Popularity: 5 (history)
| Director: | Renny Harlin |
|---|---|
| Writer: | Duncan Kennedy, Donna Powers, Wayne Powers |
| Staring: |
| Researchers on the undersea lab Aquatica have genetically altered the brains of captive sharks to develop a cure for Alzheimer's disease. But there's an unexpected side effect: the sharks got smarter, faster, and more dangerous. After a big storm damages their remote research facility, they must fight for their lives. | |
| Release Date: | Jul 28, 1999 |
|---|---|
| Director: | Renny Harlin |
| Writer: | Duncan Kennedy, Donna Powers, Wayne Powers |
| Genres: | Action, Science Fiction, Horror |
| Keywords | shark attack, creature, scientist, shark, killer shark, genetic engineering, animal horror, animal research, underwater facility, intense, defiant |
| Production Companies | Village Roadshow Pictures, Warner Bros. Pictures, Riche-Ludwig Productions, Groucho III Film Partnership |
| Box Office |
Revenue: $164,648,231
Budget: $60,000,000 |
| Updates |
Updated: Oct 30, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Saffron Burrows | Dr. Susan McAlester |
| Thomas Jane | Carter Blake |
| LL Cool J | Preacher |
| Samuel L. Jackson | Russell Franklin |
| Jacqueline McKenzie | Janice Higgins |
| Michael Rapaport | Tom Scoggins |
| Stellan Skarsgård | Jim Whitlock |
| Aida Turturro | Brenda Kerns |
| Cristos | Boat Captain |
| Daniel Rey | Helicopter Pilot |
| Valente Rodriguez | Helicopter Co-Pilot |
| Brent Roam | Helicopter Winch Operator |
| Eyal Podell | Boy #1 |
| Erinn Bartlett | Girl #1 |
| Dan Thiel | Boy #2 |
| Sabrina Geerinckx | Girl #2 |
| Tajsha Thomas | Friend of Janice |
| Frank Welker | Parrot Sounds (voice) |
| Name | Job |
|---|---|
| Gustavo Covarrubias | Key Grip |
| Duncan Kennedy | Screenplay |
| Derek Brechin | Editor |
| Donna Powers | Screenplay |
| Frank J. Urioste | Editor |
| William Sandell | Production Design |
| Debra Echard | Set Decoration |
| Robert L. Stevenson | Hairstylist |
| Anna Roth | Production Supervisor |
| Nick Navarro | Assistant Art Director |
| Gary Deaton | Construction Coordinator |
| Javier Nava | Set Designer |
| J. Paul Huntsman | Supervising Sound Editor |
| Jayme S. Parker | Sound Effects Editor |
| Thomas Boland | Visual Effects Producer |
| Scott Dougherty | Visual Effects Producer |
| Jerry Pooler | Visual Effects Supervisor |
| William Mesa | Visual Effects Supervisor |
| Jamie Dixon | Visual Effects Supervisor |
| Bruce Pearson | Animation |
| Guillermo Rosas | Camera Operator |
| Mark Emery Moore | Steadicam Operator |
| Will Kaplan | Music Editor |
| Peter J. Silbermann | Unit Publicist |
| William Apperson | Construction Foreman |
| Anthony Gaudio | Standby Painter |
| Karla Stevens Flanigan | Assistant Costume Designer |
| Chris Adams | Set Dressing Artist |
| Rick Kelleher | Driver |
| Tom Ajar | Projection |
| Sergio Jara | Special Effects Coordinator |
| Todd Arnow | Unit Production Manager |
| Dale E. Grahn | Color Timer |
| Mick Morris | Gaffer |
| Dallas Puett | Editor |
| Christine Sheaks | Casting |
| Joseph Bennett | Production Design |
| Andrew Rothschild | Art Direction |
| Carrie Bauer | Set Costumer |
| Jonathan McKinstry | Assistant Art Director |
| David Sandefur | Assistant Art Director |
| Bill Taliaferro | Set Designer |
| Robb Wilson | Supervising Sound Editor |
| Andrew Somers | Sound Effects Editor |
| V. Scott Balcerek | Visual Effects Editor |
| Kevin Clark | Visual Effects Editor |
| Lincoln Kupchak | Visual Effects Editor |
| John E. Sasaki | CG Supervisor |
| Craig A. Mumma | Visual Effects Supervisor |
| Douglas R. MacMillan | CG Supervisor |
| Julie Nelson | Animation |
| Serge Sretschinsky | CGI Supervisor |
| Phil Pastuhov | Camera Operator |
| Merie Weismiller Wallace | Still Photographer |
| Russell McEntyre | Transportation Coordinator |
| Mark W. Mansbridge | Supervising Art Director |
| Jim McPherson | Sculptor |
| David Paris | Aerial Coordinator |
| Chad Atkinson | Prosthetic Makeup Artist |
| Simon Giles | Digital Effects Supervisor |
| Jason McGatlin | Production Office Assistant |
| Jose Jimenez | Set Production Assistant |
| Hugo Chew | Transportation Captain |
| Jeff Burrage | Video Assist Operator |
| Matt Buchan | Electrician |
| Ismael 'Izzy' Gonzalez | Rigging Gaffer |
| Michael John Meehan | Location Manager |
| Francis Meade Warner | Production Office Coordinator |
| Tom Calderaro | Orchestrator |
| John Richardson | Special Effects Supervisor |
| Kevin Stitt | Additional Editing |
| Rick Hromadka | Sound Recordist |
| Thomas J. Mack | First Assistant Director |
| John F. Reynolds | Dialogue Editor |
| Troy Porter | ADR Mixer |
| Eric Gotthelf | Foley Mixer |
| Philip Maldonado | Costumer |
| Gerald Lehtola | Set Decorating Coordinator |
| Clark Schaffer | Visual Effects Designer |
| Penny A. Mesa | Visual Effects Production Manager |
| Frank Montoya | Best Boy Grip |
| John Barba | Casting Assistant |
| Horacio Rodríguez | Location Assistant |
| Adolfo Lara | Animal Wrangler |
| Travis Baumann | Compositing Artist |
| Héctor Romero | Art Direction |
| James W. Tyson | Costume Supervisor |
| Beth Bajuk | Art Department Coordinator |
| Ligia Ornelas | Assistant Art Director |
| Karl J. Martin | Set Designer |
| Adam Johnston | Sound Effects Editor |
| John T. Reitz | Sound Re-Recording Mixer |
| Kristen Branan | Visual Effects Producer |
| Mark Eggenweiler | Visual Effects Editor |
| Heather Smith | Visual Effects Producer |
| Jeffrey A. Okun | Visual Effects Supervisor |
| Rebecca Marie | Visual Effects Supervisor |
| Constance Bracewell | Animation |
| Ken Stranahan | Animation Supervisor |
| Leo J. Napolitano | Camera Operator |
| Gregory J. Schmidt | Camera Operator |
| Frederick Iannone | Additional Camera |
| Dick Bernstein | Music Editor |
| Portia Tickell | Script Supervisor |
| Bruce Crone | Supervising Art Director |
| Frank Flick | First Assistant Camera |
| Peter Tothpal | Key Hair Stylist |
| Michael Jay | Additional Music |
| Ilyse A. Reutlinger | Post Production Supervisor |
| Sarah Catizone | Set Medic |
| R. Gern Trowbridge | Best Boy Electric |
| Bruce Sharp | Lighting Technician |
| Mark Scoon | Executive In Charge Of Production |
| Anthony Franco | Production Manager |
| Catherine Calleson | Assistant Sound Editor |
| John Rauh | Digital Compositors |
| Jack Geist | Visual Effects Coordinator |
| Rafael Cuervo | Unit Manager |
| Jerry Moss | Property Master |
| Gary Capo | Second Unit Director of Photography |
| Patrick J. Foley | Dialogue Editor |
| Cindy Marty | ADR Editor |
| Catherine Harper | Foley Artist |
| Patricia Romero | Assistant Makeup Artist |
| C.C. Barnes | Second Second Assistant Director |
| Martin Gutierrez | Assistant Property Master |
| Niamh Murphy | Textile Artist |
| Ted Andre | Visual Effects Compositor |
| Tiffany Smith | Visual Effects Producer |
| Eric K. Jones | Assistant Camera |
| Daniel Klem | CG Animator |
| Mo Henry | Negative Cutter |
| Shakim Compere | Music Consultant |
| Joe Hanes | Assistant Chief Lighting Technician |
| Walt Conti | Effects Supervisor |
| Armando Amador | Production Accountant |
| Todd Bassman | Boom Operator |
| Tim Cooney | Production Sound Mixer |
| Joshua I. Kolden | Visual Effects |
| Larry Cheng | Mechanical Designer |
| Eric J. Bates | Property Master |
| David Horton Jr. | Foley Supervisor |
| Hugh Waddell | ADR Supervisor |
| Karyn Foster | ADR Editor |
| Kevin Bartnof | Foley Artist |
| Willy Allen | Foley Editor |
| David Kelley | Second Assistant Director |
| Gabriel Pérez | Construction Buyer |
| Lee Wilson | Storyboard Artist |
| Mark Tait Lewis | 2D Sequence Supervisor |
| Gino Freselli | Visual Effects Production Assistant |
| Cash Cockerill | Second Assistant Camera |
| Jonathan Malden | Colorist |
| Gordon Goodwin | Conductor |
| Gavin J. Behrman | Assistant Accountant |
| Tim Alexander | Compositing Supervisor |
| Tina Kerr | Extras Casting |
| David L. Snyder | Original Concept |
| Etienne Andlau | Rotoscoping Artist |
| Wayne Powers | Writer |
| Silvia Hernandez | Hairstylist |
| Steve LaPorte | Makeup Artist |
| Michael Shawn McCracken | Special Effects Makeup Artist |
| Gary Hill | Assistant Chief Lighting Technician |
| Michael Glover | Electrician |
| Brad Peterman | First Assistant "A" Camera |
| John Kairis | First Assistant Camera |
| R. Dana Harlow | Grip |
| Mark Ramsey | Key Grip |
| Tom Jordan | Second Assistant Camera |
| Peter Fletter | Mechanical Designer |
| David Knight | Mechanical Designer |
| José Ignacio Álvarez | Special Effects Technician |
| Craig Mathieson | 2D Sequence Supervisor |
| Steve Nichols | Animation |
| Jason MacLeod | CG Animator |
| Rebecca Farhall | Digital Effects Producer |
| Lisa Garner | Rotoscoping Artist |
| Brian Shows | Visual Effects Technical Director |
| Christina Drahos | Visual Effects Compositor |
| Kate Neumann | Executive Assistant |
| Jonas Juhanson | Key Rigging Grip |
| David Gorder | Production Secretary |
| Reka Wessely Tihanyi | Hairstylist |
| Raúl Sarmiento | Makeup Artist |
| Kelly Moon | Script Supervisor |
| Pete Romano | Underwater Director of Photography |
| Constantino Jiménez | First Assistant Camera |
| Antonio Riestra | First Assistant Camera |
| Fernando Díaz Torres | Second Assistant Camera |
| Scott Ronnow | Second Assistant Camera |
| Kevin Hawks | Video Assist Operator |
| Tom Hsiu | Mechanical Designer |
| Darrell Burgess | Special Effects Technician |
| Marcel Martinez | 2D Sequence Supervisor |
| Mathew C. Judd | 3D Modeller |
| Rick O'Connor | Animation |
| Alan Church | Digital Effects Producer |
| Erin M. Cullen | Rotoscoping Artist |
| Karen Klein | Roto Supervisor |
| Dan Walker | Visual Effects Compositor |
| Justin Burdine | Systems Administrators & Support |
| Randy Starr | Production Executive |
| Andrew Tamandl | Animation |
| Lucy Amador | First Assistant Accountant |
| Iram Collantes | Production Assistant |
| Patrick Murray | Underwater Gaffer |
| Gary Damian Thomas | Storyboard Artist |
| Jim Kail | Makeup Artist |
| Joe McCloskey | Costume Supervisor |
| Enrique Sánchez | Assistant Chief Lighting Technician |
| John Crimins | Electrician |
| Jose Gutierrez | First Assistant Camera |
| Darrin Keough | First Assistant Camera |
| Marcelino Luna | Grip |
| Jian Cong | Second Assistant Camera |
| Jerry Patton | Second Assistant Camera |
| Matt Toll | Second Assistant Camera |
| Robert Fuhrmann | Mechanical Designer |
| Tony Lawson | Mechanical Designer |
| Sean O'Connor | 2D Sequence Supervisor |
| Michaela Zabranska | Animation |
| Tami Carter | Digital Compositor |
| Richard J. Cook | Digital Effects Producer |
| Sean Prusak | Rotoscoping Artist |
| Jeffrey Arnold | Visual Effects Compositor |
| LeiLa Ratti | Visual Effects Coordinator |
| Cinda-Lin James | Stunts |
| Renny Harlin | Director |
| Trevor Rabin | Original Music Composer |
| Stephen F. Windon | Director of Photography |
| Mark Bridges | Costume Design |
| Jeff Dawn | Makeup Department Head |
| Allan A. Apone | Makeup Artist |
| R.A. Rondell | Stunt Coordinator |
| Marc Spicer | Camera Operator |
| Harald Belker | Production Illustrator |
| Lesley Aletter | Stunts |
| Joey Box | Utility Stunts |
| David R. Ellis | Second Unit Director |
| Robin Bonaccorsi | Stunts, Stunt Double |
| John Knoll | Visual Effects Supervisor |
| Matthew W. Mungle | Prosthetic Makeup Artist |
| Luis David Sansans | Second Assistant Camera |
| Kevin Lingenfelser | 2D Sequence Supervisor |
| Patricia M. Peters | Stunts |
| Troy Gilbert | Stunts |
| Keli Murphy | Stunts, Stunt Double |
| Erik Rondell | Stunts |
| Kathy Jarvis | Stunts, Stunt Double |
| Tabby Hanson | Stunts |
| Debbie Lynn Ross | Stunts |
| Stacy Oversier | Stunts |
| Pat Romano | Stunts |
| Kris A. Jeffrey | Stunts |
| Scott Hubbell | Stunts |
| Jimmy Lewis Jr. | Stunts |
| Chuck 'Chaz' Hosack | Stunts |
| Michael T. Brady | Stunts |
| Kiante Elam | Stunts |
| Paul Borne | Stunts |
| David Barrett | Stunts |
| Ivor Shier | Stunts |
| Lanier Edwards | Stunts |
| Matthew Taylor | Stunts |
| Dana Kristen Vahle | Stunts |
| Russell Anderson | Leadman |
| Steve Shaw | Visual Effects Editor |
| Cassandra Kulukundis | Casting Associate |
| Craig 'Tex' Barnett | Special Effects Technician |
| Clinton Wayne | Prosthetic Makeup Artist |
| Gregory Irwin | First Assistant "A" Camera |
| Ronnie Rondell Jr. | Stunt Coordinator |
| Diane Kingston | Digital Effects Producer |
| Name | Title |
|---|---|
| Don MacBain | Producer |
| Rebecca Spikings | Co-Producer |
| Duncan Henderson | Executive Producer |
| Patrick Lynn | Associate Producer |
| Alan Riche | Producer |
| Tony Ludwig | Producer |
| Thomas J. Mack | Associate Producer |
| Akiva Goldsman | Producer |
| Bruce Berman | Executive Producer |
| Jonathan Schwartz | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 31 | 54 | 18 |
| 2024 | 5 | 33 | 45 | 21 |
| 2024 | 6 | 25 | 33 | 19 |
| 2024 | 7 | 35 | 61 | 20 |
| 2024 | 8 | 29 | 49 | 20 |
| 2024 | 9 | 21 | 31 | 17 |
| 2024 | 10 | 32 | 64 | 16 |
| 2024 | 11 | 28 | 48 | 19 |
| 2024 | 12 | 23 | 31 | 16 |
| 2025 | 1 | 24 | 40 | 17 |
| 2025 | 2 | 20 | 34 | 4 |
| 2025 | 3 | 12 | 50 | 2 |
| 2025 | 4 | 6 | 10 | 4 |
| 2025 | 5 | 5 | 12 | 3 |
| 2025 | 6 | 5 | 7 | 3 |
| 2025 | 7 | 5 | 9 | 3 |
| 2025 | 8 | 4 | 6 | 3 |
| 2025 | 9 | 5 | 9 | 2 |
| 2025 | 10 | 3 | 5 | 2 |
Trending Position
| Year | Month | High | Avg |
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| 2025 | 10 | 621 | 812 |
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| 2025 | 9 | 513 | 659 |
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| 2025 | 8 | 528 | 773 |
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| 2025 | 7 | 245 | 615 |
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| 2025 | 6 | 390 | 763 |
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| 2025 | 5 | 352 | 714 |
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| 2025 | 4 | 424 | 767 |
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| 2025 | 3 | 52 | 342 |
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| 2025 | 2 | 689 | 837 |
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| 2025 | 1 | 940 | 954 |
| Year | Month | High | Avg |
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| 2024 | 12 | 534 | 630 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 475 | 726 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 864 | 908 |
There's quite a cast assembled for _Deep Blue Sea_, not what we've come to expect from the Asuylum-soiled genre of shark movies in this day and age. It's not a fantastic movie, but it proves more watchable that 90% of its company. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite wo ... rk as a whole_.
Great watch, would watch again, and do recommend. This is probably my favorite shark movie. I know "Jaws" did a thing back when, but I like this better. It doesn't mean it's a better movie, the same way that more people like pizza than salad even though salad is a better food. The biggest pa ... rt of why I like it so much better is that it's a survivalist situation, in an isolationist setting, and the sharks are "intelligent" so they're actively hunting the humans so it becomes a killer creature feature too. The cast is really good, and you should probably recognize about half the faces, whether or not they've been in Marvel movies. The split story lines bother me a bit, and more when they're voluntary, but it works. And when someone gets eaten by a shark, everyone else greedily makes an opportunity of it in a good survivor's fashion. This is a movie fueled by adversity instead of stupidity, as is a soft requirement for some movies. I guess the "stupidity" is creating the situation in the first place If you like sharks eating people, or underwater bases ("Rapture"), or liked "The Meg" then give this a watch.
An engaging thriller with a mindless plot, Deep Blue Sea managed to keep me hooked throughout its loud 100-minute running time. A doctor and her team of researchers looking to find a cure for Alzheimer's in sharks in an isolated facility in the middle of an ocean - what more do you need for some swe ... et chaos while also supported by some unethical practices? Deep Blue Sea is not the most realistic shark film out there but it has a lot of cool action, suspense, the added pleasure of flooding sequences, and a protagonist that you love to hate. Go for it. (Grade B-). TN.
**Peak corny shark goodness!** 🦈🦈🦈 Deep Blue Sea falls prey to every shark movie trope and has a blast doing it. Embracing its cheesiness makes this movie one is the all-time best shark flicks—a fabulous cocktail of 90s cheese, sharks, and surprising twists. If you haven’t seen this one, I guaran ... tee you will be surprised by who survives and who doesn’t.
The science behind this may well be plausible - that cures for human ailments may well rest elsewhere in the animal kingdom. To that end Saffron Burrows ("Susan") enlists the help of millionaire philanthropist "Russell Franklin" (Samuel L. Jackson) to develop a cure for Alzheimer's using sharks capt ... ive in a converted offshore submarine refuelling base. When he arrives at the facility he meets the rather oddball crew including "Carter" (Thomas Jane") "Preacher" (LL Cool J) and "Jim" (Stellan Skarsgård) before quickly discovering that these genetically altered fish are tired of being the guinea-pigs in the lab and are bent on revenge. The film does not hang about; the effects are quite scary at times but the one great snag is given that the sharks are supposed to be super-intelligent: why did they agree to star in a film with the dreadfully flat Burrows - there are bits of flotsam in this film less wooden than her performance. Jane & LL Cool J have some fun as they try to evade their menacing foes and though it certainly isn't "Jaws"; it's not terrible...