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Why We Fight: The Battle of Russia Poster

Why We Fight: The Battle of Russia

1943 | 83m | English

(1711 votes)

TMDb IMDb

Popularity: 4 (history)

Director: Frank Capra, Anatole Litvak
Writer:
Staring:
Details

The fifth film of Frank Capra's Why We Fight propaganda film series, revealing the nature and process of the fight between the Soviet Union and Germany in the Second World War.
Release Date: Nov 13, 1943
Director: Frank Capra, Anatole Litvak
Writer:
Genres: War, Documentary
Keywords world war ii
Production Companies War Activities Committee of the Motion Pictures Industry, U.S. War Department, U.S. Army Special Service Division
Box Office Revenue: $0
Budget: $0
Updates Updated: Aug 10, 2025
Entered: Apr 26, 2024
Trailers and Extras

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Backdrops

International Posters

Full Credits

Name Character
Anthony Veiller Narrator
Ion Antonescu Self
Nikolai Cherkasov Alexander Nevsky
Miklós Horthy Self
Alfred Jodl Self
King Boris III Self
King Michael Self
Name Job
William Hornbeck Editor
William Montague Sound Mixer
Frank Capra Director
Anatole Litvak Director
Robert Flaherty Director of Photography
Dimitri Tiomkin Original Music Composer
Name Title
Frank Capra Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 5 7 3
2024 5 5 8 2
2024 6 5 12 2
2024 7 7 16 3
2024 8 5 8 3
2024 9 5 8 2
2024 10 7 15 3
2024 11 4 10 2
2024 12 4 6 2
2025 1 4 6 2
2025 2 3 6 1
2025 3 2 4 1
2025 4 1 1 1
2025 7 0 0 0
2025 8 0 1 0
2025 9 1 2 0
2025 10 3 6 2

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Reviews

Geronimo1967
7.0

For some reason, I always felt that this front of WWII was always the most horrendous, and this two-parter goes some way to poignantly illustrating that. Using a combination of animated maps and plenty of wartime newsreel, it takes us into the heart of the Soviet Union as the encroaching Nazis crush ... ed all before them. It’s striking that though much of Western Europe was industrialised, the population facing this onslaught was a largely agrarian one still using scythes, horse-drawn ploughs and with little access to electricity. Initially, this looks like it’s going to be a cake-walk for the invaders, but when they arrive at Stalingrad they find that the population have regrouped and doubled their efforts, in spite of the sub-zero conditions and lack of supplies and ordnance, and together with supplies from the British and the Americans are now starting to make their own presence felt. The second part of this documentary focuses a little more on the fight back and leaves us with some degree of optimism that there might be light at the end of this very, very, long winter. The actuality here is really potent and augmented by a narration that avoids jingoism and sentiment and let’s the imagery speak for itself. Sure, it does have a propagandist function to an extent, but when you see the starved bodies of young children, or the raped ones of young women alive and dead, then you don’t really need anyone in a sound booth to describe what you can see or what to think about it. It’s clearly intended for an American audience and effectively extols that principle that the enemy of my enemy is my friend - regardless of doctrine.

Jul 07, 2025