Popularity: 4 (history)
Director: | Jim Sheridan |
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Writer: | Jim Sheridan, Shane Connaughton, Christy Brown |
Staring: |
No one expects much from Christy Brown, a boy with cerebral palsy born into a working-class Irish family. Though Christy is a spastic quadriplegic and essentially paralyzed, a miraculous event occurs when, at the age of 5, he demonstrates control of his left foot by using chalk to scrawl a word on the floor. With the help of his steely mother — and no shortage of grit and determination — Christy overcomes his infirmity to become a painter, poet and author. | |
Release Date: | Apr 07, 1989 |
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Director: | Jim Sheridan |
Writer: | Jim Sheridan, Shane Connaughton, Christy Brown |
Genres: | Drama |
Keywords | bodily disabled person, biography, poet, foot, based on true story, flashback, author, working class, disabled, cerebral palsy |
Production Companies | Ferndale Films, RTÉ, Granada Television |
Box Office |
Revenue: $14,743,391
Budget: $645,180 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Job |
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Jim Sheridan | Director, Screenplay |
Elmer Bernstein | Original Music Composer |
Peter Brayham | Stunt Coordinator |
Steve Dent | Stunts |
Shane Connaughton | Screenplay |
Jack Conroy | Director of Photography |
J. Patrick Duffner | Editor |
Arthur Lappin | Line Producer |
Nuala Moiselle | Casting |
Austen Spriggs | Production Design |
Shirley Lynch | Set Decoration |
Joan Bergin | Costume Design |
Anne Dunne | Hairstylist |
Ken Jennings | Makeup Artist |
Mary Alleguen | Production Manager |
Kevan Barker | Assistant Director |
Russ Bailey | Construction Coordinator |
Mark Geraghty | Assistant Art Director |
Ron Davis | Sound Editor |
Kieran Horgan | Sound mixer |
Gerry Johnston | Special Effects Coordinator |
Patrick Condren | Stunts |
Dave Holland | Stunts |
Jazzer Jeyes | Stunts |
Terence Plummer | Stunts |
Alan Walsh | Stunts |
Louis Conroy | Gaffer |
Noel Cullen | Electrician |
Jonathan Hession | Still Photographer |
John Murphy | Grip |
Des Whelan | Camera Operator |
Kathy Durning | Music Editor |
James Hickey | Legal Services |
Grania O'Shannon | Location Manager |
Christy Brown | Book |
Michael Rowland | Second Assistant Director |
Gilbert White | Animal Wrangler |
Name | Title |
---|---|
Paul M. Heller | Executive Producer |
Steve Morrison | Executive Producer |
Noel Pearson | Producer |
Organization | Category | Person | |
---|---|---|---|
Academy Awards | Best Actor | Daniel Day-Lewis | Won |
Academy Awards | Best Picture | N/A | Nominated |
Venice Film Festival | Best Actress | Daniel Day-Lewis | Won |
BAFTA Awards | Best Actor | Daniel Day-Lewis | Nominated |
BAFTA Awards | Best Supporting Actor | Daniel Day-Lewis | Won |
BAFTA Awards | Best Supporting Actor | Ray McAnally | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 19 | 25 | 12 |
2024 | 5 | 21 | 27 | 14 |
2024 | 6 | 18 | 25 | 11 |
2024 | 7 | 21 | 41 | 13 |
2024 | 8 | 21 | 41 | 9 |
2024 | 9 | 13 | 23 | 8 |
2024 | 10 | 24 | 49 | 11 |
2024 | 11 | 19 | 36 | 10 |
2024 | 12 | 17 | 40 | 11 |
2025 | 1 | 16 | 23 | 11 |
2025 | 2 | 18 | 45 | 5 |
2025 | 3 | 7 | 24 | 1 |
2025 | 4 | 2 | 2 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 1 | 2 | 1 |
2025 | 8 | 1 | 2 | 1 |
2025 | 9 | 2 | 3 | 1 |
2025 | 10 | 3 | 4 | 3 |
Trending Position
There's a pretty fine line between mimicry and acting, and acting that's natural and that which has been rehearsed to within an inch of it's life. I think it's very much the natural that Daniel Day-Lewis delivers here, as does Hugh O'Conor as his younger persona, as we learn of the upbringing of a y ... oung lad born with very limited movement and learning difficulties, but a mind that's clearly sharp and a face that's expressive. His family, a typically large one, is headed up by his dad (Ray McAnally) who presents us with a variation on the usual theme of father who comes home from work then hits the pub, then the family. He's ultimately a loving man who deeply cares for his young son, as does his mam (Brenda Fricker) who must juggle the plates of her other children, making ends meet and gradually understanding and providing for the stimulation that their young son "Christy" is clearly craving. It's moving but not in a sentimental way; it looks at an Irish society that can be hugely judgemental but also hugely kind. It personifies well the difficulties faced by many a working class family, even those with solely abled-bodied members; it questions some of the more traditional "Christian" values of a community and intimately tells us a touching story of achievement against the odds arrayed against a young man whose very survival isn't to be taken for granted. It's not a weepy, it's a positive celebration and well worth a watch - ideally on a big screen because the attention to the detail around this production and both McAnally and Fricker's equally as evocative performances as the title one all really do merit it.