Popularity: 3 (history)
Director: | Zach Braff |
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Writer: | Edward Cannon, Theodore Melfi |
Staring: |
Desperate to pay the bills and come through for their loved ones, three lifelong pals risk it all by embarking on a daring bid to knock off the very bank that absconded with their money. | |
Release Date: | Apr 06, 2017 |
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Director: | Zach Braff |
Writer: | Edward Cannon, Theodore Melfi |
Genres: | Comedy, Crime |
Keywords | retiree, old man, bank robbery, retired, elderly, bank heist |
Production Companies | New Line Cinema, Village Roadshow Pictures, Warner Bros. Pictures, De Line Pictures, RatPac Entertainment |
Box Office |
Revenue: $84,618,541
Budget: $25,000,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Morgan Freeman | Willie Davis |
Michael Caine | Joe Harding |
Alan Arkin | Albert Garner |
Ann-Margret | Annie Santori |
John Ortiz | Jesus |
Peter Serafinowicz | Murphy |
Joey King | Brooklyn Harding |
Kenan Thompson | Manager Keith Schonfeld |
Matt Dillon | Arlen Hamer |
Christopher Lloyd | Milton Kupchak |
Josh Pais | Chuck Lofton |
Maria Dizzia | Rachel Harding |
Ashley Aufderheide | Kanika |
Seth Barrish | Dr. Helton |
Siobhan Fallon Hogan | Mitzi |
Jeremy Bobb | Donald Lewis |
Richie Moriarty | Kyle Kitson |
Jorge Chapa | Bank Security Guard |
Anthony Chisholm | Knights Grandmaster Paul |
Gillian Glasco | Maya |
Jeremy Shinder | Ezra Bronkowski |
Nick Cordero | Butcher |
Barbara Ann Davison | Lady in Electric Shopping Cart |
Jojo Gonzalez | Male Security Guard |
Precious Sipin | Female Security Guard |
Meredith Antoian | Teller |
Annabelle Chow | Lucy |
Nancy Sun | Mandy |
Jessica Perez | Waitress at Starhouse |
Marlon Perrier | Agent Cooper |
Kenneth Maharaj | FBI Crime Tech |
Lulu Picart | Nurse |
Tony Arrigo | Tony |
Kieran Clark | Line-up Agent |
Lolita Foster | O.R. Nurse |
Frank Anello | FBI Agent (uncredited) |
Nick Austin | Steel Worker (uncredited) |
Aaron Ayhan | Videographer (uncredited) |
Matt Ballard | Crutch Salesman (uncredited) |
Tommy Bayiokos | Cop (uncredited) |
James Brickhouse | Steel Worker (uncredited) |
José Báez | Wexler Employee (uncredited) |
Chris Carfizzi | Man Buying House (uncredited) |
Katlyn Carlson | Stacey (uncredited) |
Nancy Castro | News Reporter (uncredited) |
Marc Chouen | Corporate Executive (uncredited) |
Frisco Cosme | Steel Worker (uncredited) |
Gina Diaz | Parent at Carnival (uncredited) |
Bella DiDomenico | School Girl (uncredited) |
Joe Remy Dolinsky | Wexler Employee (uncredited) |
Ratnesh Dubey | Anesthesiologist (uncredited) |
Laren England | Brooklyn's Friend (uncredited) |
A.J. Franklin | Steel Worker (uncredited) |
Olli Haaskivi | Man Showing House (uncredited) |
Pete Hogan | Mitzi's Dance Partner (uncredited) |
Lyssa Mandel | Woman Buying House (uncredited) |
Dillon Mathews | Steel Worker (uncredited) |
Doris McCarthy | Foxy Senior (uncredited) |
Longmore Mikhala | Brooklyn's Friend (uncredited) |
Leslie C. Nemet | Grocery Store Patron (uncredited) |
Melanie Nicholls-King | Cary Sachs (uncredited) |
Katrina E. Perkins | Carnival Parent (uncredited) |
Jen Ponton | Newlywed Wife (uncredited) |
Eddie Sellner | Knight of Hudson (uncredited) |
Guy Sparks | Diner Patron (uncredited) |
Mark St. Cyr | DJ (uncredited) |
Janet Stanwood | Mrs. Howe (uncredited) |
Arthur Swain | Valet Driver (uncredited) |
Linden Tailor | Softball Umpire (uncredited) |
Paul Thornton | Bank Customer (uncredited) |
Aly Tricarico | Student (uncredited) |
Richard Zavaglia | Ed Howe (uncredited) |
Lisa Zebrowski | Carnival Parent (uncredited) |
James Zeiss | Steel Worker (uncredited) |
Parker James Fullmore | Carnival Kid (uncredited) |
Chase Anderson | Softball Sibling (uncredited) |
David E. Jenkins Jr. |
Name | Job |
---|---|
Becca GT | Stunt Driver |
Edward Cannon | Story |
Anne Ross | Production Design |
Matthew F. Preston | Production Coordinator |
Michael Kriaris | Location Manager |
Jeff Vari | Location Scout |
Al Cerullo | Pilot |
Jonathan McCoy | Unit Production Manager |
Tricia Miles | Post Production Supervisor |
Frank Murray | Production Supervisor |
Trish Gray | Location Scout |
Jessica Lichtner | Script Supervisor |
Nikita Dolese | Casting Associate |
Harrison Nesbit | Casting Associate |
Laura Ballinger | Art Direction |
Sara Parks | Set Decoration |
Gary Jones | Costume Design |
Alyson Latz | Unit Production Manager |
Christopher Surgent | First Assistant Director |
Takahide Kawakami | Second Assistant Director |
Ryan Robert Howard | Second Second Assistant Director |
Ashley Altamirano | Stunts |
Seth Andrew Bridges | Stunts |
Ann Carton | Stunt Driver |
Joe Coghlan | Stunts |
Joseph Devaughn | Stunts |
Mark Fichera | Stunts |
Tim Gallin | Stunts |
Jeffrey Lee Gibson | Stunt Coordinator |
Jimmy Hays | Stunt Driver |
Josh Lakatos | Stunt Driver |
Stephen A. Pope | Stunts |
Tom Sierchio | Stunts |
Matt Triplett | Stunt Driver |
Aaron Vexler | Stunts |
Ann Bartek | Assistant Art Director |
Katya Blumenberg | Assistant Art Director |
Stephanie Abbaspour | Art Department Coordinator |
Ariel Poster | Graphic Designer |
Michael Alba | "A" Camera Operator |
Bobby Mancuso | First Assistant "A" Camera |
Anthony Coan | Second Assistant "A" Camera |
Patrick Ruth | "B" Camera Operator |
Chris Silano | First Assistant "B" Camera |
Troy Sola | Second Assistant "B" Camera |
Matthew Selkirk | Digital Imaging Technician |
Danny Michael | Sound Mixer |
Michael Scott | Boom Operator |
Annie Guidice | First Assistant Editor |
Anthony Smedile | Assistant Editor |
Michael J. Benavente | Supervising Sound Editor |
Adam Kopald | Sound Effects Editor |
Susan Dudeck | Dialogue Editor |
Lynn Sable | Assistant Sound Editor |
Tricia Linklater | Assistant Sound Editor |
Andrew Silver | Music Editor |
Nick Kray | ADR Mixer |
Bill Higley | ADR Mixer |
Eric Gotthelf | ADR Mixer |
Zane D. Bruce | Foley Artist |
Lindsay Pepper | Foley Artist |
Antony Zeller | Foley Mixer |
Alex Klaue | Assistant Production Coordinator |
Ben Gatollari | Production Secretary |
Richard Castro | Production Accountant |
Diego Daniel Pardo | Dialect Coach |
Tim McKelvey | Costume Supervisor |
Fionnuala Lynch | Costume Supervisor |
Don Kozma | Makeup Department Head |
Bernadette Mazur | Key Makeup Artist |
Nancy Hancock | Makeup Artist |
Kerrie Smith | Hair Department Head |
Kat Percy | Key Hair Stylist |
Deena Adair | Hairstylist |
Andy Day | Chief Lighting Technician |
Rob Tedeschi Jr. | Best Boy Grip |
Joe Belschner | Dolly Grip |
Martin Lasowitz | Property Master |
Joanna Leavens | Assistant Property Master |
Tom Conway | Leadman |
Ginny Walsh | Greensman |
Nick Miller | Construction Coordinator |
Rich Neurouter | Set Medic |
Terrence Lee | Set Medic |
Conrad V. Brink Jr. | Special Effects Supervisor |
Jeff Brink | Special Effects Coordinator |
Julie Kuehndorf | Unit Publicist |
Atsushi Nishijima | Still Photographer |
Bryan Place | Transportation Captain |
Wilson Rivas | Craft Service |
Mark Graham | Conductor |
Tim Simonec | Orchestrator |
Tim Davies | Orchestrator |
Tom Brown | Music Arranger |
Zach Braff | Director |
Theodore Melfi | Screenplay |
Myron Kerstein | Editor |
Avy Kaufman | Casting |
Andrea von Foerster | Music Supervisor |
G.A. Aguilar | Second Unit Director, Stunts |
Rodney Charters | Director of Photography |
Bill Anagnos | Stunts |
Roy T. Anderson | Stunt Double |
Alina Andrei | Stunt Driver |
Bobby Beckles | Stunts |
Nitasha Bhambree | Stunt Driver |
Trevor E. Dickerson | Stunts |
Don Hewitt Sr. | Stunts |
Pete Klein | Stunts |
Mick O'Rourke | Stunts |
Tracey Ruggiero | Stunt Driver |
Caroline Vexler | Stunt Driver |
Maite Pérez-Nievas | Assistant Art Director |
Zach Wolf | Assistant Editor |
Ron Bartlett | Sound Re-Recording Mixer |
Dean A. Zupancic | Sound Re-Recording Mixer |
Ben Wilkins | Supervising Sound Editor |
Dawn Fintor | Foley Artist |
Alicia Stevenson | Foley Artist |
David Jobe | Foley Mixer |
Aakomon Jones | Choreographer |
Mitchell Travers | Assistant Costume Designer |
Ralph Crowley | Assistant Chief Lighting Technician |
Walter Simonsen | Orchestrator |
Rob Simonsen | Original Music Composer |
Martin Brest | Original Film Writer |
Richard Connors | Location Scout |
Name | Title |
---|---|
Samuel J. Brown | Executive Producer |
Jonathan McCoy | Executive Producer |
Donald De Line | Producer |
Andrew Haas | Executive Producer |
Bruce Berman | Executive Producer |
Tony Bill | Executive Producer |
Michael Disco | Executive Producer |
Toby Emmerich | Executive Producer |
Steven Mnuchin | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 30 | 47 | 19 |
2024 | 5 | 36 | 50 | 19 |
2024 | 6 | 29 | 42 | 22 |
2024 | 7 | 43 | 80 | 20 |
2024 | 8 | 28 | 44 | 16 |
2024 | 9 | 20 | 29 | 13 |
2024 | 10 | 34 | 62 | 15 |
2024 | 11 | 33 | 49 | 23 |
2024 | 12 | 29 | 56 | 21 |
2025 | 1 | 26 | 45 | 18 |
2025 | 2 | 21 | 33 | 4 |
2025 | 3 | 11 | 48 | 2 |
2025 | 4 | 6 | 11 | 3 |
2025 | 5 | 5 | 12 | 3 |
2025 | 6 | 4 | 6 | 3 |
2025 | 7 | 3 | 4 | 2 |
2025 | 8 | 4 | 5 | 2 |
2025 | 9 | 4 | 8 | 3 |
2025 | 10 | 3 | 3 | 3 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 10 | 755 | 818 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 821 | 821 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 965 | 977 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 509 | 684 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 913 | 913 |
**In an alternative way, against all the odds, they fought it!** This was a remake of the 1979 film of the same name. I haven't seen that, but I enjoyed this version. I did not say I liked, but very entertaining. From 'Grandma Gangster' to 'Stand Up Guys', there you could find a few more that all ... these films have commonalities. The old fellows try to do something out of their age and strength can cope. So, for fun, this film will do just fine. The poster says it all, but the film reveals much detail, like with small twist and turns. Three lifelong friends suddenly feeling the heat after their pensions got messed up. Apart from that, serious health condition and other financial struggle force them to rob a bank. The film is going to tell us their preparations for the action and post heist developments with some close encounters. No one particular, but all the three veteran actors were good. Good to see them in such energetic film, other than supporting roles in other big flicks. Zack Braff too was good at his direction. I did not like that much his previous feature film. This is a commercial film, but well done. He says it is a reboot, not a remake. And seeing decent success, there could be a sequel. Simply watch it and have fun, but don't analyse deeply, which might only disappoint you. _6.5/10_
<em>'Going in Style'</em> is a fun one! I got more entertainment than I was expecting, given I had anticipated a somewhat half-arsed 90 minute comedy with potentially half-arsed showings from stars of yesteryear. Pleasantly, I was wrong. The more it went on, the move I enjoyed it. The one lame sc ... ene comes at the supermarket, but even that saves itself really with the addition of Kenan Thompson. It made me laugh at a few moments, namely with the <em>'E.T. the Extra-Terrestrial'</em> 'homage' and when Josh Pais' character does the cat thing the second time (it's barely visible, just about in shot) - both funny! The masks were a nice touch, too. And that last scene with Annabelle Chow & Nancy Sun is so dumb but I'm totally here for it. It's paced well, has a strong second half and, also, features a well done bit with John Ortiz's character in there too. A swell surprise, all in all. I would happily rewatch it. Michael Caine, Morgan Freeman and Alan Arkin make for a great trio!
**A good comic film with four great actors.** We are facing a light comedy that tries to remake a much older film that has a very similar story: three elderly people on the verge of retirement who are going to try to rob a bank. Although the film is a very welcome comedy and is not unpleasant to ... watch and rewatch, unfortunately, it brings to the fore a very serious problem that the USA, and other countries, insist on not solving: the precariousness in which we live when we are sick or has reached retirement age. It is not uncommon to see people who spend the overwhelming majority of their monthly income on medical and pharmaceutical care, and who find themselves on the verge of poverty due to very low pensions. The situation that it brings to us – a company that is going to close and that, through a legal device, is now able to use money from workers' pension funds to pay off part of its liabilities – is much more complicated, and I believe it could even be illegal, but the truth is that it wouldn't be surprising if it happened in real life. Unfortunately, I haven't seen the older film yet. What I saw in this film, however, is quite good and worth our attention. The cast is led by well-known veteran actors and their work is excellent. At the same time, the situation is seen with the lightness that befits a comedy, even though it is a serious matter. The film does not need additional explanation, things happen before us, and the film pays much more attention to all the characters' problems, as well as the planning of the robbery, than to the act itself. It’s not “Ocean’s Eleven” or anything like that, there’s no roulade action or great refinement in the “art” of stealing. The intention is to make us laugh with the caricatured situation itself, and this is done in a reasonably effective way: it doesn't make us laugh out loud, but it does enough to entertain us. If the film has any positive points to praise, it will certainly be the participation of the cast, who are far above average and deserve praise for the way they played and acted. The three protagonists – Morgan Freeman, Alan Arkin and Sir Michael Caine – are effective and create an excellent collaboration, and I would venture to say that the pleasure of seeing the four of them working together is one of this film's best assets. In the secondary cast, Matt Dillon provides welcome support as a federal agent tasked with investigating the bank robbery suspects. The film is a regular comedy, it has no technical aspects that deserve an in-depth analysis, but what it presents to us is done with great effort and works well. The point that caught my attention the most was the bank itself, whose setting evoked old banks from the first decades of the 20th century. I discovered, in fact, that this film used a classified historic site as the setting for this bank.