Two men wake up to find themselves shackled in a grimy, abandoned bathroom. As they struggle to comprehend their predicament, they discover a disturbing tape left behind by the sadistic mastermind known as Jigsaw. With a chilling voice and cryptic instructions, Jigsaw informs them that they must partake in a gruesome game in order to secure their freedom. | |
Release Date: | Oct 01, 2004 |
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Director: | James Wan |
Writer: | Leigh Whannell, James Wan |
Genres: | Horror, Crime, Mystery |
Keywords | detective, shotgun, sadism, flashback, hospital, doctor, torture, sadist, survival horror, chained, bludgeoning, death match, booby trap, mind game, extreme violence, death game |
Production Companies | Twisted Pictures, Evolution Entertainment, Saw Productions Inc. |
Box Office |
Revenue: $104,045,735
Budget: $1,200,000 |
Updates |
Updated: Aug 15, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Cary Elwes | Dr. Lawrence Gordon |
Leigh Whannell | Adam Faulkner-Stanheight |
Danny Glover | David Tapp |
Monica Potter | Alison Gordon |
Ken Leung | Detective Steven Sing |
Makenzie Vega | Diana Gordon |
Michael Emerson | Zep Hindle |
Shawnee Smith | Amanda Young |
Dina Meyer | Allison Kerry |
Tobin Bell | John Kramer / Jigsaw |
Alexandra Bokyun Chun | Carla |
Mike Butters | Paul |
Paul Gutrecht | Mark |
Benito Martinez | Brett |
Ned Bellamy | Jeff Ridenhour |
Avner Garbi | Father |
Hans Raith | Detective (uncredited) |
Oren Koules | Dead Cellmate (uncredited) |
Name | Job |
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Charlie Clouser | Original Music Composer |
David A. Armstrong | Director of Photography |
Kevin Greutert | Editor |
Julie Berghoff | Production Design |
Leigh Whannell | Story, Screenplay |
Keith Adams | Stunt Coordinator |
Daniel J. Heffner | First Assistant Director |
James Wan | Story, Director |
Amy Lippens | Casting |
Richard H. Prince | Production Manager |
Alexa Sheehan | Second Assistant Director |
Mocean Melvin | Stunt Driver |
Jennifer L. Soulages | Costume Design |
Eleanor Sabaduquia | Makeup Department Head |
Nanet Harty | Art Direction |
Jonathan Miller | Supervising Sound Editor, Sound Designer |
Rocky Faulkner | Prosthetic Supervisor |
Jill Bream | Art Department Assistant |
Josh Harrison | First Assistant Camera |
Oscar Garcia | Key Grip |
Chris Gordon | Grip |
Greg Gayne | Still Photographer |
Kashka Banjoko | Hairstylist |
Michelle Rene Elam | Key Hair Stylist |
Scott H. Eddo | Makeup Artist |
Timothy Feimster | Carpenter |
Tricia Sherwood | Craft Service |
Lisa Villaire | Camera Loader |
Ian Elias | Post Production Assistant |
Chuck Radtke | Production Intern |
Bill Davis | Property Master |
Summer Ramsey | Scenic Artist |
Tory Mell | Set Production Assistant |
Martin Glover | Video Assist Operator |
Jillian Giacomini | Script Supervisor |
Dan Muscarella | Color Timer |
Andrew Patterson | Dialogue Editor |
Brandon Cunningham | Best Boy Electric |
Thomas Kuo | Electrician |
Yaron Levy | Gaffer |
Bill Persaud | Rigging Grip |
Jennifer Levy | Casting Associate |
Monica Muehlhause-Horn | Production Accountant |
Vicky Choy | Production Coordinator |
Speed Ratliff | Boom Operator |
Cameron Allan | Music Editor |
Jonathan Scott Miller | Music Supervisor |
Randy Babajtis | Sound Effects Editor |
John Taylor | Sound Mixer |
Derek Bird | Digital Compositors |
Thomas L. Bellissimo | Special Effects Supervisor |
Mark Allan | Visual Effects Coordinator |
Andrew Midgley | Visual Effects Producer |
Marlo Pabon | Visual Effects Supervisor |
Andy Steinman | Second Unit Director of Photography |
Jon Myers | Camera Operator |
Ray Skinner | Electrician |
Christina DeMasi | Costumer |
Jeffrey Reyes | Assistant Property Master |
Luis A. Arevalos | Swing |
Robert Beebe | Title Designer |
Alan Freedman | ADR Mixer |
Shelley Roden | Foley Artist |
Jeremy Balko | Foley Mixer |
Charles Belardinelli | Special Effects Assistant |
John Loveall | Best Boy Grip |
Michael Steffen | Dolly Grip |
Todd Baldi | Second Assistant Camera |
John Coniglio | Assistant Editor |
Mark Griffith | Digital Intermediate Colorist |
Eric Gorfain | Music Arranger |
Rebecca Rienks | Music Coordinator |
Sherry Kecskes | Assistant Accountant |
Lisa S. Beasley | Extras Casting |
Kenny Selko | Key Set Production Assistant |
Alexis Ross | Production Assistant |
Alex Franklin | Production Secretary |
Richard Redlefsen | Assistant Makeup Artist |
Jake Blecha | Swing |
Kathleen Russo | Costume Supervisor |
Name | Title |
---|---|
Mark Burg | Producer |
Gregg Hoffman | Producer |
Oren Koules | Producer |
Peter Block | Executive Producer |
Jason Constantine | Executive Producer |
Daniel J. Heffner | Co-Producer |
Richard H. Prince | Co-Producer |
Lark Bernini | Associate Producer |
Stacey Testro | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 62 | 86 | 48 |
2024 | 5 | 77 | 170 | 49 |
2024 | 6 | 79 | 126 | 59 |
2024 | 7 | 83 | 102 | 65 |
2024 | 8 | 73 | 133 | 41 |
2024 | 9 | 60 | 74 | 40 |
2024 | 10 | 74 | 129 | 50 |
2024 | 11 | 66 | 121 | 51 |
2024 | 12 | 53 | 90 | 42 |
2025 | 1 | 63 | 85 | 46 |
2025 | 2 | 46 | 70 | 9 |
2025 | 3 | 17 | 58 | 3 |
2025 | 4 | 10 | 12 | 8 |
2025 | 5 | 10 | 11 | 8 |
2025 | 6 | 10 | 14 | 8 |
2025 | 7 | 9 | 10 | 8 |
2025 | 8 | 9 | 11 | 8 |
2025 | 9 | 10 | 12 | 8 |
2025 | 10 | 9 | 9 | 8 |
Trending Position
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2025 | 10 | 70 | 198 |
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2025 | 9 | 79 | 340 |
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2025 | 8 | 82 | 305 |
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2025 | 7 | 129 | 364 |
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2025 | 6 | 93 | 366 |
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2025 | 5 | 84 | 384 |
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2025 | 4 | 102 | 465 |
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2025 | 3 | 48 | 435 |
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2025 | 2 | 149 | 462 |
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2025 | 1 | 114 | 354 |
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2024 | 12 | 140 | 500 |
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2024 | 11 | 87 | 357 |
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2024 | 10 | 73 | 175 |
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2024 | 9 | 133 | 258 |
Year | Month | High | Avg |
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2024 | 8 | 159 | 309 |
Though I tend to go for both older films (those made before 1970) and especially so when it comes to the horror/thriller genre, I saw parts 3 and 5 upon theatrical release (yes, I know it's really not right to see film series out of sequence but I simply don't care) and they were intriguing and ... decent, don't ask me why. Now that I both date a horror film aficionado and my 13-year-old son himself is one as well, I have decided to check out the contemporarily well-received original (I may decide now to see the entire series, and in order, but really who's to say?). Instantly, such trusted, bankable actors as Cary Elwes and Danny Glover give it credibility, just as Bette Davis and Joan Crawford gave such films as 'What Ever Happened to Baby Jane?' way back in days gone by. This was much better than I felt parts 3 and 5 were, by the way.
With no obvious connection between them, two men awaken to find themselves chained to the plumbing at opposite ends of a room. "Adam" (Leigh Whannell) is a photographer, the other is "Lawrence" (Cary Elwes), a doctor. Each have a micro-tape in their pocket and the only tape player in the room is nes ... tled neatly in the hands of a corpse situated on the centre of the floor. A bit of ingenuity is needed to obtain the kit to play the tape and hopefully get some clue as to why there are there. Suffice to say that they do not like what they hear, and with the clock ticking they will have to learn to trust each other whilst having quite a sword of Damocles hanging over their heads. Meantime, the police (Danny Glover) are interviewing a woman who might have managed to escape from a similarly orchestrated predicament. Might there be any way that she could help track down this devious mastermind who doesn't ever actually do any of his own killing - he just manipulates with astonishing purpose. Elwes and Whannell (who also wrote this) both deliver really quite strongly here as does their claustrophobic and distinctly unsanitary prison environment as the story tells us via contemporaneous and flashback imagery a little of their stories and of just why they have attracted the attention of this vengeful "jigsaw killer". It's not especially graphic, this film, though there is a fair smattering of gore - it's the psychology that helps it to deliver better. There's always that element of what might we do to survive, or - maybe more apposite - what might we be prepared to do to others. The writing also helps it along with the exasperation of all well exemplified without just resorting to loud voices and expletives. In the end, I found that I did actually care what happened to these men - but with the clock against them, what are their chances? It's tense and compelling and reminded me a little of "Se7en" (1995).