Hoard
2024 | 126m | English
Popularity: 1 (history)
| Director: | Luna Carmoon |
|---|---|
| Writer: | Luna Carmoon |
| Staring: |
| The story follows Maria – a teenager whose mother used to be a hoarder. Now (set in the 90s) she lives in a foster home where a previous resident, Michael, inspires her to revisit the childhood memories and passions that she has repressed. | |
| Release Date: | May 17, 2024 |
|---|---|
| Director: | Luna Carmoon |
| Writer: | Luna Carmoon |
| Genres: | Romance, Drama, Fantasy |
| Keywords | grief, coming of age, death of mother, mourning, duringcreditsstinger, mother daughter relationship, death of a loved one, absurd, hoarder |
| Production Companies | BBC Film, BFI, Delaval Film, Erebus Pictures, Anti-Worlds |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 07, 2026 Entered: Apr 25, 2024 |
| Name | Character |
|---|---|
| Saura Lightfoot Leon | Maria |
| Joseph Quinn | Michael |
| Hayley Squires | Cynthia |
| Lily-Beau Leach | Young Maria |
| Deba Hekmat | Laraib |
| Samantha Spiro | Michelle |
| Cathy Tyson | Sam |
| Nabil Elouahabi | Ali |
| Frankie Wilson | Anthony |
| Sam John | Jordan |
| Saulius Cajauskas | Paramedic |
| Ceara Coveney | Leah |
| Sarah Rose Denton | Social Worker |
| Sandra Hale | Janice |
| Alexis Tuttle | Mrs. Norwood |
| James Cooper | Jeremy |
| Paul Bassett | Drunk Man |
| Jenny Bolt | Gold Coin Lady |
| Janie Booth | Old Lady with Sheet |
| Tim Bowie | Pete |
| Emily Dixon | Girl in Bar |
| Sandra Hale | Janice |
| Pena Iiyambo | Ellie |
| Erin Jemmotte | Young Laraib |
| Christian Jenner | Policeman 1 |
| Honey Makwana | Holly |
| Petra Markham | Mrs. Brewer |
| Phoebe Naughton | Lady at Bus Stop |
| Sam Retford | Sean |
| Name | Job |
|---|---|
| Rachel Durance | Editor |
| Heather Basten | Casting |
| Bobbie Cousins | Production Design |
| Nat Turner | Costume Design |
| Nanu Segal | Director of Photography |
| Lily Ashton | Production Coordinator |
| Jim Williams | Original Music Composer |
| Luna Carmoon | Writer, Director |
| Ina Lüders | First Assistant Director |
| Steve Single | Sound Re-Recording Mixer, Supervising Sound Editor |
| Name | Title |
|---|---|
| Cheri Darbon | Associate Producer |
| Loran Dunn | Producer |
| Helen Simmons | Producer |
| Andrew Starke | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 5 | 12 | 2 |
| 2024 | 5 | 8 | 13 | 4 |
| 2024 | 6 | 7 | 16 | 3 |
| 2024 | 7 | 9 | 14 | 3 |
| 2024 | 8 | 7 | 17 | 2 |
| 2024 | 9 | 5 | 8 | 3 |
| 2024 | 10 | 3 | 6 | 1 |
| 2024 | 11 | 3 | 7 | 2 |
| 2024 | 12 | 3 | 8 | 1 |
| 2025 | 1 | 5 | 10 | 2 |
| 2025 | 2 | 3 | 6 | 1 |
| 2025 | 3 | 3 | 5 | 1 |
| 2025 | 4 | 2 | 2 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 1 | 1 | 0 |
| 2025 | 9 | 4 | 9 | 1 |
| 2025 | 10 | 4 | 7 | 3 |
| 2025 | 11 | 3 | 5 | 1 |
| 2025 | 12 | 2 | 7 | 0 |
| 2026 | 1 | 2 | 6 | 0 |
| 2026 | 2 | 1 | 5 | 0 |
| 2026 | 3 | 1 | 2 | 0 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 730 | 847 |
The young "Maria" (Lily-Beau Leach) lives with her loving mum (Hayley Squires) in an home full to the brim of junk. Some of it just bric-a-brac, some of it more distasteful and unhealthy, but the pair rub along well enough scavenging their way through skips and bins. "Maria" has a tough time at scho ... ol and doesn't really fit in, so when an accident at home sees her put into foster care, she has quite a bit of adjusting to do under the care of the savvy "Michelle" (Samantha Spiro). Now we scoot forward to her late teens where she (now Saura Lightfoot-Leon) is still living with "Michelle" and seemingly quite a content. One morning it's announced that "Michael" (Joseph Quinn), who was a former charge, is coming to stay for a while whilst his housing is sorted out. He's a decent cove with a girlfriend expecting a baby. Almost immediately he arrives, the two click. Not quite in any conventional sense, but there does seem to be something between them, and understanding. It's this that starts "Maria" thinking of her past, pining for it even - especially when a delivery man presents her with something entirely unexpected in a small package! With the two of them living increasingly closely, how might their relationship develop? Now this isn't for the squeamish. Right from the start we experience the rather sticky downsides of their quite grubby way of life, and as the story moves to it's second phase it becomes a potent, if shallow, character study of two people that just don't conform. The problem for me here is that the drama goes nowhere. It's a sequence of observations of the life of a woman that I didn't feel I knew on any level at all. Her behaviour is unsettling but it seemed to me that was so that the audience could feel unsettled, squirm in our chairs a bit, rather than because the character of "Maria" was evolving in any way. Indeed she seems to retrogress as the film just becomes increasingly tasteless and contrived. It's rare to see people leave an arthouse cinema mid-film, but they did during this. I didn't, but I am not at all sure what the point was, or to whom this is aimed. It has it's moments and at times is really visceral, but sorry - by the end I found it all just a bit too introspective and dull.