 
  Popularity: 2 (history)
| Director: | Mike Leigh | 
|---|---|
| Writer: | Mike Leigh | 
| Staring: | 
| Gary attempts to buy a second-hand car. What should be a straightforward task is turned into something of a quest by various people, including dodgy East End car dealer Perry, Perry's taxi-driver dad, a garage owner called Derek, Perry's wife Debbie and couple of twins. | |
| Release Date: | Jun 24, 2012 | 
|---|---|
| Director: | Mike Leigh | 
| Writer: | Mike Leigh | 
| Genres: | Comedy, TV Movie | 
| Keywords | |
| Production Companies | BBC Film, Film4 Productions, Thin Man Films | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Feb 03, 2025 Entered: Apr 30, 2024 | 
| Name | Character | 
|---|---|
| Eddie Marsan | Perry | 
| Sam Kelly | Grandad | 
| Samantha Spiro | Debbie | 
| Lee Ingleby | Gary | 
| Nichole Bird | Hayley | 
| Danielle Bird | Jody | 
| Jade Anouka | Jody's Friend | 
| Robert Putt | Derek | 
| Ben Batt | Footballer #1 | 
| Jonny Leigh-Wright | Footballer #2 | 
| Belinda Everett | Karate Girl #1 | 
| Selina Zaza-Wilson | Karate Girl #2 (as Selina Zaza) | 
| Name | Job | 
|---|---|
| Melanie Heseltine | First Assistant Director | 
| Steve Wentworth | Third Assistant Director | 
| Sarah McBryde | Production Manager | 
| Heather Storr | Script Supervisor | 
| Iain Struthers | First Assistant Camera | 
| Brian Greenway | Second Assistant Camera | 
| Gary Hutchings | Grip | 
| Vishal Kava | Camera Trainee | 
| Simon Mein | Still Photographer | 
| Emer O'Sullivan | Supervising Art Director | 
| Charlie Lynam | Set Decoration | 
| Caroline Harper | Art Direction | 
| Dempsey Cook | Property Master | 
| Ian Newton | Dressing Prop | 
| Brian Green | Dressing Prop | 
| Paul House | Standby Carpenter | 
| Tamsin Wright | Costume Standby | 
| Sinéad Kidao | Costume Assistant | 
| Chloe Meddings | Makeup & Hair | 
| Stephanie Smith | Makeup Trainee | 
| Henry Woolley | Location Manager | 
| Daragh Coghlan | Assistant Location Manager | 
| Reuben Garrett | Gaffer | 
| Tony Goulding | Electrician | 
| Steve Young | Generator Operator | 
| Edward Wise | Production Assistant | 
| Alex Paterakis | Floor Runner | 
| Chris Tarry | Production Accountant | 
| Karen Redman | Assistant Accountant | 
| Polly Duval | Post Production Supervisor | 
| Rab Wilson | Assistant Editor | 
| Nigel Stone | Supervising Sound Editor | 
| Mike Wood | Dialogue Editor | 
| Tim Hands | Sound Effects Editor | 
| Steve Schwalbe | Foley Editor | 
| Mark Paterson | Sound Re-Recording Mixer | 
| Rob Weatherall | Sound Mix Technician | 
| Chris Allies | Title Designer | 
| John Claude | Colorist | 
| Alex Gascoigne | Online Editor | 
| Philip James Booth | Production Assistant | 
| Helen Grearson | Production Assistant | 
| Tracey Josephs | Head of Production | 
| Fiona Lamptey | Production Manager | 
| Jane Hawley | Production Executive | 
| James Buckler | Production Coordinator | 
| Terry Davies | Conductor | 
| Nick Taylor | Sound Mixer, Sound Recordist | 
| Andrew Glen | Music Editor | 
| Tim Fraser | Sound Recordist | 
| Gary Yershon | Original Music Composer | 
| Christine Blundell | Makeup Designer, Hair Designer | 
| Andrea Cripps | Costume Design | 
| Danielle Brandon | Line Producer | 
| Jon Gregory | Editor | 
| Mike Leigh | Writer, Director | 
| Jacqueline Durran | Costume Design | 
| Anna Brabbins | Second Assistant Director | 
| Dick Pope | Director of Photography, Camera Operator | 
| Julian Nix | Graphic Designer | 
| Kharmel Cochrane | Casting Assistant | 
| Nina Gold | Casting | 
| Suzie Davies | Production Design | 
| Name | Title | 
|---|---|
| Gail Egan | Executive Producer | 
| Ruth Mackenzie | Executive Producer | 
| Georgina Lowe | Producer | 
| Tessa Ross | Executive Producer | 
| Christine Langan | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 2 | 4 | 1 | 
| 2024 | 5 | 4 | 6 | 1 | 
| 2024 | 6 | 3 | 7 | 1 | 
| 2024 | 7 | 5 | 14 | 1 | 
| 2024 | 8 | 3 | 7 | 1 | 
| 2024 | 9 | 2 | 4 | 1 | 
| 2024 | 10 | 2 | 7 | 1 | 
| 2024 | 11 | 2 | 8 | 1 | 
| 2024 | 12 | 2 | 3 | 1 | 
| 2025 | 1 | 2 | 6 | 1 | 
| 2025 | 2 | 1 | 1 | 1 | 
| 2025 | 3 | 1 | 1 | 1 | 
| 2025 | 4 | 1 | 1 | 1 | 
| 2025 | 5 | 1 | 1 | 1 | 
| 2025 | 6 | 1 | 1 | 1 | 
| 2025 | 7 | 0 | 0 | 0 | 
| 2025 | 8 | 1 | 2 | 0 | 
| 2025 | 9 | 2 | 2 | 1 | 
| 2025 | 10 | 1 | 2 | 1 | 
Trending Position
Some short films are whole and complete the way they are. Others come to an end leaving things, real or implied, hanging in the air. They make me ask the question, “Why didn’t they make this a full-length film and tell the entire story?” This is one of the latter type, in my opinion. I know Mike Lei ... gh is great at making full-length films and this should have been one of them. I like Eddie Marsan, and they have surrounded him with a fine ensemble cast, who we seem to barely get to know by the time the movie is finished. Mind you, where Eddie’s character is concerned, there is a frenetic quality to his scenes that might be hard to maintain and keep interesting if overused, but perhaps the rest of the cast could take up the slack. But anyway, it is what it is, as the saying goes. It is interesting but not memorable like a few other of Mike Leigh’s other films are. There is no real drama or tension, or comedy for that matter, just a wry and subtle humorous tone which would work even better with a more in0depth storyline. Perhaps “A Running Jump” accomplished what it set out to do, but I still lament to a slight degree its failing to live up to its potential.