |
Sarah Jane Thomson | Wardrobe Assistant |
Richard Hooper | Armorer |
Colin Gorry | Special Effects Supervisor |
George Pinnock | Foley Artist |
Garie Kan | Boom Operator |
Robin Gerrard | Boom Operator |
Don 'Chudi' Nelson | Boom Operator |
Jerry Richards | Dialogue Editor |
Andrew Quinney | Production Sound Mixer |
Alex Martin | Assistant Editor |
Brian Krijgsman | Colorist |
Tony Ray | Digital Intermediate |
Julie Harding | Digital Intermediate Producer |
Scott Dawkins | Online Editor |
Ann Marie Shields | Music Supervisor |
Sascha Robey | Armorer |
Joss Skottowe | Armorer |
Carleen Beadle | Production Accountant |
Lynn Scrimgeour | Production Coordinator |
Sanjay Sharma | Production Coordinator |
Helen Taylor | Production Secretary |
Gary Cohen | Special Effects Technician |
Joseph Geday | Special Effects Technician |
Paul Mann | Special Effects Technician |
David Payne | Special Effects Technician |
Louisa Bradshaw | Public Relations |
Name | Title |
---|---|
Hadi Hajaig | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 17 | 27 | 10 |
2024 | 5 | 18 | 35 | 11 |
2024 | 6 | 17 | 33 | 10 |
2024 | 7 | 17 | 32 | 8 |
2024 | 8 | 13 | 25 | 7 |
2024 | 9 | 10 | 20 | 5 |
2024 | 10 | 11 | 19 | 6 |
2024 | 11 | 10 | 15 | 6 |
2024 | 12 | 10 | 17 | 7 |
2025 | 1 | 13 | 24 | 7 |
2025 | 2 | 9 | 15 | 3 |
2025 | 3 | 5 | 12 | 1 |
2025 | 4 | 2 | 4 | 1 |
2025 | 5 | 1 | 4 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 1 | 1 | 0 |
2025 | 8 | 1 | 1 | 0 |
2025 | 9 | 2 | 2 | 1 |
2025 | 10 | 2 | 2 | 1 |
Trending Position
It's a format I've seen before in British crime thriller/political intrigue films, a format I'm not particularly fond of, and _Cleanskin_ isn't even a well done example of it. No letdowns in the acting department though, so credit where credit's due. _Final rating:★★ - Had some things that appeal ... to me, but a poor finished product._
A young British student (Abhin Galeya) is gradually indoctrinated into a Muslim cell bent on revenge after the "War on Terror", and is pursued by a government agent - Sean Bean - who is pretty much given a clean slate by his boss Charlotte Rampling. The story is told via parallel timelines in which ... we discover what has driven both men to their current courses of action; and whilst it does use some fairly sweeping stereotypical generalising for plot development, the characterisations delivered by both - especially Galeya - are quite revealing as a potential explanation for extremes in behaviour caused by fear, ignorance and large scale indifference. Regrettably, the dialogue is mundane; and the direction loses focus all to often as we flit between scenarios whilst trying to build up some sort of interest in two rather unlikeable - if good looking - men obsessed with their own perspectives. Rampling features sparingly, as does James Fox, which is a shame as they could have both have been used to further develop the cause and effect toxicity of the storyline. It is worth a watch, but is not particularly original in either concept nor execution.