Popularity: 2 (history)
Director: | Morgan O'Neill |
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Writer: | Paul Leyden, Morgan O'Neill |
Staring: |
An obsessed cop is on the trail of a serial killer prowling the streets of Buffalo, N.Y. but when his teenage daughter disappears, he drops any professional restraint to get the killer. | |
Release Date: | Oct 20, 2012 |
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Director: | Morgan O'Neill |
Writer: | Paul Leyden, Morgan O'Neill |
Genres: | Crime, Mystery, Thriller |
Keywords | kidnapping, based on true story, betrayal, serial killer, police detective, psychotic villain |
Production Companies | StudioCanal, Dark Castle Entertainment, Silver Pictures |
Box Office |
Revenue: $0
Budget: $25,000,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
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John Cusack | Mike Fletcher |
Jennifer Carpenter | Kelsey Walker |
Mae Whitman | Abby Fletcher |
Dallas Roberts | Gary Gemeaux |
Sonya Walger | Shelley |
Michael Trevino | Tad |
Ksenia Solo | Emma |
Mageina Tovah | Brittany |
Katherine Waterston | Lauren |
Gary Anthony Williams | Darryl |
Cindy Sampson | Crystal |
Maxim Roy | Nurse |
Glenda Braganza | Nurse |
Meghanne Kessels | Chelsea |
Paula Jean Hixson | TV Protestor |
Vanessa Matsui | Prostitute |
Gerardo Lo Dico | Dynamic Entry SWAT Officer (uncredited) |
Omari Newton | Cop in Basement |
Charles Papasoff | Jerome |
Lita Tresierra | Divine |
Vincent Messina | Jed |
Name | Job |
---|---|
Paul Leyden | Writer |
Ronnie Yeskel | Casting |
Tom Ozanich | Sound Re-Recording Mixer |
Jean Frenette | Stunt Coordinator |
Kramer Morgenthau | Director of Photography |
Spiro Razatos | Stunt Coordinator |
Marie-Laurence Paquin | Stunts |
Hélèna Laliberté | Stunts |
David Jobe | Foley Mixer |
Louis Piché | Boom Operator |
Jeanne Leblanc | Third Assistant Director |
Alexis Durand-Brault | Second Unit Director, Second Unit Director of Photography |
Mark Isham | Original Music Composer |
Morgan O'Neill | Writer, Director |
Glenn Cote | Visual Effects Editor |
Erik Henry | Visual Effects Supervisor |
Stephanie Girard Hamelin | Video Assist Operator |
Réal Hamel | Picture Car Coordinator |
Bill R. Dean | Supervising Sound Editor |
Marco Venditto | Rigging Gaffer, Lighting Technician |
Jan Thijs | Still Photographer |
Christopher M. Meagher | Digital Intermediate |
David A. Whittaker | Sound Effects Editor |
Simon Hughes | Visual Effects Supervisor |
Brent Lambert | Set Designer |
Sandra J. Blackie | Costume Supervisor |
Derek Somaru | Music Editor |
Odette Gadoury | Costume Design |
Colleen Quinton | Makeup Department Head |
Frédéric Amblard | Set Designer |
Sarah McMurdo | Visual Effects Producer |
Marty McInally | Camera Operator |
Jeff Pentecost | Gaffer |
Helene Lamarre | Art Department Coordinator |
Alexandre Bouchard | Video Assist Operator |
Robert Parle | Set Decoration |
Gregory H. Watkins | Sound Re-Recording Mixer |
Peter G. Smith | First Assistant Editor |
Curtis Roush | Music Editor |
Michelle Côté | Hairstylist |
Mario Chabot | Set Designer |
Lucie Paquet | Set Designer |
Alexandre Juaneda | Transportation Coordinator |
Josée Pilon | Set Decoration |
Charlotte Rouleau | Assistant Art Director |
Lucie Tremblay | Set Designer |
Pierre Laberge | Production Manager |
Alex Touikan | Set Designer |
Claire Alary | Property Master |
Paul Hackner | Sound Effects Editor |
Alain Bourassa | Video Assist Operator |
Erik Kaufmann | Digital Intermediate |
Adam Ohl | Digital Intermediate |
Kimberly Foster-McCollum | Casting |
Jean-Pierre Paquet | Art Direction |
Daniel Carpentier | Set Decoration |
John Trapman | Helicopter Camera |
Patricia Hargreaves | Costume Supervisor |
Roch Chalifour | Location Manager |
Philippe Bossé | Still Photographer |
Tod Feuerman | Editor |
Geof Isherwood | Set Designer |
Andrew Millard | Visual Effects Editor |
Sylvain Bernier | Gaffer |
Isabelle Guay | Supervising Art Director |
Simon Board | First Assistant Director |
Buck Deachman | First Assistant Director |
Brigitte Goulet | Second Assistant Director |
Adam Kuhn | Production Executive |
Daniel Richard Giverin | Stunts |
François Gauthier | Stunts |
Andrea Kenyon | Casting |
Randi Wells | Casting |
Tina Gerussi | Casting |
Anny St-Pierre | Assistant Set Decoration |
Julie Longpré | Assistant Set Decoration |
Jocelyne St-Pierre | Assistant Set Decoration |
Amélie Léonard | Assistant Set Decoration |
Candide Franklyn | "A" Camera Operator |
Alfonso Maiorana | "B" Camera Operator |
Russel Bowie | First Assistant "A" Camera |
Mathieu Décary | First Assistant "B" Camera |
Jean Kavanagh | Second Assistant Camera |
Soupharak Keoborakoth | Second Assistant Camera |
René Fréchette | Second Assistant Camera |
Amelie Duceppe | Second Assistant Camera |
Marie-France Simard | Camera Loader |
Joanne T. Harwood | Script Supervisor |
Karen Tyrell | Publicist |
Sam Bollinger | First Assistant Editor |
Sophie Farkas Bolla | Assistant Editor |
Jon Gordon McKenzie | Post Production Coordinator |
Stephanie Flack | Dialogue Editor, ADR Supervisor |
Christopher Alba | Foley Supervisor |
Mark Larry | Sound Effects Editor |
Frederick Howard | Sound Effects Editor |
Julie Feiner | Dialogue Editor, ADR Editor |
Kimberly Lowe Voigt | Dialogue Editor, ADR Editor |
Linda Lew | Foley Editor |
Matthew W. Kielkopf | Sound Re-Recording Mixer |
Thomas J. O'Connell | ADR Mixer |
Eric Gotthelf | ADR Mixer |
David Lee Fein | Foley Artist |
Hilda Hodges | Foley Artist |
Liz Gallacher | Music Supervisor |
Louis Marion | Sound Mixer |
Jean Courteau | Chief Lighting Technician |
Sylvain Bergevin | Best Boy Electric, Lighting Technician |
Christian Bergeron | Lighting Technician |
Christian Chabot | Lighting Technician |
Nicolas Bouliane | Lighting Technician |
Alexandre Curzi | Lighting Technician |
Gilles Fortier | Rigging Gaffer |
Jean Décarie | Generator Operator |
Eric Simard | Generator Operator |
George Hryszyn | Generator Operator |
Alain Masse | Key Grip |
David Dinel | Best Boy Grip |
Richard Boucher | Dolly Grip, Techno Crane Operator |
Benoît Alarie | Dolly Grip |
Stéphane Pilon | Rigging Grip |
Etienne Tremblay | Grip |
Mathieu Price | Grip |
J.F. Leduc | Grip |
Samuel Eusanio | Grip |
Eric Legengre | Grip |
Massimo Gallizzi | Grip |
Rosalie Clermont-Bilodeau | Wardrobe Supervisor |
Laurence Lacoste | Assistant Costume Designer |
Karine Desmarais | Assistant Costume Designer |
Julie Chénard | Wardrobe Assistant |
Emilie Gauthier | Makeup Artist |
Andree-Anne Auberdeau | Assistant Makeup Artist |
Chantal Bergeron | Assistant Makeup Artist, Hairstylist |
Adrien Morot | Makeup Effects, Special Effects Key Makeup Artist |
Michel Bougie | Special Effects Makeup Artist |
Mark Unterberger | Special Effects Makeup Artist |
Anik Genereux | Hairstylist |
Denise Wynbrandt | Makeup & Hair |
Claire Alary | Property Master |
Eric Bardin | Assistant Property Master |
Denis Hamel | Props |
Katia Kim Depatie | Props |
Kim Foster-McCollum | Casting Associate |
Justin Kiang | Casting Assistant |
Shawn Roberts | Casting Assistant |
Carole Dionne | Extras Casting |
Marie-Elaine Bailly | Production Coordinator |
Stephen Bender | Production Coordinator |
Josianne Mailloux | Assistant Production Coordinator |
Marielou Bélisle-Pierre | Third Assistant Director |
Guy Aumond | Production Accountant |
Charlene Hodge | First Assistant Accountant |
Michel Brochu | Construction Manager |
Raymond Ducasse | Animal Wrangler |
Charles Peloquin | Craft Service |
Claude Bélanger | Transportation Captain |
Tony Pelletier | Transportation Captain |
Robbie Ditchburn | Second Unit First Assistant Director |
Igor Meglic | Second Unit Director of Photography |
Martin Whist | Production Design |
Dennis Berardi | Visual Effects Supervisor |
Name | Title |
---|---|
Susan Downey | Producer |
Joel Silver | Producer |
Paul Leyden | Co-Producer |
Don Carmody | Executive Producer |
Christoph Fisser | Co-Producer |
David Gambino | Producer |
Richard Mirisch | Co-Producer |
Richard Lalonde | Co-Producer |
Steve Richards | Executive Producer |
Ethan Erwin | Associate Producer |
Aaron Auch | Associate Producer |
Carl Woebcken | Co-Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 18 | 26 | 11 |
2024 | 5 | 19 | 34 | 12 |
2024 | 6 | 19 | 33 | 10 |
2024 | 7 | 22 | 37 | 11 |
2024 | 8 | 16 | 28 | 8 |
2024 | 9 | 14 | 23 | 8 |
2024 | 10 | 12 | 29 | 6 |
2024 | 11 | 12 | 23 | 6 |
2024 | 12 | 12 | 20 | 7 |
2025 | 1 | 13 | 29 | 8 |
2025 | 2 | 9 | 15 | 3 |
2025 | 3 | 6 | 14 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 1 | 0 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 1 | 1 | 0 |
2025 | 8 | 1 | 2 | 0 |
2025 | 9 | 3 | 6 | 2 |
2025 | 10 | 2 | 3 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 930 | 930 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 794 | 881 |
**Fundamentals, reception.** 1. American/Canadian live action feature length film, 2012, rated R, 108 minutes, crime, mystery, thriller. 2. IMDB: 5.7/10.0 from 5,365 audience ratings. Estimated budget, 25 million USD. 3. Rotten Tomatoes: 'No score yet...' and 42% liked it from 1,128 audience r ... atings. 4. Netflix: 3.5/5.0 from 636,300 audience ratings. 5. Directed by: Morgan O'Neill. 6. Starring: John Cusack as Mike Fletcher, Jennifer Carpenter as Kelsey, Dallas Roberts as Carl, Mae Whitman as Abby Fletcher, Sonya Walger as Shelley Fletcher, Ksenia Solo as Emma, Gary Anthony Williams as Darryl. **Setup and Plot** 1. Mike and Kelsey have been on the case of a serial killer for quite some time, but the department is shutting their efforts down for lack of progress. It's Thanksgiving, and Mike asks Kelsey to stop by to say hello to his wife Shelley, and daughter Abby. 2. There is tension between Shelly and Abby, and between Shelley and Mike. Mike and Kelsey revive the case somewhat over a murder of a transsexual. Abby gets more discouraged with Shelley, and takes off. She breaks up with her boyfriend, and the serial killer kidnaps her. Shelley finally notices Abbey is gone. She alerts Mike, and the police engage more strongly. 3. Mike and Kelsey get a lead on the accomplice of the killer. Mike goes off on him, and physically assaults him. After trying to follow the accomplice, they give up after a while. The accomplice was on a long shift and stayed in the hospital where he worked to avoid being followed. Mike loses his composure at home. 4. Abbey, meanwhile, has a wretched time in captivity with other young women who have been kidnapped. Mike starts looking at his daughter's life as he would if he were not his father; then the clues start coming. 5. Will Abbey get rescued? Will Mike still have a career? **Conclusions** 1. **One line summary**: Cop needs to find his daughter emotionally to find her physically. 2. Three stars of five. **Scores** 1. Cinematography: 8/10 Better than VHS quality, but not by much. 2. Sound: 4/10 Sound levels were absurdly out of control. 3. Acting: 6/10 Cusack and Carpenter were fine. Dallas Roberts, whose role was pivotal, was unconvincing, beginning to end. Mae Whitman was rather good, but Sonya Walger not so much. 4. Screenplay: 6/10 The story was clever and engaging, but the poor choices in casting nullified much of that. I enjoyed the onscreen time of Cusack and Carpenter, but when Roberts was onscreen, the urge to leave to get a cup of coffee was enormous. The ending was tough to stomach, but it certainly explained the difficulties in the investigation.