 
  Popularity: 4 (history)
| Director: | Gary Oldman | 
|---|---|
| Writer: | Gary Oldman | 
| Staring: | 
| The family of Raymond, his wife Val and her brother Billy live in working-class London district. Also in their family is Val and Billy's mother Janet and grandmother Kath. Billy is a drug addict and Raymond kicks him out of the house, making him live on his own. Raymond is generally a rough and even violent person, and that leads to problems in the life of the family. | |
| Release Date: | Oct 10, 1997 | 
|---|---|
| Director: | Gary Oldman | 
| Writer: | Gary Oldman | 
| Genres: | Drama | 
| Keywords | london, england, violent husband, heroin, addiction, alcoholism, dysfunctional family, domestic violence, working class, drugs, mental illness | 
| Production Companies | SE8 Group | 
| Box Office | Revenue: $0 Budget: $9,000,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 14, 2024 | 
| Name | Character | 
|---|---|
| Ray Winstone | Ray | 
| Kathy Burke | Valerie | 
| Charlie Creed-Miles | Billy | 
| Laila Morse | Janet | 
| Edna Doré | Kath | 
| Chrissie Cotterill | Paula | 
| Jon Morrison | Angus | 
| Jamie Foreman | Mark | 
| Neil Maskell | Schmuddie | 
| Steve Sweeney | Danny | 
| Ronnie Fox | Peter, pool player | 
| John Blundell | Man with Knife | 
| Sam Miller | Club Comic | 
| Terry Rowley | M.C. in Club | 
| Leah Fitzgerald | Michelle | 
| Sydney Golder | Old Guy in Window | 
| Kenan Hudaverdi | Laundrette Owner | 
| Everton Nelson | Street Violinist | 
| Franc Ashman | Club Singer | 
| Ronnie Fox | Peter | 
| Name | Job | 
|---|---|
| Gary Oldman | Writer, Director | 
| Adam Bohling | Unit Manager | 
| Mary Soan | Assistant Director | 
| Finn McGrath | Assistant Director | 
| Hugo Luczyc-Wyhowski | Production Design, Art Direction | 
| Ron Fortunato | Director of Photography | 
| Ken Tuohy | First Assistant Director | 
| Charlie Vogel | Post-Production Manager | 
| Brad Fuller | Editor | 
| Michael Dreyer | Production Manager | 
| Daniel Toland | Assistant Director | 
| Barbara Kidd | Costume Design | 
| Luana Hanson | Art Direction | 
| Eric Clapton | Original Music Composer | 
| Name | Title | 
|---|---|
| Gary Oldman | Producer | 
| Douglas Urbanski | Producer | 
| Luc Besson | Producer | 
| Hilary Dwyer | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 9 | 14 | 6 | 
| 2024 | 5 | 12 | 20 | 6 | 
| 2024 | 6 | 10 | 21 | 5 | 
| 2024 | 7 | 12 | 22 | 7 | 
| 2024 | 8 | 10 | 17 | 7 | 
| 2024 | 9 | 9 | 18 | 5 | 
| 2024 | 10 | 19 | 44 | 7 | 
| 2024 | 11 | 9 | 21 | 5 | 
| 2024 | 12 | 8 | 12 | 5 | 
| 2025 | 1 | 8 | 13 | 4 | 
| 2025 | 2 | 7 | 10 | 3 | 
| 2025 | 3 | 5 | 9 | 1 | 
| 2025 | 4 | 2 | 2 | 1 | 
| 2025 | 5 | 1 | 2 | 1 | 
| 2025 | 6 | 1 | 2 | 1 | 
| 2025 | 7 | 0 | 1 | 0 | 
| 2025 | 8 | 1 | 2 | 0 | 
| 2025 | 9 | 3 | 5 | 1 | 
| 2025 | 10 | 4 | 5 | 3 | 
Trending Position
It's Kathy Burke who steals this for me with a powerfully emotional characterisation of "Valerie". She lives with her brutish husband "Raymond" (Ray Winstone) and her permanently geared-up brother "Billy" (Charlie Creed-Miles). None of the are strangers to drugs and to booze, but when her husband re ... ckons his wastrel brother-in-law has pinched his stuff, he turfs him onto the streets where here resorts to his own mother "Janet" (Laila Morse) for a bed and a source of cash to feed his habit. 'Billy" is a bit of a thoughtless cretin and his behaviour leads to even more turmoil for his sister when "Raymond" finally flips and she is hospitalised. Believe it or not, this has the semblance of a love story to it. The relationship between "Raymond" and "Valerie" might actually run a bit deeper than that of an impoverished couple struggling through the motions from day-to-day. It's the evolution of that partnership that makes the characters a bit more interesting, but I felt the vitriolic and angry dialogue was mostly just a repetitive series of Anglo-Saxon tantrums and drug-fuelled anger - and that let it down for me. Still, Gary Oldman quite effectively shines a light on his perception of how life on a south east London housing estate is endured rather than lived. It's dark, visceral, condemnatory on many levels and quite a tough watch but Winstone only has one gear and for me and he never really convinces.