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Hoard

2024 | 126m | English

(1585 votes)

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Popularity: 4 (history)

Director: Luna Carmoon
Writer: Luna Carmoon
Staring:
Details

The story follows Maria - a teenager whose mother used to be a hoarder. Now (set in the 90s) she lives in a foster home where a previous resident Michael inspires her to revisit her childhood memories and passions that she has repressed.
Release Date: May 17, 2024
Director: Luna Carmoon
Writer: Luna Carmoon
Genres: Drama, Romance
Keywords romance, mourning, absurd, drama
Production Companies BBC Film, BFI, Delaval Film, Erebus Pictures, Anti-Worlds
Box Office Revenue: $0
Budget: $0
Updates Updated: Feb 03, 2025
Entered: Apr 25, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Saura Lightfoot Leon Maria
Joseph Quinn Michael
Hayley Squires Cynthia
Lily-Beau Leach Young Maria
Deba Hekmat Laraib
Samantha Spiro Michelle
Cathy Tyson Sam
Nabil Elouahabi Ali
Frankie Wilson Anthony
Sam John Jordan
Saulius Cajauskas Paramedic
Ceara Coveney Leah
Sarah Rose Denton Social Worker
Sandra Hale Janice
Alexis Tuttle Mrs. Norwood
James Cooper Jeremy
Paul Bassett Drunk Man
Jenny Bolt Gold Coin Lady
Janie Booth Old Lady with Sheet
Tim Bowie Pete
Emily Dixon Girl in Bar
Sandra Hale Janice
Pena Iiyambo Ellie
Erin Jemmotte Young Laraib
Christian Jenner Policeman 1
Honey Makwana Holly
Petra Markham Mrs. Brewer
Phoebe Naughton Lady at Bus Stop
Sam Retford Sean
Name Job
Rachel Durance Editor
Heather Basten Casting
Bobbie Cousins Production Design
Nat Turner Costume Design
Nanu Segal Director of Photography
Lily Ashton Production Coordinator
Jim Williams Original Music Composer
Luna Carmoon Writer, Director
Name Title
Cheri Darbon Associate Producer
Loran Dunn Producer
Helen Simmons Producer
Andrew Starke Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 5 12 2
2024 5 8 13 4
2024 6 7 16 3
2024 7 9 14 3
2024 8 7 17 2
2024 9 5 8 3
2024 10 3 6 1
2024 11 3 7 2
2024 12 3 8 1
2025 1 5 10 2
2025 2 3 6 1
2025 3 3 5 1
2025 4 2 2 1
2025 5 1 2 1
2025 6 1 2 1
2025 7 0 1 0
2025 8 1 1 0
2025 9 4 9 1
2025 10 4 7 3

Trending Position


Year Month High Avg
2024 8 730 847

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Reviews

Geronimo1967
6.0

The young "Maria" (Lily-Beau Leach) lives with her loving mum (Hayley Squires) in an home full to the brim of junk. Some of it just bric-a-brac, some of it more distasteful and unhealthy, but the pair rub along well enough scavenging their way through skips and bins. "Maria" has a tough time at scho ... ol and doesn't really fit in, so when an accident at home sees her put into foster care, she has quite a bit of adjusting to do under the care of the savvy "Michelle" (Samantha Spiro). Now we scoot forward to her late teens where she (now Saura Lightfoot-Leon) is still living with "Michelle" and seemingly quite a content. One morning it's announced that "Michael" (Joseph Quinn), who was a former charge, is coming to stay for a while whilst his housing is sorted out. He's a decent cove with a girlfriend expecting a baby. Almost immediately he arrives, the two click. Not quite in any conventional sense, but there does seem to be something between them, and understanding. It's this that starts "Maria" thinking of her past, pining for it even - especially when a delivery man presents her with something entirely unexpected in a small package! With the two of them living increasingly closely, how might their relationship develop? Now this isn't for the squeamish. Right from the start we experience the rather sticky downsides of their quite grubby way of life, and as the story moves to it's second phase it becomes a potent, if shallow, character study of two people that just don't conform. The problem for me here is that the drama goes nowhere. It's a sequence of observations of the life of a woman that I didn't feel I knew on any level at all. Her behaviour is unsettling but it seemed to me that was so that the audience could feel unsettled, squirm in our chairs a bit, rather than because the character of "Maria" was evolving in any way. Indeed she seems to retrogress as the film just becomes increasingly tasteless and contrived. It's rare to see people leave an arthouse cinema mid-film, but they did during this. I didn't, but I am not at all sure what the point was, or to whom this is aimed. It has it's moments and at times is really visceral, but sorry - by the end I found it all just a bit too introspective and dull.

May 20, 2024