Popularity: 3 (history)
| Director: | John Stockwell |
|---|---|
| Writer: | Michael Arlen Ross |
| Staring: |
| A group of young backpackers' vacation turns sour when a bus accident leaves them marooned in a remote Brazilian rural area that holds an ominous secret. | |
| Release Date: | Dec 01, 2006 |
|---|---|
| Director: | John Stockwell |
| Writer: | Michael Arlen Ross |
| Genres: | Horror, Thriller |
| Keywords | sadistic, beach, culture clash, kidnapping, tourist, backpacker, palmen, car crash, jungle, torture |
| Production Companies | 2929 Productions, Fox Atomic, Stone Village Pictures, BoZ Productions |
| Box Office |
Revenue: $14,652,825
Budget: $10,000,000 |
| Updates |
Updated: Jul 30, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Josh Duhamel | Alex |
| Melissa George | Pru |
| Olivia Wilde | Bea |
| Desmond Askew | Finn |
| Beau Garrett | Amy |
| Max Brown | Liam |
| Agles Steib | Kiko |
| Miguel Lunardi | Zamora |
| Jorge Só | Bus Driver |
| Cristiani Aparecida | Native Beauty |
| Lucy Ramos | Arolea |
| Andrea Watrouse | Camila |
| Diego Santiago | Jacaré |
| Marcão | Ranan |
| Miguelito Acosta | Jamoru |
| Vanessa Bueno | Girl |
| Name | Job |
|---|---|
| Jeff McEvoy | Editor |
| Zeca Guimarães | Still Photographer |
| Lula Araújo | Steadicam Operator |
| Sandro Valerio | Makeup Artist |
| Bia Salgado | Costume Design |
| Oswaldo Eduardo Lioi | Set Designer |
| Lisa Beach | Casting |
| Sarah Katzman | Casting |
| Peter Zuccarini | Underwater Camera |
| Ruy Brito | Casting |
| Marlise Storchi | Production Design |
| Kate Plantin | Casting |
| Aline Motta | Script Supervisor |
| Daniel Tripoli | ADR Editor, Dialogue Editor |
| Christopher D. Martin | Visual Effects Coordinator |
| R.J. Harbour | Digital Compositor |
| Bia Caldas | Production Manager |
| Anthony Ocampo | 3D Artist |
| Nick Foley | ADR Recordist |
| Mark Messick | Sound Effects Editor |
| Sid Jayakar | Digital Compositor |
| Amy Ostrower | Post Production Accountant |
| Shawn London | Sound Editor |
| Sergio Farjalla Jr. | Special Effects |
| Scott Hinkley | Additional Sound Re-Recording Mixer |
| Joshua Adeniji | Assistant Sound Editor |
| Brian Williams | Sound Designer |
| Dhyana Carlton-Tims | ADR Editor, Dialogue Editor |
| Brent Findley | Assistant Sound Editor |
| Jorge Saldanha | Sound Mixer |
| Michael Cook | Special Effects |
| Maxine Gervais | Digital Intermediate Colorist |
| Mariana Vianna | Production Coordinator |
| Jonathan Wales | Sound Re-Recording Mixer |
| Valeri Pfahning | Digital Compositor |
| Shaun Cunningham | ADR Editor |
| Shaina Holmes | Digital Compositor |
| Shelley Roden | Foley Artist |
| Eric Grenaudier | Visual Effects Supervisor |
| Giancarlo J. Sini | Production Controller |
| Altyr Pereira | Boom Operator |
| José George | Focus Puller |
| Joana Batista | Hairstylist |
| Ozzie Carmona | Digital Compositor |
| Steve Bobertz | Assistant Editor |
| Bruno Roussel | Music Editor |
| Fernanda Chasim | Production Assistant |
| Mauricio Couto Bevilaqua | Special Effects Supervisor |
| Vantoen Pereira Júnior | Still Photographer |
| Alice Souza | Set Decoration |
| Cody King | Foley Editor |
| Ted Swanscott | ADR Mixer |
| Louis Bravo | Visual Effects Editor |
| Luciano Raposo | Boom Operator |
| Claudia Reis | Production Manager |
| Yan Saldanha | Boom Operator |
| Marie Victoria Denoga | Compositor |
| Eduardo Segovia | Gaffer |
| Jorge Só | Stunt Coordinator |
| Jerry Gilbert | Sound Re-Recording Mixer |
| Chad J. Hughes | Sound Effects Editor |
| David Falzone | Music Supervisor |
| Amani Williams | Digital Compositor |
| L. Elizabeth Powers | Digital Compositor |
| Pamela Jaeckle | Production Coordinator |
| Randy Babajtis | Sound Effects Editor |
| Ragui Hanna | Digital Compositor |
| David Geoghegan | Digital Compositor |
| Ronald Warner | Production Assistant |
| Jeremy Balko | ADR Mixer |
| Martha Soehendra | Compositor |
| James W. Riley | Visual Effects Producer |
| Richard Kitting | Sound Recordist |
| Amy Smolev | First Assistant Accountant |
| David Hughes | ADR Editor |
| Susan Pusateri | Foley Artist |
| Nilo Vital | Key Grip |
| Jonathan Miller | Supervising Sound Editor |
| Mark Dornfeld | Visual Effects Supervisor |
| Jon Dudkowski | Assistant Editor |
| David F. Van Slyke | ADR Supervisor |
| Andrew Morgado | Foley Mixer |
| Tom Cross | First Assistant Editor |
| John Robotham | Stunt Coordinator |
| Michael Arlen Ross | Writer |
| Paul Haslinger | Original Music Composer |
| John Stockwell | Director |
| Enrique Chediak | Director of Photography |
| Martín Macías Trujillo | Hair Department Head |
| Name | Title |
|---|---|
| Marc Butan | Producer |
| Scott Steindorff | Producer |
| Bo Zenga | Producer |
| Kent Kubena | Executive Producer |
| Caique Martins Ferreira | Co-Producer |
| Mark Cuban | Executive Producer |
| John Stockwell | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 21 | 32 | 12 |
| 2024 | 5 | 23 | 39 | 14 |
| 2024 | 6 | 16 | 25 | 9 |
| 2024 | 7 | 20 | 36 | 11 |
| 2024 | 8 | 20 | 62 | 9 |
| 2024 | 9 | 11 | 16 | 8 |
| 2024 | 10 | 13 | 23 | 8 |
| 2024 | 11 | 13 | 27 | 9 |
| 2024 | 12 | 12 | 20 | 8 |
| 2025 | 1 | 14 | 21 | 9 |
| 2025 | 2 | 9 | 15 | 3 |
| 2025 | 3 | 4 | 12 | 1 |
| 2025 | 4 | 2 | 5 | 1 |
| 2025 | 5 | 2 | 6 | 1 |
| 2025 | 6 | 1 | 3 | 1 |
| 2025 | 7 | 1 | 1 | 1 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 2 | 3 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 821 | 850 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 857 | 896 |
Brazil Nuts! After their bus crashes while touring in Brazil, a group of young adults find themselves in a world of misery... Not ever likely to be watched by members of the Brazilian Tourist Board, Turistas (AKA: Paradise Lost) is a whole mixed bag of a movie. Narratively it has been done bef ... ore, a bunch of pretty types end up coming face to face with criminals and psychopaths in a land they don't know and barely understand. The build up to the horror elements is slow, and for some horror fans it takes too long. Yet conversely it's good that the makers have afforded time for the characterisations to build, allowing for some humour, some drama and an insight into a multi national group dynamic. You may not much care what happens to them, but at least you know them! Actually filmed on location in Brazil, there's a lot of mother nature's natural beauty (and her tough terrain at times) on show, all neatly photographed by Enrique Chediak (28 Weeks Later/127 Hours). However, the trump card is the underwater sequences, which are superbly put together, including a thrilling extended chase sequence that lifts the film out of horror/thriller averageville. There's messages in the mix that valiantly try to make a point, but they get lost as things go a bit cuckoo. Yet there's enough good craft on show, and a horror sequence guaranteed to make you squirm, to make this worth a viewing. It is a good bit better than what some of the hate poured on it suggests, though the caveat is that horror fans should know it only gets into horror territory late in the day. 6/10