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My Left Foot: The Story of Christy Brown Poster

My Left Foot: The Story of Christy Brown

A film about life, laughter, and the occasional miracle.
1989 | 103m | English

(83722 votes)

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Popularity: 4 (history)

Details

No one expects much from Christy Brown, a boy with cerebral palsy born into a working-class Irish family. Though Christy is a spastic quadriplegic and essentially paralyzed, a miraculous event occurs when, at the age of 5, he demonstrates control of his left foot by using chalk to scrawl a word on the floor. With the help of his steely mother — and no shortage of grit and determination — Christy overcomes his infirmity to become a painter, poet and author.
Release Date: Apr 07, 1989
Director: Jim Sheridan
Writer: Jim Sheridan, Shane Connaughton, Christy Brown
Genres: Drama
Keywords bodily disabled person, biography, poet, foot, based on true story, flashback, author, working class, disabled, cerebral palsy
Production Companies Ferndale Films, RTÉ, Granada Television
Box Office Revenue: $14,743,391
Budget: $645,180
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Daniel Day-Lewis Christy Brown
Brenda Fricker Mrs. Brown
Alison Whelan Sheila
Kirsten Sheridan Sharon
Declan Croghan Tom
Eanna MacLiam Benny
Marie Conmee Sadie
Cyril Cusack Lord Castlewelland
Phelim Drew Brian
Ruth McCabe Mary
Fiona Shaw Dr. Eileen Cole
Ray McAnally Mr. Brown
Pat Laffan Barman
Derry Power Customer in Bar
Hugh O'Conor Young Christy Brown
Darren McHugh Young Benny
Owen Sharp Young Tom
Eileen Colgan Nan
Keith O'Conor Young Brian
Tom Hickey Priest
Julie Hale Rachel
Jacinta Whyte Sally
Sarah Cronin-Stanley Girlfriend
Jean Doyle Woman with Pram
Britta Smith Nurse
Adrian Dunbar Peter
Lucy Vigne Welsh Petra
Daniel Reardon Tony
Conor Lambert Punch & Judy Puppeteer
Martin Dunne Waiter
Charlie Roberts Mourner #1
Jer O'Leary Mourner #2
Mil Fleming Mourner #3
Simon Kelly Liam
Eileen Kohlmann Violinist
Margaret Lyons Pianist
Patricia Higgins Violaist
Hilery O'Donovan Cellist
Don King Double Bassist
Jenny Bryne Special Extra
Linda Walker Special Extra
Albert Kavanagh Special Extra
Joe Swan Special Extra
Rita Lowe Special Extra
Gerard Hourigan Special Extra
Dawn Kursinczy Special Extra
Denis O'Leary Child
Lesley Ann Long Child
Caromy Corcoran Child
Cathy Corcoran Child
Lisa Jane Rowland Child
Aisling Murnane Child
Audrey Diffley Child
Oba Seagrave Child
Colm Rowland Child
Owen Sullivan Child
Dean Clifford Child
Sean Rowland Child
Barry Keane Child
Wayne Kearney Child
John Mark Knight Child
Deborah Pierce Child
Barry Lord Child
Tess Sheridan Child
Fiacra Sheridan Child
Eoghan O'Sullivan Child
Kerry Ellen Lawlor Child
Naomi Sheridan Child
Emily Hodge Barker Child
Name Job
Jim Sheridan Director, Screenplay
Elmer Bernstein Original Music Composer
Peter Brayham Stunt Coordinator
Steve Dent Stunts
Shane Connaughton Screenplay
Jack Conroy Director of Photography
J. Patrick Duffner Editor
Arthur Lappin Line Producer
Nuala Moiselle Casting
Austen Spriggs Production Design
Shirley Lynch Set Decoration
Joan Bergin Costume Design
Anne Dunne Hairstylist
Ken Jennings Makeup Artist
Mary Alleguen Production Manager
Kevan Barker Assistant Director
Russ Bailey Construction Coordinator
Mark Geraghty Assistant Art Director
Ron Davis Sound Editor
Kieran Horgan Sound mixer
Gerry Johnston Special Effects Coordinator
Patrick Condren Stunts
Dave Holland Stunts
Jazzer Jeyes Stunts
Terence Plummer Stunts
Alan Walsh Stunts
Louis Conroy Gaffer
Noel Cullen Electrician
Jonathan Hession Still Photographer
John Murphy Grip
Des Whelan Camera Operator
Kathy Durning Music Editor
James Hickey Legal Services
Grania O'Shannon Location Manager
Christy Brown Book
Michael Rowland Second Assistant Director
Gilbert White Animal Wrangler
Name Title
Paul M. Heller Executive Producer
Steve Morrison Executive Producer
Noel Pearson Producer
Organization Category Person
Academy Awards Best Actor Daniel Day-Lewis Won
Academy Awards Best Picture N/A Nominated
Venice Film Festival Best Actress Daniel Day-Lewis Won
BAFTA Awards Best Actor Daniel Day-Lewis Nominated
BAFTA Awards Best Supporting Actor Daniel Day-Lewis Won
BAFTA Awards Best Supporting Actor Ray McAnally Nominated
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 19 25 12
2024 5 21 27 14
2024 6 18 25 11
2024 7 21 41 13
2024 8 21 41 9
2024 9 13 23 8
2024 10 24 49 11
2024 11 19 36 10
2024 12 17 40 11
2025 1 16 23 11
2025 2 18 45 5
2025 3 7 24 1
2025 4 2 2 1
2025 5 1 2 1
2025 6 1 2 1
2025 7 1 2 1
2025 8 1 2 1
2025 9 2 3 1
2025 10 3 4 3

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Reviews

Geronimo1967
7.0

There's a pretty fine line between mimicry and acting, and acting that's natural and that which has been rehearsed to within an inch of it's life. I think it's very much the natural that Daniel Day-Lewis delivers here, as does Hugh O'Conor as his younger persona, as we learn of the upbringing of a y ... oung lad born with very limited movement and learning difficulties, but a mind that's clearly sharp and a face that's expressive. His family, a typically large one, is headed up by his dad (Ray McAnally) who presents us with a variation on the usual theme of father who comes home from work then hits the pub, then the family. He's ultimately a loving man who deeply cares for his young son, as does his mam (Brenda Fricker) who must juggle the plates of her other children, making ends meet and gradually understanding and providing for the stimulation that their young son "Christy" is clearly craving. It's moving but not in a sentimental way; it looks at an Irish society that can be hugely judgemental but also hugely kind. It personifies well the difficulties faced by many a working class family, even those with solely abled-bodied members; it questions some of the more traditional "Christian" values of a community and intimately tells us a touching story of achievement against the odds arrayed against a young man whose very survival isn't to be taken for granted. It's not a weepy, it's a positive celebration and well worth a watch - ideally on a big screen because the attention to the detail around this production and both McAnally and Fricker's equally as evocative performances as the title one all really do merit it.

Jan 25, 2025