Popularity: 1 (history)
Director: | Simon Wincer |
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Writer: | Jeffrey Boam |
Staring: |
The 21st successor to the role of Bengalla's resident superhero must travel to New York to prevent a rich madman from obtaining three magic skulls that would give him the secret to ultimate power. | |
Release Date: | Jun 06, 1996 |
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Director: | Simon Wincer |
Writer: | Jeffrey Boam |
Genres: | Adventure, Action |
Keywords | secret identity, gold, gangster, phantom, silver, battle for power, jade, based on comic, jungle, nostalgic, masked hero, crystal skull |
Production Companies | Paramount Pictures, Village Roadshow Pictures, The Ladd Company, Robert Evans Productions |
Box Office |
Revenue: $17,323,326
Budget: $45,000,000 |
Updates |
Updated: Aug 03, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Billy Zane | The Phantom / Kit Walker |
Kristy Swanson | Diana Palmer |
Treat Williams | Xander Drax |
Catherine Zeta-Jones | Sala |
James Remar | Quill |
Cary-Hiroyuki Tagawa | The Great Kabai Sengh |
Bill Smitrovich | Uncle Dave Palmer |
Casey Siemaszko | Morgan |
David Proval | Charlie Zephro |
Joseph Ragno | Ray Zephro |
Samantha Eggar | Lily Palmer |
Jon Tenney | Jimmy Wells |
Patrick McGoohan | Phantom's Dad |
Robert Coleby | Capt. Philip Horton |
Al Ruscio | Police Commissioner Farley |
Leon Russom | Mayor Krebs |
John Capodice | Al the Cabby |
Bo Kane | Mounted Cop |
John Prosky | Cycle Cop |
Dane Farwell | Breen |
Radmar Agana Jao | Guran |
Clint Lilley | Gangster #1 |
Austin Peters | Boy Phantom |
Bernard Kates | Falkmoore the Butler |
Name | Job |
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Rick Newsome | Storyboard Designer |
Gary McLarty | Stunts |
Paul Peters | Production Design |
William A. Petrotta | Property Master |
Jeff Clark | Sound Effects Editor |
Thomas W. Small | Foley Editor |
Arturo Rojas | Key Hair Stylist |
Scott Curtis | Foley Editor |
David Burr | Director of Photography |
Albert Gasser | Sound Effects Editor |
David Behle | Sound Recordist |
Mike Szakmeister | Dialogue Editor |
Jules Wurm | Clapper Loader |
Katrina Crook | First Assistant Camera |
Aron Walker | Grip |
Lisette Thomas | Supervising Art Director |
Karen G. Wilson | Dialogue Editor |
Carin Rogers | Supervising Dialogue Editor |
Thomas Whiting | ADR Editor |
O. Nicholas Brown | Editor |
Robert J. Litt | Sound Re-Recording Mixer |
Lee Falk | Characters |
Michael Herbick | Sound Re-Recording Mixer |
Nils C. Jensen | Sound Effects Editor |
Gloria D'Alessandro | Dialogue Editor |
Jack Keller | Sound Recordist |
Brad Shield | "B" Camera Operator |
Toby Churchill-Brown | Grip |
Tim Chau | Supervising Sound Editor |
Bryan H. Carroll | Editor |
Judy Lovell | Key Makeup Artist |
Judy Whitehead | Script Supervisor |
David B. Cohn | Sound Effects Editor |
Amy Wells | Set Decoration |
Larry Singer | Supervising ADR Editor |
Elliot Tyson | Sound Re-Recording Mixer |
Andrew Cooper | Still Photographer |
David MacMillan | Sound Mixer |
Daniel S. Irwin | Assistant Sound Editor |
Warren Grieef | Grip |
Colin Deane | First Assistant Camera |
Simon Wincer | Director |
Jeffrey Boam | Screenplay |
Marlene Stewart | Costume Design |
Deborah Aquila | Casting |
David Newman | Original Music Composer |
David F. Van Slyke | Sound Effects Editor |
Ben Osmo | Sound Mixer |
Conrad W. Hall | Second Unit Director of Photography |
Heather Burton | Stunt Double |
Clint Lilley | Stunts |
Marcia Holley | Stunts |
Richard Epper | Stunts |
William H. Burton Sr. | Stunt Coordinator |
Tim A. Davison | Stunts |
Danny Baldwin | Stunts |
John Borland | Stunts |
Shawn Howell | Stunts |
Kevin LaRosa | Stunts |
Svetla Krasteva | Stunts |
Khristian Lupo | Stunts |
Kathy McMorrow | Stunts |
Bobby Lovgren | Stunts |
Tom Lupo | Stunts |
Dennis Scott | Stunts |
Sarah Trigger | Stunts |
Ron Vreeken | Stunts |
Mick Van Moorsel | Stunts |
Hubert Wells | Stunts |
Jules Sylvester | Stunts |
Name | Title |
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Christine Forsyth-Peters | Producer |
Richard Vane | Executive Producer |
Alan Ladd Jr. | Producer |
Robert Evans | Producer |
Jeffrey Boam | Co-Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 23 | 34 | 15 |
2024 | 5 | 24 | 36 | 18 |
2024 | 6 | 22 | 35 | 11 |
2024 | 7 | 21 | 45 | 11 |
2024 | 8 | 21 | 41 | 10 |
2024 | 9 | 13 | 18 | 8 |
2024 | 10 | 16 | 51 | 8 |
2024 | 11 | 15 | 31 | 9 |
2024 | 12 | 13 | 22 | 8 |
2025 | 1 | 20 | 38 | 12 |
2025 | 2 | 11 | 20 | 3 |
2025 | 3 | 5 | 13 | 1 |
2025 | 4 | 2 | 7 | 1 |
2025 | 5 | 2 | 6 | 1 |
2025 | 6 | 2 | 3 | 1 |
2025 | 7 | 1 | 2 | 1 |
2025 | 8 | 2 | 3 | 1 |
2025 | 9 | 2 | 5 | 1 |
2025 | 10 | 1 | 1 | 1 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 765 | 826 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 620 | 690 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 822 | 822 |
Campy fun of a time. Seen this a few times over the years and while he does look goofy in the purple outfit, Billy Zane is good in the role and a shame this didn't get a follow-up. A bit surprising there hasn't been some sort of series adaptation of the material. **3.25/5** ...
There was a time when Hollywood had high hopes for Billy Zane, bit sadly his participation in mediocre stuff like this never really helped his career much. He portrays the eponymous character (adequately, but no better) who must travel to New York on the trail of the evil "Drax" (Treat Williams) who ... wants obtain and combine three ancient skulls and obtain the ultimate power in the universe. Yes, so far we have about six different films all roled into one and this doesn't really do justice to any of them. Catherine Zeta-Jones does her best, but she was never a great actress anyway and given there is only the bare bones of a part for her to deliver, she looks faintly ridiculous most of the time. There is a tiny bit of redemption in the form of "Diana" (Kristy Swanson) who is our hero's pretty disgruntled but feisty and capable ex-girlfriend, and the quality of the production is, and looks, good. Zane, though, just can't carry it in his purple lycra, and the twist at the end all just came far too late to enliven this listless comic book adventure. It might have looked better in monochrome?