Popularity: 4 (history)
Director: | John Badham |
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Writer: | Norman Wexler, Nik Cohn |
Staring: |
Tony spends his Saturdays at a disco where his stylish moves raise his popularity among the patrons. But his life outside the disco is not easy and things change when he gets attracted to Stephanie. | |
Release Date: | Dec 16, 1977 |
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Director: | John Badham |
Writer: | Norman Wexler, Nik Cohn |
Genres: | Drama, Music |
Keywords | dancing master, female lover, lyrical, reminiscent, callous, dance performance, disco, disco music, arrogant |
Production Companies | Paramount Pictures, Robert Stigwood Organization, SNF Productions |
Box Office |
Revenue: $237,113,184
Budget: $3,500,000 |
Updates |
Updated: Jun 22, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
John Travolta | Tony Manero |
Karen Lynn Gorney | Stephanie |
Barry Miller | Bobby C. |
Joseph Cali | Joey |
Paul Pape | Double J. |
Donna Pescow | Annette |
Bruce Ornstein | Gus |
Julie Bovasso | Flo |
Martin Shakar | Frank, Jr. |
Sam Coppola | Fusco |
Nina Hansen | Grandmother |
Lisa Peluso | Linda |
Denny Dillon | Doreen |
Bert Michaels | Pete |
Robert Costanzo | Paint Store Customer |
Robert Weil | Becker |
Shelly Batt | Girl in Disco |
Fran Drescher | Connie |
Donald Gantry | Jay Langhart |
Murray Moston | Haberdashery Salesman |
William Andrews | Detective |
Ann Travolta | Pizza Girl |
Helen Travolta | Lady in Paint Store |
Ellen March | Bartender |
Monti Rock III | The Deejay |
Val Bisoglio | Frank, Sr. |
John Badham | Pedestrian #1 (uncredited) |
Adrienne King | Dancer (uncredited) |
Name | Job |
---|---|
Norman Wexler | Screenplay |
Ralf D. Bode | Director of Photography |
David Rawlins | Editor |
Nik Cohn | Story |
Dan Wallin | Scoring Mixer |
Shirley Rich | Casting Director |
George DeTitta Sr. | Set Decoration |
Patrizia von Brandenstein | Costume Design |
John Nicolella | Production Manager |
Joe Tubens | Hair Designer |
Allan Wertheim | Assistant Director |
Joseph Ray | Second Assistant Director |
Renata Stoia | Script Supervisor |
Arlene Albertson | Production Office Coordinator |
Gary Kalkin | Unit Publicist |
Tom Priestley Jr. | Camera Operator |
James Mazzola | Property Master |
William Ward | Gaffer |
James Finnerty | Key Grip |
Les Lazarowitz | Sound Mixer |
Michael Colgan | Sound Editor |
John Caper Jr. | Music Editor |
John Wilkinson | Sound Re-Recording Mixer |
Robert W. Glass Jr. | Sound Re-Recording Mixer |
John T. Reitz | Sound Re-Recording Mixer |
David Shire | Original Music Composer, Songs |
Jennifer Nichols | Costumer |
Paul Nuckles | Stunt Coordinator |
Max Henriquez | Makeup Artist |
Lester Wilson | Choreographer |
John Badham | Director |
Barry Gibb | Original Music Composer |
Maurice Gibb | Original Music Composer |
Robin Gibb | Original Music Composer |
Charles Bailey | Production Design |
Bill Anagnos | Stunts |
The Bee Gees | Songs |
Walter Murphy | Songs |
Yvonne Elliman | Songs |
Tavares | Songs |
KC & The Sunshine Band | Songs |
Kool & the Gang, | Songs |
Ralph MacDonald | Songs |
The Trammps | Songs |
MFSB | Songs |
Name | Title |
---|---|
Kevin McCormick | Executive Producer |
Robert Stigwood | Producer |
Milt Felsen | Associate Producer |
Organization | Category | Person | |
---|---|---|---|
Academy Awards | Best Supporting Actress | Donna Pescow | Nominated |
Academy Awards | Best Supporting Actor | N/A | Nominated |
Golden Globes | Best Picture | N/A | Nominated |
BAFTA Awards | Best Supporting Actor | Louis Gossett Jr. | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 31 | 47 | 22 |
2024 | 5 | 61 | 72 | 42 |
2024 | 6 | 49 | 73 | 19 |
2024 | 7 | 29 | 44 | 19 |
2024 | 8 | 34 | 48 | 20 |
2024 | 9 | 24 | 37 | 18 |
2024 | 10 | 28 | 47 | 19 |
2024 | 11 | 23 | 31 | 18 |
2024 | 12 | 26 | 36 | 19 |
2025 | 1 | 26 | 40 | 16 |
2025 | 2 | 21 | 28 | 3 |
2025 | 3 | 8 | 26 | 1 |
2025 | 4 | 3 | 4 | 2 |
2025 | 5 | 3 | 4 | 2 |
2025 | 6 | 4 | 5 | 2 |
2025 | 7 | 3 | 4 | 2 |
2025 | 8 | 3 | 3 | 2 |
2025 | 9 | 3 | 4 | 2 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 745 | 880 |
Year | Month | High | Avg |
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2025 | 8 | 725 | 807 |
Year | Month | High | Avg |
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2025 | 7 | 267 | 734 |
Year | Month | High | Avg |
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2025 | 6 | 92 | 466 |
Year | Month | High | Avg |
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2025 | 5 | 851 | 851 |
Year | Month | High | Avg |
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2025 | 4 | 685 | 811 |
Year | Month | High | Avg |
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2025 | 3 | 993 | 993 |
Year | Month | High | Avg |
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2025 | 2 | 370 | 629 |
Year | Month | High | Avg |
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2025 | 1 | 384 | 806 |
Year | Month | High | Avg |
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2024 | 12 | 945 | 945 |
Year | Month | High | Avg |
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2024 | 11 | 929 | 964 |
Year | Month | High | Avg |
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2024 | 9 | 790 | 876 |
Year | Month | High | Avg |
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2024 | 8 | 97 | 465 |
One of my all-time favorite films, Saturday Night Fever is a cult classic! It never ages. And yes, my mother took my big brother and me directly to the record store afterwards, where she purchased the Saturday Night Fever soundtrack. We played the needle through it when we got home. (Laughs) Dynamit ... e soundtrack. Dynamite film.
Great snapshot of the disco era with compelling characters and story RELEASED IN 1977 and directed by John Badham, "Saturday Night Fever" is a drama/musical detailing events in Brooklyn where a group of Italian-American youths led by Tony Manero (John Travolta) work dead-end jobs, rumble with Hi ... spanics and meet babes at the local discothèque where Tony is a champion dancer. Donna Pescow plays his needy wannabe girlfriend while Karen Lynn Gorney plays his dance partner for a big contest. This was a huge hit in its day and the catalyst for disco fever throughout the world. To this day you’ll see people mimic Travolta’s iconic dance stance with one arm pointing upward and the corresponding leg out. John was in the prime of his life at 22 during shooting (a great inspiration for guys to get in shape) and already popular due to TV’s Welcome Back Kotter. “Saturday Night Fever” shot him to stardom, making him a household name. The movie’s hit status was deserved because of its emphasis on the ordinary, but interesting protagonists and their entertaining drama, not to mention the dynamic dance sequences and popular soundtrack featuring the Bee Gees. There are several quality scenes, including one with the magnificent Brooklyn Bridge as a backdrop. Watch for 19 year-old Fran Drescher making her acting debut in a glorified cameo. THE MOVIE RUNS 1 hour 58 minutes and was shot in Brooklyn, New York City. WRITERS: Nik Cohn (story) and Norman Wexler (screenplay). GRADE: A-/B+
I was but ten years old when this was released, so never saw it at the cinema at the time - but boy was it big news. John Travolta was fêted all around the world as the white-suited hipster "Tony Manero" who almost glided around the city streets - and the dance floor. Determined to improve his lot, ... he enters a disco competition which he thinks will change his life and what ensues for about two hours is his story. Sadly, it's not much of a story. He's not a very engaging fellow; treats women badly, has a mouth on him that could strip paint and is constantly at loggerheads with his hard working, decent, old man. Things take a turn for the more complicated when the apple of everyone's eye - his priest brother "Frank" (Martin Shakar) returns home announcing his intention to give up the priesthood for a life that doesn't require celibacy. Luckily, "Tony" teams up on the dance floor with the spunky "Stephanie" (Karen Lynn Gorney) - a woman even more ambitious for a clean start than him - and that is where the film eventually takes off. On the dance floor, with the disco ball working it's magic and a collection of superb Bee Gees tracks that cannot fail to get your toes tapping. "Night Fever"; "Staying Alive"; If I Can't Have You" and the more slow tempo'd "How Deep Is Your Love" make the soundtrack way, way, more memorable than this otherwise tawdry, tacky look at life in New York in the mid 1970s. Travolta is the star, his walk and his cocky style stand him apart from the rest of this rather depressingly anodyne story - but in the end it's a film about aspiration, dancing and the Bee Gees, and the latter elements are well worth watching.